André 3000 Has Been Cast In Netflix’s Don DeLillo Adaptation, ‘White Noise’

Outkast favorite André 3000 has reportedly been cast in the upcoming Netflix film White Noise, which is directed by Noah Baumbach (who helmed Marriage Story) and also stars Adam Driver, Don Cheadle, Greta Gerwig, and Jodie Turner-Smith. Based on the 1985 novel of the same name by Don DeLillo, the movie, according to Netflix, “dramatizes a contemporary American family’s attempt to deal with the mundane conflicts of day-to-day life while grappling with the larger philosophical issues of love, death, and the possibility of happiness in an uncertain world.”

Since leaving Outkast in 2007, André has acted in a handful of roles over the last 15 years, notably appearing as Jimi Hendrix in the 2013 biographical drama Jimi: All Is By My Side, for which he was nominated for an Independent Spirit Award for Best Male Lead.

In 2019, the Atlanta rapper delved into why he has no interest in releasing a solo album, telling Rick Rubin on the Broken Record podcast, “I haven’t been making much music, man. My focus is not there. My confidence is not there. I tinker a lot. I’ll just go to a piano and sit my iPhone down and just record what I’m doing. Move my fingers around and whatever happens, but I haven’t been motivated to do a serious project. I’d like to, but it’s just not coming. In my own self I’m trying to figure out where do I sit? I don’t even know what I am and maybe I’m nothing. Maybe I’m not supposed to be anything. Maybe my history is kind of handicapping in a way.”

White Noise is currently filming in Cleveland, Ohio and is expected to hit Netflix sometime in 2022.

Kevin Huerter Disgusts Hawks Fans By Picking Rich The Kid Over Outkast

Fans of the Atlanta Hawks turned on one of their own players on Saturday night … well, kind of. As is oftentimes the case in NBA arenas, the Hawks tried to pass some time in between timeouts by running little segments involving players. One appeared to have some sort of bracket element with Atlanta-based rappers, and Kevin Huerter, bless his heart, earned himself a whole lot of boos.

Huerter was asked to choose between Rich the Kid and Outkast. Now, you and I know that regardless of your thoughts on Rich the Kid, you should say Outkast every single time when asked this question, especially if you are doing this in a large venue in Atlanta.

And yet Huerter decided to give his honest answer, and thanks to a video from Taylor Rooks, we learned that the crowd at State Farm Arena showered him with boos.

The video is great because you can hear the crowd react to “RICH THE KID OR OUTKAST” by making a noise as if to say, “Oh, this one is obvious.” Huerter then zags where everyone expects him to zig, which gets the crowd all riled up. We can’t totally make out what is said on the video, but whatever it is, Huerter chuckles at it. Anyway, Kevin, if you read this during halftime, know you’re gonna need to score like 40 in a win to make up for this.

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Outkast Fans Are Calling A Tweet Praising Andre 3K A Case Of ‘Big Boi Erasure’

Big Boi” trended on Twitter today as Outkast fans leaped to the Atlanta rapper’s defense over a case of “Big Boi erasure.” When a fan pondered whether Andre 3000 had ever been bested on a song, fans were quick to point out he was a member of an equally-matched duo.

“Has anyone ever washed Andre 3000 on a song?” reads the original tweet. “Because … I haven’t heard such a song.” While the original poster clearly meant to compare Andre to the dozens of MCs with whom he’s collaborated over the years, longtime Outkast fans read a certain level of disrespect into the statement, since Three Stacks has shared a considerable amount of mic time with Big Boi and the tweet seemed to be overlooking his rap partner’s accomplishments.

“It’s okay to praise Andre 3K without disrespecting Big Boi,” wrote one fan. Another posited that “Big Boi done cleaned him up a plethora of times.” Meanwhile, Andrew Barber of popular Chicago-based blog FakeShoreDrive used the opportunity to point out how the debate only highlighted the duo’s impact on hip-hop. “Big Boi and Andre are just out in the world minding their own business yet still end up trending on Twitter for something every other week, despite not dropping album together in 15+ years,” he observed. “Their legacy is untouchable.”

He’s right; Outkast recently trended because of comedian Ron Fuches’ tweet comparing the tag team to another legendary group, The Beatles. While Outkast always seems to be the subject of some controversy or another, it’s only because they have an undeniable effect on the pop culture landscape since they first declared “the Souf got sum to say.”

Check out more responses to the “Big Boi” trend below.

Andre 3000 Thanked The Comedian Who Compared Outkast To The Beatles In An Unorthodox Way

When comedian Ron Funches tweeted that Outkast is better than The Beatles, he likely knew his opinion would be controversial and generate plenty of discussion as a result. But he probably wasn’t expecting Andre 3000 to reach out to him and offer to send him a gift for, as he puts it, “telling the truth.” Funches explained the reasoning behind his viral tweet, analyzed the reaction to it, and revealed his correspondence with the Outkast member during last night’s episode of The Late Late Show with James Corden.

“What prompted me to write it was just my love of OutKast,” he recalled. “It’s not hatred to the Beatles — I think the Beatles are amazing.” However, he said, “Some of the things that I grew up with and that I value aren’t necessarily given the same amount of worth… They moved the entire rap industry to Atlanta, how they changed it from rapping about drugs to rapping about art, rapping about life. Erykah Badu over Yoko Ono, all day!”

Funches also said that Andre did reach out, joking that the always unconventional rapper sent him an owl — as in Harry Potter — letting him know the gift was on the way. “I hope it’s a handmade flute doesn’t work,” he giggled.

You can watch Ron’s interview with James Corden above.

Entertaining Weed Hip-Hop Lyrics to Celebrate 4/20

Vinyl Me, Please Celebrates A Milestone With ‘VMP 100’ Editions Of Albums By Outkast, Gorillaz, And More

For years now, Vinyl Me, Please has been one of the premiere ways to get a regular flow of exclusive and lovingly presented vinyl rereleases of terrific albums. Now they are celebrating their 100th Essential Record Of The Month with “VMP 100,” a series of reissues of sought-after albums.

The albums that will be re-released as part of the series are Gorillaz’s Demon Days; Phoenix’s Wolfgang Amadeus Phoenix; Outkast’s Southernplayalisticadillacmuzik; Queens Of The Stone Age’s Songs For The Deaf; Queen’s A Night At The Opera; Outkast’s Stankonia; Spiritualized’s Ladies And Gentlemen, We Are Floating In Space; Saba’s Care For Me; Al Green’s Call Me; and Miles Davis & John Coltrane’s The Final Tour: Paris, March 21, 1960.

Vinyl Me, Please CEO Cameron Schaefer says, “Exploring music together is at the heart of VMP and is the driving force behind the last eight years of monthly releases. VMP Essentials is our flagship subscription, the OG, and is the most clear representation of the evolution and growth of our company and community. While it feels like we’ve reached the top of a mountain in a sense with VMP 100, the reality is there’s so much more to explore. It’s truly just the beginning.”

Wayne Coyne of The Flaming Lips, who have albums re-issued through VMP but are not included in the “VMP 100” rereleases, offered a statement, saying, “Being selected by VMP and having them present our music and packaging to their collected followers is like having one of the world’s great art museums show your stuff; or should I say, it’s like a great art museum that you’ve been to that you love and admire, and then one day you go to the museum and they have YOUR art hanging in it. It’s like being welcomed and accepted into a sacred church where records are God.”

Learn more about “VMP 100” here.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Why The Beatles Keep Getting Compared To Hip-Hop Artists Like Migos And Outkast

Despite hailing from Liverpool in the United Kingdom, an ocean away from the birthplace of rock and roll, The Beatles’ importance in the influence of American popular music can not be understated. But why do they keep getting compared to American rap groups from Atlanta, namely Migos and Outkast? In a recurring social media gag, every so often some prominent figure on Twitter declares a modern rap group “bigger” or “better” than The Beatles, setting off another round of vigorous and — it must be stated — mostly irreverent, tongue-in-cheek debate.

On one side are The Beatles’ defenders — those who believe that even feigning to compare them to newer acts, across genres, generations, and geography, amounts to nothing less than musical sacrilege. On the other, a mass of folks who seem delighted to do nothing more than joyfully impugn the legacy of the most successful rock band of all time by arguing for one group whose biggest breakout involved the repetitious invoking of a luxury design house and another whose most mainstream hit was accompanied by a video that parodied the height of Beatlemania.

Caught in between them are bewildered music fans who can’t help but wonder how the artists being compared even relate to each other and why either side seems so intent on making such a fuss over the others’ opinions. Some may wonder how Migos, barely a decade into their career, or Outkast, more than a decade past their golden years as a respected rap duo, even merit discussion alongside the act that held more Billboard records than any other until very recently. However, the answer is not so simple as comparing plaques, and the motivations of both sides are more complex than they appear.

For what it’s worth, I don’t think anyone takes these declarations all that seriously — and if they do, that’s their prerogative. Art is subjective; one person’s most successful rock band of all time is Quincy Jones’ pick for “worst musicians in the world.” For someone whose tastes run more toward blasting bass-heavy, 808-ridden triplet raps through the streets of downtown Atlanta than dropping the needle on the psychedelic meditations of a groovy quartet of shaggy-haired British misfits, making the claims that “Stir Fry” is greater than “Penny Lane” might seem pretty reasonable.

But for an elder generation who grew up with The Beatles, it’s a slap in the face — which is part of the fun for their disruptive detractors. For many of hip-hop’s formative years, rock-chauvinist music critics and fans denied the nascent movement’s musicality, value, and validity as an art form. Fans of rap endured sneering comments that dubbed rap “crap” (haha, so clever) and demeaned the poetry in its often blunt, plainspoken lyrics. Used to lofty, esoteric references to walruses and thinly veiled references to the wonders of LSD — you know damn well that’s what that song is about — rap’s tendency to drive home its points with the force of a nail gun rubbed them the wrong way.

By the same token, their criticisms got under rap fans’ skin, but all rap fans could do was rankle privately and defend the value of the form publicly, through multiple waves of indecency witchhunts led by the likes of Barbara Bush all the way up to Bill O’Reilly. Even today, Cardi B has to defend herself from the Tucker Carlsons of the world almost weekly. But now that rappers like Cardi and Migos are the best-selling acts in the country (an easily quantified claim to make thanks to the advent of streaming), their legitimacy is already assured and all that’s left is to return four decades’ worth of grief one trollish tweet at a time.

Furthermore, The Beatles are no longer a group that defines youth culture. Where once they shocked the world, sent teen girls into hysterical paroxysms, and made concerned mothers clutch their pearls even as they tapped their feet, they’re beyond tame by today’s standards — they’re lame. Furthermore, The Beatles’ prime was a long time ago. We’re in an era where most news items, hit singles, and viral discoveries have a shelf life of about 18 months. For younger millennials and Generation Z, a group that had their own “mania” 50 years ago and no new hits in the last 30 would barely register against the non-stop deluge of new content we’re asked to consume just to keep up these days.

And while The Beatles ruled radio in their day, the average 13-year-old today has probably never even willingly turned one on for their own benefit — if they even know what radios are (again, thanks to the advent of streaming). Many can likely only name a handful of songs — songs that, to them, probably sound how the tunes Captain America was listening to sound to elder millennials and Generation X. It’s their grandparents’ music, and while grandparents can be cool, their taste usually isn’t. So while older hip-hop heads — and it’s usually members of the aforementioned “X-ennial” generation who actually post the tweets in the first place (see: Ron Funches and Donald Glover) — plot to torment their own elders as a means of resistance and revenge for all the pestering of their formative years, for the zoomers, it’s a way to assert their own tastes and identities, as well as indulging in their generations’ unique taste for digital chaos (see: Lil Nas X).

However, that alliance is mostly one of convenience and circumstance and there are already signs of it fracturing. Consider this: Outkast’s last major hit came out almost 20 years ago. That’s just long enough to be retro — which is only a few more years away from being terminally uncool. Time marches on, and Father Time remains undefeated. So while Migos and Outkast may be better than The Beatles today, tomorrow, they might just be inferior to the Polo Gs and Lil Nas Xs of the world. And The Beatles? Well, you know what they say: Everything old is new again. Maybe in another 10 years, they’ll be back in fashion after some 17-year-old samples “Hey Jude.”