Today in Hip-Hop History: The Notorious B.I.G.’s Posthumous Third LP ‘Born Again’ Dropped 24 Years Ago

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On this day in Hip Hop history, the late Notorious B.I.G. released his second posthumous album, Born Again. This project was a compilation album featuring old recorded verses over newer beats with guest features. The album had a high reception rate, debuting at #1 on the Billboard 200 chart and selling 485,000 albums in the first week. It sold so well that it was certified double platinum a month and seven days after its release.

The album’s critical reception was mixed, to say the least. Many critics were stuck in between whether this album was merely a way for Bad Boy Records to cash in on an opportunity or a tribute album to arguably the best rapper of all time. Rolling Stone wrote that the “album won’t damage his legacy, but Born Again won’t improve that legacy much either.” Late in 2004, the magazine stated that “The posthumous Born Again proved Biggie was still dead, but his place in the MCs Hall of Fame remains untouchable.” Whether or not these reviews ring true to listeners is up for debate, but what is certain is that the star-studded cast of features on this project definitely helped Biggie flex his abilities even from the grave. Features on the project included greats such as Busta Rhymes, Redman, Method Man, Missy Elliott, Ice Cube, and Snoop Dogg and although these are titans of rap, none of them were able to outshine the Notorious B.I.G. For Biggie fans, this project was a gift from the afterlife. It has become a must-have among all diehard fans of the late king of New York.  The album made appearances on the top music charts all over the world and has sales that continuously increase due to the successes of Biggie in his life. After this project, Bad Boy released one last posthumous album titled Duets: The Final Chapter in 2005.

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Today In Hip Hop History: Camron’s ‘Purple Haze’ Album Turns 20 Years Old!

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On this date in 2004, Cam’Ron released his fourth solo album entitled ‘Purple Haze’ released on the Diplomats, Roc-A-Fella, and Def Jam imprints.

This was the first solo album from the Dipset capo following the Dipset craze, where he switched from his obsession with the color pink to the more regal purple. Songs such as the anthemic “Down And Out” featuring a fairly new artist named Kanye West and Syleena Johnson, “Bubble Music” and “Adrenaline” featuring Twista and Psycho Drama help to popularize the highly anticipated album that took about a year to be released following several label delays during the Roc-A-Fella break up.

The album was propelled by samples from old soul and reggae music, which only helped to add to the LP’s popularity.

Salute to Cam, Dipset, and everyone involved with this timeless Hip Hop gem!

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Killer Mike Reveals Visuals For “Nobody Knows”

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Killer Mike has just shared a new video for “Nobody Knows” in conjunction with today’s final show of his sold out “STILL TALK’N THAT SH*T!” co-headline tour with Dave Chappelle.

The video recaps Mike’s whirlwind year crisscrossing the US, Canada, and Europe on tour with his gospel ensemble The Mighty Midnight Revival, from the aforementioned tour with Chappelle, to festivals like LollapaloozaNewport Folk Festival, and Outside Lands, to performing accompanied by the National Symphony Orchestra at the Kennedy Center, to a six show residency at NYC’s iconic Blue Note Jazz Club, and more.

The video is a fitting capstone to a landmark year for the accomplished MC, which kicked off with sweeping the rap categories at the Grammy Awards, taking the Album of the Year honors at the BET Awards, releasing a standalone EL-P produced single “Detonator” as part of the Call of Duty:Black Ops 6 rollout, teaming with TI to reopen Atlanta’s historic Bankhead Seafood, speaking at the Hollywood Walk of Fame induction for Otis Redding, and much, much more.

Nobody Knows” is sourced from Michael & The Mighty Midnight Revival: Songs For Sinners & Saints, which debuted at #5 on the Rap Charts with the CD and LP’s release on November 22. The 11-song project, initially issued as free download to fans alongside its streaming release in July, is intended as an epilogue to last year’s autobiographical MICHAEL album.

Speaking on the project Mike states that, “for me this is a testimonial. When I was growing up an important part of church service was people having the opportunity to stand up and give public testimony on their trials, tribulations, and triumphs. After the celebratory atmosphere that followed MICHAEL I was reminded that tribulations never cease, but God is always with me and this is a testimonial of my tumultuous times, my trials, and my continued triumph in spite of doubt, outright hate, and fear. I am here to speak to and with my fellow sinners and Saints.”

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Museum Of Graffiti Celebrates 5th Anniversary With Star-Studded Event Sponsored By Rolling Loud And Sprite

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The Museum of Graffiti marked its 5th anniversary last night with an unforgettable celebration in Miami’s Wynwood Art District. Sponsored by Sprite and Rolling Loud, the event brought together art enthusiasts, cultural tastemakers, and notable guests for a night of music, art, and community.

The evening featured a powerful live performance by Miami’s own Rick Ross, captivating the audience with his iconic hits. Guests also explored Slick: MIA, a bold new solo exhibition by graffiti legend OG Slick, which includes the immersive “Happy Room” installation and works that blend graffiti culture with fine art.

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Attendees mingled in the interactive Spotify Artists’ Lounge and enjoyed curated culinary offerings by Chef Abe Moiz of CookxUnity, adding to the vibrant atmosphere of the celebration.

The event is part of the Museum’s three-day anniversary celebration, which continues through December 6, featuring additional exhibitions, panel discussions, and interactive experiences.

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Casanova Finds Revelations In His Newest ‘I Get It Now’ Album, Drops “Forgive Me Father” Visual

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Screenshot 2024 12 06 at 11.25.01 AM

The Brooklyn-emcee Casanova sheds his gritty exterior to reveal the revelations he has reached as a man in his newest album, I Get It Now. The twelve-track album takes listeners through an audio tabernacle that unearths Casanova’s shadow work to become the better man he is today. 

Along with the album, Casanova drops the new visual to its leading single, “Forgive Me Father.” The single covers the Brooklyn emcee’s self-awareness and points out some causes of his past songs. The video starts with the past Casanova from 2006 getting ready to commit robberies and the present-day Casanova in a suit walking into a tabernacle at a church.

Throughout the Nimi Hendrix-directed video, there are scenes of the 2006 Casanova with his woman, kid, and Casanova’s mom being happy with each other. But as the video progresses, the 2006 Casanova is seen hiding the money he got from robbing people and a gun in his bed. Then, the video shows Casanova having regrets about some upcoming robberies, with disdain on his mother’s face and concern from his loved ones.

The visual ends with the past Casanova, dressed in all-black robbery clothing with a backpack full of things he stole, meeting with the present-day suit-wearing Casanova at the church before the past Casanova enters the tabernacle. Its closing moments show a news clip of his actual arrest and the mugshot. When the screen fades to black, the words, “People with nothing will help you lose everything. I hope that don’t go over your head.” In the album’s lead single, “Forgive Me Father,” Casanova reflects on his sins while exposing what made him act out in sin. He raps to listeners about losing it all and having to win it back. The hook, “So fuck family and fuck friends,” reflects how the rough history with his relatives and friends affected his ability to give love throughout the song. He asks God, “Who let the Devil in?” to raise self-awareness on what’s affecting his decision-making.  

I Get It Now explores other topics from lust in the track “Please,” luxury and wealth in the upbeat club song “Miami” featuring Kevin Ross, and facing resentment he got from the world in “Hate Me.” The opening lyrics of “Hate Me” are on the letter in the cover art. Regardless of the resentment and nightmares he experienced, Casanova finds a way to still keep his head above water and provide for his family. I Get It Now contains additional features from YXNG K.A., Joey Bada$$, and KayCyy.

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TRACKLIST

  1. “Forgive Me Father”
  2. “What’s A Opp?
  3. “Calm Down” feat. YXNG K.A.
  4. “Please”
  5. “Miami” feat. Kevin Ross
  6. “They Said He Had A Gun” feat. Joey Bada$$
  7. “Hate Me”
  8. “Apes”
  9.  “Ride For Nothing”
  10.  “I’m Greasy”
  11.  “Cry”
  12.  “Down Fall”

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Kanye West Faces Backlash Over Unpaid Producers On ‘Vultures’ Albums

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Screenshot 2024 12 05 at 11.20.13 AM

Kanye West is under fire after more than ten producers from his albums Vultures 1 and Vultures 2 claim they have not been paid. According to a report from Billboard, several music attorneys are collaborating to seek compensation for their clients, who contributed to these projects but have yet to receive their agreed fees or royalties.

Released in February, Vultures, a collaborative effort with Ty Dolla $ign, has achieved significant commercial success, moving 817,000 album-equivalent units. However, nearly a dozen producers have reported that they are still waiting on signed agreements to secure their payments, leaving them unable to collect producer royalties or publishing income. Producers from Vultures 2 reportedly face the same issues.

“We represent clients who contributed to the Vultures albums but have yet to be compensated for their services, despite both albums being publicly released,” music attorney Bob Celestin told Billboard. “It’s unfortunate and unfair. You’d expect West, a producer himself, to be more empathetic to this kind of situation.”

This case underscores a broader industry issue, as producers often face delayed payments. “In nine out of ten cases, producers haven’t been paid by the time the music is released,” attorney Jason Berger explained.

The delay in payments is exacerbated by the complexities of large-scale music projects. “With so many collaborators and high-profile artists needing to approve agreements, payments can take over a year to process,” Celestin added.

West’s erratic business dealings appear to contribute to the delays. He has reportedly cycled through at least two legal teams to handle clearances and is now working with a third. Additionally, he recently switched music distributors from Create Music Group’s Label Engine to Too Lost, further complicating the administrative process.

Despite these challenges, West has continued to push forward with new music. The Vultures albums, credited to ¥$, his project with Ty Dolla $ign, feature contributions from an array of high-profile producers, including Timbaland, Swizz Beatz, KAYTRANADA, James Blake, DJ Mustard, and London on da Track. Some tracks on Vultures 1 list upwards of ten producers.

For producers still awaiting payment, West’s history of abandoning ventures offers little reassurance. Earlier this year, he sold a stripped-down Malibu mansion at a loss of $36 million and briefly flirted with launching a porn industry venture, only to scrap it weeks later.

Amid the controversy, West is reportedly preparing to release Vultures 3, potentially compounding the issues of unpaid agreements across three albums.

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Today In Hip Hop History: UGK’s Pimp C Passed Away 17 Years Ago

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On this date in 2007, Chad Butler aka Pimp C of Houston’s legendary Underground Kingz along with Bun B, lost his life from an overdose of promethazine syrup, which is called “lean” on the streets, in West Hollywood, California. He was only 33 years old. Even though his physical presence is gone and sorely missed, many artists still pay homage to Sweet Jones through his music and dedication to him of their own music.

Born Chad Lamont Butler on December 29, 1973, in Port Arthur, Texas, Pimp C emerged into the Hip Hop scene with his partner Bun B to make the Underground Kingz (UGK) one of the greatest rap groups to come out of the Dirty South and undoubtedly the best rap duo from Texas.

In his illustrious three-decade-long career, the Pimp released nine UGK albums, six full-length solo albums, and even a posthumous book Sweet Jones: Pimp C’s Trill Life Story by Ozone Magazine owner Julia Beverly, which dropped last summer.

RIP PIMP C!!!

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Today in Hip-Hop History: Brand Nubian Dropped Their Debut Album ‘One For All’ 34 Years Ago

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BrandNubian

On December 4, 1990, Brand Nubian released their classic Five Mic debut album One For All on Elektra Records. Boasting production Dante Ross, Skeff Anslem, the SD 50s (Stimulated Dummies), Jam as well as their own hands on the boards, Brand Nubian arguably released one of the most influential debut albums in Hip Hop history. The Source Magazine’s Record Report of All For One gave the LP a perfect rating, stating AFO, “overflows with creativity, originality, and straight-up talent. […] the type of record that captures a whole world of music, rhymes, and vibes with a completely new style.”

Over 30 years ago, Grand Puba Maxwell of the Masters Of Ceremony linked up with the Gods Derrick X and Lord Jamar Allah, recruited X’s childhood pal Alamo as the DJ to form the four-man crew of Brand Nubian. The crew pioneered the sound of the Gods, infusing the knowledge and wisdom of the 5% Nation in their lyrical content, and used the music to attract many young Black youths of that era to Black consciousness. Together the quartet has only released this album, but Lord J and Derrick X, who is now known as Sadat X, have dropped two additional projects under the Brand Nubian flag. Even with all of their respective solo endeavors, their collective impact on the culture of the rap game is forever embedded in the fabric of Hip Hop.

Salute to Puba, Lord Jamar, Sadat, Alamo, Stud Dougee(RIP), Dante Ross, Skeff, and everyone at Elektra who was involved in bringing the people such an important part of Hip Hop history!

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Wendy Williams’ Family Disputes Claims of “Permanent Incapacity” Amid Legal Battle

Wendy Williams' Son Accuses Her Manager and Others of Enabling his mother as she battles addiction issues

Wendy Williams' Son Accuses Her Manager and Others of Enabling his mother as she battles addiction issues

The saga surrounding Wendy Williams continues to unfold as her family pushes back against recent legal claims about her health. Last month, attorneys for Williams’ court-appointed guardian, Sabrina Morrissey, described the former daytime talk show host as “permanently incapacitated” in legal documents. However, a family insider has dismissed these claims, stating that Wendy is “more clear now than she’s ever been.”

Diagnosed with aphasia and frontotemporal dementia in May 2023, the beloved 60-year-old media personality has been under court-ordered guardianship since 2022. This arrangement was initially put in place to manage her finances and health, but it has also drawn public scrutiny and stirred controversy within her circle.

The recent filings by her guardian suggested cognitive impairment, further fueling the ongoing debate surrounding Wendy’s capacity to make decisions about her life and career. This update came in the wake of backlash over her documentary Where Is Wendy Williams?, which aired earlier this year. The documentary faced criticism for its portrayal of Wendy’s struggles, leading to speculation about her future in the public eye.

Despite these concerns, Wendy’s family remains steadfast in their support. “She is more clear now than she’s ever been throughout the guardianship, which is a problem for some,” the family insider shared with The Daily Mail.

Wendy Williams, known for her sharp wit and candid style, spent decades entertaining audiences on both radio and television. Her transition away from the spotlight has been marked by a series of health challenges and legal battles, leaving fans and loved ones hopeful for her continued recovery and stability.

As the story develops, it remains to be seen how these differing narratives about her health will influence Wendy’s future. For now, her family’s assurances serve as a reminder that the journey of healing is complex and deeply personal.

(Photo by David Livingston, Getty Images)

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Revenue from R. Kelly’s Catalog Pays off $500K Federal Judgment

RCA Records is Reportedly Holding R. Kelly's New Music

R. Kelly is behind bars, but his hits are still bringing in the bag. According to AllHipHop, revenue from his catalog paid off a federal judgment of over $500,000.

Court docs from the Eastern District of New York highlight a payment of $520,549.90 that covered restitution, fines, and penalties. The payment was broken down into $379,649.90 in restitution, a $100,000 fine, and a $40,000 Justice for Victims of Trafficking Act assessment. There was also a $900 special assessment.

In October, R. Kelly attempted to take his sex crimes convictions to the highest court possible. They responded with a “no, thank you.”

R. Kelly is currently serving 30 years in prison for sex trafficking, concurrent with 20 years for child pornography, and he petitioned the Supreme Court stating he was retroactively prosecuted. According to CNN, federal prosecutors declined to respond to the appeal.

R. Kelly’s case was just one of hundreds denied by the Court.

In August 2024, R. Kelly’s legal battle began when he claimed that prison employees used the internal prison system to access his sensitive information unlawfully. According to Kelly, this information was then sold to Tasha K, who shared it on her popular blog. Kelly’s lawyer argued that Tasha K leveraged this information to harass him and influence witnesses in his ongoing legal battles, particularly his criminal prosecution in the Eastern District of New York (EDNY).

However, the U.S. Government has now fired back, requesting that the case be dismissed. In documents obtained exclusively by In Touch, government lawyers denied breaching their duty of care to Kelly, arguing that the United States cannot be held liable for the alleged actions of individual prison employees. They stated, “The United States is not subject to institutional liability stemming from allegedly widespread negligent practices or policies.”

While the government acknowledged that an Inspector General investigation was conducted into the unauthorized access to Kelly’s emails, visitor logs, and phone records, they pointed out that no charges were ever brought against the officer named in Kelly’s complaint. In fact, the Chicago Sun-Times reported that the employee in question had retired shortly after the investigation commenced in 2019.

Interestingly, the government’s response appears to indirectly confirm that a prison worker did, in fact, provide information to Tasha K that was accessed from the internal system. Despite this, the government maintains that this does not constitute grounds for holding the entire U.S. Penal System accountable.

Tasha K, for her part, has vehemently denied any involvement in illegal activity, taking to Instagram to refute Kelly’s allegations. Nonetheless, Kelly’s legal team contends that the leaked information caused chaos in his personal life and compromised his defense in the criminal case against him.

As the U.S. Government pushes for the lawsuit to be thrown out, Kelly’s legal challenges continue to mount. With his reputation and freedom on the line, this latest development in the R. Kelly saga underscores the intense scrutiny and controversy surrounding the disgraced singer inside and outside the courtroom. The court’s decision on dismissing the case will be closely watched, as it could set a significant precedent for handling sensitive information within the U.S. prison system.

The U.S. Government has filed a motion to dismiss a lawsuit brought by R&B singer R. Kelly, who is currently serving time on multiple charges, including racketeering and sex trafficking. The lawsuit, which was filed last year, accuses the U.S. Penal System and gossip vlogger Tasha K of violating his privacy by allegedly accessing and publishing his private prison emails and call logs.

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