Victoria Monét Surprises Usher With Custom Super Bowl Jacket At Las Vegas Residency Show

In a heartwarming moment of recognition and appreciation, Victoria Monét took a moment to surprise Usher at his Las Vegas residency. The talented “On My Mama” hitmaker gifted the icon, Usher, with a custom jacket in celebration of his upcoming Super Bowl LVIII halftime performance. The fan-recorded video capturing the heartfelt exchange showcases the genuine camaraderie and admiration shared between these two musical powerhouses. In the video, Monét expressed her respect for Usher, acknowledging him as one of the last living icons in the industry. She went on to congratulate and celebrate him in front of the excited audience, emphasizing the cultural significance of his presence. As a gesture of appreciation, Monét presented Usher with a custom jacket, a unique token that undoubtedly holds sentimental value for the Grammy-winning artist.

The unexpected gift was met with cheers from the crowd. It was a moment that highlighted the universal appreciation for Usher’s enduring impact on the world of music. Monét’s thoughtful gesture not only highlights the friendship among artists. But also serves as a symbol of the profound influence Usher has had on the music industry, transcending generations and genres. Taking to her Instagram page the following day, Monét reflected on the unforgettable experience.

Read More: Usher Names, In His Opinion, The Greatest Rappers Of All Time

Victoria Monet With A Sweet Surprise

Moreover, she expressed gratitude for the opportunity to celebrate a living legend. In her post, she described Usher as a real class act and thanked him for providing one of the best nights of her life. Monét’s words radiate genuine admiration, emphasizing the joy and positivity that Usher brings to the world through his timeless and limitless art. The exchange between Victoria Monét and Usher serves as a testament to the interconnectedness of the music community. Where artists uplift and honor each other’s contributions. Usher’s upcoming Super Bowl LVIII halftime show already promises to be a historic moment, and Monét’s thoughtful gift adds an extra layer of significance to the occasion.

As fans eagerly anticipate Usher’s Super Bowl performance, the custom jacket presented by Victoria Monét stands as a tangible symbol of the respect and admiration. In a world often characterized by competition, this gesture exemplifies the beauty of artists coming together to celebrate and uplift one another. What do you think of this sweet gift? Let us know on HNHH!

Read More: Usher Recalls Chaperoning Young Beyonce During Studio Session With The Dolls

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Beyoncé Drops Fiery New Track “My House”

Fresh off the cinematic triumph of her latest film, Renaissance: A Film by Beyoncé, the Queen Bey herself is back with a surprise for her fans. A brand new track titled “My House.” This release marks Beyoncé’s first release in music since the drop of her groundbreaking album, Renaissance, last year. And she’s not just testing the waters; she’s diving in headfirst, showcasing her bars. The melody is driven by horns and a relentless beat. “My House” throws listeners into uncharted territory as Beyoncé boldly embraces rap with scorching bars that set the track ablaze. While fans have witnessed her versatility across genres, this unexpected dive into full-on rap mode is a testament to her willingness to push boundaries and defy expectations.

The track’s release comes as no coincidence, seamlessly tied to the debut of Renaissance: A Film by Beyoncé in theaters. Serving as the cinematic backdrop, “My House” adds an extra layer of intensity and anticipation to the film. Beyoncé’s journey into rap isn’t just a sonic experiment; it’s a declaration of artistic evolution. The songstress, known for her powerful vocals and commanding presence, showcases a different dimension of her musicality. “My House” is more than just a track; it’s a statement that Beyoncé continues to reinvent herself, refusing to be confined by the expectations set by her previous works.

Read More: Tina Knowles Defends Beyonce’s “Renaissance” Premiere Appearance

Stream “My House” Below

In a year that has seen Beyoncé break records as the artist with the most Grammy wins of all time, “My House” reinforces her status as an unstoppable force. The surprise release follows the album’s initial single, “Break My Soul,” and adds another layer to the enigma of Renaissance.

As fans eagerly dive into “My House,” they are met with a Beyoncé who is not only unafraid to embrace rap. But does so with a level of finesse that solidifies her standing as a true icon. With no accompanying music videos for any of the album tracks prior to its release, Beyoncé continues to keep fans on the edge of their seats. Proving that her ability to captivate extends far beyond the confines of conventional music releases. “My House” is not just a song; it’s an experience, a sonic adventure that showcases Beyoncé’s ever-expanding artistry.

Quotable Lyrics:

Me and my thug bae gon’ slide tonight (Slide tonight)
Call the paparazzi, ain’t got clips to hide tonight (Boom, pow)
Cash out this plane jet, call Lorraine (Swipe)
Then take me to Tiffany, I want forty-four karats on my fangs (Bling, ah)
I want pink diamonds on my belly chain and my nipple rings (Grrah)
I’m grabbin’ grain, sippin’ sideways on this

Read More: Beyonce’s Shocking Vegas Residency Budget Unveiled

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T.I.’s Sons Drop “Father Like Sons” Track

In the aftermath of a viral family altercation that captured headlines and social media feeds, T.I.’s sons, King and Domani Harris, are letting their voices be heard in a different way. The duo has teamed up for their first official collaboration. They dropped the joint single titled “Father Like Sons” on Thursday (November 29). This musical offering comes in the wake of the unexpected family drama that unfolded over the weekend and quickly became a trending topic. A few days ago, T.I. chose to address the recent family drama. Taking to Instagram, the rapper shared a post that conveyed a strong message of familial loyalty. “Fck what dis internet talkin bout… Da Harris Family Tied Like a Knot. We all We Got…4LIFE,” he declared. T.I. made it clear that, regardless of external chatter, the unity of the Harris family remains close.

Moreover, the track serves as a unique exploration of the siblings’ relationship with their iconic father, T.I. In “Father Like Sons,” King and Domani delve into the undeniable influence of their DNA. They drew parallels to the legendary rapper and emphasizing the familial connection that shapes their identities. “Can’t deny my DNA,” T.I. shared, providing insight into the essence of the track. The single serves as a testament to the generational impact of T.I.’s legacy. Highlighting the seamless blend of personal experiences and musical talent within the Harris family.

Read More: T.I. Addresses Family Feud: “Da Harris Family Tied Like A Knot”

Stream “Father Like Sons” Below

The release of “Father Like Sons” not only marks the first official collaboration between King and Domani but also showcases their unity in the face of public scrutiny. The Harris family, often in the public eye due to their high-profile status, has navigated challenges with a commitment to preserving their tight-knit bond. “Ima RIDE to da heavens or da depths of HELL bout my Jr. & ain’t nothing gon change that,” T.I. asserted in the post.

As the Harris family weathers the storm of public attention, the release of “Father Like Sons” emerges as a creative expression of solidarity and resilience. The track not only highlights the musical talents of King and Domani but also serves as a testament to their ability to capitalize off the media. In the world of hip-hop, where narratives often unfold on a global stage, the Harris family remains a united force, riding through challenges and celebrating their unique journey together.

Quotable Lyrics

This shit just run in the family
I ain’t capping, n-gga
Got that side of my pops
I ain’t acting n-gga
There’s a hating ass n-gga that want me dead

Read More: King Harris Is Demanding A High Price Tag For An Interview

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Denise Richards Net Worth 2023: What Is The Actress & “RHOBH” Star Worth?

Denise Richards’ career in Hollywood is a testament to her versatility and resilience in the ever-evolving world of show business. Known for her roles in both television and film, including popular movies like Wild Things and The World Is Not Enough, Richards established herself as a talented actress with a dynamic presence. Her journey in the entertainment industry has been diverse, taking her from the silver screen to reality television, notably on The Real Housewives of Beverly Hills. Her net worth of $12 million, as reported by Sportskeeda, not only reflects her success in acting but also her savvy in managing a multifaceted career in a competitive industry.

From Screen Siren To Reality TV Star

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Charlie Sheen & Denise Richards attending the CBS TV Network Upfronts at Tavern On The Green Restaurant in New York City. (Photo by Walter McBride/Corbis via Getty Images)

Denise Richards’ acting career, marked by a mix of dramatic and action roles, showcased her range and ability to captivate audiences. Transitioning from film to television, she expanded her repertoire, taking on roles that highlighted her versatility. Her foray into reality television with The Real Housewives of Beverly Hills offered the public a glimpse into her personal life. This added depth to her public persona. This move also underscored her adaptability and willingness to explore new facets of her career, further cementing her place in the entertainment industry.

Personal Life & Philanthropy: The Real Denise Richards

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LOS ANGELES, CALIFORNIA – JUNE 02: Aaron Phypers and Denise Richards attends the Race To Erase MS 30th Anniversary Gala. At Fairmont Century Plaza on June 02, 2023 in Los Angeles, California. (Photo by Matt Winkelmeyer/WireImage)

Away from the cameras, Denise Richards is deeply committed to her family and charitable causes. As a mother of three, her role in her family is a vital aspect of her life. Her philanthropic endeavors, particularly in animal welfare and cancer research, demonstrate her dedication to making a difference. These activities offer insight into her values and priorities, revealing a side of Richards that her fans often ignore.

Denise Richards: A Journey Of Enduring Influence

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CANNES, FRANCE – APRIL 17: Denise Richards attends the ‘ Paper Empire ‘ photocall. During the MIPTV Media Market on April 17, 2023 in Cannes, France. (Photo by Arnold Jerocki/WireImage,)

Denise Richards’ story, characterized by her $12 million net worth, according to Sportskeeda, is about more than financial success. It is a narrative of an actress who has skillfully navigated the highs and lows of Hollywood. She has continuously evolved her career while maintaining a strong commitment to her family and philanthropic efforts. Her journey is a powerful illustration of professional success intertwined with personal fulfillment and social responsibility.

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3rd Annual ASCAP Foundation Holiday Auction Kicks Off Online w/Exclusive Items Donated By Dr. Dre, Snoop Dogg And More

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Top musical talent is coming together to help support the next generation of songwriters and bring music education to young people as part of the third annual Holiday Auction for The ASCAP Foundation, a charitable organization dedicated to supporting music creators. In the past year alone, ASCAP Foundation programs benefited more than 300,000 people, including 60,000 students from 700 schools.

A range of A-list artists and songwriters from all corners of the music world have contributed items for bid including hip-hop icons Dr. Dre + Snoop Dogg (signed, custom Air Force Ones designed by Frankie Zombie) and Big Daddy Kane, pop stars such as Olivia Rodrigo, Selena Gomez and Reneé Rapp, renowned DJs Steve Aoki and Martin Garrix, indie luminaries Cigarettes After Sex and mxmtoon, rockers Travis Barker (Blink-182), Tenacious D, Papa Roach, Richie Sambora (Bon Jovi guitarist), Chicago and Josh Klinghoffer (former Red Hot Chili Peppers guitarist)songwriting legends like Paul Williams, Jimmy Jam & Terry Lewis, Desmond Child and Poo Bear, social media sensations Laufey and Paul Russell (“Lil Boo Thang”), country hitmakers Alan Jackson, Chris Stapleton, Old Dominion, Brothers Osborne, Jordan Davis and Carly Pearce, Broadway and film titan Stephen Schwartz (Wicked, Prince of Egypt) and many more.

The auction takes place online at from today through December 14.

“We could not be more excited that the Holiday Auction is becoming an annual tradition for The ASCAP Foundation,” said Nicole George-Middleton, The ASCAP Foundation Executive Director. “It has been incredible to see the donations pour in from ASCAP’s top members as we work together to raise funds to support future music creators. It is truly a one-of-a-kind auction for music fans, and we thank our supporters from the bottom of our hearts for their generosity.”

The items on auction include autographed guitars, vinyl, handwritten lyrics, original song compositions written for the winning bidder, VIP tickets to awards shows, concerts and sporting events, meet and greets, personalized videos and more.

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Congressman Hakeem Jeffries Pens Hip Hop 50 Essay For African Voices Magazine

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Marking Hip Hop History Month, Congressman Hakeem Jeffries, the House Democratic Leader, published the following essay in African Voices Magazine. In 2021, Congress established November as Hip Hop History Month.

“It was all a dream. 

I used to read Word Up! magazine. 

Salt’n’Pepa and Heavy D up in the limousine. 

Hangin’ pictures on my wall. 

Every Saturday Rap Attack, Mr. Magic, Marley Marl.” 

Those words were uttered by the late, great Notorious B.I.G. But they also vividly described my own experiences growing up as a teenager in Central Brooklyn during the mid to late 1980s. Before Yo! MTV Raps and Rap City, all we had were Rap Attack, a rival show hosted by Kool DJ Red Alert and the iconic Video Music Box led by VJ Ralph McDaniels. It was through these venues that we were first exposed to the latest artists, including the rise of LL Cool J, Big Daddy Kane, Eric B and Rakim, KRS-One, MC Lyte, NWA and EPMD. After hearing new records, we couldn’t wait to talk about the compelling music we were just exposed to during homeroom or in the cafeteria the next day.

Early on in high school, I had two fantastical career objectives. The first was Hip Hop stardom, as I was casually rapping under the name Kid Fresh. The second was to become a point guard for the New York Knicks. Neither of these worked out.

Nevertheless, I still fondly remember my highest profile rap battle against a classmate named Sam, right in front of Midwood High School after the last bell. While memories are hazy, one of my boys seems to recall that I won the showdown on points.

Music is a soundtrack for our lives, none more compelling for me than Hip Hop. To this day, it allows me to mark and reflect upon different parts of my life based on the records that were banging at the time.

MC Run could do no wrong upon hearing Sucker MCs as a pre-teen. The BDP conflict with MC Chan captivated us in High School. When A Tribe Called Quest’s “Scenario” featuring Busta Rhymes was played during a Kappa party at College In The Woods up at Binghamton, the crowd went wild. And my eventual graduate school roommate while I was at Georgetown, Adrian Fenty, introduced me to Dr. Dre’s classic album “The Chronic.”

The Hip Hop landscape was forever changed by Dre, Snoop, Ice Cube, Tupac and a compelling array of West Coast rappers. But not to be outdone, the Wu-Tang Clan, Fugees, Nas, Biggie, Lil Kim, Mobb Deep, Jay-Z, DMX and a host of incredible new artists brought the East back. Balance was restored to the Hip Hop universe. And of course, OutKast, Ludacris and the South would also have something to say.

When the Notorious B.I.G. dropped “Who Shot Ya” during my first year of law school, it lit up the parties hosted by aspiring Black lawyers at NYU and Columbia. We studied Supreme Court case law during the week, and listened to Bad Boy, Tupac and Jay-Z on the weekend. As a young lawyer in Manhattan in the early 2000s, we debated the back and forth between “Takeover” and “Ether,” admiring the sophisticated wordplay of both songs.

To this day, when locked into political combat with an adversary and in search of inspiration, those classics remain my go to records — along with Queen Latifah’s “U.N.I.T.Y.”, Tupac’s “Against All Odds” and 50 Cent’s “Back Down.” When declaring victory during my first congressional race in June 2012, “Empire State of Mind” was blaring in the background. Yeah, I’m out that Brooklyn.

The older you get, the more things begin to come full circle. Hip Hop has evolved, but the power of its music, culture, language, fashion and art remain constant. It’s just that now I have to rely on my sons to keep me up on the latest drop from Kendrick Lamar, or inform me that “Lit” is the new “Hot.”

Throughout my time in elected office, I have had the privilege of representing the neighborhoods where Biggie Smalls and a host of iconic Brooklyn MCs were raised. Hip Hop is not just an important part of my life, but it’s intimately connected to the district I serve.

Six years ago, on March 9, 2017, I decided to go to the House Floor to deliver a tribute to the Notorious B.I.G. to commemorate the 20th anniversary of his tragic death. When I told the staff of my plan, one of them responded: “You can’t do that!”

So I asked the team to check the congressional record and validate my suspicion that other prominent artists like Elvis Presley, Frank Sinatra and Bruce Springsteen had been acknowledged on the House Floor by Members of Congress in the past. About an hour later, a staff member confirmed that all three had received multiple congressional tributes. I responded: “Great. Christopher Wallace is about to get one as well.”

The framers of the Constitution designed the House to be the institution closest to the American people, and reflect their hopes, dreams, aspirations, fears, concerns, anxieties and passions. It’s what makes the House of Representatives so unique. For me, that has meant authentically bringing to Washington all that Hip Hop music has represented for the communities I am privileged to serve. During this challenging time in America, House Democrats will continue to fight For the People. And I will continue to do my best to always represent for the culture.

Published in the November/December Edition of African Voices Magazine as Part of their Special50th Anniversary of Hip Hop Issue.

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King Isis Shared A Moody, Alternative Cover Of Sexyy Red’s ‘Pound Town’

King Isis continues to show us why they’re one of the most exciting act in the indie landscape right now. Earlier this week, the queer-led, Afro-futuristic artist from Oakland shared a trippy cover of Sexyy Red‘s “Pound Town.”

Driven by hypnotic guitars and clashing drums, Isis transformed the viral hip-hop hit into a moody, alternative banger. In a video shared to Isis’ YouTube channel, they are accompanied by a backing band, as they perform in a grungy, garage-like setting.

Throughout their discography, Isis has experimented with rock, hip-hop, R&B, and jazz sounds. In an interview with DIY Magazine, Isis explained that they don’t like to be kept inside a box, nor do they care for their music to be palatable or accessible to everyone. Rather, they make music that reflects what’s happening inside their mind at the moment, not sticking to any set routine for making music.

“I feel like it’s more palatable for songs to have a bright-sounding instrumental, and then dark lyrics. But that’s not the intention of how I write, to be accessible,” they said. “In my head it all goes together, but an outside perspective might be like, ‘What the f*ck is going on?’”

You can see the cover of “Pound Town” above.

Tiny Harris Addresses Rumor That T.I. Isn’t King’s Father

It’s been an eventful week for the Harris family. T.I. and his son King got into a physical altercation at an Atlanta Falcons game on Sunday, which was unfortunately broadcast to countless social media followers. Clips from their tussle aren’t the only things floating around the internet as of late, however. Now, there are also some rumors circulating that King isn’t actually T.I.’s biological son.

Instead, some users speculate that it could be James “Bimmy” Antney. Commenters are suggesting that this plays a large role in the 19-year-old’s recent beef with his parents, however, Tiny begs to differ. She recently hopped on her Instagram Story to shut the unfounded rumors down, insisting that T.I. is King’s dad.

Read More: King Harris’ Latest Response To T.I. & Tiny Fight Might’ve Been Aimed At Hitmaka

Tiny Harris Shuts Down Rumors, Claims She Doesn’t Even Know Bimmy “Like That”

Moreover, she claims not to even know Bimmy very well, making the speculation all the more ridiculous. She reposted a screenshot of a gossip account on Instagram reporting on the “alleged tea,” denying the accusations. “Man this is the biggest bullsh*t ever!!! No disrespect but I don’t even know Bimmy like that! I was just reminded of who he was. Quit playing with us for click bait b*tch!” she wrote. Tiny isn’t the only one defending their family name, either. Earlier this week, T.I. hopped on Instagram to clarify that his family is doing just fine amid the fallout from he and King’s altercation.

“Fck what dis internet talkin bout… Da HFamily Tied Like a Knot,” he wrote on Instagram. “We all We Got…4LIFE… Ima RIDE to da heavens or da depths of HELL bout my Jr.& ain’t nothing gon change that.” What do you think of Tiny Harris’ response to rumors that King isn’t T.I.’s son? What about the speculation that it could be Bimmy instead? Share your thoughts in the comments section down below, and keep an eye on HNHH for more updates.

Read More: T.I.’s Son King Harris: 3 Of His Wildest Social Media Moments


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