DaBaby Defends His Controversial Call To Action At Rolling Loud: ‘I Didn’t Mean What You Think I Meant’

DaBaby’s career may never fully recover from his controversial statements on the Rolling Loud stage in Miami last year, but apparently, that won’t stop him from continuing to defend himself from accusations of homophobia. During a recent appearance on New York’s The Breakfast Club, he once again addressed the backlash sparked by his awkwardly-worded call to action, pointing out how social media can warp perceptions, and refusing to make apologies for himself.

“I didn’t mean what you think I meant,” he said. “What you want me to do? Go look myself in the mirror and say, ‘You don’t like gay people?’ Nah. I’m not trippin’ on gay people at all. If I said what I said to get people to raise they cell phones and it was misinterpreted by people who watch a five-second clip at home. You not supposed to understand what’s going on. You could raise your cell phone if you wanted to. You ain’t supposed to be able to digest a clip that’s been altered and shortened with a narrative to go along with it, with enough people driving it, it gonna do what it do.”

However, he’s still failed to address how and why his comment was taken so poorly, or successfully explain what he really meant. During his set, as he hyped up the Rolling Loud crowd, he said, “If you didn’t show up today with HIV, AIDS, or any of them deadly sexually transmitted diseases, that’ll make you die in two to three weeks, then put your cellphone lighter up… Fellas, if you ain’t sucking dick in the parking lot, put your cellphone lighter up.”

Since it’s easy to see how such a statement could be interpreted as homophobic — to say nothing of the misinformation about people living with HIV and/or AIDS — the least he could do is acknowledge as much while providing an alternative translation. And while he did issue two separate quasi-apologies on Instagram, he later deleted both and has since argued that the people who took offense were being too sensitive and twisting his words.

Watch the clip above.

Vince Staples Gets Jumped At A House Party In His ‘Magic’ Video

Vince Staples runs into some trouble during a house party in his new video for “Magic.” The video opens with Vince buying a bag of frozen vegetables at the liquor store, only revealing that he’s in a bad state as he reaches the counter. When the clerk asks if everything is okay, Vince stoically (but vaguely) replies, “Party down the street. You should have seen me.”

That’s when the video cuts back to watching Vince entering the party in a clever callback to his entrance to the liquor store. Things go left for Vince when he bumps into the wrong guy while trying to have a good time, resulting in him leaving the party with a different set of souvenirs than the ones he came for. The song’s producer, Mustard, also makes a cameo, shaking his head at the overt displays of machismo that ultimately result in Vince’s injuries.

“Magic” is the first single from Vince’s upcoming album, Ramona Park Broke My Heart, which he first began teasing even before releasing its predecessor, the self-titled Vince Staples, last year. The single was first teased in a Beats By Dre commercial featuring Naomi Osaka. This year, he suggested that the album might finally be ready to go once he secured a beat from DJ Quik, which seemingly manifested the outcome he wanted; days later, he’d posted a photo from the studio with the iconic Compton producer. That would suggest (along with the tweet below) that Ramona Broke My Heart is complete and ready for release sometime this year.

Until then, enjoy the “Magic” video above.

Post Malone Asks A Federal Court To Dismiss The Lawsuit Against Him Over ‘Circles’ Songwriting Credit

Post Malone wants a lawsuit against him over a songwriting credit on his hit song “Circles” dismissed, according to Rolling Stone. Post is being sued by Canadian musician Tyler Armes, who demands a share of the authorship on the song, saying he played a guitar tune that was eventually worked into the final composition. Armes says that Post’s management offered a five percent share of the publishing royalties but withdrew the offer when he tried to negotiate for a larger cut.

However, Post has countered with a new filing saying that Armes did not contribute anything significant or original to the recording or the composition of the song in the one recording session he was present for in August 2018. According to Post’s lawyers, Armes only played an “admittedly extremely commonplace guitar chord progression,” while also possibly singing a “fragment of guitar melody” that went unrecorded.

The documents filed in federal court split absolutely no hairs about it, reading, “Armes does not have a shred of affirmative evidence with which to meet his burden of proof that his alleged contribution to the guitar melody is original. Armes admitted that his contributions did not even rise to the level of originality, which is also required in addition to the fixation requirement. He either conceded that his ideas were commonplace musical devices or failed to meet his burden to demonstrate any originality otherwise. Armes thus cannot even establish the threshold requirement that he made a copyrightable contribution.”

Post and his co-producer/co-defendant Frank Dukes have requested that the case be summarily dismissed in an April 4 hearing. Meanwhile, Post’s manager has suggested that the singer’s follow-up album is being held back by his label.

Best Rap Verses on R&B Songs Over the Last Five Years

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Nicki Minaj Says Drake May Have A Unique Contribution To Her Upcoming Album

Nicki Minaj and Drake have collaborated numerous times, especially during their time as artists on Lil Wayne’s Young Money imprint. Their records together include “Moment 4 Life,” “Make Me Proud,” “Up All Night,” “Only,” “No Frauds,” “Seeing Green,” and more. Their most recent collaboration came when Minaj made a brief appearance on Drake’s “Papi’s Home,” off his sixth album, Certified Lover Boy. If another collaboration were to come soon, it would probably be housed on Nicki’s upcoming fifth album. During a quick Q&A with fans on Twitter, Minaj hinted at what a reconnection with Drake might look like.

“We getting a champagne papi collab on this new album?” one person asked Nicki on Twitter. “We actually discussed him EP’ing this new album,” she replied. “That was b4 Seeing Green even came out.”

It remains to be seen whether or not Drake will executive produce Nicki’s next album, but considering that “Seeing Green” was released in May 2020, it appears that the rappers have given the idea some thought. If it does happen, it would be the first album, outside of his own, that Drake’s executive produced in his career.

As for Nicki’s upcoming album, so far she’s given us two tracks that could appear on it: “Do We Have A Problem?” and “Bussin.” Both songs include a guest appearance from Lil Baby.

Megan Thee Stallion And Dua Lipa Are Teasing A Sweet New Song That Drops Soon

Megan Thee Stallion and Dua Lipa both had strong albums back in 2020. For Megan, it was her debut album, Good News, which peaked at No. 2 on the albums chart. Earlier that year, Dua Lipa released her sophomore album, Future Nostalgia, and while that peaked at No. 4, it did spawn a pair of top-two singles: “Don’t Start Now” and “Levitating.” As of today, the two artists have yet to work on a song together (though fans did pair them for an unofficial remix of “Levitating”), but now Megan and Dua have collaborated ona new track that’s coming soon.

In a post to her Instagram page, Lipa shared a brief preview of the song. In it, Megan says, “Hot girl sh*t, me and Dua Lipa finna get the party lit”, while Lipa sings softly in the background. On Megan’s Instagram, she shared what could be the cover art for the song. A title for the upcoming song has yet to be revealed, but they did confirm that it will arrive on March 11. Additionally, singer and Grammy-winning songwriter Nija has a contribution on it, as she revealed on Instagram.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

NLE Choppa And His Girlfriend Marrissa Da’Nae Revealed That They Suffered A Miscarriage

NLE Choppa has been off to a great start in 2022. The Memphis native just released his latest album, Me Vs. Me, which boasts 16 songs and guest appearances from Young Thug, Polo G, G Herbo, and Moneybagg Yo. The young rapper has also released numerous videos, including ones for “Shotta Flow 6,” “Lick Me Baby,” and “Trap Phone.” Unfortunately, tragedy has struck him and his girlfriend.

Marissa De’Nae, who’s been dating Choppa for some months now, revealed in an Instagram post that she recently suffered a miscarriage. “Talking bout this is so hard,” she wrote under a picture of Choppa holding her belly. “But with Bryson next to me and being my supporter, this has helped me more. Losing our Son is so hard for me, I couldn’t function. But he has pulled me through and I’m thankful to have you by my side and with me along this journey. There’s a lot of women who suffer the things I suffer and go through the same things I go through.”

De’Nae also thanked everyone for their support and “kind words” about their loss. Choppa also took a moment to remember his unborn child in a post to Twitter. “Seven Da’Shun Potts,” he wrote with an angel and dove emoji. “#FOREVER7 RIP My Lil One.”

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Dr. Dre’s Lawyer Denies Snoop Dogg’s Claim That He Now Owns The Rights To ‘The Chronic’

Last month, Snoop Dogg acquired Death Row Records, the label where he began his rap career back in 1992. With the acquisition, Snoop owns the rights to the label’s vast catalogue, including albums by Daz Dillinger and Kurupt. However, titles like Dr. Dre’s The Chronic, Tupac’s All Eyez On Me, and The Don Killuminati: The 7 Day Theory were originally said to be left out of the deal. But during a later interview with TIDAL’s Elliott Wilson, Snoop claimed that he did obtain the rights to at least one of them.

That album is The Chronic. But now Dre’s attorney, Howard King, is refuting Snoop’s claim. “There are false reports out regarding ownership by Death Row of Dr. Dre’s The Chronic,” King said in a statement that was obtained by Complex. “Dr. Dre owns 100 percent of The Chronic.”

Late last month, it was reported that Snoop was still negotiating for the rights of The Chronic. It was initially said that the classic album would not be returned to Snoop until 2023. However, after the statement that Dre’s lawyer gave, it appears that The Chronic will not be a part of Snoop’s Death Row acquisition.

This comes after Snoop recently shared his plans to make Death Row an NFT label adding that he wants it to be the “first major in the metaverse.”

The Game Believes He Can Beat Eminem In A ‘Verzuz,’ But People Think Otherwise

The Game loves to make bold claims. Earlier this week, The Game said that Kanye West did more for his career in two weeks than Dr. Dre did over his. It should be noted that Dre signed The Game to Aftermath back in 2003 and executive produced his debut album, The Documentary. Prior to that, The Game claimed that he’s the best rapper from Compton, though fans of Kendrick Lamar among others strongly disagreed.

Now The Game has a new claim: During a recent interview on NORE and DJ EFN’s podcast Drink Champs, he said that he could beat Eminem if they battled on Verzuz. “Eminem is Eminem, I like Eminem,” he said during the episode. “He’s one of the f*ckin good MCs, great MCs. I used to think Eminem was better than me. He not, he’s not. Challenge it. Yes, I do [Want to do Verzuz against Eminem].” After seeing the reaction from those around him, The Game pressed on. “What you mean, yeah I do. The f*ck you mean. I’m not saying I want smoke with Eminem, I’m saying I want smoke with Eminem, him, and him, whoever.”

After The Game’s comments made their way around social media, people were very quick to disagree with him:

You can watch a clip from the interview above and see the full interview here.

Sam Smith And Noramni Have Been Sued For Copyright Infringement Over ‘Dancing With A Stranger’

In 2019, Sam Smith and Normani joined forces to release their first collaboration “Dancing With A Stranger.” “It bottles everything I was feeling whilst juggling my personal life and touring,” Smith said about the song at the time. Unfortunately, three years later, the track has landed the duo in some legal trouble as they were recently sued for copyright infringement.

According to Rolling Stone, in a complaint that was filed in federal court in Los Angeles, songwriters Jordan Vincent, Christopher Miranda, and Rosco Banlaoi claim that “Dancing With A Stranger” copies important elements, including its title, chorus, composition, and music video, from Vincent’s 2017 song “Dancing With Strangers.”

“The hook/chorus in both songs — the most significant part and artistic aspect of these works — contains the lyrics ‘dancing with a stranger’ being sung over a nearly identical melody and musical composition,” they allege. “Both videos consist of a girl performing interpretive dance alone in a minimalist studio, interspersed with shots of the male vocalist.”

This is not the first time that Smith has had to reach a legal settlement over one of their songs. Back in 2015, Tom Petty was awarded a song credit on Smith’s 2014 song “Stay With Me” due its similarities with “Don’t Back Down.”