Drake found himself in the crosshairs last week on Future and Metro Boomin’s new album, We Don’t Trust You: Kendrick Lamar took an apparent dig at him on “Like That,” rapping, “Motherf*ck the big three, n****, it’s just big me.” The line is seemingly a reference to a J. Cole lyric from his and Drake’s “First Person Shooter,” in which he refers to himself, Drake, and Lamar is rap’s “big three.”
Since then, fans have been waiting to see how Drake would respond, and now it looks like he may have.
Sharing a photo gallery of various shots on Instagram late last night/early this morning (March 28), Drake captioned the post, “They rather go to war with me than admit they are their own worst enemy [crying laughing emoji].”
He got support from notable folks in the comments: Birdman wrote, “Fukem @champagnepapi”; Odell Beckham Jr. chimed in with “Game time” and some laughing emojis; and Kevin Durant added, “Real sh*t.”
Drake’s dad Dennis Graham previously came to his defense with a sarcastic message, writing, “Yo, I am about to drop some new music. And I am not sure if it’s going to sell, but I am going to call some of my homies and get them to start a beef with Drake and get them to unfollow him, and that’s going make my sh*t shoot up to number 1. I’m sure this is going to work, so let me get some people on board for this and watch what kind of attention this gets!!!!!!!!!!!! I WILL BE NUMBER ONE 1Day!!!!!!!!!!!!!”
Drake hit Instagram to deliver a message to everyone looking to beef with him: “They rather go to war with me than admit they are their own worst enemy.”
Kendrick Lamar’s bars toward Drake were definitely heard. While on stage over the weekend in Sunrise, FL, Drake spoke about the diss that arrived on “Like That” from the We Don’t Trust You album.
“A lot of people ask me how I’m feeling. I’ma let you know I’m feeling. Listen, the same way I’m feeling is the same way I want you to walk out this building tonight,” Drake said. “I got my f–king head up high, my back straight, I’m 10 f–king toes down in Florida and anywhere else I go. And I know that no matter what, it’s not a n—a on this earth that could ever f–k with me in my life!”
Drake officially addresses Kendrick Lamar on stage
“I got my head held high, my back straight, I’m ten f**king toes down… and I know no matter what there’s not another n**ga that could ever f*ck with me on this Earth” pic.twitter.com/4xJZ1kX8uS
Kendrick Lamar’s bars toward Drake were definitely heard. While on stage over the weekend in Sunrise, FL, Drake spoke about the diss that arrived on “Like That” from the We Don’t Trust You album.
“A lot of people ask me how I’m feeling. I’ma let you know I’m feeling. Listen, the same way I’m feeling is the same way I want you to walk out this building tonight,” Drake said. “I got my f–king head up high, my back straight, I’m 10 f–king toes down in Florida and anywhere else I go. And I know that no matter what, it’s not a n—a on this earth that could ever f–k with me in my life!”
Drake officially addresses Kendrick Lamar on stage
“I got my head held high, my back straight, I’m ten f**king toes down… and I know no matter what there’s not another n**ga that could ever f*ck with me on this Earth” pic.twitter.com/4xJZ1kX8uS
In case you haven’t heard the song it is available below.
Kendrick Lamar can boast a significant number of hits, each of which has gathered over 1 billion streams on music platforms. For example, on Spotify, the track “HUMBLE.” has collected 2,137,799,132 streams, followed by “All The Stars” (with SZA) with 1,570,370,644 streams, and closing the top three is “Money Trees” with 1,380,074,334 streams. According to DKcasinospot analytics, the musician had 53,678,322 listeners per month, and in terms of monetization, this would amount to approximately $214,713.29.
Future and Metro Boomin’s collaborative album, WE DON’T TRUST YOU, has made history as Spotify’s most-streamed album in a single day in 2024.
Spotify’s official Twitter and Instagram accounts confirmed the milestone on Friday, March 22, 2024. With its captivating tracks and dynamic production, the album has resonated deeply with audiences, solidifying its place as a standout release of the year.
Following the explosive release of their collaborative album, WE DON’T TRUST YOU, Future and Metro Boomin have unveiled the official music video for “Type Shit,” featuring Travis Scott and Playboi Carti.
A highly anticipated project, WE DON’T TRUST YOU, quickly made waves upon its release. It showcases the dynamic lyricism and innovative production that define Future and Metro Boomin’s partnership. The album also features the late Prodigy of Mobb Deep, whose voice is heard throughout the skits.
The “Type Shit” music video offers a visual accompaniment to the track’s energetic vibe, featuring captivating visuals and performances from Travis Scott and Playboi Carti. With its star-studded lineup and compelling production, the video adds another layer of excitement to the already acclaimed album.
The analytical team at casinospotFR was intrigued by how the first joint album between Future and Metro Boomin affected Metro’s popularity. The research showed that the release of the new song “WE DON’T TRUST YOU” stirred quite a reaction, as there was a significant increase in activity on his social media and music platforms immediately after its debut. For example, on Instagram, the singer had 10,307,121 followers prior to this event, and as of today, that number has increased to 10,483,534 followers.
Future and Metro Boomin finally released their long-awaited collab album We Don’t Trust You last week. It arrived to a flurry of positive reviews from critics and fans alike. One stand-out moment on the record was a surprise, with an uncredited Kendrick Lamar feature on the track “Like That.” Much to the shock of listeners, Kendrick brought some incredibly competitive energy to the song. Notably, he explicitly took shots at Drake and J. Cole. Fans have already begun spreading jokes and memes about the explosive verse online. Some argued that the shots mark the first blood in a hip hop world war. With artists already taking sides and fans anticipating a fiery response from J. Cole and Drake, let’s dive into Kendrick’s lyrics on “Like That” and dissect the bars.
Kendrick Has Had Smoke For Drake For Years
Long before Kendrick Lamar made his feelings clear on “Like That,” he and Drake have taken numerous subliminal shots at one another on tracks such as The Game’s “100,” Dr. Dre’s “Deep Water,” and Big Sean’s “Control.” Kendrick’s “Control” verse famously called out a wide array of his musical contemporaries, with some taking the mention of their name as a compliment, while others considered it a call to arms. When the song first premiered in 2013, Drake responded in an interview with Billboard, stating, “I know good and well that [Kendrick Lamar]‘s not murdering me, at all, in any platform. So when that day presents itself, I guess we can revisit the topic.”
While the subliminal shots over the years have been minor enough for some fans to ignore the Cold War feud, Kendrick’s “Like That” verse is the most overt diss yet, specifically responding to lyrics by J. Cole and Drake on their recent collab track “First Person Shooter.” On “First Person Shooter,” Drake raps, “First-person shooter mode, we turnin’ your song to a funeral.” The opening lyrics to Kendrick’s “Like That” feature respond to this lyric directly, stating, “These n****s talkin’ out of they necks, don’t pull no coffin out of your mouth, I’m way too paranoid for a threat.” Elsewhere on the track, Kendrick raps, “Say it’s a lot of goodies with a check I mean, ah / I hope them sentiments symbolic / Ah, my temperature bipolar I choose violence.” These bars reference Drake’s ongoing deal with Nike while likening his rap rival to that of an ineffective Twitter troll.
Kendrick Specifically Aims At J. Cole For The First Time
Despite Kendrick’s years-long under-the-radar beef with Drake, he and Cole have had a positive relationship with one another in the past. The duo have worked together on numerous tracks, toured worldwide, and even teased a collaborative album, which never ultimately materialized. However, it appears as though J. Cole’s lyrics on “First Person Shooter,” referring to himself, Drake, and Kendrick as the Big 3 artists leading the rap game, sparked this fiery response from Kendrick Lamar in the first place.
On “Like That,” Kendrick Lamar alludes to his foes clicking up before name-checking both “First Person Shooter” and Drake’s album For All The Dogs. Kendrick raps, “F*** sneak dissin’ / First person shooter, I hope they came with three switches,” and “For all your dogs gettin’ buried, that’s a K with all these nines, he gon’ see Pet Sematary.” His most explicit jab at J. Cole responds directly to the Big 3 discussion, with the bar, “Think I won’t drop the location? I still got PTSD / Motherf*** the Big 3, n**** it’s just Big Me.” Clearly, Kendrick Lamar felt insulted by the mere notion that Drake and J. Cole are on his level, rebuking the notion of sharing the crown with two rappers he views to be beneath him artistically.
Drake & J. Cole Have Not Responded On Wax
While Drake had some choice words for his detractors at a recent concert stop, neither J. Cole nor Drake have responded to Kendrick’s “Like That” verse in the days since it was released. Fans anticipate a mellow rebuttal from Cole, possibly in the form of a “Might Delete Later” vlog entry or a freestyle verse. Fans are skeptical that Drake will directly respond to Kendrick Lamar on a record. Many claim that Drake can’t write a compelling diss to the Compton rapper. This is especially after receiving a scathing lyrical beating from Pusha T on the track “The Story of Adidon” several years ago.
Either way, “Like That” will surely not end this beef, as Future and Metro Boomin appear to have sided with Kendrick, along with other notable collaborators such as Rick Ross and The Weeknd. After J. Cole and Drake linked on For All The Dogs, many fans hoped to see a big 3 collaboration on Cole’s upcoming LP The Fall Off. Now, the idea of such a collaboration seems further from materializing than ever before.
To borrow a line from Jay-Z, it’s no fun when the family feud. But it is quite interesting to watch when celebrities kinfolk get involved in public disputes.
According to Drake, Metro Boomin and Future’s diss song “Like That” featuring Kendrick Lamar (apparently a longtime foe) didn’t ruffle his feathers. However, the “Rich Baby Daddy” rapper’s father, Dennis Graham, seems far more bothered by the remarks made on wax. To air out his frustration, the Papa Bear reportedly clapped back at the trio and Drake’s former industry friend, who has unfollowed his son online since the track’s release.
On March 25, in a now-deleted post on Instagram, Graham supposedly delivered the heat Drake’s response lacked. “Yo, I am about to drop some new music,” he sarcastically wrote. “And I am not sure if it’s going to sell, but I am going to call some of my homies and get them to start a beef with Drake and get them to unfollow him, and that’s going make my shit shoot up to number 1. I’m sure this is going to work, so let me get some people on board for this and watch what kind of attention this gets!!!!!!!!!!!! I WILL BE NUMBER ONE 1Day!!!!!!!!!!!!!”
Folks online are divided on Graham’s involvement. Some consider it corny. Others declare that all is fair in love and rap beef. But hey: If Beyoncé’s mother, Tina Knowles, can thumb thug it out with trolls when it comes to her superstar daughter, Graham should be granted the same parental grace.
In December 2023, Metro Boomin expressed dissatisfaction with how the 2024 awards show season dismissed his HEROES & VILLAINS LP as the best hip-hop full-length of that timespan. While this relates to his current Drake beef, it displays an important principle. People need to push for quality and quantity, earned success, and a genuine approach to making resonant art. It’s this philosophy that Metro Boomin and Future’s new collaborative album WE DON’T TRUST YOU champions above all else.
Here, the iconic trap duo reunites for a whole project for the first time… at least officially. They’ve both been instrumental to each other’s rise in rap’s top tier, and few pairings are as revered, complimentary, or rewarding in the genre’s mainstream today. While this first of two albums from them is not a perfect attempt, it does showcase a lot of focus, new approaches, intent-driven artistry, and most importantly, a lot of bangers.
For the most part, Future is carrying the lyrical load and largely lives up to that responsibility. His vocal tone and inflections are as buttery and rich as the sensational cheesecake he loves, and the infectiousness of this delivery hasn’t lost its luster over his legendary decade-plus-long run. Whether it’s menacing croons on “GTA,” aggressive barks on “WTFYM,” or the heartfelt and dynamic melancholy on the bonus cut “Where My Twin @,” the Atlanta MC’s able to highlight his versatility here.
Future offers some great switch-ups in his flow to keep his verses riveting. WE DON’T TRUST YOU find him skating over the title track, “Young Metro,” “Runnin Outta Time,” “Fiend (She A Vibe),” and many more. Sadly, on other songs, the 40-year-old fails to keep up these acrobatics. While passionate and fast verses carry “Ain’t No Love,” despite stagnant flows, these repetitive lyrical performance patterns can’t bring “Slimed In” above a background mood listen.
But every single beat on here ends better than how it started, and that’s meant as high praise. Through a lot of well-balanced and progressive structural arrangements, Metro Boomin continues his penchant for making simple yet subtly evolutionary records. There’s the chilling calmness of “Cinderella,” the bombastic and expertly put-together Eazy-E and Rodney O homages on “Like That,” the incredible beat switch and sample flips on “Everyday Hustle“… the list goes on. With woodwinds, horns, strings, electric guitar solos, organs, vocal samples, and probably a lot more, he makes unassuming pianos, synths, and drum patterns loom large.
However, Metro Boomin’s beats can sometimes have a hollow impact on arrival. Take “Ice Attack,” a song whose familiar piano beat becomes all but forgotten once the second (and much better) instrumental sampling La Chat’s “Yeah, I Rob” switches in. There are only so many melodic layers you can pile up song after song before you start noticing a pattern, albeit a very well-executed one that often reaches Metro’s past highs. There are also some small mixing miscalculations like Future’s muffled vocals kickstarting “Magic Don Juan (Princess Diana)” and the overpowering hi-hats in its second half.
Why Are Future & Metro Boomin Distrusting On Here?
Those are just small details in the face of the thematic focuses of WE DON’T TRUST YOU, but let’s make one thing clear: this isn’t revolutionary Future writing. Success, loyalty, the streets, lack of romantic satisfaction, wealth, weapons, and the weary reflections of a women-and-party-loving lifestyle of a global superstar surround the “Ridin Strikers” spitter. Regardless, his high-quality performances make this well-treaded ground grow gardens of standout bars throughout, despite some dead-on-arrival moments.
WE DON’T TRUST YOU narrates an unquenchable ambition and luxury fueled by paranoia on “Claustrophobic,” odes to hard work and pain on “Seen It All,” and so much more. But these themes seem more deliberate than ever, emphasizing distrust in the rap game at large. They’re losing faith in its authenticity, skill level, work ethic, loyalty, and significantly, the competition. Of course, there are a few other people on this project that cemented this idea.
The Weeknd’s background vocals stun, Travis Scott moves through “Cinderella” like smoke with earworm flows, and he and Playboi Carti are a fantastic tag team on “Type S**t.” Some short vocals from Young Thug appear, and Rick Ross asserts his way through impressive rhyme schemes. Perhaps the most significant guest to name is Prodigy, the late Mobb Deep legend whose “corny rappers” rant from decades ago narrates many songs here through vocal samples (plus sampling Mobb’s “Quiet Storm”).
P’s words, plus Kendrick Lamar’s earth-shattering feature on “Like That,” represent the narrative of beef that currently dominates much of WE DON’T TRUST YOU‘s reception. This album never lets you forget its pressure-stressing theme and provides amazing hip-hop to represent two collaborators who’ve built a strong trust through a decade-plus run of consistency. Hendrix is as consumed by his vices as he is compelled to seek them out to authentically live the lifestyle that lyrically leads to both pain and prosperity.
Like every great trap album that came before WE DON’T TRUST YOU, this makes for a fulfilling push and pull. A few smooth transitions between distinct and unique songs make this album flow quite seamlessly. Southside, Boi-1da, Mike Dean, Wheezy, Alan Ritter, Honorable C.N.O.T.E., Zaytoven, and more help shape this run behind the board. It’s not quite varied or thematically versatile enough to escape occasional fatigue and recycling, but for its contemporary appeal, it certainly succeeds.
To no one’s surprise, the sheer chemistry between Future and Metro Boomin defines WE DON’T TRUST YOU. There is always something up to standard, and maybe even exceeding it, to latch onto with each new cut, whether beat or verse-wise. In addition, this project still retains the darkness, ethereal intoxication, and grittiness associated with their collaborative history. For classic and newer fans, there’s a lot to love.
WE DON’T TRUST YOU is, in many ways, exactly what we expected. It feels like a throwback to 2014-2016 on many occasions in the best way, although some beats evoke past projects like HEROES & VILLAINS almost too much. The album falters in its artists’ occasional lack of consistency or idiosyncrasy, and in being what we predicted and have heard for years. This aside, their loyalty to their sound does not replace their will to make it the best it can be, every single time.
This resulted in rap’s next big beef, one that WE DON’T TRUST YOU might not outshine right now, but will likely outlast due to its many highlights and the overall album experience. But what Metro Boomin and Future want is for the genre’s mainstream to take itself seriously among the best that the culture has to offer. On that metric, there are a few areas in which this project could’ve done better. Yet based on these songs, its upcoming sequel will not fall victim to complacency.
On the heels of the explosive release of their highly anticipated collaborative album WE DON’T TRUST YOU, Future and Metro Boomin share the official music video for “Young Metro” with The Weeknd.
WE DON’T TRUST YOU arrived on Friday as a celebration of the historic partnership of two culture-shifting legends at the peak of their powers, nearly breaking the internet in its wake. It officially became Spotify’s most-streamed album in a single day in 2024 on release day, with 6 songs from the album occupying the entire top 6, including “Like That” at #1. WE DON’T TRUST YOU also dominated Apple Music upon release, where the album landed at #1 and songs from the album occupied the entire top 12. It also occupied the #1 spot on Amazon Music. The duo shared the official music video for “Type Shit” with Travis Scott and Playboi Carti on Friday, where the video has been trending in the top 3 all weekend, as “Like That” trends at #1.
The duo will next release a second collaborative project on April 12, 2024, and listeners around the world are bracing for impact—two LPs’ worth of Metro’s sinister cinematic soundscapes and Future’s irresistible demon musicality. These projects are a culmination of rap’s most fruitful partnership. Since meeting when Metro was only 17 years old, Hendrix and Metro have penetrated the streets and the pop culture consciousness with engrossing hustler theme songs — stylish anthems that resonate everywhere from the block and beyond.
Rappers, broadly speaking, are known for being about as reckless with their money as they are gifted with wordplay. If you’re gettting “millions” for your records, why wouldn’t you spend it on throwaways, just to prove you have it?
Viewed from that perspective, it makes sense that the primary feature of Future and Metro Boomin‘s “Young Metro” video is a Tesla Cybertruck. There’s almost no other purchase that screams “ostentatious wealth” and “no f*cks given about utility” like copping a vehicle that rusts if you leave it out on a misty night.
The Weeknd also makes a cameo appearance with a bandana over his face like an old-timey cattle rustler. Naturally, there are also the requesite shots of beautiful, scantily-clad young women, one of whom braids Metro’s hair. Another playfully “lifts” the truck over her head as the others tastefully drape themselves across its blocky frame — these guys certainly have a sense of humor.
“Young Metro” appears, of course, on Future and Metro’s new album, We Don’t Trust You, which has been receiving plenty of attention over the weekend — both for the novelty of the two artists reuniting for a full project and for some of the more incendiary features. It’s out now via Epic and Republic and you can check it out here.