Cardi B and Megan Thee Stallion’s “Bongos”: A Party Anthem That Deserves Better

Cardi B and Megan Thee Stallion Announce New Single "Bongos"

Cardi B and Megan Thee Stallion’s ‘Bongos’ Challenge Rap’s Status Quo

Cardi B and Megan Thee Stallion, two of the most prominent figures in contemporary rap, set the music world on fire with their explosive collaboration, “Bongos.” With over 100 million streams on Spotify alone, the twerk-worthy track is already a certified hit. “Bongos” has been praised for its catchy dembow-esque production and Cardi and Megan’s fierce and crisp delivery. However, the song has also been criticized for its sexually explicit lyrics and unapologetic celebration of female sexuality.

The track’s provocative lyrics and explicit content ignited a wave of controversy and raised questions about the double standards women in hip hop face compared to their male counterparts. In the song, Cardi and Megan rap about their sexuality and ability to please men. They also use some profanity, but no more than you would hear in a typical rap song. Yet, some people have criticized the song for being “too raunchy” and “degrading to women.”

In hip-hop, it is not uncommon for male rappers to use misogynistic language and imagery. This is often seen as a way of asserting dominance and masculinity. However, when women rappers use similar language, they are often accused of being “too sexual” or “unladylike.” This double standard is a form of gender bias often overlooked in hip-hop culture, where women are often seen as objects to be used and discarded.

For example, let’s consider two instances from Snoop Dogg and Rick Ross songs that highlight the double standards in rap lyrics:

Snoop Dogg’s “Ain’t No Fun (If the Homies Can’t Have None)” features lyrics such as “Btches ain’t sht but hoes and tricks.” These lyrics objectify women and degrade them to a demeaning status. Despite the explicit and derogatory content, the song is often praised for contributing to West Coast hip-hop and is considered iconic. In his song “U.O.E.N.O.,” Rick Ross raps about drugging a woman without her knowledge with the line, “Put molly all in her champagne, she ain’t even know it.” These lyrics sparked outrage and calls for accountability, yet Ross faced minimal repercussions, and the song continued to receive airplay.

The music industry has long been a battlefield for debates about freedom of expression, artistic integrity, and gender equality. This disparity in judgment limits creative freedom and hinders progress toward gender equality in the music industry. Recognizing and addressing these disparities is essential to promote a more equitable and respectful music culture.

Beyond the lyrical controversy, “Bongos” demonstrates innovation in its musical production. The song features a captivating blend of styles and influences, with production credits going to DJ SwanQo, Breyan Isaac, and We Good’s Donny ‘Dizzy’ Flores. One of the most intriguing aspects of the song is its infusion of Dembow rhythms, a fast-paced, rhythmic music genre from the Dominican Republic. This infusion adds a unique and infectious element to the track, setting it apart from conventional hip-hop and rap songs.

The incorporation of Dembow rhythms into mainstream music is a testament to the ever-evolving nature of music and the willingness of artists to explore new sounds and styles. This cultural exchange enriches the musical landscape and should be celebrated for its ability to bridge different cultures and bring fresh energy to the industry.

In light of the controversy surrounding “Bongos” and its musical innovation, it is only natural to anticipate a remix that can help expand the song’s reach and impact. While recognizing the importance of artistic expression, we encourage Cardi B and Megan Thee Stallion to consider a remix that takes the song to new heights. Collaborating with global artists like El Alfa, J Balvin, Karol G, or Rosalía would bring a dembow remix of “Bongos” and help further popularize the genre. These are all talented artists who would bring their own unique flavor to the song. Such a remix could incorporate powerful voices from the rap and dancehall scenes, showcasing unity and diversity in music.

A carefully crafted remix could further elevate the cultural fusion of Dembow rhythms and hip-hop, attracting a broader audience while addressing some of the lyrical concerns raised by critics. Cardi B and Megan Thee Stallion’s “Bongos” single has thrust essential issues surrounding gender double standards in rap lyrics into the spotlight. We must hold all artists accountable for their content while recognizing the artistic freedom they should possess. Additionally, we should celebrate the innovative infusion of Dembow rhythms into mainstream music, as it represents a positive step towards cultural diversity in the industry.

“Bongos” is not just a song; it is a catalyst for essential discussions about the state of the music industry.

The post Cardi B and Megan Thee Stallion’s “Bongos”: A Party Anthem That Deserves Better first appeared on The Source.

The post Cardi B and Megan Thee Stallion’s “Bongos”: A Party Anthem That Deserves Better appeared first on The Source.

Cardi B and Megan Thee Stallion’s “Bongos”: A Party Anthem That Deserves Better

Cardi B and Megan Thee Stallion Announce New Single "Bongos"

Cardi B and Megan Thee Stallion’s ‘Bongos’ Challenge Rap’s Status Quo

Cardi B and Megan Thee Stallion, two of the most prominent figures in contemporary rap, set the music world on fire with their explosive collaboration, “Bongos.” With over 100 million streams on Spotify alone, the twerk-worthy track is already a certified hit. “Bongos” has been praised for its catchy dembow-esque production and Cardi and Megan’s fierce and crisp delivery. However, the song has also been criticized for its sexually explicit lyrics and unapologetic celebration of female sexuality.

The track’s provocative lyrics and explicit content ignited a wave of controversy and raised questions about the double standards women in hip hop face compared to their male counterparts. In the song, Cardi and Megan rap about their sexuality and ability to please men. They also use some profanity, but no more than you would hear in a typical rap song. Yet, some people have criticized the song for being “too raunchy” and “degrading to women.”

In hip-hop, it is not uncommon for male rappers to use misogynistic language and imagery. This is often seen as a way of asserting dominance and masculinity. However, when women rappers use similar language, they are often accused of being “too sexual” or “unladylike.” This double standard is a form of gender bias often overlooked in hip-hop culture, where women are often seen as objects to be used and discarded.

For example, let’s consider two instances from Snoop Dogg and Rick Ross songs that highlight the double standards in rap lyrics:

Snoop Dogg’s “Ain’t No Fun (If the Homies Can’t Have None)” features lyrics such as “Btches ain’t sht but hoes and tricks.” These lyrics objectify women and degrade them to a demeaning status. Despite the explicit and derogatory content, the song is often praised for contributing to West Coast hip-hop and is considered iconic. In his song “U.O.E.N.O.,” Rick Ross raps about drugging a woman without her knowledge with the line, “Put molly all in her champagne, she ain’t even know it.” These lyrics sparked outrage and calls for accountability, yet Ross faced minimal repercussions, and the song continued to receive airplay.

The music industry has long been a battlefield for debates about freedom of expression, artistic integrity, and gender equality. This disparity in judgment limits creative freedom and hinders progress toward gender equality in the music industry. Recognizing and addressing these disparities is essential to promote a more equitable and respectful music culture.

Beyond the lyrical controversy, “Bongos” demonstrates innovation in its musical production. The song features a captivating blend of styles and influences, with production credits going to DJ SwanQo, Breyan Isaac, and We Good’s Donny ‘Dizzy’ Flores. One of the most intriguing aspects of the song is its infusion of Dembow rhythms, a fast-paced, rhythmic music genre from the Dominican Republic. This infusion adds a unique and infectious element to the track, setting it apart from conventional hip-hop and rap songs.

The incorporation of Dembow rhythms into mainstream music is a testament to the ever-evolving nature of music and the willingness of artists to explore new sounds and styles. This cultural exchange enriches the musical landscape and should be celebrated for its ability to bridge different cultures and bring fresh energy to the industry.

In light of the controversy surrounding “Bongos” and its musical innovation, it is only natural to anticipate a remix that can help expand the song’s reach and impact. While recognizing the importance of artistic expression, we encourage Cardi B and Megan Thee Stallion to consider a remix that takes the song to new heights. Collaborating with global artists like El Alfa, J Balvin, Karol G, or Rosalía would bring a dembow remix of “Bongos” and help further popularize the genre. These are all talented artists who would bring their own unique flavor to the song. Such a remix could incorporate powerful voices from the rap and dancehall scenes, showcasing unity and diversity in music.

A carefully crafted remix could further elevate the cultural fusion of Dembow rhythms and hip-hop, attracting a broader audience while addressing some of the lyrical concerns raised by critics. Cardi B and Megan Thee Stallion’s “Bongos” single has thrust essential issues surrounding gender double standards in rap lyrics into the spotlight. We must hold all artists accountable for their content while recognizing the artistic freedom they should possess. Additionally, we should celebrate the innovative infusion of Dembow rhythms into mainstream music, as it represents a positive step towards cultural diversity in the industry.

“Bongos” is not just a song; it is a catalyst for essential discussions about the state of the music industry.

The post Cardi B and Megan Thee Stallion’s “Bongos”: A Party Anthem That Deserves Better first appeared on The Source.

The post Cardi B and Megan Thee Stallion’s “Bongos”: A Party Anthem That Deserves Better appeared first on The Source.

Cardi B’s Impeccable Feature Run Continues On FendiDa Rappa’s “Point Me 2”

It remains unclear when Cardi B will release her follow-up to the highly-successful Invasion Of Privacy but her recent features have been a strong indication that she’s been working hard. Throughout the past few months, Cardi’s extended her talents to uplift budding women in hip-hop, such as GloRilla (“Tomorrow 2“)and Latto, who she worked with on “Put It On The Floor Again.” The song’s already transforming into the song of the summer but Cardi’s golden touch may have also produced another anthem to ride out to alongside budding Chicago rapper FendiDa Rappa.

This morning, Cardi B and FendiDa Rappa’s highly anticipated collaboration, “Point Me 2” arrived in its entirety. The song is an official remix of Fendi’s “Point Me To The Sl*ts,” which has slowly gained traction since its release in December. The song also appeared on Fendi’s debut project, Str8 From Da Raq. Already a smash on TikTok, Cardi B swoops in with another show-stopping verse that pairs her gritty delivery with exhilarating production. 

Read More: Charlamagne Tha God Compares Cardi B To Jay-Z & Drake

FendiDa Rappa and Cardi B’s new collaboration already sounds like it’ll take the records to new heights. Fendi’s infectious cadence and quotable bars made the song a viral sensation. However, Cardi B’s energy elevates it further, charging the record with lavish flexes and cheeky bars. She even shouts out Kehlani, Normani, and T.I and Tiny. “One of my b***es like Kehlani, one look like Normani/Me and my n**** ’bout to flip ’em, we like Tip and Tiny,” she raps.

“Point Me 2” comes along with the announcement of her deal with Irving Azoff’s Giant Music imprint, which includes artists like K. Flay and Tay B. “Point Me 2” is an incredible way to kick off this new chapter in FendiDa Rappa’s career and we’re certainly excited to see what she has in store next. Check out the song above and let us know your thoughts in the comment section below.

Quotable Lyrics
B**ches talkin’ all that rah-rah, I don’t feel it though
Like the Plan B didn’t work, baby, I’m in this h*e
This b**ch all wetty and she ready, ooh, she tryna f**k 
He think he handsome, it’s a ransom, we done light ’em up

Read More: Cardi B Has The Most Streamed Album By Female Rapper On Spotify

The post Cardi B’s Impeccable Feature Run Continues On FendiDa Rappa’s “Point Me 2” appeared first on HotNewHipHop.

Cardi B Seen Filming “Point Me To The Sl**s (Remix)” Video With Fendi Da Rapper

Cardi B’s debut album, Invasion of Privacy, won’t be easy for her to top. The New York native took home a Grammy for her work on the LP. Additionally, she connected with an incredible roster of collaborators, including SZA, Kehlani, Migos, Bad Bunny, and J Balvin. It’s been over five years since that project landed. After much delay, Cardi has promised that her sophomore effort is due to arrive in 2023. However, an official release date hasn’t been shared quite yet.

The only release we’ve heard from her this year was on Latto’s “Put It On Da Floor Again” this month. It’s already become a strong contender for the song of the summer. Other rap divas like Yung Miami, GloRilla, and Omeretta are already either teasing or releasing remixes to the track. As fans continue to eat that up, it seems Cardi has been hard at work on another joint effort that’s sure to be stuck in our heads this summer.

Read More: Cardi B Paid $10K Out Of Pocket For “Bodak Yellow” Music Video In 2017

Cardi B Jumps on Yet Another Remix

In a 42-second video circulating on Twitter, the “WAP” artist is on set of a music video. She appears with Fendi Da Rapper and a crew of others hyping them up. It seems Cardi has added a verse to Fendi’s “Point Me To The Sl**s,” which hit streamers back in December 2022 and has amassed nearly three million Spotify streams since. She looks confident while dancing in front of the camera, dropping it low like only she can in a tight blue outfit.

Just a few weeks ago, Cardi B didn’t hold back while ranting on IG Live about her plans for future collaborations. The mother of two shared at the time that she feels confident enough to pursue unexpected joint efforts instead of just jumping on things that are trending and sure to naturally gain traction. Read what Cardi had to say at the link below, and check back later for more hip-hop/pop culture news updates.

Read More: Cardi B Wants To Work With Artists Who “Make [Her] Ears Jump,” Not Just Big, Charting Names

[Via]

The post Cardi B Seen Filming “Point Me To The Sl**s (Remix)” Video With Fendi Da Rapper appeared first on HotNewHipHop.

Macklemore Enlists Armani White For “No Bad Days” Remix

Macklemore is someone who has had a ton of longevity in the game. When “Thrift Shop” dropped back in 2012, it immediately became a massive hit. Subsequently, the artist became a sensation whose life changed overnight. However, this came with quite a few issues. For instance, he ended up winning the Grammy for best hip-hop album back in 2014. In the eyes of many, this is an award that should have gone to Kendrick Lamar. Moreover, his decision to text Kendrick came with scrutiny.

Since that time, Macklemore has continued to make music and continues to demonstrate growth in his craft. In fact, he is doing a lot outside of music as well. He has done collaborations with Jordan Brand, and he even has a minority stake in the Seattle Kraken. Simply put, life is good for him right now. A few months ago, he dropped a new album called Ben, and fans have been digging it. Now, he is back with a remix for the song “No Bad Days.” The remix features rising star Armani White.

Macklemore x Armani White

For those who may not know, Armani White is responsible for the song “Billie Eilish” which became a huge hit on TikTok. The song “No Bad Days” is certainly meant for pop radio. With its sugary sweet chorus from Collett, this song is meant to be about good vibes. Subsequently, the addition of Armani White works to perfection. He gives off a great verse that matches what’s happening in the song. Not to mention, his chemistry with Macklemore is tangible.

If you are a fan of Macklemore and these uptempo tracks, then this is a perfect listen. Let us know what you think of the new remix, in the comments section below. Additionally, stay tuned to HNHH for the latest news from around the music world.

Quotable Lyrics:

Damn, baby girl, who got you smilin’ like that?
Like where your man? Ayy, send me yo’ ‘Gram, you know I’ma follow right back
And I’m the same with all my friendships, [?] came up off them benches
I just pushed a track to plat’ and took the plaque back to the trenches

The post Macklemore Enlists Armani White For “No Bad Days” Remix appeared first on HotNewHipHop.

21 Savage Hops On The Remix Of Burna Boy’s “Sittin’ On Top Of The World”

21 Savage has quickly become one of the biggest and brightest shining stars in hip-hop. Overall, most fans found out about him in 2016 thanks to his song “No Heart.” Moreover, his Savage Mode mixtape with Metro Boomin’ is still highly regarded as a classic by many. Since that time, he has revamped his sound and matured as an artist. Although he hasn’t released a solo project in a while, he has definitely been hard at work.

For instance, this past week, a leaked snippet showcased 21 Savage on the remix to a Burna Boy track. The song in question is “Sittin’ On Top Of The World,” which is a track that was released a few weeks ago. Overall, fans were interested in this snippet. Subsequently, Burna Boy released the new remix on Friday, and it is already making a huge impression. Below, you can find the new track, which features 21’s fully realized verse.

21 Savage x Burna Boy

The vibe of this track is truly undeniable. If you have been following Burna Boy and his career, then you know his vibe is simply immaculate. He is always bringing out the best in himself and the artists around him. Consequently, 21 Savage was able to feed off of that and turn in a verse that will turn some heads. Additionally, the production here is amazing as the Ma$e sample will have people coming back for more. It’s a collab that not everyone expected, but it certainly worked out in the end.

Hopefully, 21 Savage takes the momentum from this verse and comes through with a new album. Fans have been waiting and now could be the time to do it, especially with the summer underway. Let us know what you think of the song, in the comments section below. Additionally, stay tuned to HNHH for more news and updates from around the music world.

Quotable Lyrics:

I can help you shit on anybody you ever hated (21)
Put you in baguettes, got you feelin’ like you made it (21)
Everything advanced, nothing that I do is basic
Me and Rolls Royce on a first-name basis
Liquor with no chaser (Yeah)
Only give her hundreds, ’cause she hate seein’ new faces (21)

The post 21 Savage Hops On The Remix Of Burna Boy’s “Sittin’ On Top Of The World” appeared first on HotNewHipHop.

21 Savage Hops On The Remix Of Burna Boy’s “Sittin’ On Top Of The World”

21 Savage has quickly become one of the biggest and brightest shining stars in hip-hop. Overall, most fans found out about him in 2016 thanks to his song “No Heart.” Moreover, his Savage Mode mixtape with Metro Boomin’ is still highly regarded as a classic by many. Since that time, he has revamped his sound and matured as an artist. Although he hasn’t released a solo project in a while, he has definitely been hard at work.

For instance, this past week, a leaked snippet showcased 21 Savage on the remix to a Burna Boy track. The song in question is “Sittin’ On Top Of The World,” which is a track that was released a few weeks ago. Overall, fans were interested in this snippet. Subsequently, Burna Boy released the new remix on Friday, and it is already making a huge impression. Below, you can find the new track, which features 21’s fully realized verse.

21 Savage x Burna Boy

The vibe of this track is truly undeniable. If you have been following Burna Boy and his career, then you know his vibe is simply immaculate. He is always bringing out the best in himself and the artists around him. Consequently, 21 Savage was able to feed off of that and turn in a verse that will turn some heads. Additionally, the production here is amazing as the Ma$e sample will have people coming back for more. It’s a collab that not everyone expected, but it certainly worked out in the end.

Hopefully, 21 Savage takes the momentum from this verse and comes through with a new album. Fans have been waiting and now could be the time to do it, especially with the summer underway. Let us know what you think of the song, in the comments section below. Additionally, stay tuned to HNHH for more news and updates from around the music world.

Quotable Lyrics:

I can help you shit on anybody you ever hated (21)
Put you in baguettes, got you feelin’ like you made it (21)
Everything advanced, nothing that I do is basic
Me and Rolls Royce on a first-name basis
Liquor with no chaser (Yeah)
Only give her hundreds, ’cause she hate seein’ new faces (21)

The post 21 Savage Hops On The Remix Of Burna Boy’s “Sittin’ On Top Of The World” appeared first on HotNewHipHop.

21 Savage Hops On The Remix Of Burna Boy’s “Sittin’ On Top Of The World”

21 Savage has quickly become one of the biggest and brightest shining stars in hip-hop. Overall, most fans found out about him in 2016 thanks to his song “No Heart.” Moreover, his Savage Mode mixtape with Metro Boomin’ is still highly regarded as a classic by many. Since that time, he has revamped his sound and matured as an artist. Although he hasn’t released a solo project in a while, he has definitely been hard at work.

For instance, this past week, a leaked snippet showcased 21 Savage on the remix to a Burna Boy track. The song in question is “Sittin’ On Top Of The World,” which is a track that was released a few weeks ago. Overall, fans were interested in this snippet. Subsequently, Burna Boy released the new remix on Friday, and it is already making a huge impression. Below, you can find the new track, which features 21’s fully realized verse.

21 Savage x Burna Boy

The vibe of this track is truly undeniable. If you have been following Burna Boy and his career, then you know his vibe is simply immaculate. He is always bringing out the best in himself and the artists around him. Consequently, 21 Savage was able to feed off of that and turn in a verse that will turn some heads. Additionally, the production here is amazing as the Ma$e sample will have people coming back for more. It’s a collab that not everyone expected, but it certainly worked out in the end.

Hopefully, 21 Savage takes the momentum from this verse and comes through with a new album. Fans have been waiting and now could be the time to do it, especially with the summer underway. Let us know what you think of the song, in the comments section below. Additionally, stay tuned to HNHH for more news and updates from around the music world.

Quotable Lyrics:

I can help you shit on anybody you ever hated (21)
Put you in baguettes, got you feelin’ like you made it (21)
Everything advanced, nothing that I do is basic
Me and Rolls Royce on a first-name basis
Liquor with no chaser (Yeah)
Only give her hundreds, ’cause she hate seein’ new faces (21)

The post 21 Savage Hops On The Remix Of Burna Boy’s “Sittin’ On Top Of The World” appeared first on HotNewHipHop.

Usher Joins Muni Long For Super Sensual “Hrs & Hrs (Remix)”

Usher is known as something of a heartthrob within the music industry, which is what made him the perfect collaborative option for Muni Long’s new “Hrs & Hrs (Remix).” The singer-songwriter first shared the romantic track in 2021, but she continues to find ways to breathe new life into it. While her intro and verse remains the same on this New Music Friday’s (June 23) version, Usher comes in midway through the slow and sensual song to turn up the heat like only he can.

“Where would I be if I didn’t have you? / I’d be a fool / What’s mine is yours and is ours / Yes it is / I’ve never been in love like this / A love like us / Is exactly what I need / Every night for some hours,” the Texas-born superstar beautifully croons. So far fans have been sharing positive reviews of the joint effort online, though it may not be the first time fans of Usher and Long have heard it.

Read More: Chilli & Usher: TLC Singer Stayed In Contact With R&B Star During His Marriage

Muni Long Taps Usher for the “Hrs & Hrs (Remix)”

As Rated R&B notes, the “Baby Boo” hitmaker joined Usher during his Lovers & Friends Festival set last month, at which time they sang a duet to a cheering audience. The original “Hrs & Hrs” earned Long her first-ever Grammy for Best R&B Performance, so it’s understandable why she wants to keep the torch lit. However, she’s given us plenty of other new arrivals in the same since then on her Public Displays of Affection: The Album project, and is sure to keep the fire coming as she grows as an artist.

Stream Muni Long’s new “Hrs & Hrs (Remix)” with Usher on YouTube above, or add it to your playlist on Spotify/Apple Music. Which version do you prefer more, this weekend’s or the 2021 original? Let us know in the comments, and check back later this weekend for more HNHH release recommendations.

Read More: Major Songs Muni Long Has Co-Written

Quotable Lyrics:

Where would I be if I didn’t have you?
I’d be a fool
What’s mine is yours and is ours, yes it is
I’ve never been in love like this

[Via]

The post Usher Joins Muni Long For Super Sensual “Hrs & Hrs (Remix)” appeared first on HotNewHipHop.

GloRilla Drops “Put It On Da Floor (GloMix)”

GloRilla has finally unveiled her highly-requested remix of Latto’s track, “Put It On Da Floor.” She teased the remix earlier this week, sharing a screenshot of the remix on her Instagram Story. She also previously expressed her admiration for the song, Tweeting that it has “a condo in [her] head.” She’s not the first artist to want to put her spin on the song, as Cardi B recently hopped on a remix called “Put It On Da Floor Again.” City Girls’ Yung Miami also just teased a remix, sharing a snippet with her Instagram followers earlier this week.

GloRilla showed her support for the remix featuring Cardi B upon it’s release, writing, “If Cardi don’t do s**t else, she gone slide on a mf beat. Go cousin.” She later hinted that she may want to have a go, revealing that her fans have been requesting it. “I ain’t did a remix since I blew up,” GloRilla wrote, “But da streets keep telling me to remix ‘Put It On Da Floor,’ and I think I’m finna listen. Dat mf too hard.” Cardi B replied to that Tweet, telling her to “Do it!!!!!!” GloRilla told Cardi to “Say less, cousin.”

Read More: XXL Unveils 2023 Freshman Class Featuring GloRilla, Finesse2tymes, And More

GloRilla Remixes Latto

Fans have finally been graced with the eagerly-awaited “GloMix.” GloRilla’s take on the song features creative bars highlighted by her signature, bold flow. The 23-year-old rolls in cash, and flexes with cars and jewelry in the fun accompanying music video.

GloRilla was recently announced to be part of XXL’s Freshman class of 2023. She’s joined by other artists like Lola Brooke, Finesse2tymes, Fridayy, Luh Tyler, and more. She’ll be highlighted in XXL’s Freshman issue in July. The young rapper is also nominated for six BET Awards this year, coming in second for the most nominations behind Drake. Her debut EP Anyways, Life’s Great, which features her hit collab with Cardi B “Tomorrow 2,” is even nominated for Album Of The Year. Fans can find out what awards she’ll be taking home live, on Sunday (June 25).

Read More: Chrisean Rock Caught Rolling A Blunt On Instagram Live With GloRilla

Quotable Lyrics:

Put me on a bib, I’m ’bout to eat these b*tches up
tell them h**s go do what we did since them b*tches think they us
I’ll give yo’ a** a chance, but I ain’t givin’ out no f*cks
and you should go check on your friend, I took her man, she need a hug

[Via]

The post GloRilla Drops “Put It On Da Floor (GloMix)” appeared first on HotNewHipHop.