Druski and Drake go way back. The comedian made an appearance in the music video for Drake’s 2021 smash “Laugh Now, Cry Later.” When Druski made jokes about Young Money boss Birdman in 2023, the 6 God stepped in and advised him to be careful. They appear to have each other’s back, as far as major celebrity figures go. Druski kept this streak of loyalty alive on June 30, when the comedian tried to get a DJ to stop playing a Drake diss during a BET Awards after party.
The IG footage sees Druski motion towards the DJ and give him a cut-off sign. Despite his efforts, though, Kendrick Lamar’s number one single, “Not Like Us,” continues to play. It might not have worked, but Druski was asking a DJ to stop playing Lamar in Los Angeles, so it was going to be an uphill battle. It was worth a shot, at least for him. Druski has maintained that he supports Drake throughout the K. Dot battle, but this is the first time fans have gotten to see his loyalty in action. Part of the reason Druski is indebted to the 6 God is because he game the comedian a huge look early on in his career.
Druski recounted the experience of meeting Drake during a 2022 interview with Billboard. He jokingly compared it to meeting the President. “I’m sitting in a room, and they’re like, ‘Drake will come and talk to you.’ People are coming in and checking on me and I’m like, ‘Alright. Where’s he at?’ He comes in with like a fleet of security,” Druski recalled. The comedian then went on a tangent about Drake’s scent. “You smell this dude before he even walks in the room,” he noted. “So I’m like, ‘What the hell is that smell? Like, the whole room has this heavenly smell to it. Cologne don’t even smell like that. I’m like, ‘What the hell? Did they spray something in this whole room?’”
Drake has given Druski his flowers in return. He hopped on Instagram Live with Druski shortly after the release of Certified Lover Boy to show off his Toronto mansion. He also joked about things going downhill after the album, despite it being certified platinum. “It’s really been downhill after the album dropped,” he quipped. “I’m not going to lie. It’s been slow motion. It’s been a bit of a downward spiral.” While these words appear more prophetic in light of recent events, the point stands: Druski and Drake are tight. It’s going to be a long summer of hearing “Not Like Us” for both of them.
Rihanna loves GloRilla. The latter dropped off her new single, “TGIF,” in June, and Rihanna posted a video of herself dancing to it on Instagram. Evidently, the pop superstar wants more than a song, though. She slid into GloRilla’s DMs on July 2 and attempted to find out when the rapper would be dropping her full album. The irony, of course, being that Rihanna has kept fans waiting for new music since 2016. If there is any artist who should know about waiting, it’s her (and maybe Frank Ocean).
Rihanna’s DM made the rounds on social media, with many fans being humored by the singer’s fandom. She knows exactly what it’s like to wait for new music, without having any idea when it’ll come out. “You got all summer sis,” Rihanna wrote to GloRilla. “I know dis wild hypocritical, but when the album drop?” It’s absolutely wild to compare the release dates for Rihanna’s and GloRilla’s last projects. Rih dropped Anti in 2016, like we previously stated. GloRilla, meanwhile, dropped a mixtape in April of this year! She put out Ehhthang Ehhthang on streaming, which included the hit single “Wanna Be.”
Every piece of music GloRilla has put out, actually, has come after the release of Rihanna’s last album. That being said, the rapper has discussed her rapidly evolving style. She told iHeartRadio that she has aimed to maintain her musical roots with Ehhthang Ehhthang, despite getting more popular. “The songs are just so raw,” she noted. “I was going back to my roots. I rebranded on it because last year I was just trying to go so big when I was in album mode.”
The upcoming GloRilla album, however, is going to be a little different. Since she already fed her mixtape audience, she will try to go bigger and broader. “[I wanted to] give em some raw gangsta music before I put my album out,” she explained. “Because I feel like I waited too long to drop last year so I went a whole year without a project.” GloRilla’s latest single, the one Rihanna has been bumping, definitely suggest an attempt at a radio smash. Hopefully fans (and RiRi) get to hear the new album soon.
Lil Mama, born Niatia Jessica Kirkland, appeared in the mid-2000s as a dynamic force in hip-hop and pop. Known for her energetic performances and distinctive style, she quickly made a name for herself with a string of hits that showcased her versatility and charisma. Beyond her musical talents, Lil Mama has also been recognized for her contributions as a dancer, actress, and television personality, further cementing her status as a multi-talented artist.
This exploration of Lil Mama’s five essential songs delves into the tracks that have defined her career. These selections highlight her ability to craft catchy, impactful music that resonates with a wide audience. From her breakout single to high-profile collaborations, each song offers a glimpse into Lil Mama’s artistic journey and her influence on the music industry. Let’s look closer at the tracks that have helped shape her legacy.
1. “Lip Gloss” (2007)
Released in 2007, “Lip Gloss” is Lil Mama’s breakout single that catapulted her into the mainstream. The song, featured on her debut album VYP (Voice of the Young People), is known for its infectious hook and playful lyrics celebrating the titular makeup item. Produced by James Groff and Asif Ali G., the track’s minimalist beat and catchy rhythm made it an instant hit, resonating with young audiences.
“Lip Gloss” showcased Lil Mama’s unique style and charisma and became a cultural phenomenon. The song’s popularity was bolstered by its vibrant music video, which featured Lil Mama’s energetic dance moves and high school setting. “Lip Gloss” peaked at No. 10 on the Billboard Hot 100, establishing Lil Mama as a rising star.
“Shawty Get Loose” is a high-energy collaboration with Chris Brown and T-Pain. It is another standout track from Lil Mama’s debut album VYP (Voice of the Young People). Released in 2008, the song combines hip-hop and R&B elements, featuring an uptempo beat produced by T-Pain. The dynamic synergy between the three artists and the song’s catchy chorus and engaging verses made it a commercial success.
The accompanying music video, directed by R. Malcolm Jones, features futuristic visuals and impressive choreography. It also highlighted the talents of all three performers. “Shawty Get Loose” received positive reviews from critics and peaked at No. 10 on the Billboard Hot 100, further cementing Lil Mama’s place. The track’s success demonstrated her ability to collaborate with prominent artists and produce hit songs that resonate with a broad audience.
3. “G-Slide (Tour Bus)” (2007)
“G-Slide (Tour Bus)” Is another notable track from Lil Mama’s debut album VYP (Voice of the Young People). Released in 2007, the song features an upbeat tempo and catchy lyrics that encourage listeners to get up and move. The track’s production, characterized by its energetic beats and playful melodies, aligns perfectly with Lil Mama’s lively performance style.
The song became popular for its infectious rhythm and accompanying dance moves, which were prominently featured in the music video. Directed by R. Malcolm Jones, the video depicts Lil Mama leading a group of dancers on a tour bus, emphasizing the song’s theme of travel and fun. “G-Slide (Tour Bus)” resonated with younger audiences and dance enthusiasts. It further established Lil Mama as an artist who can create engaging and memorable music.
4. “What It Is (Strike a Pose)” (Featuring T-Pain) (2008)
“What It Is (Strike a Pose)” is another standout track from VYP (Voice of the Young People), featuring the influential artist and producer T-Pain. Released in 2008, this song highlights Lil Mama’s ability to blend catchy hooks with strong lyrical content. The collaboration with T-Pain adds depth to the track, with his signature autotuned vocals complementing Lil Mama’s delivery.
The production of “What It Is (Strike a Pose)” features hip-hop and R&B, characterized by its polished, engaging melody. The song’s lyrics emphasize self-expression and confidence, encouraging listeners to embrace individuality. The track performed well on the charts and received positive feedback from fans and critics alike, showcasing Lil Mama’s knack for creating empowering and entertaining music.
5. “Hustler Girl” (2008)
“Hustler Girl,” from Lil Mama’s debut album, stands out for its motivational message and relatable themes. Released in 2008, the song delves into the struggles and aspirations of young women striving to achieve their dreams. The production blends smooth melodies and rhythmic beats, creating an uplifting backdrop for Lil Mama’s inspiring lyrics.
The song highlights Lil Mama’s storytelling ability, as she vividly portrays the determination and resilience of a “hustler girl” navigating life’s challenges. “Hustler Girl” resonates with listeners who appreciate its empowering message and authentic portrayal of perseverance. The track’s positive reception and its role in promoting self-belief and ambition make it a significant part of Lil Mama’s discography, further showcasing her impact as an artist who uses her platform to uplift and inspire.
The Foolio saga continues. The rapper was shot and killed on June 23 in Tampa, Florida. Generally, the rap community will mourn whoever’s life was lost, but the drama surrounding Foolio has drowned out the mourning. The rapper’s enemy, Yungeen Ace, has dropped two diss tracks since the shooting occurred. Even more bizarre, Foolio’s Instagram has remained active. The account has posted videos, and even left stray comments on Yungeen Ace’s disses. The account went silent over the weekend, but returned with a vengeance on July 2.
It was on this day that a photo of the rapper’s alleged killer surfaced online. The photo is blurry, as uploaded by the account Riemoh, but Foolio commented nonetheless. “Demi God,” the account wrote, with a purple demon emoji. It may seem confusing out of context, but this is a phrase that Foolio used while he was alive. During a No Jumper interview conducted in 2024, the rapper told the host that he could never die. “I ain’t going nowhere,” he asserted. “I’m a demigod. You can’t get me.” Foolio then posted the interview on his Instagram with the caption: “I’ll Never Die I’m a DemiGod.”
The “Demi God” post also confirms that someone or some group of people have maintained control of the rapper’s social media. There are some fans who have theorized that the police have taken control of the account in an effort to locate the rapper’s killer. Then there are those who think Foolio’s mother is commenting from his account, but that doesn’t explain the odd, cryptic nature of the comments/posts.
Foolio’s mother issued a public statement following the rapper’s death. It was straightforward and sincere. She also announced that would be making a documentary about Foolio’s life. “The story that only I can tell because I know the Truths from the Fakes,” she wrote. “I think [I’m] the ONLY mother that [keeps] it Real while MOST others know [damn] well what was going on. with their OWN sons.” Foolio’s mother has no problem speaking her mind, so it stands to reason that she would admit she was the one posting under her son’s name. Hopefully the real identity of the IG user is eventually revealed.
Dee-1 and Rick Ross are diametrically opposed. The former is a Christian rapper who preaches morality in his music. Ross, well, does the opposite. He raps about cars, money, killing, and dealing. This is what led Dee-1 to call out the MMG in 2023. He challenged the rapper to set a better example for his audience and Ross responded by mocking him. Dee-1 had a wide opening to return the mockery when Rozay got jumped in Canada, but he took the high road.
The Christian rapper hopped on X (formerly Twitter) to air out the situation. He acknowledged that him and Rick Ross have had issues in the past. He did not, however, take the bait with regards to mockery. “Rick Ross got punched in the face,” Dee-1 wrote. “Some people want me to clown him because of our history, but nah… I’m genuinely wishing the best for him.” The Christian rapper then cited the incident as something that rap fans should strive to avoid. “I know we can do better,” he added. “Hopefully this leads to growth all around. The culture is on life support.”
This is not the first time Dee-1 has taken the high road. When Rick Ross combated his initial criticisms by making fun of Dee-1’s appearance, the latter refused to fire shots back. He actually went as far as to say him and Ross should sit down and have a conversation. “I love you and I hope you can choose the route we all know is best,” Dee-1 added. “Definitely down to talk more, because the public needs to see two talented, successful, imperfect black men have tough conversations.”
Rick Ross is not into the high road as of late. The rapper has had one beef after another in 2024. He took shots at Drake, at his baby mama, Tia Kemp, and at the two of them together. When Drake and Kemp got flirty via Instagram on July 1, Rozay responded by calling Drake a “pedo” and Kemp a “granny.” The only person Ross has seemingly avoided beef with has been The Game. The Compton icon mocked Rozay on Instagram and dropped a diss track called “Freeway’s Revenge.” No dice. Ross refused to take the bait and claimed that The Game was “starving” for attention.
Ray J, born William Ray Norwood Jr., has been a fixture in R&B and hip-hop since the mid-1990s. He has become a versatile artist and entrepreneur, emerging as a young talent. His career encompasses music, television, and business ventures, making him a well-rounded figure in the entertainment world. Known for his smooth vocals and charismatic persona, Ray J has delivered numerous hits that have left an indelible mark on the music industry.
This exploration of Ray J’s five essential songs delves into the tracks that have defined his career. These selections highlight his vocal prowess and his ability to craft songs that resonate with diverse audiences. From chart-topping singles to controversial anthems, each track offers a glimpse into Ray J’s journey as an artist and his contributions to the evolution of R&B and hip-hop. Let’s dive into these pivotal songs that showcase the essence of Ray J’s musical legacy.
1. “One Wish” (2005)
Released in 2005, “One Wish” is arguably Ray J’s most iconic song. This heartfelt ballad from his third album Raydiation showcases his vocal range and emotional depth. The song’s lyrics explore love, regret, and longing themes, resonating with listeners and earning significant radio play. With its lush instrumentation and poignant piano melody, the production complements Ray J’s impassioned delivery, making it a standout track in his discography.
“One Wish” became a commercial success, peaking at No. 11 on the Billboard Hot 100. Its music video, which featured Ray J in a dramatic and visually striking narrative, further bolstered the song’s popularity. This track solidified Ray J’s reputation as a serious artist capable of delivering emotionally charged performances.
In 2008, Ray J released “Sexy Can I,” a collaboration with rapper Yung Berg. This track, from his fourth studio album All I Feel, became an instant hit and a club anthem. With its infectious hook and danceable beat, “Sexy Can I” showcases Ray J’s ability to create catchy, feel-good music. The song’s playful lyrics and upbeat production captured the attention of a wide audience, propelling it to No. 3 on the Billboard Hot 100. Further, the success of “Sexy Can I” marked a high point in Ray J’s career. It also demonstrated his versatility and appeal across different musical styles. The track’s enduring popularity in clubs and on radio stations underscores its impact and Ray J’s knack for creating memorable, chart-topping hits.
3. “Wait A Minute” (Featuring Lil’ Kim) (2001)
“Wait A Minute,” released in 2001, features a collaboration with the legendary rapper Lil’ Kim. This track Is from Ray J’s second studio album This Ain’t a Game. It combines smooth R&B vocals with hip-hop production, creating a vibrant and energetic sound. Lil’ Kim’s contribution adds a dynamic edge to the song, making it a standout collaboration. Moreover, the song’s production highlights Ray J’s adaptability and ability to blend genres seamlessly. “Wait A Minute” received positive reviews from critics and solidified Ray J’s presence in the music industry.
Released in 2013, “I Hit It First” is one of Ray J’s most controversial tracks. The song, featuring Bobby Brackins, gained significant media attention due to its provocative lyrics and perceived references to Ray J’s past relationship with Kim Kardashian. The track’s catchy beat and straightforward lyrics sparked widespread discussion and debate, making it a polarizing but unforgettable entry in Ray J’s discography.
Despite the controversy, “I Hit It First” performed well on the charts, demonstrating Ray J’s ability to generate buzz and capture the public’s attention. The song’s impact extends beyond its initial release, reflecting Ray J’s knack for staying relevant in a constantly evolving music landscape.
“Tie Me Down,” released in 2009, is a collaboration with the hip-hop duo New Boyz. The track features Ray J’s smooth vocals and the New Boyz’s distinctive rapping style. The song, known for its catchy hook and relatable lyrics about relationship constraints, quickly became popular and received substantial airplay. “Tie Me Down” further exemplified Ray J’s ability to create hit records through strategic collaborations. The song’s success on the Billboard charts showcased his continued relevance in the music industry and adaptability to different musical trends. This track remains a notable part of Ray J’s catalog, reflecting his consistent ability to produce engaging and memorable music.
B.G. wasted no time getting back to work following his 12-year prison stay. Evidently, however, not all of the artist’s legal woes are behind him just yet. Recently, it was reported that he must now submit all of his song lyrics to his probation officers for approval. The proposal was first made earlier this year. At the time, the government argued that his recent lyrics didn’t line up with his goals of rehabilitation.
In response, his legal team made it clear that they saw this as a violation of his First Amendment rights. “As to the Government’s request for Mr. Dorsey to provide U.S. Probation (and the government) with lyrics ‘for any song that he may write, in whole or in part, while on supervised release,’ it is respectfully submitted that this request is overly broad and violates the First Amendment and due process,” his attorneys wrote in May.
B.G. Faces Even More Legal Woes After 12-Year Prison Stay
Rapper B.G. (Christopher Dorsey) of the Hot Boys at Echo Studios in Atlanta, Georgia on April 5, 2007. (Photo by Julia Beverly/Getty Images)
“It is respectfully submitted that requiring Mr. Dorsey to submit his mental impressions and lyrics for any song that he may write, whole or in part, would constitute a prior restraint. It is respectfully submitted that Mr. Dorsey should be permitted to write and express his own thoughts without fear that he needs to provide all lyrics to U.S. Probation and the Government,” they also added. His lyrics will be kept under seal to prevent any possible copyright infringements, and the documents will be given back to him once his supervised release is terminated.
What do you think of B.G. now having to submit all of his song lyrics to his probation officers for approval? Do you think this is a violation of his creative freedom or not? Share your thoughts in the comments section down below, and keep an eye on HNHH for more updates.
Megan Thee Stallion is a prime example of an artist propelled quickly into mainstream consciousness. For years, she gained a reputation for her formidable lyricism through freestyles that helped her develop a cult-like following in a post-Cardi B era of rap music. 2018’s Tina Snow and 2019’s Fever confirmed what all her day-one fans knew from the jump: she’s a star. However, her approach to mainstream success felt contrived, especially after the release of “Hot Girl Summer.” The charm of Houston’s Southern belle seemed watered down to appeal to a broader audience.
The whirlwind journey she experienced in the past few years has raised questions about the sustainability of her career. Despite becoming a critical darling, Good News and Traumazine, were easily overlooked. In many ways, they showcased Megan’s strengths, but external factors, including her legal battle with 1501 Certified Entertainment and the Tory Lanez trial, eclipsed her accomplishments to the point where her music became secondary. Her presence felt more prominent in corporate sponsorships than as an MC, as seen in her collaborations with Nike and Planet Fitness.
This brings us to Megan, her third studio album and, more importantly, her first as an independent artist. For the first time, it doesn’t feel like there’s any added weight on Megan outside of finding her own comfort as an artist. In fact, this feels like Megan’s most realized vision on wax. She’s unapologetic, confrontational, sexy, and dominant all at once, even during a few missteps on the project.
“HISS” encapsulates her attitude in its brief intro. The diss song itself undoubtedly set the tone for the resurgence of rap beef in 2024. “I just want to kick this shit off by saying, Fuck y’all! I ain’t gotta clear my name on a motherfuckin’ thang,” she declares. “I’m finna get this shit off my chest and lay it to rest.” While everyone from Drake and Nicki Minaj to Tory Lanez and Akademiks catch strays (as well as her ex Pardison Fontaine), she persists on subsequent records like “Rattle” and “Figueroa” (“I’m a mothaf*ckin’ Brat, not a Barbie”). It’s on these three songs that Megan sounds the most invigorated as an MC – her refined flows and electrifying deliveries immediately command attention, but that momentum quickly dies down in subsequent efforts.
“Where Them Girls At,” equipped with trunk-rattling bass and a Memphis-esque vocal sample on the hook, is anthemic and likely to dominate the summer (perhaps with a TikTok push, it could crack the top 10 on the Hot 100). However, it sounds like something Megan’s done more effectively in the past. The tracklist suffers a bit of a decline from this point onward.
Songs like “Broke His Heart,” produced by Tay Keith, take on a sample of Jeezy’s “I Luv It” but fail to do the original justice, largely because it popifies a trap classic. Though it’s one of the several efforts that affirm the message of women’s empowerment, especially in the context of her highly publicized break-up, it fails to penetrate similarly to the tracks leading up to that song. Unfortunately, the use of classic samples across this album doesn’t seem to have any point outside of familiarity. “BOA” suffers the same fate with its sample of Gwen Stefani’s “What You Waiting For?” This issue isn’t limited to Megan Thee Stallion or her album; it’s prevalent in the music industry. At a time when it’s easy to distinguish a hit record from a TikTok record, these sorts of samples seem aimed at feeding into algorithms more than the people’s wants.
The consistency Megan initially kicks off starts to fall flat in exchange for a flagrant showing of versatility. Songs like “Otaku Hot Girl” and “Mamushi” ft. Yuki Chiba are compelling leaps into her anime fandom and attempts to help her crossover to international markets. It’s effective for what it’s worth, but without maintaining cohesion across all 18 tracks, it deviates from the essence of what she started with this project. Yuki Chiba and Megan share fantastic chemistry on “Mamushi,” which even sees the Houston star rapping in Japanese. However, it feels oddly placed in the tracklist.
Waving The Flag For The South: GloRilla, UGK, Big K.R.I.T & More
The middle chunk of the album feels like filler, especially once the back half of the project hits. Megan’s strongest points accentuate her identity as the leading lady of the South. The production, especially Juicy J’s contributions (“Paper Together” ft. UGK, alongside Go Grizzly & “Moody Girl” alongside Hitkidd), is smooth, soulful, and slightly smoky, providing equal measures of grit and seduction. These peaks on the project feel like full-circle moments for Megan, especially the UGK feature and a posthumous verse from Pimp C – Meg’s favorite rapper and the inspiration behind the Tina Snow persona. However, it’s the inclusion of UGK, GloRilla (“Accent”), Big K.R.I.T., and Buddha Bless (“Miami Blue”) that breed a comfort zone for Meg without complacency. It’s a clear display of her musical lineage, embracing peers like GloRilla while properly honoring the legends that preceded her.
Throughout the hardships Megan has faced over the years, her resilience has remained one of her most inspiring qualities. On Megan, it takes center stage in its brightest form. Despite the string of hate she faced as a shooting victim, her struggles to get out of her contract, and witnessing the tables turn against her among those who once embraced her, Megan Thee Stallion rises above the adversity and delivers an album that encompasses self-love in the face of overt — and often misguided — criticism. Sure, the tracklist could have been more succinct, and a few filler tracks could have been easily removed. But overall, Megan delivers a body of work that truly showcases her capabilities as an artist and shows some interesting signs of where she might head next.
Priscilla Rainey, who previously sued The Game for sexual battery, has subpoenaed his kids’ school district for proof of residence, attendance records, and more. According to court documents obtained by AllHipHop, the former contestant on the VH1 reality show, She’s Got Game, is pressing the rapper over a $7 million judgment she won in the case. The allegation stems from her time filming the show in Chicago.
“In May 2015, while the show was filming in the Chicago area, Taylor took Rainey on an off-camera date to Adrianna’s Sportsbar in Markham, Illinois,” she claimed in her lawsuit. “Taylor sexually battered Rainey that night, including by reaching his hand inside her dress to rub her bare v##### and buttocks in front of a crowded room of onlookers.”
VENICE, CALIFORNIA – AUGUST 12: Rapper The Game celebrates the release of “Drillmatic” at the Gall3ry By Koll3ctiff on August 12, 2022, in Venice, California. (Photo by Unique Nicole/Getty Images)
The Game has allegedly been uncooperative throughout the process. In a lengthy rant on Instagram about the situation, he wrote that he’ll never give up the money. “Every girl on that show will tell u I never touched this chick or ever desired to be anywhere near her,” he wrote. “She got kicked off the show & as a result she filed this lame lawsuit which was probably her intentions before the show was ever even started. She was begging for my attention the entire time we shot the show & was given the ultimate Major League Baseball CURVE ball so that upset her & made her lil wee wee hard so she did what all chicks like her do when life gives them no other options…. They sue you!”
His lack of cooperation eventually led to an appeal in 2019 falling through. The judge in that decision remarked that he didn’t “take the litigation seriously.” “He evaded process, trolled Rainey on social media, dodged a settlement conference, and did not bother to show up at trial,” Judge TK Sykes said. While struggling to get at his assets, Rainey eventually filed a second lawsuit and accused him of hiding his assets. She won that lawsuit in 2023. Be on the lookout for further updates on The Game on HotNewHipHop.
JT has taken some serious steps away from her time with Yung Miami and the City Girls over the last year or so. Now, the Miami, Florida native is taking a massive leap after making a huge announcement just moments ago. With the unapologetic femcee dropping singles under just her name it was only a matter of time before she decided to see what she could do solo. So far, her decision has been paying off and quite tremendously we might add. Because of this, JT is comfortable (sort of) revealing key details about her upcoming debut EP called City Cinderella.
She shared the bombshell on her social media while captioning the post, “City Cinderella coming….7/19 Pre-save link in bio. My hands shaking posting this. Juvies we here…..”. Multiple fellow female artists were quick to show her support and love for this career move. Kali Uchis is excited for what is in store, saying, “She’s coming !!!!!”. R&B act Snoh Aalegra was also hyping JT up, “ sheeeesh ”.
According to Genius, it appears that “OKAY”, its two versions, including the Jeezy remix, “No Bars”, and “Sideways” will all land on the possible 10-song tracklist. As for the release date of City Cinderella, JT is dropping her EP on July 19 and it will compete with some pretty heavy hitters like Childish Gambino and Denzel Curry. The cover art is also now available to us, as it shows the “Alter Ego” artist looking stunning, with the lower half of her body being made of glass and some it shattered off. She also is donning a tiara, which is fitting for the title of the project. Congratulations to JT on the announcement and we cannot wait to check it out.
What are your thoughts on JT announcing her debut EP City Cinderella? Do you think she should have gone solo even sooner than this, why or why not? Do you think she will become more successful after branching out to work on her own material? What single have you been bumping the most so far? We would like to hear what you have to say, so leave your thoughts in the comments. Additionally, always keep it locked in with HNHH for all of the latest news surrounding JT. Finally, stay with us for everything else going on in the music world.
(@nojumper)
” 
Pre-save link in bio. My hands shaking posting this. Juvies we here…..
”. Multiple fellow female artists were quick to show her support and love for this career move. Kali Uchis is excited for what is in store, saying, “She’s coming !!!!!”. R&B act Snoh Aalegra was also hyping JT up, “
sheeeesh 