Who Will Win And Who Should Win At The 2024 Grammy Awards

Who Should Win Grammys 2024
Getty Image/Merle Cooper

The 2024 Grammy Awards are just around the corner, and much like previous iterations of the annual ceremony, there likely won’t be a shortage of show-stopping performances. But above all, fans are hoping to see if their favorite artists’ hard work will pay off with a win, and the chance to take home their own golden gramophone trophies as they secure their spot in music history.

When it comes to the Grammys in particular, half of the fun is trying to understand the voting criteria, which remains elusive from year to year. While music journalists are just as in the dark as average music fans about who gets to win a Grammy, nerding out over this stuff is what we do best. (Though we’re aware that we may end up dropping some potentially controversial viewpoints, thus testing the pressure cooker that is the internet in the process.)

In anticipation of the big night, this music journalist is taking a look at 10 stacked nomination pools, and will distinguish which artists probably will win, and who probably should win that coveted Grammy gold. (But please, go easy on me if you don’t agree!)

Best Pop Dance Recording

“Baby Don’t Hurt Me,” David Guetta, Anne-Marie and Coi Leray
“Miracle,” Calvin Harris featuring Ellie Goulding
“Padam Padam,” Kylie Minogue
“One in a Million,” Bebe Rexha & David Guetta
“Rush,” Troye Sivan

Will win: “Padam Padam”
Should Win: “Padam Padam”

“Padam Padam” is Kylie Minogue’s first single in two years, and with its infectious dance-pop sound, energetic synths, and sweet, sticky chorus, it was almost guaranteed to be a hit. To create a song that penetrates the pop landscape, social media, and the LGBTQ+ community this deep into her decades-long career proves Minogue’s affinity for hit-making. A win in this inaugural category would be justified and incredibly appropriate.

Best African Music Performance

“Amapiano,” Asake and Olamide
“City Boys,” Burna Boy
“Unavailable,” Davido featuring Musa Keys
“Rush,” Ayra Starr
“Water,” Tyla

Will Win: “Water”
Should Win: “Unavailable”

A win by any of these artists would be a win for the culture, Africa, and Afrobeats, which continues to be overlooked by the Recording Academy in all-genre categories despite its influence. This is the first time this award will be presented, though few can deny the impact this style has made to the sonic landscape of modern-day music as a whole.

“Unavailable” in particular became the first song by a Nigerian act to hit 100 million streams on Spotify in 2023. This achievement is merely a footnote for Davido when observing the larger picture of his success and musical contributions, achieved through his artistic and cultural integrity. A Davido win would be incredibly overdue, but Afrobeats’ oft-omitted importance places all nominated acts in a deserving light.

Best Rap Song

“Attention,” Doja Cat
“Barbie World,” Nicki Minaj & Ice Spice ft. Aqua
“Just Wanna Rock,” Lil Uzi Vert
“Rich Flex,” Drake & 21 Savage
“Scientists & Engineers,” Killer Mike and André 3000 feat. Future and Eryn Allen Kane

Will win: “Barbie World”
Should win: “Scientists & Engineers”

Women have (rightfully) been running the hip-hop game for the better part of the last few years. A win by either the Queen of Rap and the new pop-rap princess—or even rap’s resident chameleon Doja Cat—would be a welcome, tide-shifting moment for the macho genre.

However, in “Scientists & Engineers,” one of rap’s most respected voices Killer Mike shines through conscientious bars, while Future’s undeniable flow showcases why he’s one of the biggest names in contemporary music. Elsewhere in this link-up for the ages, fellow ‘Dungeon Family’ member André 3000 provides what very well could be his final rap verse on wax. “Scientists & Engineers” carries attributes that continue to stand the test of time in hip-hop: authentic rhymes, rhythm, and collaboration.

Best R&B Song

“ICU,” Coco Jones
“Angel,” Halle
“Back to Love,” Robert Glasper ft. SiR & Alex Isley
“Snooze,” SZA
“On My Mama,” Victoria Monét

Will win: “Snooze”
Should win: “ICU”

As one of the highlights on an album full of highlights, the smoothness and soothing vibes found in SZA’s “Snooze” would cap off an incredible year for the Jersey girl.

Though in her breakout single “ICU,” Coco Jones’ lower register and unbelievably velvety vocals display that the hallmarks of R&B live on in our newest stars. A win in this category for Jones would solidify her place among one of the brightest lights in the genre today, and would bring a happy ending the former Disney darling’s Cinderella story.

Alternative Music Album

The Car, Arctic Monkeys
The Record, Boygenius
Did You Know That There’s a Tunnel Under Ocean Blvd, Lana Del Rey
Cracker Island, Gorillaz
I Inside the Old Year Dying, PJ Harvey

Who will win: The Record
Who should win: The Record

The debut studio LP from the supergroup (comprised of Julien Baker, Lucy Dacus, and Phoebe Bridgers) is crafted in a way that showcases each member’s individual strengths, but also proves the power of collaboration and teamwork. Their long-awaited link-up remains modern while still evoking the sounds and styles that inspire them, from rock to folk. Christened the best album of 2023 in UPROXX’s Music Critics Poll, this is virtually a no-brainer.

Record of the Year (awarded to the song itself)

“Worship,” Jon Batiste
“Not Strong Enough,” Boygenius
“Flowers,” Miley Cyrus
“What Was I Made For?” from “Barbie,” Billie Eilish
“On My Mama,” Victoria Monét
“Vampire,” Olivia Rodrigo
“Anti-Hero,” Taylor Swift
“Kill Bill,” SZA

Who will win: “Kill Bill”
Who should win: “Flowers”

“Kill Bill” spins the idea of breakup anthems on its head through thematics and sonics that slay. However, what gives “Flowers” the edge is the commercial and personal triumphs on top of its thematics. The funky, rockin’ self-love anthem feels like a cathartic return to form for the musical shapeshifter, whose personal life has undergone as many changes as her sonic identity.

Unlike her previous pop efforts like “Malibu” and “Prisoner,” which felt forced in some respects, “Flowers” found the superstar and the audience meeting at the right place and time. The song brings a sophisticated, confident maturity, and for the first time in a long time, it truly felt like Miley was just being Miley.

Song of the Year (awarded to the songwriter/songwriters)

“A&W” — Jack Antonoff, Lana Del Rey & Sam Dew, songwriters (Lana Del Rey)
“Anti-Hero” — Jack Antonoff & Taylor Swift, songwriters (Taylor Swift)
“Butterfly” — Jon Batiste & Dan Wilson, songwriters (Jon Batiste)
“Dance the Night” (From “Barbie the Album”) — Caroline Ailin, Dua Lipa, Mark Ronson & Andrew Wyatt, songwriters (Dua Lipa)
“Flowers” — Miley Cyrus, Gregory Aldae Hein & Michael Pollack, songwriters (Miley Cyrus)
“Kill Bill” — Rob Bisel, Carter Lang & Solána Rowe, songwriters (SZA)
“Vampire” — Daniel Nigro & Olivia Rodrigo, songwriters (Oliva Rodrigo)
“What Was I Made For?” [From the Motion Picture “Barbie”] — Billie Eilish O’Connell & Finneas O’Connell, songwriters (Billie Eilish)

Who will win: “Anti-Hero”
Who should win: “What Was I Made For?”

“Anti-Hero” marks the seventh time Taylor Swift has been nominated in this category, now a Grammy record. The single serves as the pulse of her LP, has been virtually inescapable for over a year, and shows the depth of her pen and personal glossary. A T.S. win in this category would amplify the Grammy’s love of “making moments” at the ceremony.

However, the perfect, tear-jerking placement of “What Was I Made For?” in Barbie solidifies the power of Billie Eilish and brother Finneas’ lyrical simplicity. The (future Oscar-winning) song showcases what we love about Billie’s more subdued tracks: the palpable optimism underneath surface-level melancholia — which is befitting of the film’s underlying theme — as well as the general feelings of modern-day womanhood.

Best New Artist

Gracie Abrams
Fred Again..
Ice Spice
Jelly Roll
Coco Jones
Noah Kahan
Victoria Monét

Who will win: Ice Spice
Who should win: Victoria Monét

High-profile friendships, a masterful social media pull, and even a Chia Pet made in her likeness — it would seem as though Ice Spice would be the clear-cut favorite to win. High honors here would crown the Bronx artist as the third woman rapper in history to win Best New Artist, which could be a controversial bestowment amongst rap purists who deem Ice to be “too pop.”

But when was the last time we had a true blue triple threat in our midst? Victoria Monét has been under our noses the entire time. Her incredible stage presence, deeply quotable lyrics, and overall star power make her the full package, and a win of this magnitude would be worth the wait. Noah Kahan would also be a great choice, as his musicianship has steadily earned a following amongst both fans and artists alike.

Album of the Year

World Music Radio, Jon Batiste
The Record, Boygenius
Endless Summer Vacation, Miley Cyrus
Did You Know That There’s a Tunnel Under Ocean Blvd, Lana Del Rey
The Age of Pleasure, Janelle Monáe
Guts, Olivia Rodrigo
Midnights, Taylor Swift
SOS, SZA

Who will win: Midnights
Who should: SOS

As mentioned earlier, the Grammys love “making moments.” Taylor Swift is far and away the biggest name in contemporary music, and a win in this category will provide the moment. If honored with the biggest award of the night, Taylor could surpass Stevie Wonder, Paul Simon, and Frank Sinatra for the most Album of the Year wins by any artist in history. However, some could argue that — though thematically sound — Midnights is not a career high. Although a win would be the cherry on top of her banner year, star power and fanfare don’t always warrant an automatic win.

SOS on the other hand, is a true career high for SZA, solidifying her status as thee reigning R&B superstar. It was her first No. 1 album, it nabbed the biggest streaming figures for an R&B album in U.S. history, and it’s the longest-running No. 1 album by a woman in this decade. A much-deserved win in this category would also create a “moment”: SZA would be the first Black woman since Lauryn Hill in 1999 to win Album of the Year, and only the fourth ever after Natalie Cole, Whitney Houston, and Hill. The personal triumphs, coupled with the album’s successes, will feel like a win for all.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Gorillaz Cancel Their September U.S. Tour

Alternative rock group Gorillaz has been enjoying continued success since the release of their eighth studio album, Cracker Island. Unfortunately, they are canceling their upcoming September 2023 U.S. tour. Citing “scheduling conflicts,” the band, comprised of musician Damon Albarn and visual artist Jamie Hewlett, is no longer coming stateside. The tour was going to highlight Cracker Island at a few U.S. venues. They announced the concerts only a few weeks ago. Now, they’re pulling the plug.

Gorillaz is refunding their fans for the shows, which were going to feature plenty of collaborations. Some of the performers who were going to join included Lil Yachty, Kaytranada, and Remi Wolfe. Back in April, at Coachella, the band was on stage with Bad Bunny and De La Soul, among others. The U.S. venues included arenas in Los Angeles, Boston, Chicago, and Austin, TX. Sadly, they will play at zero of those venues for the time being.

Read more: Gorillaz Bring Out De La Soul At Coachella, Honor Trugoy The Dove

Gorillaz World Tour and What’s Next

LOS ANGELES, CA – APRIL 19: Damon Albarn of Gorillaz is seen arriving at the ‘Jimmy Kimmel Live’ show is seen on April 19, 2023, in Los Angeles, California. (Photo by Hollywood To You/Star Max/GC Images)

Back in 2022, Gorillaz went on a massive World Tour where they debuted plenty of new material from what would end up being the tracklist of Cracker Island. For that tour, they traveled to South America, Europe, Australia, and North America. However, they ran into show cancelations on that tour as well. A scheduled performance in Queensland, Australia, was shut down due to torrential rain. In February of this year, they released a deluxe version of Cracker Island, adding five bonus tracks.

Unluckily, Gorillaz knows plenty about canceling promising projects. Earlier this year, the band paired up with Netflix to produce a movie Albarn and Hewlett had been conceptualizing for a long time. However, due to cutbacks in Netflix’s animation department, the streaming giant scrapped the film. A victim of streaming content saturation, Gorillaz shelved the movie indefinitely. Hopefully, the band can get back out there soon. Perhaps they’ll find another time to grace America with their unique sound in front of thousands of people.

Read more: Gorillaz Drops New Album “Cracker Island”

[Via]

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The Best Albums Of 2023 So Far

So far in 2023, the biggest music stories of the year have been about live shows, whether it’s Taylor Swift’s The Eras Tour perpetually carving out space in the news cycle, Beyoncé’s similarly lauded trek in support of Renaissance, or Ticketmaster running into issue after issue after issue after issue after issue after issue.

All of this has overshadowed the fact that during the opening months of the year, there have been a number of terrific new albums. SZA’s SOS has made R&B history with its chart success (and per tradition, we’re considering December 2022 albums as part of the 2023 slate). Fans saw Jack Harlow’s Jackman as a return to form for the increasingly popular rapper. Lana Del Rey and Yves Tumor duked it out for the title of longest album name with (takes a deep breath) Did You Know That There’s A Tunnel Under Ocean Blvd and Praise A Lord Who Chews But Which Does Not Consume; (Or Simply, Hot Between Worlds), respectively.

As for what releases are the best of the best, here is our unranked list of 2023’s top albums so far, below.

100 Gecs — 10,000 Gecs

100 gecs 10000 gecs
Dog Show/Atlantic

100 Gecs could have so easily had their moment in the meme sun with their 2019 debut album 1000 Gecs and then faded away forever. The songs were both catchy and off-the-wall weird, a delicate balance that’s not easy to pull off on a single album, let alone two. They did it again, though, on 10000 Gecs. How? Songwriting. Throughout the album are compositions that reach out through their alternative, kooky grime and smack you in the face with catchy hooks and memorable lyrics. The inevitable 100,000 Gecs can’t come soon enough. – Derrick Rossignol

6lack — Since I Have A Lover

6lack since I have a lover cover art
LVRN/Interscope

It’s always beautiful to see musicians continuously find new ways to bring their artistry to life with each project they release. That’s undoubtedly been the case for 6lack who finally delivered his third album Since I Have A Lover. Unlike his previous two albums, 6lack combines pop references with his trademark alternative R&B for a body of work that is both freeing and diverse. Through success in love, 6lack finds himself to be a new man with a new outlook on life, all of which is detailed through records that display his loyalty (“Fatal Attraction”), patience (“B4L”), commitment (“Temporary”), and more. Whether he’s rapping or singing, 6lack gets his message across in an effortless and impressive manner. – Wongo Okon

Arlo Parks — My Soft Machine

Arlo Parks 'My Soft Machine'
Transgressive Records

After first making a name for herself with her poetic lyrics and touching confessions on mental health and queerness, UK artist Arlo Parks returned with her sophomore album My Soft Machine. Living up to the accolades that came along with her debut (which included two Grammy nominations and the Mercury Prize for Album Of The Year) Parks doubles down on her revelations about the realities of relationships and struggling with depression, this time adding synths into the mix. Lush indie earworms like “Purple Phase” and the Phoebe Bridgers-featuring “Pegasus,” Parks’ My Soft Machine continues to prove she’s one of the best indie songwriters of her generation. – Carolyn Droke

Baby Rose — Through And Through

baby rose through and through
Secretly Canadian

It’d been a little while since Baby Rose released a full-length project, but that period finally came to an end with her sophomore album Through And Through. The project is a refreshing addition to the musical landscape and Rose’s savory croons and heavy, soulful spirit guide the album that details the various fires she escaped her life. We meet a determined Baby Rose on Through And Through who isn’t afraid to put her hand out for a new foray into love (“Dance With Me” & “Love Bomb”), overcome heartbreak (“Stop The Bleeding”), and show that there are more sides to her than a hopeless romantic (“I Won’t Tell”). Through its 11 songs, Baby Rose offers an elegant and enchanting showcase of her undeniable talents with Though And Through. – W.O.

Blondshell — Blondshell

blondshell album cover
Partisan Records

LA-based songwriter Blondshell was the latest buzzy indie songwriter to arrive on the scene in 2023. Her self-titled debut offers a realistic snapshot of navigating your early 20s, relationship woes, and a heaping pile of self-doubt included. Blondshell opens with a song titled “Veronica Mars,” referencing the early aughts hit TV show. But that’s not the only ’00s reference you’ll find sprinkled throughout the album. The blown-out guitars and tangible angst call back to early alt-rock, along with singer Sabrina Teitelbaum’s earnest yet at-times guttural vocal delivery. Her lyrics pack an emotional gut-punch, my personal favorite being, “My kink is when you tell me that you think I’m pretty” on “Kiss City.” – C.D.

Boygenius — The Record

boygenius the record
Interscope

When Boygenius — the supergroup comprised of Julien Baker, Lucy Dacus, and Phoebe Bridgers — first appeared with their 2018 self-titled EP, its members were known indie quantities but not quite the stars that they are in 2023. Their steady rise makes their debut LP, The Record, all the more of an event, and has found them on the cover of Rolling Stone, headlining festivals, and even appearing on the massive Taylor Swift stadium tour. But what might get lost in the hype and the friendship-focused narrative is that Boygenius also finds three magnificent songwriters working in their prime, tapping both new and unfamiliar territory in equal measure, and discovering parts of themselves that can only be illuminated through the artistry of others. – Philip Cosores

Caroline Polachek — Desire, I Want To Turn Into You

Caroline Polachek Desire, I Want to Turn Into You
Perpetual Novice

Caroline Polachek is by no means new to the music world. Despite this, her solo sophomore release, Desire, I Want To Turn Into You, finds her experimenting with a range of influences and elevating herself beyond the initial sound that first drew listeners in. Here, she plays with flamenco on “Sunset,” while also not alienating anyone by adding the catchy, electronic early preview of “Bunny Is A Rider.” In her present chameleon fashion, she then flips the script once more for the quiet tension on “Crude Drawing Of An Angel.” Just as the title suggests, Polachek reaches a new peak by being able to play with the concept of transformation and versatility on this album. – Lexi Lane

Chlöe — In Pieces

chloe in pieces
Parkwood Entertainment/Columbia Records

There are many impressive aspects of Chlöe’s debut album In Pieces. First, is the fact that the singer even arrived at a point in her career to release. Her solo career was criticized for more reasons than it wasn’t, but none of that seemed to hinder the body of work that is In Pieces. In fact, it only strengthened it. The critiques and doubts became the backbone of the album which also detailed her recovery from heartbreak. Between the uptempo and bouncy “Body Do” and the captivating “Make It Look Easy,” Chlöe showcased her versatility, her writing, and her evolving vision on her debut album. Though the sky is the limit for her, Chlöe is well on her way to reaching it. – W.O.

Daniel Caesar — Never Enough

Daniel Caesar Never Enough
Republic

If there was any doubt that Daniel Caesar could replicate the glory days of his past, the Toronto singer put them all to rest with his euphoric third album Never Enough. It’s with this album that he took on a bigger producer role as he placed himself in a small town that’s hours outside of Toronto to make the beats that became the landscape of Never Enough. He grapples with wanting love (“Do You Like Me?”) and seeing that it’s run its course (“Let Me Go”) while finding time to shade those who believed they moved on from him to better (“Homiesexual”). Never Enough excellently captures the rollercoaster ride of love and the constant search for perfection, if that even exists. – W.O.

Davido — Timeless

Davido Timeless
Sony

Davido’s absence from the afrobeats world over the past couple of years, though it was respected, was surely felt by fans. So with the arrival of his fourth album Timeless, the expectation was that he would fit right into the genre’s newly-mainstream landscape while showing why he’s on the Mount Rushmore of the genre. To the surprise of no one, that’s exactly what happened. Timeless arrived as Davido’s best album to date and it’s thanks to the singer’s theme of conquering all things in his way on the album. Whether it be those who want to bring him down or unfortunate events in his life, Davdio stands tall “over dem” on Timeless. – W.O.

Don Toliver — Love Sick

Don Toliver Love Sick Album Cover
Atlantic Records

Travis Scott’s protege takes yet another step into his own on his third studio album, released appropriately just two weeks after Valentine’s Day. “I want people to listen to my music and think it’s timeless,” Toliver said of his latest release and while he’s got a ways to go before he realizes this dream, Love Sick constitutes an impressive step in the right direction in tracks like “Honeymoon” and “Leave This Club.” – Aaron Williams

El Michels Affair & Black Thought — Glorious Game

black thought el michels glorious game
Black Thought

Listen, you can go ahead and call me a stodgy old crank for continuing to value technically superior exercises in formalism in 2023. That’s fine. Black Thought remains the (read: THEE) finest bar-for-bar, straight-up rapper in hip-hop to this day and it’s worth honoring that — especially when he possesses the awareness to pair his prodigious talents with production worthy of the finest funk-soul excursions into ’70s Classicism this side of Adrian Younge’s Luke Cage soundtrack. – A.W.

Gorillaz — Cracker Island

Gorillaz Cracker Island Album Cover
Parlophone

From Snoop Dogg to Kali Uchis, Gorillaz have always positioned themselves as expert collaborators. And their latest album Cracker Island is no exception. Throughout the 10-track release, their first since 2020’s project Song Machine, Gorillaz whisk up a collection of lush and attention-grabbing songs that prove they’re still innovators after over 20 years as a band. The project spotlights artists from Bad Bunny with “Tormenta” to Tame Impala with “New Gold” (and even includes a collab with Stevie Nicks!), showing that the band is at their best when they work with other artists. The end might be nigh for the current iteration of Gorillaz — according to Damon Albarn — but with Cracker Island, the band has primed itself to continue pushing the boundaries of indie music, no matter who’s at its helm. – C.D.

Gracie Abrams — Good Riddance

Gracie Abrams Good Riddence
Interscope

“You fell hard / I thought, good riddance,” Abrams twists the knife on the album opener “Best,” while maintaining themes of self-criticism throughout. The new album finds her exploring new horizons by working with Aaron Dessner and putting her biggest fears, worst behaviors, and an expanded level of emotional vulnerability on full display — all while backed by some gentle production. She also provides pauses to lift the energy, like the sweet caught-by-surprise moment on “The Blue.” Yet, staying true to the themes of struggling with the rollercoaster of entering adulthood, the album ends with the darkly contemplative “Right Now,” where Abrams wonders if her “little brother thinks my leaving was wrong,” as she continues growing up, getting out, and saying good riddance. – L.L.

Hot Mulligan — Why Would I Watch

Hot Mulligan Why Would I Watch
Wax Bodega

The singles for the new Hot Mulligan album Why Would I Watch consisted of “Shhhh! Golf Is On” and “Gans Media Retro Games,” both of which are some of their best material to date. Their pop-punk earworms explode with unabating riffs and fervent shouts; every melody has the stickiness of a song you’d hear on the radio. The Blink-182 influence is directly confronted on the ridiculously catchy and inconsolably depressing track “It’s A Family Movie She Hates Her Dad”: “Sit me down and give me the confessional / Stay together for the kid / Isn’t that original?” – Danielle Chelosky

IDK — F65

idk F65
IDK

DMV rapper IDK keeps getting more innovative, creative, and insightful with each new release. F65 applies a thematic veneer of Formula 1 racing to tie together a sprawling meditation on race (get it?), art, identity, and aspiration, drawing parallels between his drive to be the best and the adversities faced by F1 driver Lewis Hamilton. Throughout, IDK liberally pulls from the canon of Black music — jazz, dance, soul, and hardcore hip-hop — to prove his point: that Black artists are not a monolith. – A.W.

Indigo De Souza — All Of This Will End

Indigo De Souza album cover
Saddle Creek

Indigo De Souza is a master of imbuing sad songs with a contagious aura of hope. Though “Time Back,” the opener of her new album All Of This Will End, dwells on loss, it bursts with lively synthesizers and ends on an optimistic note: “When I come home / I will begin again.” This is also true of the confessional yet jubilant “Smog,” as well as the anxious “Parking Lot.” The images of pain are all outlined in a revelatory glow that forces her to recognize the significance of feeling anything at all. – D.C.

Jack Harlow — Jackman

Jack Harlow Jackman
Atlantic

Jack Harlow heard the complaints about his last album, Come Home The Kids Miss You, and responded in kind with a 10-song salvo of tracks that saw the Louisville rapper revert to the hungry, intensely-focused artist he was as he freestyled and battle-rapped his way to the top. The highlights: “They Don’t Love It,” “Gang Gang Gang,” and “Blame On Me,” which saw his talent for conceptual songwriting flexed to a degree fans hadn’t seen for nearly two years. – A.W.

Jessie Ware — That! Feels Good!

Jessie Ware That Feels Good
Interscope

Jessie Ware snuck “Free Yourself” under the wire last July. She’s ahead of the game this year with a disco-pop indulgence inspired by divas like Donna Summer. “Lightning” is ready-made for dog days, oozing romance. “Freak Me Now” is brash lust. “Begin Again” is pure refreshment. Pick one, and you will feel good. – Megan Armstrong

Jonas Brothers — The Album

Jonas Brothers The Album
Republic

The Jonas Brothers are a trifecta, but the Jon Bellion-produced The Album underscores their dynamism. “Waffle House,” TikTok’s favorite single, reframes their formative fights with loving eyes. “Little Bird” delicately illustrates their newer roles as girl dads. They haven’t lost their edge in marriage — just listen to “Summer In The Hamptons.” Life keeps changing, and Joe, Kevin, and Nick keep writing. The ‘70s-inspired LP propels them into a boundless future. – M.A.

Kali Uchis — Red Moon In Venus

Kali Uchis Red Moon In Venus
Geffen

Kali Uchis’ third album Red Moon In Venus is without question her best album to date. Maybe it’s because she’s more in touch with herself than ever or maybe it’s because she’s more at peace than ever. The result of either, or maybe both of those observations, is a 15-track body of work that captures Uchis majestically and graceful float through elements of R&B and pop, while also tapping into her Spanish roots, to make what sounds like Uchis’ idea of paradise. Whether it’s “Fantasy” with Don Toliver, “Deserve Me” with Summer Walker, or solo efforts like “All Mine” and “Moonlight,” Kali Uchis’ Red Moon In Venus has plenty of music to get lost in and find your own paradise. – W.O.

Karol G — ‘Mañana Será Bonito’

karol g manana sera bonito cover
Universal Music Latino

After a very public breakup, Karol G chose to heal the way she knows best — through music. The Colombian superstar’s fourth album Mañana Será Bonito proves to be a therapeutic experience, for both Karol and the fans. Over the course of 17 flawless tracks, Karol engages in self-care, debates returning to an ex, falls in love on her travels, and has several good cries. All while repeating the very phrase that got her through it all — “Mañana será bonito.” – Alex Gonzalez

Kaytranada and Aminé — Kaytraminé

amine kaytranada kaytramine cover
Amine/Kaytranda

The term “album of the summer” gets tossed around quite a lot lately, but this joint effort from the Portland rapper and Canadian dance producer earns it with 11 breezy-yet-diverse approaches to the seasonal sound and its related topics. From the glitzy, mellow “Rebuke” to the funk-tinged Pharrell feature “4Eva,” the lively spirit of the warmest months of the year comes through in ways both unexpected and comfortingly familiar. – A.W.

Khamari — A Brief Nirvana

Khamari
Via the label

The lone newcomer on this list is singer Khamari, who delivered his debut project A Brief Nirvana to kick off the unofficial start to summer. The 11-track project is a sweet combination of nostalgia and a fresh breath from a new artist to the game, and his sampling of Al Green’s “On My Way” on “These Four Walls” for an honest tale about loneliness is a perfect example of that. Even when through completely original compositions like “Doctor, My Eyes,” Khamari’s artistry shines through vivid lyricism that’s aided by emotive production. The Boston-born singer has earned comparisons to Frank Ocean and his A Brief Nirvana debut is a great start to hopefully one day reaching the status of the celebrated singer. – W.O.

Lana Del Rey — Did You Know That There’s A Tunnel Under Ocean Blvd

lana del rey ocean blvd cover art
Polydor/Interscope

Lana Del Rey’s career has been defined by a hot and cold reaction from the press, and equally hot and cold moments of self-sabotage and self-mythologizing. But if anything, it speaks volumes that any online spat that might accompany a rollout is generally forgotten by the next album cycle. That’s how continually surprising and sharp Lana is as a songwriter, that mild controversy slides off her. And that talent is underscored on Did You Know That There’s A Tunnel Under Ocean Blvd. “A&W” is another high point in sonic adventurousness and lyrical insight, while “The Grants” and the title track are so instantly familiar, they might as well be pulled directly from the singer-songwriter canon. We just can’t quit you, Lana. – P.C.

Lil Yachty — Let’s Start Here

lil yachty lets start herre
Lil Yachty

Is Lil Yachty’s experiment in psychedelia technically hip-hop? I think the point he makes with Let’s Start Here is: who cares? (We’re including him here because of how Yachty got his start, the mode of the music he primarily makes, and the fact that he spends as much of this rock-inspired effort rapping as he does singing.) Yachty’s always bristled at the thought that he could be limited to just one genre. Here’s the strongest argument in his favor. – A.W.

Luh Tyler — My Vision

luh tyler my vision
Luh Tyler

Luh Tyler is like the perfect synthesis of predecessors such as Kodak Black and Lil Tecca, with the carefree confidence of pre-graduation youth and the poised, deceptively clever pen game of the frequently incarcerated gangster rapper. By combining his natural gifts with an easygoing, unpracticed charisma and subject matter centered more around teenage fantasies of luxury lifestyles than drug game-produced shootouts, Luh Tyler cleans up the typical Florida approach to hip-hop without losing his cool. – A.W.

Madison McFerrin — I Hope You Can Forgive You

Madison McFerrin I Hope You Can Forgive You
MadMcFerrin Music

There are nepo babies. Then there are people that have music following through their genetic makeup. Born to a family filled with creative professionals Madison McFerrin is the latter of the two. On the singer’s debut album, I Hope You Can Forgive Me, that lifelong exposure to the arts permeates across the project. Largely produced and written by McFerrin, the body of work is an ethereal sound bath of jazz, R&B, folk, and rock elements tactically incorporating each sound sets. Her musical IQ sets McFerrin apart from her independent counterparts. Her viral 2021 track “Guilty” served as her formal induction to the larger music audience. However, the album’s breakout track, “Utah,” will keep listeners tuned in. I Hope You Can Forgive Me is the culmination of Madison McFerrin’s exploration as an artist, and it paid off exponentially. – Flisadam Pointer

Masego — Masego

masego masego
Masego

Masego’s magnum opus arrived more than a decade into his career and it’s fitting that it’s for his self-titled sophomore album. The project’s 14 songs are a masterful combination of the elements that make Masego an artist we’ve come to love. The tropical side of his discography comes alive through “Say You Want Me” while his jazz and funk roots are wrapped around records like “You Never Visit Me.” With Masego, the singer proves that the music will never be a concern for himself. Since day one, he’s impressed fans repeatedly with his talents, and now with his second album, Masego perfectly combined those talents for a body of work that couldn’t be more representative of himself. – W.O.

Metro Boomin — Heroes & Villains

metro boomin heroes & villains
Metro Boomin

Arguably the most dominant producer of the streaming era, Metro Boomin comes close to creating his magnum opus with this late 2022 compilation (which is after Uproxx’s cutoff for Best of 2022 consideration). His full curatorial superpowers go on display in Heroes & Villians as he assembles his own Avengers of rap titans — or a Legion of Doom if you want to see it another way. 21 Savage, Future, Migos, Travis Scott, and more help fill out the roster, but the star here is always his production, skillfully tying them all together. – A.W.

Myke Towers — La Vida Es Una

Myke Towers La Vida Es Una
Warner Music Latina

Puerto Rican artist Myke Towers couldn’t be held in a box while making his third album, La Vida Es Una. On the album, Towers showcases his versatility by way of lightly revisiting his rap roots, but mostly experimenting with a multitude of genres. While 23 tracks may seem saturated for an album in 2023, Towers delivers through reggaeton, dancehall, and ‘80s-synthpop sounds, defying the pigeonholing of the industry. Needless to say, he’s keeping fans fed. – A.G.

The National — First Two Pages Of Frankenstein

The National First Two Pages Of Frankenstein
4AD

This is the most National-like that The National has sounded in years. While there are plenty of high-profile guest stars — Taylor Swift! Phoebe Bridgers! Sufjan Stevens! — First Two Pages Of Frankenstein at its best when they re-focus on their most essential attribute, which comes when these lifelong friends and brothers plug in, stand in a circle, block out the outside world, and sound like a great band. – Steven Hyden

Oddisee — To What End

oddisee to what end
Oddisee

Oddisee, one of the most consistent voices operating in the rap world for the past decade or so, has reached an impasse with himself about why he does what he does. And, in the spirit of true talent, he winds up using that as inspiration on this, his 10th studio album, which questions the nature of aspiration. To What End finds Oddisee wrestling with not just his goals and ambitions but what they might cost and whether it’s all really worth it. For us the listeners, it is. – A.W.

RAYE — My 21st Century Blues

Raye My 21st Century Blues
Human Re Sources/The Orchard

After years of having her debut album delayed, UK singer/songwriter RAYE took matters into her own hands. Two years ago, RAYE outed her previous label, Polydor, for holding her music hostage. In February, she finally released My 21st Century Blues independently. And in turn, she flipped the industry on its head, with tales of heartache, insecurity, and gaslighting. Having finally earned number one song and album on the UK charts, it’s safe to say RAYE’s big risk paid off. – A.G.

Samia — Honey

Samia Honey
Grand Jury

Many of 2023’s biggest releases of the year across genres shared one commonality — all were gracefully thematic. Samia’s sophomore album, Honey, was the complete opposite in all the best ways. Throughout the project’s 11 tracks which includes singles “Breathing Song,” “Pink Balloon” and “Sea Lions,” the musician jumps across topics and sounds. – F.P.

Skrillex — Quest For Fire, Don’t Get Too Close

Skrillex Quest For Fire
Owsla/Atlantic
Skrillex Don't Get Too Close
Owsla/Atlantic

Skrillex is most readily associated with the early 2010s, but he’s been killing it lately, too. Aside from his beloved Coachella performance alongside Fred Again.. and Four Tet, he dropped a pair of albums in February, his first since 2014: Quest For Fire came first and Don’t Get Too Close followed the next day. The list of artists featured across the projects (including Justin Bieber, Missy Elliott, Kid Cudi, and PinkPantheress) evidence how much esteem Skrillex has in the industry, while the top-rate albums illustrate why he remains an icon. – D.R.

Skyzoo x The Other Guys — The Mind Of A Saint

Skyzoo x The Other Guys - The Mind of A Saint
Skyzoo

A masterfully executed concept album inspired by the characters and events of the drug-game epic Snowfall, The Mind Of A Saint finds Skyzoo putting his feet in the shoes of the show’s principal criminal mastermind. Sky writes through the perspective of an older, wiser Franklin Saint who turned to the pen instead of the bottle — after all, he did finish the project before the final season had aired — but even with two layers of functionalization, the words and themes ring true. – A.W.

SZA — SOS

SZA SOS
TDE/RCA

Yes, this album came out in 2022, but with most of its success taking place in 2023 and the fact that it came after our 2022 lists, it’s only right that SZA’s SOS makes the cut here. Five years removed from her debut album, SZA returns to a world riddled with troubled waters that people from all over hoped to survive and swim out of. Through the album’s expansive 23 songs, SZA guides us on a journey of surviving life’s elements, the lessons learned along the way, and what it looks like to make it to shore. The ups and downs of life, growing pains, and artistic struggles are all present on this album, and it’s even more impressive that she made its 23 songs not feel like an absolute drag. It was a long time coming for SZA, but boy did she arrive. – W.O.

THEY. — Nu Moon

THEY. Nu Moon
AWAL

THEY. — the duo comprised of singer Drew Love and producer Dante Jones — entered a new era with the release of their third album Nu Moon. The project is the duo’s first independent album, and the freedom to create as one pleases that comes with this independence is hard to ignore through the project’s 14 songs. With Nu Moon, Drew and Dante give us another take of their trademark alternative R&B style and it’s one that seems to live under the night sky. With records like “In The Mood,” “Riptide,” and “Wait On Me” which features the incomparable Kacey Musgraves, THEY. present no sign of sunlight while proving that even in the darkest moments, love can still exist. Searching for it, having it, and losing it; it’s the theme of THEY’s Nu Moon which strikes as their best and most complete body of work to date. – W.O.

Twice — Ready To Be

Twice
Republic

One of my close friends is a gigantic Twice fan, which by association, has led to me getting into their Ready To Be mini-album from earlier this year. While I’m not as familiar with their past records to compare, the early singles, “Moonlight Sunrise” and “Set Me Free,” showcase the group’s romantic side over the bubbly production that truly just pulls you in. (Plus, their live performances are so impeccable and synchronized.) On other tracks from the record, Twice shift into fiery, flirty territory with the rock-influenced “Blame It On Me,” which shows off the band’s wide-spanning inspirations that push the boundaries of the general K-Pop conceptions — and prove that they really are the ones to watch. – L.L.

Wednesday — Rat Saw God

Wednesday Rat Saw God
Dead Oceans

On the previous Wednesday LP, 2021’s Twin Plagues, singer-songwriter Karly Hartzman wrote evocative story songs set in what I like to call the Gummo South, a partly real and partly made-up region in which dead dogs and burned-down Dairy Queens dot the landscape like Starbucks crowd street corners in big cities. But on Rat Saw God, her songwriting exhibits a level of detail that is practically physical. The title alone of the opening track, “Hot Rotten Grass Smell,” filled my nostrils with the aroma of a humid late July day. – S.H.

Yaeji — With A Hammer

Yaeji with a hammer cover art
XL Recordings

Yaeji simmered relatively under the radar as a beloved figure in the electronic scene for years before impressing with her debut 2020 mixtape What We Drew. Now, it’s debut album time. With A Hammer came out in April and it too is a critical hit. She clearly hasn’t let early success coerce her into taming down her experimental ways in pursuit of a more commercial sound. Singles like “For Granted” and “Passed Me By” are as adventurous as ever while also maintaining an undeniable charm, which can also be said for the rest of one of the year’s most interesting projects. – D.R.

Yves Tumor — Praise A Lord Who Chews But Which Does Not Consume; (Or Simply, Hot Between Worlds)

yves tumor Praise A Lord Who Chews But Which Does Not Consume; (Or Simply, Hot Between Worlds)
Warp

It’s not quite radical enough to qualify as “experimental” and not quite catchy enough to work as a full-on pop move. But sonically this is one of the best-sounding indie albums of 2023’s first half. With the assistance of Noah Goldstein, an engineer who worked on My Beautiful Dark Twisted Fantasy, and Alan Moulder, who’s one of the great architects of ’90s alt-rock, Praise A Lord invites you to get lost in its grooves. It’s a very good headphone record. The instrumental tones are on-point. – S.H.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Gorillaz Is Closing Out The ‘Cracker Island’ Era With Newly Announced Tour Dates Featuring Lil Yachty, Kaytranada, And More

Gorillaz is heading back out on the road with a new four-date run announcement across the US. Titled The Getaway tour, it will mark the final dates in support of the band’s last album, Cracker Island. It also follows the group’s two Coachella weekend performances last month.

They will be joined by Kaytranada, Remi Wolf, and Lil Yachty as support on all of the dates.

Tickets will become available starting with a Live Nation presale on May 31 that opens at 10 a.m. local time. From there, the general onsale will open to the public on Friday, June 2 at the same time. More information on tickets can be found through Gorillaz’s official website.

Across the pond, band leader Damon Albarn is also playing some dates across the UK with his other band Blur — giving fans of both projects and across the globe a chance to catch his music live. (Blur is also dropping a new album, The Ballad Of Darren, as their first new release in eight years.)

For now, find the complete list of new Gorillaz tour dates below.

09/10 — Los Angeles, CA @ BMO Stadium
09/13 — Austin, TX @ Q2 Stadium
09/16 — Chicago, IL @ Credit Union 1 Amphitheatre
09/19 — Boston, MA @ Fenway Park

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Here Are All The Surprise Guest Performances From Coachella 2023

Weekend one of Coachella kicked off this weekend, with most of the prominent acts bringing along some surprise guests to join them on stage. Sometimes, there was even more than one at the same show.

Here are all the surprise guest performances from Coachella 2023… So far.

Friday started off with Muna bringing out Boygenius, where they performed the hit song, “Silk Chiffon,” together.

Kaytranada had Kali Uchis join to play “10%” and Aminé to perform the duo’s new song together. Later, on Sunday, Uchis would perform her own Coachella set, where she brought out Tyler The Creator for “See You Again,” Don Toliver for “Fantasy,” and Omar Apollo for “Worth The Wait.”

Metro Boomin had a wild lineup, with The Weeknd, Mike Dean, Future, John Legend, 21 Savage, and Diddy all joining him for various songs.

In typical fashion, Gorillaz brought quite a few surprises, including De La Soul, Del The Funky Homosapien, Thundercat, Slowthai, Peven Everett, Jamie Principle, and Bootie Brown.

Bad Bunny, who headlined Friday night, brought along Ñengo Flow, Jowell & Randy, Post Malone, and Jhayco as surprise guests performances during his set.

On Saturday, Rosalía brought out her fiancé, Rauw Alejandro, as they performed their “Beso” collaboration.

Labrinth also had Billie Eilish join him for a performance of their collab, “Never Felt So Alone,” which was recently released.

Latto‘s Sunday set included appearances from Lola Brooke for the “Don’t Play With It” remix and Saweetie on “Bitch From Da Souf.”

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Bad Bunny, Blink-182, And Metro Boomin Brought The Heat To Coachella 2023

It’s that time of the year again; hundreds of thousands of people flock to the California desert to show out in their best outfits, sample some amazing eats, and, of course, see a line-up of incredible artists at Coachella. Now that he dust has (literally) settled on the grounds, let’s look back on the highlights of Coachella 2023 Day One, which highlighted era-defining artists Blondie and Blink-182 while bringing together some of the current innovators like Bad Bunny and Metro Boomin.

Bad Bunny Coachella 2023
Philip Cosores

Bad Bunny closed out the night with a bang, and I’m not just about the fireworks during his main stage set. The Puerto Rican rapper drew the largest crowd of the night, and for good reason. While the moment was historic — Bad Bunny is the first Latin solo artist to ever headline the festival — he made sure to highlight the roots of Reggaeton music and credit the artists who made his success possible like Celia Cruz, El General, and Tego Calderón. On top of that, his show-stopping stage design cleverly nodded to the viral concert he performed on top of a gas station late last year. Bad Bunny performed all the hits during his set, like “Moscow Mule,” “Yo Perreo Sola,” and “Después De La Playa.” He even brought out Post Malone for an acoustic set, but technical difficulties made it nearly impossible to hear him.

Bad Bunny Coachella 2023
Philip Cosores

Bad Bunny is far from the only artist who brought out surprise guests on stage. One thing about Coachella is always true: if an artist has a collaboration, they’re going to use their Coachella set as an excuse to bring that artist out to perform. Metro Boomin’s closing set at the Sahara stage is perhaps the biggest example of that. A massive stage floated down from the ceiling that housed Metro’s main DJ equipment, with Metro himself dressed as a superhero (cape included). John Legend appeared below, kicking the set off with their Heroes & Villains track “On Time.” From there, Future joined Metro for several tracks like “Superhero,” “Serve The Bass,” and “Thought It Was Drought.” Don Toliver was next, delivering “Too Many Nights” with Future. 21 Savage also took the stage for a couple tracks like “10 Freaky Girls” and some highlights from Savage Mode 2, while also giving Metro his flowers by naming him the “greatest producer of our generation.” Finally, after teasing his appearance on Twitter, The Weeknd pulled up and the crowd went wild. He delivered his After Hours track “Heartless” and gave us a taste of upcoming music with an unreleased track. Finally, The Weeknd closed out the set with fan-favorite “Creepin,” where Diddy made a brief and unexpected cameo.

John Legend Coachella 2023
Philip Cosores

Blink-182 was another major highlight from Coachella day one, and perhaps the only major artist who didn’t bring out any surprise guests. Instead, they themselves were the surprise guests. Blink-182 was announced as part of the lineup just a few days ago, reuniting on the stage with their original lineup of Tom Delonge, Mark Hoppus, and Travis Barker for the first time in nine years. And in the years since, each three members have come a long way; Mark Hoppus beat cancer, Tom Delonge discovered aliens (kinda), and Travis Barker married a Kardashian. Joining together on stage, though, it felt like no time had passed. Mark and Tom were continually cracking “your mom” jokes like it was still the ’90s. To their credit, their set did feel like it transported the crowd back to their 1999 inception, playing all the early tracks like “The Rock Show” and “What’s My Age Again.” They closed out their set with three back-to-back greatest hits, “I Miss You,” “All The Small Things,” and “Dammit.”

Blink-182 Coachella 2023
Philip Cosores

Countless other artists on Coachella 2023’s day one lineup made their memorable mark on the weekend. Gorillaz, who recently dropped the album Cracker Island, used their stage time to highlight collaborators. They invited Thundercat to the stage to perform their recent album’s title track, Del The Funkee Homosapien for their iconic hit “Clint Eastwood,” and UK rapper Slowthai for “Momentary Bliss.” Artists who couldn’t make it to the stage were replaced massive holograms, like Tame Impala singing his part on “New Gold” and Snoop Dogg firing off his verse in “Hollywood.” Indie-pop trio MUNA was also a highlight of the day. The group dedicated their set to their young queer and trans fans while performing a soon-to-be released song and bringing out the members of Boygenius to sing “Silk Chiffon.” Top Dawg Entertainment rapper Doechii brought the heat to the already sweltering day with an impeccably choreographed set. New Zealand breakout songwriter Benee drew a massive crowd for a mid-day performance where she brought out Gus Dapperton for their quarantine-era viral hit “Supalonely.” Finally, Philly band Soul Glo made good on their hard-core genre label by opening up a mosh pit and delivering a riotous and riveting set.

Gorillaz Coachella 2023
Philip Cosores

Follow along with Uproxx’s Coachella 2023 coverage here. Check out a few more photos from Friday below.

Some of the artists mentioned here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Bad Bunny

Bad Bunny Coachella 2023
Philip Cosores

Blink-182

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The Chemical Brothers

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Gorillaz

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Soul Glo

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Doechii

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Muna

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Gorillaz Got De La Soul, Thundercat, And More Guests For Their Electric Coachella Performance

Given their range of collaborations with artists, it was not surprise that Gorillaz had a lot of special guests for their Coachella set Friday. The band kicked things off by bringing out Thundercat, who played “Cracker Island,” the title track off their most recent album.

Shortly after, Damon Albarn brought out Peven Everett for “Strobelite” and Jamie Principle for “Hollywood.” After a brief interlude in which the band played “Andromeda,” Albarn brought out Bootie Brown to perform “New Gold.”

For one of Gorillaz’s best-known songs, “On Melancholy Hill,” Albarn dedicated it to his daughter, Missy.

Brown returned later in the show to play “Dirty Harry.” Next up was Slowthai, who dropped by to perform “Momentary Bliss,” one of Gorillaz’s songs from their record Song Machine.

The band closed out with some classics, with Del The Funky Homosapien playing “Rock The House” before returning for the closer, “Clint Eastwood.”

In between, De La Soul did “Feel Good Inc.,” giving the crowd a chance to hear all their favorite Gorillaz standards.

“Dave would’ve loved being out there,” one fan who uploaded the performance noted, referencing the late Trugoy.

Check out some clips from Gorillaz’s Coachella set above.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Gorillaz’s Iconic ‘Feel Good Inc.’ Collaboration With De La Soul Was Originally Intended For Another Song

Gorillaz’s 2005 album Demon Days is a classic. It’s full of highlights, including De La Soul’s collaboration on the track “Feel Good Inc.” But during an interview on the Kyle Meredith With… podcast, De La Soul co-founder Maseo divulged that Damon Albarn initially wanted De La Soul on “Kids With Guns” instead.

“When we went to do ‘Feel Good Inc.,’ the initial song was ‘Kids With Guns,’” Maseo said. “When we were having a conversation about ‘Kids With Guns,’ I honestly came out and said, ‘Hey man, I think we forcing it.’ […] I think we’re not really collaborating, we’re just featuring on the record. It’s like Gorillaz featuring De La. We really need to do like a collaboration, where we both artistically show our flavor.’”

“He’s truly out there for artistic value, and I got a lot of love for that,” he said about Albarn. “No idea is a bad idea until we try it — all egos are checked at the door. Everybody is doing their best to make a great song. He hears people on songs like instruments. Everybody’s vocal technically is an instrument, and that’s how he hears the track.”

Gorillaz recently shared “Crocadillaz,” which features De La Soul, following the death of Trugoy The Dove (real name David Jolicoeur) in February.

Listen to the podcast episode here.

Gorillaz is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

The Best Vinyl Releases Of February 2023

Anybody who thought the vinyl resurgence was just a fad was mistaken: The industry has experienced a legitimate revival. As a result, music fans are interested in physical media in ways they may not have if the decades-old medium hasn’t made a comeback. That doesn’t mean everybody is listening to just their parents’ old music, though. That’s part of it, sure, thanks to rereleases that present classic albums in new ways. A vital part of the renewed vinyl wave, though, is new projects being released as records, of which there are plenty.

Whatever you might be into, each month brings a new slew of the best new vinyl releases that has something for everybody. Some stand out above the rest, naturally, so check out some of the best vinyl releases of February below.

Whitney Houston — Whitney Houston and Whitney (Reissues)

whitneyhoustonvinyl
Legacy Recordings

Whitney Houston’s music is as impactful now as it was when it debuted back in the mid-’80s, so there’s never a bad time for a vinyl reissue. Houston’s first two star-making LPs, Whitney Houston and Whitney, and among the pair is a handful of classic No. 1 singles, like “I Wanna Dance With Somebody (Who Loves Me)” and “Saving All My Love For You.”

Get it here.

Gorillaz — Cracker Island

gorillaz cracker island vinyl
Parlophone/Warner

Gorillaz went all out for the vinyl editions of their latest album, Cracker Island. There are a number of them available in the band’s webstore, including some bold picture discs and a deluxe box set that comes with a CD, sticker sheet, poster, notebook, and more.

Get it here.

Neutral Milk Hotel — The Collected Works Of Neutral Milk Hotel

nmh
Merge Records

In The Aeroplane Over The Sea is the defining Neutral Milk Hotel work, but there’s a ton more worthwhile material beyond that, too. Now, it’s all been collected in a new box set… well sort of new: It was sold before, but only in the band’s online store. The collection includes a bunch of goodies, like a number of 10-inch and 7-inch records, as well as the band’s two albums (the other being On Avery Island) as gatefold LPs.

Get it here.

The Strokes — The Singles — Volume 01

strokesvinyl
RCA Records/Legacy Recordings

The Strokes’ early era was one to remember, and their new box set is a fantastic time capsule of it. It brings ten of the band’s singles from their first three albums — Is This It (2001), Room On Fire (2003), and First Impressions Of Earth (2006) — which means rare B-sides from the original releases.

Get it here.

Mötley Crüe — Crücial Crüe: The Studio Albums 1981-1989

motleycruevinyl
BMG Rights Management

Mötley Crüe went hard in the ’80s, dropping a number of platinum albums and iconic singles like “Girls, Girls, Girls” and “Dr. Feelgood.” That decade has been wrapped up in a fresh box set, which compiles all of the band’s peak-era albums into a five-album collection that truly encapsulates a heck of an era.

Get it here.

Paramore — This Is Why

Paramore This is Why
Atlantic

Depending on where you shop, you’ll find a different pressing of Paramore’s latest album. Target, for example, carries a lovely gold version, while Urban Outfitters has a coral edition of its own and Walmart is keeping it classic with a black pressing.

Get it here.

Naughty By Nature — 19 Naughty III (30th Anniversary Edition)

naughtyvinyl
Tommy Boy Records

It’s been 30 years since Naughty By Nature dropped 19 Naughty III (fantastic name for a 1993 album, by the way), and now the group’s celebrating with a reissue. Notable are the six bonus tracks this new release comes with, including the previously unheard extended mix of “Hip Hop Hooray” and remixes from Pete Rock and The Beatnuts.

Get it here.

Kacey Musgraves — Same Trailer Different Park (VMP Reissue)

kaceyvinyl
Vinyl Me, Please

Kacey Musgraves is a crossover star now, but once upon a time, she had yet to carve out a space in the pop space and was dominating the country scene. Same Trailer Different Park was a striking debut album back in 2013, and for its tenth anniversary, Vinyl Me, Please pressed it on gorgeous “cactus green” vinyl, a fantastic visual complement to the album art’s greenery.

Get it here.

Pearl Jam — Yield (25th Anniversary Reissue)

pearljamvmp
Vinyl Me, Please

Pearl Jam still sounds as vital(ogy) as ever these days, and perhaps in a “time flies” example for some readers, the band’s 1998 album Yield turns 25 years old this year. Naturally, there’s a new vinyl reissue, and it’s pressed, as press materials note, “on 2LPs for the very first time on 180g translucent red & black hi-melt vinyl in a double gatefold, direct-to-board and die cut jacket.” It doesn’t ship until this summer, but we have a feeling that it will go fast.

Get it here.

Truth Is Where It’s At — A Gospel Truth Collection

Vinyl Me, Please Gospel Truth
Vinyl Me, Please

Vinyl Me, Please is shining a light on The Gospel Truth Records, a 1972 gospel imprint on Stax Records, with a new box set. The release highlights a number of releases from a number of artists: The Rance Allen Group by The Rance Allen Group, Jesus People by Maceo Woods and The Christian Tabernacle Concert Choir, A Tribute to Mahalia Jackson by Louise McCord, Whatever Happened To Love by Clarence Smith, The Gospel Artistics by The Gospel Artistics, and Blue Aquarius by Blue Aquarius.

Get it here.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.