The Roots co-founder Black Thought has had a storied career in music. He’s consistently lauded as one of hip-hop’s best lyricists and has even appeared in a few films. Now, Black Thought takes a trip down his musical memory lane in his new memoir 7 Years.
The musician’s memoir is released in audiobook format exclusively through the platform Audible. The book details his career highs and lows and walks the listener through his experience founding The Roots and playing as part of the house band on The Tonight Show Starring Jimmy Fallon. On top of that, the entire audio book features an original score by Black Thought and even includes one of his first-ever freestyle raps.
In a statement on social media, Black Thought wrote that 7 Years is inspired by his commitment to continuously reinvent himself:
“It’s inspired by one of my life theories that every 7 years I should be actively working to become better creatively, emotionally, personally, and mentally as my body also changes and new cells replace the old. So in this piece of words and music I’m sharing some of these key important periods that have made me into the man I am today — with an original musical score that highlights the very first freestyle I ever wrote to our @theroots classics to performances of some of my more recent pieces.”
Listen to a preview of 7 Years below.
7 Years is available now through Audible. Get it here.
Anybody who thought the vinyl resurgence was just a fad was mistaken: The industry has experienced a legitimate revival. As a result, music fans are interested in physical media in ways they may not have if the decades-old medium hasn’t made a comeback. That doesn’t mean everybody is listening to just their parents’ old music, though. That’s part of it, sure, thanks to rereleases that present classic albums in new ways. A vital part of the renewed vinyl wave, though, is new projects being released as records, of which there are plenty.
Whatever you might be into, each month brings a new slew of vinyl releases that has something for everybody. Some stand out above the rest, naturally, so check out some of our favorite vinyl releases of June below.
The Roots — Do You Want More?!!!??! (Deluxe Edition)
The Roots have been one of hip-hop’s finest groups for a long time and their ascent began with their 1995 major-label debut, Do You Want More?!!!??!. Now, they’re celebrating the iconic release with a slew of new reissues. The most expansive is the 4-LP edition, which includes a 24-page booklet and a whopping 18 bonus tracks, some of which have never been released and all of which were curated by Questlove.
2Pac — Until The End Of Time (20th Anniversary Reissue)
Before Tupac was prematurely taken from us, he had a hell of a career, to put it lightly. One of the highlights, his album Until The End Of Time, turns 20 this year, and now it’s available on “high-quality, 180-gram audiophile grade vinyl” for the first time in two decades. This 4-LP release is a special one, as it comes with previously unseen photos and even a tracklist handwritten by Tupac himself.
PJ Harvey has essentially become the cornerstone of his monthly vinyl rundown with her regular rereleases. Her latest project to get the reissue treatment is White Chalk, her well-received seventh album from 2007. Also shared was a collection of demos, which were previously unreleased and are also available on CD and digital formats.
Last year, Dave Chappelle famously released 8:46, the title of which references how long Derek Chauvin had his knee of George Floyd’s neck before his death. Now the comedian is extending his special’s reach with a new Third Man Records reissue, which is pressed in a color edition that is limited, appropriately, to just 846 copies.
Alicia Keys — Songs In A Minor (20th Anniversary Reissue)
Alicia Keys came blazing out of the gate with her 2001 debut album Songs In A Minor. Now the chart-topping, multi-platinum release has gotten a fresh reissue that includes some enticing goodies. Most excitingly, there’s a pair of previously unreleased bonus tracks from the original album recording sessions: “Foolish Heart” and “Crazy (Mi Corazon).” Additionally, there’s also “Fallin’ – Ali Soundtrack Version” and “I Won’t (Crazy World),” the latter of which was previously available on the 10th Anniversary Physical Deluxe edition, meaning this is the first time it’s available to stream.
Lady Gaga had one of 2020’s defining pop albums with Chromatica, and now she has come out with the ultimate edition of the album for diehard fans. This one is pressed on 180-gram black vinyl and comes with a trifold embossed jacket, a new 28-page booklet, and a 40-page fanzine.
Although Rod Stewart had a No. 1 album early in his career, he needed a boost after 1974’s Smiler, which was a relative chart flop in the US. He followed that by signing with Warner Bros. Records and busted out a quartet of prosperous albums, three of which were top-two on the charts: Atlantic Crossing (1975), A Night On The Town (1976), Footloose & Fancy Free (1977), and Blondes Have More Fun (1978). Those four pivotal records have been compiled on this new box set, which also features studio outtakes from each of them. Stewart himself says of the collection, “It’s extraordinary for me to look back on this era of my career. I think fans will enjoy experiencing these songs on vinyl. I know I did.”
Ludacris — Word Of Mouf (Vinyl Me, Please Reissue)
Ludacris remains a pop-culture force today, and that was especially true when he released 2001’s Word Of Mouf, which features hits like “Area Codes” and “Move B*tch.” In celebration of the record’s 20th anniversary, it has gotten a slick new reissue via Vinyl Me, Please, which is pressed on “orange galaxy” vinyl and has a gorgeous overall presentation.
Sharon Van Etten came up with a great way to celebrate the 10th anniversary of her album Epic: Re-release it alongside a version of the album covered by other artists. Participating in the project are folks like Courtney Barnett, Justin Vernon, Fiona Apple, and others. Van Etten says of the reissue, “Epic represents a crossroads for me as an artist. Going from intern to artist at Ba Da Bing, from solo folk singer to playing with a band for the first time and beginning to play shows on tour where people showed up. I am in awe of the artists who wanted to participate in celebrating my anniversary and reissue, from young inspiring musicians, to artists who took me under their wing, who I met on tour, and to artists I’ve looked up to since I was a teenager. Each one of these artists continue to influence my writing and provide a sense of camaraderie during this new era of sharing music.”
The Avalanches — Since I Left You (20th Anniversary Reissue)
June was a big month for 20th anniversaries, because here’s another one. This time, it’s Since I Left You from The Avalanches, and it features a handful of bonus tracks, including new mixes from Black Dice, Leon Vynehall, Sinkane, Carl Craig, and MF Doom. The Doom contribution is previously unheard vocals on “Tonight May Have To Last Me All My Life (MF Doom Remix),” which adds to the icon’s posthumous legacy. The box set collection that houses this anniversary set is essential for fans of the project.
Anybody who thought the vinyl resurgence was just a fad was mistaken: The industry has experienced a legitimate revival. As a result, music fans are interested in physical media in ways they may not have if the decades-old medium hasn’t made a comeback. That doesn’t mean everybody is listening to just their parents’ old music, though. That’s part of it, sure, thanks to rereleases that present classic albums in new ways. A vital part of the renewed vinyl wave, though, is new projects being released as records, of which there are plenty.
Whatever you might be into, each month brings a new slew of vinyl releases that has something for everybody. Some stand out above the rest, naturally, so check out some of our favorite vinyl releases of June below.
The Roots — Do You Want More?!!!??! (Deluxe Edition)
The Roots have been one of hip-hop’s finest groups for a long time and their ascent began with their 1995 major-label debut, Do You Want More?!!!??!. Now, they’re celebrating the iconic release with a slew of new reissues. The most expansive is the 4-LP edition, which includes a 24-page booklet and a whopping 18 bonus tracks, some of which have never been released and all of which were curated by Questlove.
2Pac — Until The End Of Time (20th Anniversary Reissue)
Before Tupac was prematurely taken from us, he had a hell of a career, to put it lightly. One of the highlights, his album Until The End Of Time, turns 20 this year, and now it’s available on “high-quality, 180-gram audiophile grade vinyl” for the first time in two decades. This 4-LP release is a special one, as it comes with previously unseen photos and even a tracklist handwritten by Tupac himself.
PJ Harvey has essentially become the cornerstone of his monthly vinyl rundown with her regular rereleases. Her latest project to get the reissue treatment is White Chalk, her well-received seventh album from 2007. Also shared was a collection of demos, which were previously unreleased and are also available on CD and digital formats.
Last year, Dave Chappelle famously released 8:46, the title of which references how long Derek Chauvin had his knee of George Floyd’s neck before his death. Now the comedian is extending his special’s reach with a new Third Man Records reissue, which is pressed in a color edition that is limited, appropriately, to just 846 copies.
Alicia Keys — Songs In A Minor (20th Anniversary Reissue)
Alicia Keys came blazing out of the gate with her 2001 debut album Songs In A Minor. Now the chart-topping, multi-platinum release has gotten a fresh reissue that includes some enticing goodies. Most excitingly, there’s a pair of previously unreleased bonus tracks from the original album recording sessions: “Foolish Heart” and “Crazy (Mi Corazon).” Additionally, there’s also “Fallin’ – Ali Soundtrack Version” and “I Won’t (Crazy World),” the latter of which was previously available on the 10th Anniversary Physical Deluxe edition, meaning this is the first time it’s available to stream.
Lady Gaga had one of 2020’s defining pop albums with Chromatica, and now she has come out with the ultimate edition of the album for diehard fans. This one is pressed on 180-gram black vinyl and comes with a trifold embossed jacket, a new 28-page booklet, and a 40-page fanzine.
Although Rod Stewart had a No. 1 album early in his career, he needed a boost after 1974’s Smiler, which was a relative chart flop in the US. He followed that by signing with Warner Bros. Records and busted out a quartet of prosperous albums, three of which were top-two on the charts: Atlantic Crossing (1975), A Night On The Town (1976), Footloose & Fancy Free (1977), and Blondes Have More Fun (1978). Those four pivotal records have been compiled on this new box set, which also features studio outtakes from each of them. Stewart himself says of the collection, “It’s extraordinary for me to look back on this era of my career. I think fans will enjoy experiencing these songs on vinyl. I know I did.”
Ludacris — Word Of Mouf (Vinyl Me, Please Reissue)
Ludacris remains a pop-culture force today, and that was especially true when he released 2001’s Word Of Mouf, which features hits like “Area Codes” and “Move B*tch.” In celebration of the record’s 20th anniversary, it has gotten a slick new reissue via Vinyl Me, Please, which is pressed on “orange galaxy” vinyl and has a gorgeous overall presentation.
Sharon Van Etten came up with a great way to celebrate the 10th anniversary of her album Epic: Re-release it alongside a version of the album covered by other artists. Participating in the project are folks like Courtney Barnett, Justin Vernon, Fiona Apple, and others. Van Etten says of the reissue, “Epic represents a crossroads for me as an artist. Going from intern to artist at Ba Da Bing, from solo folk singer to playing with a band for the first time and beginning to play shows on tour where people showed up. I am in awe of the artists who wanted to participate in celebrating my anniversary and reissue, from young inspiring musicians, to artists who took me under their wing, who I met on tour, and to artists I’ve looked up to since I was a teenager. Each one of these artists continue to influence my writing and provide a sense of camaraderie during this new era of sharing music.”
The Avalanches — Since I Left You (20th Anniversary Reissue)
June was a big month for 20th anniversaries, because here’s another one. This time, it’s Since I Left You from The Avalanches, and it features a handful of bonus tracks, including new mixes from Black Dice, Leon Vynehall, Sinkane, Carl Craig, and MF Doom. The Doom contribution is previously unheard vocals on “Tonight May Have To Last Me All My Life (MF Doom Remix),” which adds to the icon’s posthumous legacy. The box set collection that houses this anniversary set is essential for fans of the project.
Questlove and Black Thought both keep themselves plenty busy outside of The Roots, and now the pair is teaming up for yet another new endeavor. This time, it’s Rise Up, Sing Out, a series of animated shorts they’re making with Disney Junior.
The series, which is set to premiere later in 2021, will feature music from the pair. Press materials describe the show, “Presenting important concepts around race, racism and social justice for the youngest viewers, the series consists of music-based shorts that are designed to provide an inspiring and empowering message about noticing and celebrating differences and providing a framework for conversation.”
In a joint statement, Questlove and Black Thought said, “It is an honor to work with the Disney Junior team to help create a series of shorts that will empower and uplift the future generations in the way we know best, through music. We hope these shorts will encourage the young audience to recognize and celebrate our differences as human beings while learning the tools to navigate real-world issues of racial injustice.”
Joe D’Ambrosia — senior vice president, Original Programming and general manager, Disney Junior — also said, “We recognize that many kids are experiencing a multitude of feelings around what’s happening in our world today and know that many families are struggling with how to discuss sensitive issues around race. Our goal with these shorts is to open up the conversation and provide families with the tools and knowledge to address these important topics with their preschoolers in an age-appropriate manner through music and relatable kid experiences.”
To most folks, Questlove is the heart and soul of The Roots — or at least the member most can be readily called upon to identify with any degree of accuracy (although, that doesn’t necessarily hold true all the time). However, according to Quest himself, there have been many times where that was almost not the case. In a new interview with Jemele Hill, the afroed drummer — who also dabbles in writing books and directing movies — said that he’s temporarily walked away from the band while recording every album but two.
The first, obviously, was their 1993 debut Organix, which they released independently, generating enough buzz to sign to grunge label DGC for the release of their second album, Do You Want More?!!!??!, in 1995. However, despite receiving plenty of critical acclaim, the project underperformed by the group’s standards, prompting Black Thought and the late Mailk B to seek out new production styles on their third album, Illadelph Halflife, spawning an unofficial Roots Crew tradition of Questlove threatening to quit the band for a few weeks while recording all of their albums.
Asked by Hill, “What’s the closest The Roots have come to breaking up?” Questlove breaks into peals of laughter before explaining that the recording of their upcoming project, Endgame, is the first in a while that he’s broken his habit on. “I hold the record for the longest [streak of quitting]… After three records, then it’s like the little boy who cried wolf. It’s like, ‘Yeah, he’ll be back next month. Don’t worry about him.’”
“At the beginning of Illadelph Halflife,” he continues. “I was the last to know that Tariq and Malik desired to rhyme over a more traditional hip-hop backdrop. After a while, it was like, ‘Wait a minute, am I the bad guy here? Did I kill my own group?’… I took it mad personal.” He further explains how the rest of the band sprung “Clones” on him after a failed excursion to the Million Man March in Washington D.C., prompting Quest’s first walkout. However, he has always come back to help finish each project, and over time, The Roots have earned greater public appeal and a regular gig as the house band on The Tonight Show, so it’s probably better that he stuck around.
Listen to Quest’s full interview with Jemele Hill here.
In March, Justin Bieber earned his seventh No. 1 single when the Justice single “Peaches” debuted on top of the Billboard Hot 100 chart. The track is still doing quite well, as it is No. 3 on the Hot 100 that was revealed yesterday. Now he has put a new spin on the song by joining Jimmy Fallon and The Roots for their longstanding Tonight Show series of “classroom instruments” performances.
Bieber starts out by playing the track on a toy piano, which actually adds a charming element to the track. From there, he is joined by Fallon and The Roots, who sport instruments like shakers, bongos, xylophones, buckets, paper bags (to tear), and other things of that ilk. Giveon and Daniel Caesar, who feature on the original track, were not involved with this performance.
Justice isn’t Bieber’s latest release, as on Easter, he dropped a surprise EP, Freedom, which features collaborations with Pink Sweats, Tori Kelly, Judah Smith, Beam, Brandon Love, Chandler Moore, and Lauren Walters. He’s also fresh off appearing in Earth Day! The Musical, a Bill Nye-hosted event that also featured Jack Harlow, Maluma, Ben Platt, Charli and Dixie D’Amelio, Cody Simpson, Steve Aoki, Tori Kelly, Zac Efron, Desus Nice and The Kid Mero, and Nick Kroll.
Watch Bieber, The Roots, and Fallon perform “Peaches” above.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
In late 2008, when word broke that The Roots, the hip-hop group led by longtime friends Amir “Questlove” Thompson and Tariq “Black Thought” Trotter, were hired as the house band for Late Night With Jimmy Fallon, the news was met with bewilderment and bemusement. The reactions online tended to be some variation of, “Wow, that is huge for Fallon,” or, as one Gawker writer put it at the time, “The Illadelph generals opening up for that stuttering mop-headed ball of suck, Jimmy Fallon? It’s kind of tragic.”
There was definite logic to the hiring. The Roots remain one of the most versatile ensembles in all of music, comfortable and talented enough to both cover U2 classics at an NAACP event honoring Bono and serve as Jay-Z’s backing band for his legendary MTV Unplugged appearance. And they helped add a whiff of cool to Fallon as he brought his wide-eyed, constantly stoked brand of comedy to late-night TV.
But even the most ardent fan of The Roots had to wonder how this was going to work in reality. The band was coming to NBC after releasing the two darkest and most politically-minded albums of their career — 2006’s Game Theory and 2008’s Rising Down — that raged against school shootings, poverty, and institutional racism. The group was also a consistent concert draw, known for marathon-length performances and welcoming guests from every corner and era of the music world.
Underlying all of this was simple curiosity. How could one of the best hip-hop groups in the game translate their attitude and their sound for network TV, and appeal to middle-of-the-road viewers tuning in for toothless political humor, fawning celebrity interviews, and viral video-ready stunts?
The answer: by The Roots proving just how versatile they could be. For the past 13 years, even as they moved with Fallon from 12:30 am to 11:30 pm after the host was hired to replace Jay Leno as the host of The Tonight Show, the band has been game for anything.
They’ve taken part in various sketches that sometimes require them to dress in drag or act foolishly. They’ve been the backbone for beloved recurring segments like “Freestylin’ With The Roots,” “Slow Jam The News,” and Fallon and Justin Timberlake’s “History of Hip-Hop” bits. And they’ve proven to be welcome comedic foils, with Questlove and Black Thought bantering with Fallon in the manner of David Letterman and Paul Shaffer.
The Roots’ quick evolution into foils for late-night comedy was, in retrospect, inevitable. In an oft-told anecdote, Questlove remembers that, in 2008 when the band and Late Night’s producers were sizing one another up, he invited Fallon to come see them play at UCLA’s Spring Fling not expecting he’d actually show. But the lanky comedian did and quickly won The Roots over.
“I was doing an interview in a trailer,” Questlove told Brooklyn magazine in 2017, “and when I walked out… the eight of them — Fallon and the seven Roots — were making a human pyramid. He was able to disarm us in seconds… And I’m looking at my manager and we just stared there shaking our heads. I was just like, we’re stuck with this guy, aren’t we? And he just looked like, I’m afraid so.” A baker’s dozen years later and they’re still stuck with each other.
By all accounts, the members of The Roots were ready for something approximating a day job. The rigors of touring were starting to weigh on them as it meant leaving behind families and relationships for long stretches of time. As Questlove commented on Okayplayer.com around the time the news broke of their Late Night deal, “I don’t know if I want to be 40 on the road and single no more… I can’t even start to go on that path ‘til a woman takes me seriously. And ain’t no one taking a man serious who is in his home for only three months out the year.”
They were also students of music history, knowing that, although they were in a good spot financially after two decades of being together, they were potentially looking at a slow slide into obscurity. It was to the point that the group was tempted to sign a deal for a residency at The Borgata in Atlantic City.
The twist is, of course, that their nightly platform on NBC has made The Roots more popular than ever before, and, as a result, they’ve become even busier than ever. When he’s not DJing at various events around the world, Questlove has written a handful of books, directed the Sundance-anointed documentary Summer Of Soul (…Or, When The Revolution Could Not Be Televised), and hosts the popular Questlove Supreme podcast. Black Thought keeps popping up on mixtapes and albums by other artists and last year released his debut solo full-length that includes contributions from Killer Mike and Portugal. The Man. Both men are also likely the only hip-hop artists your grandmother would be able to easily namecheck.
What’s perhaps the most impressive part of The Roots’ move into late-night TV is how true they’ve stayed to themselves and the hip-hop culture they grew out of. As proven by the six albums they’ve released since joining up with Fallon, they’ve not lost an ounce of their fury and power. Or for a more concentrated dose, dial up the blistering 10-minute freestyle that Black Thought performed on Funkmaster Flex’s HOT 97 show back in 2017 and went viral shortly thereafter. It’s a testament to both the vaunted realms of celebrity that he and The Roots have reached and his skills as an MC that the performance was analyzed by writers at NPR and The New Yorker — and earned him a spot on the couch at The Tonight Show to talk about it.
That adherence to their personal politics did come at a cost back in 2011 when the band played on Tonight Show guest, and then-Presidential hopeful, Michelle Bachmann with a portion of Fishbone’s “Lyin’ A** B****.” The blowback was considerable and almost cost The Roots their cushy new job in network TV. But after agreeing to clear all walk-on music choices with the NBC brass ahead of time, the band was allowed to keep their spots.
Probably the most concrete example of how The Roots have moved easily into this strange land of TV celebrity while not losing an ounce of their credibility can be found in another video from the Late Night era. In it, the band is doing the job of helping get the crowd warmed up for taping an episode — playing some upbeat music to hype folks up. But for this moment, they’re joined by one of that night’s guests, rapper and actor Ice Cube, and with him, launch into a version of N.W.A.’s “Straight Outta Compton.” It’s a blast. The Roots drill down to the core of Dr. Dre and DJ Yella’s dense production and the rappers do their best to blur out the coarse language of the original song.
The key moment, though, comes when The Roots’ guitarist Captain Kirk Douglas puts down his axe and takes a turn on the mic, rapping Eazy E’s verse. Though they knew it was coming, the whole band seems to explode at that moment, watching their buddy step outside his usual role and play the part of a smack-talking, girl-chasing gangsta MC. Even the person holding the smartphone that’s filming the clip seems to shake with excitement at what is going down. But no one is more delighted than Questlove and Black Thought. As Roberts keeps spitting, they look over at each other with wide grins and sparkling eyes, giddy at what they’re witnessing and what they’re getting away with.