SOHH’s 12 Most Anticipated Hip Hop Albums of 2022: Nas, Cordae, Kendrick Lamar, Roddy Ricch, and More!

It’s a brand new year. That means brand new releases and projects from your favorite rappers. Here are the 12 we’re anticipating. 12 Hip Hop Albums Coming In 2022 Unfortunately in today’s day and age trying to predict new releases is almost pointless. Many artists like to do surprise album releases or they set deadlines […]

The Most Anticipated Albums Of 2022

As 2021 fades in the rearview, it’s time to start looking forward. 2022 will hopefully bring us more normalized touring and festivals, while also seeing a number of our favorite artists returning with new work. Whether hip-hop, pop, or indie (or entirely different genres), 2022 will have no shortage of new tunes, and here’s a selection of the most anticipated albums of 2022 that we’re excited about.

6LACK

After cutting himself free from the chains of life and love on Free 6lack and grappling with his own faults in romance on East Atlanta Love Letter, 6lack is perfecting the next story he wants to tell the world. The singer’s third album is set for release at some point in 2022, and if there’s anything we can expect, it’s another batch of songs backed by strong songwriting and his trademark gloomy and clouded production. 6lack ended 2021 with two singles — “Rent Free” and “By Any Means” — both of which evoked optimism for what he has to offer in the future. – Wongo Okon

Arctic Monkeys

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Philip Cosores

We last heard from Arctic Monkeys on 2018’s weird, excitingly experimental Tranquility Base Hotel & Casino. Despite its left-turn sound for the band, the record still cracked the top 10 of the Billboard albums chart, and signaled a fruitful future for the English rockers. The band has been pretty silent since the conclusion of the album’s accompanying tour, and it would appear that their return is imminent. Drummer Matt Helders confirmed in an interview earlier this year that the Monkeys’ seventh album is just about “ready to go,” saying that fans can expect the project’s sound to “pick up where the other one left off in a way. It makes sense when you think about it in the context of the last record. But we always do try and do something a bit different.” – Zac Gelfand

Bartees Strange

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Philip Cosores

Pandemic be damned, Bartees Strange was still 2020’s breakout indie star with his incredible debut, Live Forever. The album picked up massive critical acclaim, and when touring returned earlier this year, Bartees was catapulted onto festival stages and support slots alongside the likes of Phoebe Bridgers, Lucy Dacus, and Courtney Barnett. Rumor has it that the producer/songwriter has been hard at work on the follow-up to Live Forever during breaks on his grinding tour schedule, and that we can expect new music soon. We’ve already heard the new song “Weights,” a Live Forever bonus track that quickly made its way onto our list of the year’s best songs. If that track is any indication of what we can expect from his sophomore album, 2022 is set to be the year of Bartees Strange. – Z.G.

Beach House – Once Twice Melody (2/18)

The gazy pop duo’s first album in four years is following an ambitious rollout. Once Twice Melody’s 18-track’s are being released in four separate chapters. The first two are already out, with part three due out January 19th and then chapter four on February 18th, marking the project’s completion. Singer Victoria LeGrande has said that these songs are her attempt to channel not her personal heartbreak, but that of the whole world’s as we try to emerge from a number of dark years. This is also the first time that the band has featured a live string ensemble, which is a promising advancement, considering their arrangements have always had a layered, cinematic feel to begin with. – Adrian Spinelli

Beyonce

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While Beyonce certainly hasn’t been resting on her laurels, the BeyHive is pretty sure that five years since a de facto solo album is long enough. Between her joint album with Jay-Z as The Carters, Everything Is Love in 2018, coordinating and contributing to The Lion King: The Gift soundtrack in 2019, and putting together the Black Is King film in 2020 to go along with The Gift, the biggest pop star in the world has been expanding her vision into many different avenues. But, hey, who can blame us for pinning our hopes on the idea that she’s been steadily and quietly putting together another solo opus all the while? What’s the one thing that could make 2022 feel like a real break from the rest of this pandemic hell? A new Beyonce album. – Caitlin White

Big Thief – Dragon New Warm Mountain I Believe You (2/11)

Big Thief just won’t quit. 2019 saw the Brooklyn quartet releasing two stellar albums in Two Hands and U.F.O.F. 2020 brought singer Adrianne Lenker’s double solo album in the sublime songs and the hypnotic instrumentals. Then in 2021 guitarist/vocalist Buck Meek released his own solo album of charming Southern folk in Two Saviors. Now the double LP, Dragon New Warm Mountain I Believe In You presents 20 new tracks showcasing the band’s chemistry in enacting music from perhaps today’s finest folk lyricist in Lenker. More than a third of the songs have already been released for your listening pleasure, like the beautifully fluttering “Change” and the elated banjo-studded Americana of “Spud Infinity.” – A.S.

Cardi B

Despite how well Cardi has managed to remain a part of the cultural conversation lately, it’s been a while since her last album, her 2018 debut Invasion Of Privacy. She’s brought up her upcoming sophomore LP here and there, but she recently gave a strong indication that it’s finally coming in 2022: In a December video in which she discussed her hectic life, she noted, “I’m in a lot of positions and that requires a lot of my time, and on top of that, I gotta put out this album next year.” – Derrick Rossignol

Charli XCX – Crash (3/18)

Charli XCX kept her fans completely in the loop as she wrote her 2020 album How I’m Feeling Now. But for her 2022 release Crash, the pop singer is keeping things a bit more guarded. Bringing on a new era filled with bold leather, dramatic eyeliner, and blown-out hair, Charli announced Crash is set for a March 18 release and has shared the two disco-infused singles, “Good Ones” and the Christine And The Queens and Caroline Polachek collaboration “New Shapes.” Charli noted in a radio interview on Apple Music 1’s The Chart Show that her upcoming LP “heavily ’80s-inspired.” “There are a lot of uptempo tracks,” she said. “It’s dark, it’s kind of sexy and sexual and sort of demonic at points, I suppose. But then there are lighter moments, too. But yeah, I think the whole record is about my relationship with relationships and sex and power.” – Carolyn Droke

Coi Leray

Coi Leray’s rise to fame seemed to occur right when our calendars flipped to 2021 earlier this year. The New Jersey native got a taste of stardom thanks to records like “No More Parties” and “Big Purr (Prrd)” as well as success on TikTok. With a XXL Freshman class inclusion under her belt as well as multiple plaques, the clock is ticking for a new project from Coi Leray. If it arrives in 2022, it’ll be her first body of work since 2020’s Now Or Never, which was quite the appetizer from her thanks to help from Gunna, Kiana Lede, Sevyn Streeter, and more. Coi stepped into the spotlight in 2021, and all she has to do this year is find a way to stay in. – W.O.

Dua Lipa

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Sure, Future Nostalgia is barely two years old this spring. And sure, Dua hasn’t even had the chance to really tour behind it due to the pandemic. And yes, there’s been multiple reworks of the project that surely took up some of her time, like the Club Future Nostalgia take, and my personal favorite, the Moonlight Edition. But even with all of those irons in the fire, that still leaves plenty of time for Dua to have written and recorded her third album! With a potential breakup on the horizon, the freed up schedule of the pandemic, and increasing recognition from her industry and peers, now is the time for Dua to strike. Release that epic third album midway through your world tour, and let the veteran icons know that a new star is ready to ascend. – C.W.

Earl Sweatshirt – Sick (1/14)

When Earl dropped “2010” this past November, the Black Noi$e-produced track called back to the introspective early days of the LA rapper’s career, when on tracks like “Chum,” he lamented the family and slimy media roadblocks that were standing in the way of his budding career. Earl and Alchemist teased a new album from the rapper throughout 2021, citing everything from a hidden album on YouTube under a fake name, to a 21-minute release. Earl set it straight when he announced Sick in December, dropped the no-nonsense “Tabula Rasa” with Armand Hammer and said that the ten songs on the new album created during the pandemic “are what happened when I would come up for air.” – A.S.

Father John Misty – Chloe And The Next 20th Century (4/8)

Over the last few months, Father John Misty has been slowly teasing away at what appears to be his first full-length release since the 2018 album God’s Favorite Customer. First came the reactivation of his social media accounts, which have been mostly silent for the last few years. Then, back in November, he shared a mysterious video on that newly-reactivated account featuring a nighttime cityscape and some reverb-heavy musical ambience. Now, it would seem that fans are receiving vinyl in the mail containing a pitch-shifted voice declaring “Available April 8, 2022 on Sub Pop and Bella Union. Father John Misty’s new album: Chloe And The Next 20th Century.” There still hasn’t been a “conventional” announcement, but when has Father John Misty been one for conventional? – Z.G.

Future

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Philip Cosores

For well over a decade, Future has opened various doors of his artistry to the world. When it’s the truth of his life as Honest presented or a wave of toxicity as he grapples with love on HNDRXX, each album Future presents offers a slight change in the lens from the last one. It’s what makes the impending arrival of his upcoming ninth album so intriguing. What will the Atlanta trap star bring to the table thing time around? A focus on fame, pain, love, or evildoings? Or mix of it all? Whatever it is, we can rest assured knowing that it’ll continue his streak of strong releases. – W.O.

JID

We haven’t heard a full-length project from Atlanta-bred Dreamville artist JID in over three years — Spillage Village’s extremely good 2020 group effort Spilligion notwithstanding. While DiCaprio 2 showcased an artist at the absolute peak of his craft, the events of the intervening years have given us all cause for reflection and a wealth of weighty matters to unpack. JID’s already proven adept at addressing tough topics with tracks like “Skeegee” in the past year and with the next wave of Dreamville releases in the wings, he could very well prove once again to be the crew’s standout. – Aaron Williams

Kehlani – Blue Water Road

Since her emergence with her 2014 debut mixtape Cloud 19, Kehlani has gone without releasing an project in a calendar year on three occasions: 2016, 2018, and 2021. It truly speaks to the Oakland native’s consistency and it’s something she looks to continue with her upcoming third album, Blue Water Road. So far, we’ve received it’s lead single “Altar,” a pop-leaning declaration of love, and the confirmation that the album will arrive this winter. With less than three months left until the seasons change, Kehlani’s Blue Water Road could be an early favorite in 2022. – W.O.

Kendrick Lamar

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Philip Cosores

It’s been four years since Kendrick Lamar’s last album, DAMN. — practically an eternity in the streaming era. Of course, the delay in following up is perfectly understandable from Kendrick’s perspective. Aside from the obvious global disruption of a deadly pandemic, the Compton rapper must also contend with nearly insurmountable expectations after DAMN. accumulated both the usual assortment of accolades (Grammy nods; critical acclaim) and less than usual ones (a freaking Pulitzer Prize). That’s not the only reason he’s taking his time; his next album will be his final one for TDE, so it’s important that he goes out on top. – A.W.

Khruangbin/Leon Bridges – Texas Moon (2/18)

The union of these native Texan acts really is the best of both worlds. 2020’s Texas Sun EP was like a gift from the sky that met squarely in the middle of Khruangbin’s globally-inspired funk and Bridges’ buttery soul coo. It sure felt like a one-off project that we’d merely turn to in those sun-soaked days on the porch, but lo and behold, its companion piece is now set to drop in February. The foursome have indicated that Texas Moon is indeed the yin to the first edition’s yang: “Without joy, there can be no real perspective on sorrow,” Khruangbin explained. “Without sunlight, all this rain keeps things from growing. How can you have the sun without the moon?” – A.S.

Latto

Kicking off the run-up to her new album with the “Fantasy”-sampling “Big Energy,” the Uproxx cover artist from Atlanta is already showing growth and experimentation to begin the next phase of her career — the first part she’ll be able to tour behind, as well. And, lest anyone get nervous that she’s wandered too far afield of her comfort zone, she’s made sure to allay those concerns with tracks like “Soufside,” showing she’ll stick to her punchline-slinging trap rap roots even as she strives for the next level of pop stardom. – A.W.

Lil Uzi Vert

Lil Uzi Vert has been promising a handful of new albums ever since releasing his double album Eternal Atake in 2020 after a multi-year delay — or it could just be one album with an ever-evolving title. Whether it’s The Pink Tape, Forever Young, or Luv Is Rage 3, the wait has extended from 2020 into 2022, with a projected Halloween release date scuttled so as to not rush the work. Considering the Philly rapper’s intimation that Eternal Atake was “dumbed down” despite its warm reception from fans, it’s possible that whenever the new album drops, under whatever title it drops, it’ll display new dimensions to his quirky sound. – A.W.

Mitski – Laurel Hell (2/4)

Mitski’s 2018 album Be The Cowboy was one of the best albums of that year, so of course her follow up Laurel Hell is hotly anticipated. The LP is set for an early February release and the singer has already previewed the effort with three singles, showing that she’s is back and better than ever with poetic, heart-tugging lyrics which give an intimate look at the highs and lows of her lust for love. Named after a thicket of poisonous plants in the Appalachian Mountains, Laurel Hell, according to a Rolling Stone interview with Mitski, went through several different genres before landing in a pop-leaning direction. “This album has been a punk record at some point, and a country record,” she said. “Then, after a while, it was like, ‘I need to dance.’ Even though the lyrics might be depressing, I need something peppy to get me through this.” – C.D.

Nilüfer Yanya – Painless (3/4)

UK musician Nilüfer Yanya burst onto the indie scene with her 2019 album Miss Universe and after a series of singles, EPs, tours, and TV performances, Yanya is set to make a grand return with her sophomore studio album Painless. Out in late March this year, Painless is set to feature the singer’s textured, lilting vocals while taking a more direct sonic approach. So far, Yanya has shared the full track list and cover art to the new album along with her lead single “Stabilise,” a song which boasts rapid-fire instrumentation and musings on the monotony of city life. As a whole, though, Yanya says in press materials that Painless is a “record about emotion” in which she’s not scared to admit her feelings. “I think it’s more open about that in a way that Miss Universe wasn’t because there’s so many cloaks and sleeves with the concept I built around it,” she said. – C.D.

Rihanna

Rihanna has been endlessly teasing the release of her ninth album for years. So much so, it’s even turned into a joke that she’s fully aware of. But if everything goes according to plan, it looks like 2022 is the year R9 finally arrives. While she’s notoriously tight-lipped about her new music, Rihanna has said her album is going to be “completely different.” Based on previous interviews and a collaborative song teased by Skylar Gray, all signs point to Rihanna pivoting to a Reggaeton-inspired sound. “Whatever you know of Rihanna is not going to be what you hear,” she told Billboard. “I’m really experimenting. Music is like fashion. You should be able to play. I should be able to wear whatever I want. I treat music the same way. So I’m having fun and it’s going to be completely different.” – C.D.

Rina Sawayama

Rina Sawayama’s 2020 album Sawayama cemented her status as a buzzworthy pop star, boosted her fanbase, and earned her a number of accolades. That’s why many have been impatiently awaiting any news of a new release from the UK pop singer. And based on a series of tweets from September, the wait won’t be too much longer. Though she hasn’t yet officially revealed the title or date of her upcoming LP, Sawayama did confirm that her next project is set to arrive in late summer of 2022. The singer said her LP won’t be highly refined as it was written in “1/20th of the time of the first one.” She noted that she’s “working with some producers [she’s] always dreamed of” and cannot for the life of her “write a heterosexual love song.” – C.D.

Rosalía – Motomami

While 2018’s El Mal Querer was Rosalía’s second album, it was undoubtedly her breakthrough. The Spaniard effectively took the flamenco pop sound mainstream, winning the Grammy for Best Latin Rock, Urban or Alternative Album, as well as the Latin Grammy for Album Of The Year. Suffice it to say, the stakes are high for Motomami and she’s poised to go big in every way. Like on the official first single from the album, “La Fama,” which features The Weeknd and a wild video with Danny Trejo that would make Robert Rodriguez proud. – A.S.

Sky Ferreira – Masochism

2022 marks almost a full decade since Sky Ferreira dropped her debut album Night Time, My Time. Since then, Ferreira has regularly been promising the release of her sophomore album Masochism is coming soon, citing difficulties with her health and her label as the cause for continued delays. Back in 2019, she released the single “Downhill Lullaby,” which seemed to indicate that Masochism was actually ready. Three years and zero new songs later, Ferreira is once again claiming that the album will finally drop in 2022. “Top 5 most anticipated albums of 2022 @Stereogum,” she wrote on Instagram. “(it happens every year, but it’s actually coming out this time).” – Z.G.

Spoon – Lucifer On The Sofa (2/11)

Spoon does everything well. The Austin staples fronted by Britt Daniel have been one of the tightest units in indie for the past 25 years. When their 10th album and follow-up to 2017’s well-received Hot Thoughts is released, it will end the longest period the band has gone without releasing an album. For Lucifer On The Sofa, Daniel and company moved back to Texas to write and record and were feeding off the energy they built from years of touring Hot Thoughts. Daniel told NME that rather than recording demos and using that as a starting point, they tried to channel the magic that they were finding on stage: “You’re not figuring out the song as you record it: You figure it out, then you record it.” First single “The Hardest Cut” features a furious guitar part that Daniel refers to as “the Texas riff” and it’s a fresh wrinkle in their always impeccable sound. – A.S.

SZA

For seemingly the third or fourth consecutive year, SZA fans will begin a new year with the hope that TDE’s first lady will grace them with a new body of work in 2022. For what it’s worth, the past year and a half has been the most active period for SZA since she released her 2017 debut Ctrl. She delivered a trio of singles with “Hit Different” alongside Ty Dolla Sign, “Good Days,” and “I Hate U.” If there’s any year in the past half-decade that points to good signs of a SZA album en route, 2022 is the one. – W.O.

Troye Sivan

After a massive breakthrough with his second studio album, Bloom, back in 2018, Troye Sivan has been biding his time for the follow-up. Focusing on a a shorter EP in 2020, In A Dream built up more dream-pop synths and yearning lyrics. But he released a string of new singles last year, like a collaboration with Regard and Tate McRae on “You,” and the adoring “Angel Baby,” paving the way for a full-length in 2022. Between quarantine romances and pandemic-induced loneliness, listeners around the world could really use more polished, romantic pop from one of Australia’s brightest stars. – C.W.

Vince Staples

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Philip Cosores

Before dropping Vince Staples, his eponymous third studio album, in July, the Long Beach rapper had been teasing numerous new projects to be released in the coming year. Circumstances being what they are, it makes sense that he wasn’t able to follow through on these designs — but that just gives fans more to look forward to in 2022. While we were never quite sure whether the full project Vince had supposedly completed with Alchemist was the same one he teased prior to the release of Vince Staples, the possibilities are truly endless when it comes to Vince, who takes delight in defying expectations. – A.W.

The Weeknd – Dawn FM (1/7)

In October 2021, The Weeknd noted his impending After Hours follow-up was just “a couple characters that are key to the narrative” short of being finished. He then started 2022 by not-so-subtly hinting that he’s just about ready to drop the project. It didn’t take long for him to return with some more substantial, concrete, and exciting info: Dawn FM, as it is titled, is dropping on January 7. Jim Carrey, who is featured on the project, has already heard it and declared it’s “deep and elegant.” – D.R.

Wet Leg – Wet Leg (4/8)

The next big thing? Here it is. The debut album on Domino Records from Isle of Wight duo Wet Leg comes on the heels of earth-shattering singles like “Chaise Lounge” and “Wet Dream.” The post-punk matter-of-factness of singers Rhian Teasdale and Hester Chambers comes across like recent London revelations Dry Cleaning, but with a far more playful streak. And they totally rip. Big basslines lean up against sticky guitar hooks and F Yeah lyrics like “Is your mother worried? Would you like us to assign someone to worry your mother?” This is the stuff right here, man. – A.S.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

SOHH’s Most Anticipated Hip Hop Albums in 2022: Nas, Cordae, Kendrick Lamar, Roddy Ricch, and More!

It’s a brand new year. That means brand new releases and projects from your favorite rappers. Here are the 12 we’re anticipating. 12 Hip Hop Albums Coming Next Year Unfortunately in today’s day and age trying to predict new releases is almost pointless. Many artists like to do surprise album releases or they set deadlines […]

J. Cole May Have Been The One Who Convinced Dr. Dre To Sign Kendrick Lamar

It’s a Christmas miracle — there’s a new Nardwuar interview! This time, the stalwart of Canadian music journalism is speaking with none other than platinum with — and with no — features, J. Cole. Cole has had a pretty incredible year with the release of The Off-Season earlier this year. Now that his latest project has gone platinum, it’s time for Cole to do some reflecting alongside the ever inquisitive Nardwuar.

This time, Nardwuar wants to know about the Dreamville label-head’s taste in other rappers — he shocks J. Cole by bringing up the fact that it was Cole who told Dr. Dre about Kendrick Lamar back in the day. Sitting silent for almost a full ten seconds after Nardwuar asks him about it, Cole finally tells the story. You can see the excerpt in the tweet above, or the whole interview up top. But a transcript of the gist of what he says is below.

“I’m not going to say I was the first to tell him… when I brought him up to Dre I was like ‘You know what you gotta do is’ — I went in there to work on Detox, you know like how Dre do, if you’re a young rapper and he rock with you, he want to bring you through and have you test the waters — so yeah I was like ‘yo you got to sign this kid from Compton, boom boom, Kendrick boom boom.’ And then [another guy] was like ‘oh yeah that’s the kid I was telling you about! boom boom boom’ So, I have no clue, you know what I mean? I’ve never heard anybody say that type of sh*t, but shout out to Dr. Dre, he made the right decision.”

Well, thanks for helping the entire world get the gift of Kendrick Lamar, Cole! And thanks to Nardwuar for always knowing the best and deepest secrets of every single artist.

Fans Debate Whether Kodak Black Is As Lyrical As Kendrick Lamar After A Comedian’s Tweet Insisting He Is

This may sound harsh, but it’s meant with absolutely no malice: Lil Duval is a menace and he must be stopped. Whenever the comedian tweets comparing various figures in hip-hop, complete chaos breaks out among rap fans on Twitter as they end up debating the merits of his off-the-cuffing (and likely trolling) analyses for days on end. Previously, he noted similarities between the music video styles of DaBaby and Ludacris, prompting a days-long discussion that led to the rappers themselves weighing in.

This week, though, he made an even more surprising assertion, comparing two rappers who couldn’t be more different on the surface: Pulitzer Prize winner Kendrick Lamar and the frequently problematic Kodak Black. “Kodak really up there with Kendrick lyrically but y’all don’t wanna hear it tho,” he tweeted yesterday morning. It didn’t take long for Rap Twitter residents to get riled up, chiming in with arguments both for and against Duval’s statement.

The two rappers do share some commonalities. Both were selected for XXL‘s Freshman Class (Kendrick in 2011, Kodak in 2016), and both frequently address the harsh conditions young Black men often face in the US, from poverty and violence to the institutionalization of the prison system. However, they’ve also had wildly different trajectories; while Kendrick has gone from government assistance in Compton, California to be one of hip-hop’s most critically-acclaimed and commercially successful artists (see above, re: Pulitzer), Kodak has faced a number of legal issues and pop culture controversies for everything from illegally purchased guns to sexual assault.

Kodak himself seemingly weighed in as well, writing in a comment about the post on Instagram, “I understand it be controversial Shit behind me but I’ll appreciate it if y’all just worry bout me Fa my talent & not da other shit on social media !!! Thank You”

Check out more responses to Lil Dvual’s unexpected comparison below.

Baby Keem Proves To Be An Expert Curator Of Vibes On His Melodic Tour

Taking in the enthused crowd at Baby Keem’s show at the Fonda Theater in Hollywood for his Melodic Tour last Thursday night, it was clear that despite being a relative newcomer, the Las Vegas-raised rapper is already in a league of his own. He also proved to be one of those artists that you have to see to “get,” and while I can’t say I fully understand his appeal after seeing him live, I certainly can understand why he appeals to a generation that values vibes over previously held notions of substance.

One thing that has both helped and hindered the 21-year-old is his blood relation to one of hip-hop’s most critically-lauded poets: Kendrick Lamar. The two are cousins, and Kenny’s shadow looms long over Keem’s career to date. While having that connection certainly drew more attention to Keem’s work, even if it wasn’t highly touted by either of them, it also sets a certain standard of expectations for him — expectations he clearly has no intention of meeting.

As the concert took place in Los Angeles, Kendrick’s hometown and Keem’s birthplace, there were those fans who seemed most excited by the prospect of seeing Kendrick make a surprise appearance — especially since he appears twice on Keem’s debut album The Melodic Blue, on fan favorites “Range Brothers” and “Family Ties.” To his credit, Kendrick takes care not to outshine his cousin on either track, opting to dip his toes into the younger artist’s creative well rather than stick to his own tongue-twisting, mind-bending metaphorical writing style.

Keem’s style is the result of a half-decade-long realignment of hip-hop’s overall trajectory toward artists who push mood over weighty themes and witty wordplay. And while the stars of the era like Travis Scott, Lil Uzi Vert, and other young veterans of the SoundCloud era have renewed rap’s affinity for repetitious hooks and more prominent production than lyricism, they haven’t completely given up on the concept of bringing out the best bars — they’ve studiously reimagined just what constitutes “the best bars.”

At The Fonda, Keem’s turn-up anthems — tapping cuts across both The Melodic Blue and his 2019 mixtape Die For My Bitch like “Range Brothers” and “Stats,” along with his Donda feature “Praise God” — might have received the most exuberant initial responses, but the kids were much more tuned in for the drowsier, vibey-er cuts like 2019’s “Honest” and “Issues” from The Melodic Blue. Vibes rule, and lyrics, while being delivered in sing-song fashion rather than the rapid-fire staccato of my youth, are just as central to the process of creating those vibes.

There’s controlled chaos at the heart of it all, and Keem’s true talent seems to be a mastery of what it takes to control it. Despite giving up a whole year of live development due to the COVID-19 pandemic and lockdowns of 2020, instead of presenting the dreary, drugged-out take that many of his peers have come to cultivate over the past few years, Keem is alert and sharp onstage. He knows exactly when to drop the mic and let the crowd fully indulge themselves in crooning along to his magnetic hooks and he’s sequenced at least this particular set perfectly, letting the energy ebb, flow, and spike at natural points without trying to push the margins and burning everyone out or put them to sleep.

That balance was the crux of Uproxx’s review of The Melodic Blue by Wongo Okon, who sought to highlight Keem’s skill at weaving in and out of that vibey, trappy space that is currently so dominant, without trying to imitate his cousin’s depth and dexterity. While some older fans might want to see more of the latter in the same way one concertgoer near the back of the room kept calling for Kendrick to appear — long after it was clear he wouldn’t — Keem knows his audience and serves them exactly what they want, just on his own terms rather than anyone else’s.

Best Hip-Hop Songs of 2021

A year full of rising rap newcomers and seasoned vets that delivered a solid soundtrack over the last 12 months. Continue reading…

Kendrick Lamar Hints At A Return ‘Very Soon’ During Day N Vegas Performance

For the first time in two years, Kendrick Lamar returned to the stage. On Friday, the rapper delivered a performance at the Day N Vegas festival, which was also the last venue he performed at, back in 2019. His set was a special one, as it found him performing a number of songs from his debut album Section.80 for the first time in nearly a decade. These include “F*ck Your Ethnicity,” “HiiiPoWeR,” “Chapter Ten.” and “Ronald Reagan Era (His Evils).” He also performed songs from Good Kid, M.a.a.d City, To Pimp A Butterfly, and DAMN. He then hinted at a proper, full return “very soon.”

After performing “Family Ties” and “Range Brothers” with Baby Keem, Kendrick shared a promising message with the crowd. “Vegas till next time,” he said. “And when I say next time I mean very soon.” This could mean that the rapper’s highly-anticipated fifth album is on the way, which will most likely be paired with an exciting tour.

Kendrick’s comments come after he gave an update on his upcoming fifth album, revealing it would be his last with Top Dawg Entertainment, a label he’d been signed to since 2005. “As I produce my final TDE album, I feel joy to have been a part of such a cultural imprint after 17 years,” he wrote in a statement. “The Struggles. The Success. And most importantly, the Brotherhood. May the Most High continue to use Top Dawg as a vessel for candid creators. As I continue to pursue my life’s calling.”

You can view clips from Kendrick’s Day N Vegas performance below.