Rick Ross Blasts DJ Envy On Funk Flex For Fraud Scheme

Rick Ross isn’t done with DJ Envy, who have been beefing for months over their competing car shows and pulling out dirt on each other. The latest battleground for this feud was live on the airwaves with Funk Flex, who joined the rapper in a takedown of The Breakfast Club‘s co-host. Not only that, but their disparaging remarks and jests also extended to the DJ’s radio partner Charlamagne Tha God, although it was all more comical than anything. Mostly, Rozay took aim at Envy by clowning his alleged real estate fraud scheme, which he staunchly denied despite continued accusations against him. It’s quite the lengthy and loud clip, and we’d expect nothing less from the Maybach Music Group mogul.

Moreover, it seems like Meek Mill was also in the building for this exchange, as he and Rick Ross have a lot to celebrate these days. Their new collab single, “Shaq & Kobe,” is making big waves right now, especially off of the strength of their full collab album announcement. Of course, this means that their press run is pretty exciting right now, even if they’re also using it to further social media beef. It’s quite bizarre to see, but considering the Carol City native’s attitude and approach on the Internet, it shouldn’t come as much surprise.

Read More: Rick Ross Gets Official Approval For Car Show, Takes Shots At DJ Envy’s Wife

Rick Ross & Funk Flex Go At DJ Envy’s Alleged Scamming

After all, he even reached out to Tyrese for a collab, who’s also roped up in his own dispute with DJ Envy. As such, Rick Ross is here for all the smoke, and wants to fire on all cylinders and make friends out of the enemies of his enemy. Regardless of all of this speculation, Envy’s legal team also maintains that he isn’t involved at all in the scheme people are pinning on him. “DJ Envy also gave $500k as an investment, which he has not received back yet,” his lawyer claimed concerning his own victimization in this scam.

Meanwhile, there’s little reason to believe that these defenses would halt the Biggest Boss’ trolling. Even though it’s a contentious debate, the animosity between these two is clear as day. Let’s see if this Funk Flex appearance extends the beef to the radio space, too. With that in mind, stick around on HNHH for more updates and the latest news on Rick Ross and DJ Envy.

Read More: Funk Flex Apologizes To Wu-Tang Clan For Past Hot 97 Beef

The post Rick Ross Blasts DJ Envy On Funk Flex For Fraud Scheme appeared first on HotNewHipHop.

2023’s ‘Music at the Intersection’: A Hip-Hop Time Capsule Unearthed

DJ GrandMaster Flash

St. Louis Culture: Where Graffiti Meets Groove, Breakdancing Blends with Jazz, and Deejaying Dances with Humanity

In a resounding celebration of music’s timeless power, the vibrant city of St. Louis recently served as the epicenter of musical ecstasy during the 2023 edition of Music at the Intersection. Nestled in the heart of the Grand Center Arts District, this annual extravaganza unfolded over two days, welcoming music enthusiasts from every corner of the globe for an experience that defied boundaries and blurred the lines between genres, generations, and musical eras.

The festival’s headline act, none other than the legendary Grandmaster Flash, took to the stage, reaffirming his rightful status as the “Founding Father.” An icon of hip-hop whose influence has rippled across generations, Flash ignited the crowd with his timeless beats, a testament to the enduring impact of his artistry. His performance set the stage for an event that would pay homage to the 50th anniversary of hip-hop, reminding us of the genre’s profound legacy.

Music at the Intersection is renowned for its diverse lineup, and 2023 was no exception. The festival’s stages bore witness to a fusion of iconic figures such as Angela Winbush, Arrested Development, Cameo, Herbie Hancock, and Taj Mahal, seamlessly blending with the rising stars of today, including Masego, Phony PPL, Ravyn Lenae, Smino, and Thundercat. It was a harmonious collision of hip-hop’s storied history and promising future, where musical worlds converged.

Injecting a hearty dose of funk and groove into the mix, the collective genius of Snarky Puppy and the irresistible vibes of The Suffers and Tank and the Bangas had the audience grooving well into the night. These performances transcended genres, underscoring the festival’s commitment to showcasing music’s kaleidoscopic facets.

St. Louis jazz legends Denise Thimes and the Kendrick Smith Quartet delivered awe-inspiring performances, invoking the city’s rich musical heritage. Their presence was a living testament to the festival’s mission of celebrating St. Louis’ indelible mark on the American songbook.

Trumpeter Keyon Harrold brought his unmistakable “no place like home” energy to St. Louis, joining a roster of music heavyweights at Music At The Intersection. Backed by the incredible Shedrick Mitchell on keys, the dynamic Pharoahe Monch & Stout setting the stage ablaze, and the masterful Charles Haynes on drums, Harrold’s performance was a living testament to the unifying power of music across genres. His words resonated deeply: “It’s the 50th year of hip-hop, and I am bringing Pharoahe Monch with me – who is a legend. I am bringing Stout with me. We are going to merge the worlds – hip-hop meets jazz.”

Beyond the infectious beats and irresistible rhythms, Music at the Intersection was a testament to St. Louis’ profound impact on the music world. The festival transcended boundaries, spanning blues, jazz, soul, R&B, rock ‘n’ roll, and hip-hop. It was a vibrant celebration of St. Louis’ musical, cultural, and artistic legacy.

A historic moment was etched into hip-hop’s annals as radio personality Edie Bee Anderson was honored with a Legends Award. Anderson, a trailblazer who introduced hip-hop to St. Louis airwaves by spinning “Rapper’s Delight” by the Sugar Hill Gang in 1979, rightfully received the recognition she deserved. Her pioneering spirit ignited a movement that has molded the city’s music culture.

Chris Hansen, the visionary executive director of Kranzberg Arts Foundation and chief producer of Music at the Intersection, beautifully encapsulated the festival’s essence: “St. Louis artists have birthed and stewarded these great genres, and now, the rest of the world gets to enjoy playing and listening to the music that we’ve been so instrumental in breaking.” The event undoubtedly realized its vision of uniting music lovers from around the globe.

Music at the Intersection 2023 was more than a festival; it was a musical odyssey through time and genres, a celebration of St. Louis’ enduring influence on music, and a testament to the unifying power of the art form. As the festival concluded, it left an indelible mark on the hearts and souls of all who attended, serving as a poignant reminder that music, in all its glory, truly knows no boundaries.

Photo Credit: Antonio T. Harris, Tyler Small, Martell Stepney, Phillip Hamer, and Anthony Patten. Courtesy of Music at the Intersection

The post 2023’s ‘Music at the Intersection’: A Hip-Hop Time Capsule Unearthed first appeared on The Source.

The post 2023’s ‘Music at the Intersection’: A Hip-Hop Time Capsule Unearthed appeared first on The Source.

Fetty Wap Drops “Sweet Yamz” Remix With Ronald Isley & Charlie Wilson

One of the year’s last big viral hits has gotten yet another remix. Fetty Wap recruited soul legend Ronald Isley and Charlie Wilson for another remix of “Sweet Yamz.” While the last one featured Wiz Khalifa, this one is supercharged with incredible soul harmonies and vocal runs. Moreover, having such superstars on the remix helps accentuate the song’s vintage tone and instrumentation. It sounds like an ’80s-tinged soul track with some impassioned ad-libs here and there to give it extra energy.

MIAMI BEACH, FL – JULY 14: Fetty Wap attends the Abyss by Abby show with preformance by Fetty Wap at Paraiso South Beach tent on July 14th, 2022 in Miami Beach, Florida. (Photo by Manny Hernandez/Getty Images)

These new versions of “Sweet Yamz” definitely feed into that positivity. It’s a lustful, urgent, yet charming and fun song whose vitality is no surprise. Moreover, the chorus melody is incredibly catchy, and the lyrics are simple enough to get stuck in your head. Meanwhile, the sheer vocal power on display on this song is quite impressive. The Jersey rapper switches between high and low registers with ease, and his potent voice conveys a lot of emotion. Also, this is his first solo material since 2021’s “First Day Out.”

Although Wap does great here, Wilson’s dominant screams and runs elevate the chorus. In addition, he gets cheeky in his verses, with some food references to convey his hunger for his partner. However, Ronald Isley steals the show at the very end, partly because he sounds eerily similar to Don Toliver (or rather, Don sounds like Isley). His higher register makes for a more animated performances, and his food references are even funnier and more outlandish.

Additionally, these hot songs come amid a tough legal battle for Fetty Wap as he’s incarcerated on drug charges. Last October, he spoke from jail and said that he was keeping his head high despite the controversy.

What did you think of this remix? How does it stack up to the original? Whatever the case, let us know in the comments down below. If you’ve still yet to check it out, you can find “Sweet Yamz (Remix)” with Fetty Wap, Ronald Isley, and Charlie Wilson on your preferred streaming service. Also, check out some notable lyrics below and stay tuned to HNHH for the latest hot remixes.

Quotable Lyrics

The yams are all I know (I know but)
Or was it just a distraction?
I see myself in your eyes, baby
Can I get to the yams?