Soulja Boy has apologized for disrespecting Metro Boomin’s deceased mother.
In case you missed it, Soulja Boy crashed out over an old Metro Boomin tweet. Way back in 2012, tweeted, “My phone rings to come to the studio with Jeezy. Yours rings to send Soulja Boy a pack of beats. Sit down.”
That did not sit well with Soulja Boy. Big Draco would then went on the attack.
“Fuck is you talking about, Metro Groomin?” Soulja said. “You was lit about going to the studio with Jeezy, bitch ass boy? Stop playing with me. I had a number one in 2007 when I was 17, fuck n—a. You was still in elementary school. You was in middle school, boy.”
He added, “Fuck is you hype about going to the studio with Jeezy for? Bitch ass n—a, I was making beats for Gucci! I don’t give a fuck about no Jeezy, n—a. I was in the studio with Guwop at 18.”
21 savage wanna know what happens in 24 hours if metroboomin don’t delete the tweet that Soulja boy says he better delete pic.twitter.com/k57NiCOhXk
He then demanded the tweet be taken down, which prompted an “Or what” response from 21 Savage. Soulja berated Savage, calling him a british rapper and stating he would slap both of them.
21 Savage wants to know what will happen if Metro Boomin doesn’t delete the tweet that Soulja Boy says he has to delete within 24 hours. pic.twitter.com/ZXZCPTnk2d
All the streams, sales, money, and fame not gone bring your mom back @MetroBoomin was it worth it? I can say fuck this money and fame shit and still be a boss can you?
A day later, Soulja hit Twitter and issued an apology:
“I apologize to @MetroBoomin for over reacting over an old tweet,” Soulja wrote. “Condolences to his mom. I’m going to seek therapy and anger management. I’m done responding to hate, new or old.”
I apologize to @MetroBoomin for over reacting over an old tweet. Condolences to his mom. I’m going to seek therapy and anger management. I’m done responding to hate, new or old.
Beef is permeating hip-hop at the moment, and over the past few days, Soulja Boy has been getting into it with Metro Boomin. Now, though, Soulja has acknowledged that he crossed a line and has apologized.
As Billboard notes, Soulja was apparently upset by a resurfaced Metro tweet from 2012 that reads, “My phone rings to come to the studio with Jeezy. Yours rings to send Soulja Boy a pack of beats. Sit down.”
In now-deleted tweets, Soulja wrote, “F*ck that n**** mama!!!!!!!!!! Don’t speak on my name b*tch! You sacrificed your own mom @MetroBoomin you a puppet.” He said in another, “All the streams, sales, money, and fame not gone bring your mom back @MetroBoomin was it worth it? can say f*ck this money and fame sh*t and still be a boss can you?” In one tweet, he also wished Metro a happy Mother’s Day.
Soulja put a stop to his antics yesterday, May 15, when he tweeted, “I apologize to @MetroBoomin for over reacting over an old tweet. Condolences to his mom. I’m going to seek therapy and anger management. I’m done responding to hate, new or old.”
I apologize to @MetroBoomin for over reacting over an old tweet. Condolences to his mom. I’m going to seek therapy and anger management. I’m done responding to hate, new or old.
Soulja Boy loves to pop off on other rappers. The most viral moment of his career in the last decade was when he lost his mind at the mention of Aubrey Drake Graham during a Breakfast Club interview. People haven’t pronounced “Drake” the same since. The rapper seemed as though he was turning over a new leaf on May 15, when he issued an apology to Metro Boomin for saying rude things about the producer’s mother. He addressed his decision to apologize on Instagram Live, but the rapper couldn’t help himself, and took additional shots at 21 Savage.
Soulja Boy started off his IG Live by addressing the fans. He saw old tweets in which Metro Boomin was disparaging his career, so he made insulting comments about the producer’s mother. He later took back what he said, and admitted to being in the wrong. The rapper told fans that he wanted to break out of his negative mindset and serve as a good example.
“That just goes to show you how angry I get,” he stated. “How mad I get when I see n**gas hating on me. But that still ain’t no f*cking excuse. I gotta be a good role model to my young n**gas.” He admitted that growth was necessary, even if it’s difficult. “Y’all not about to be looking at the sh*t thinking it’s cool cuse it ain’t,” he added. “We gotta learn from this sh*t, we gotta grow.”
It’s a mature sentiment, but it’s almost completely undone by what Soulja Boy does next. The rapper decides to take shots at Metro Boomin collaborator 21 Savage. Evidently, the maturity doesn’t apply to other rappers. “21 you still a b*tch,” Soulja yelled out. “21 you still a b*tch a*s n**ga! I just ain’t like what I said about Metro sh*t, I ain’t gonna lie.”
The rapper then clarified that his regret has nothing to do with his feelings towards 21. “But f*ck you 21 this ain’t have nothing to do with you… I ain’t say sorry cuse of you.” He then threatened to slap the UK rapper next time he sees him. Savage is on the clock to respond.
As if the rap scene wasn’t chaotic enough, Soulja Boy, Metro Boomin, and 21 Savage have added to the ongoing drama in the hip-hop world. Lately, the Drake vs. Kendrick Lamar beef dominated headlines after the mega superstars engaged each other in lyrical warfare. While Drake and Kendrick’s beef has cooled a bit after the former released “The Heart Part 6,” a new rap war is building, though not as grande as Drizzy and K. Dot’s battle. This time, the rap beef that is gradually getting attention is between Soulja Boy, Metro Boomin, and 21 Savage.
Soulja Boy is not alien to speaking his mind. The rapper has blasted several artists, including Kanye West, Blueface, Drake, NBA YoungBoy, and Trouble. On the other hand, Metro Boomin found himself enmeshed in Drake’s feud with Kendrick Lamar. Metro is also feuding with Drake, placing 21 Savage, who is close to both of them, in a tight situation. 21 Savage spoke about Drake and Metro’s beef during an IG Live. He called the rapper and the producer his brothers and hoped they would resolve their issues. However, 21 Savage wasn’t in peacemaker mode when he stood up for Metro after Soulja Boy came firing. Here is everything to know about the Soulja Boy vs. Metro Boomin and 21 Savage beef.
Sadly for Metro Boomin, a fallout from his beef with Drake is that fans began digging for his old tweets. One of the resurfaced Metro Boomin tweets they found was from 2012, in which he dissed Soulja Boy. The tweet reads, “My phone rings to come to the studio with Jeezy. Yours rings to send Soulja Boy a pack of beats. Sit down.” Whatever Metro Boomin meant with that, Soulja Boy wasn’t pleased, and he soon reacted.
Soulja Boy’s Warning To Metro Boomin & 21 Savage’s Response
Not many people expected Soulja Boy to keep quiet after Metro Boomin’s tweet about him was unearthed and went viral. Besides calling out anyone who pissed him off, Soulja Boy once blasted Nigerian artist Wizkid over a 2010 tweet. In 2010, Wizkid tweeted, “I swear soulja boy is wack!…jeeeezzzzz!” Twelve years later, Soulja Boy got wind of the tweet and replied, “Ya mama wack. Shut ya bitch ass up.” With that sort of history, it was certain Soulja Boy would clap back at Metro after his tweet resurfaced, and he did just that.
Soulja Boy reacted to Metro’s tweet about him by giving him 24 hours to delete. He commented on a post about the tweet, writing, “He got 24 hours to delete that tweet.” However, 21 Savage responded to Soulja Boy’s comment and said, “Or what.” 21 Savage’s response infuriated Soulja Boy, and he went on a full rampage against him.
Firstly, Soulja took to his Instagram Story to label 21 Savage a British rapper and not from Atlanta. He wrote, “Boy you a bitch you not from the A you from the UK I really will slap the sh*t out you @21savage.” Soulja Boy continued the onslaught against 21 Savage in an Instagram Live video, where he challenged the rapper and Metro to a boxing match, promising to beat them in front of the world. He also asked 21 Savage why he didn’t say anything when Drake and Metro were feuding but chose to come out of his shell now.
On Mother’s Day night, May 12, Soulja Boy continued his beef with Metro Boomin. He wished the music producer a happy Mother’s Day, fully aware that Metro’s mom was dead. Metro’s mom, Leslie Joanne Wayne, reportedly died in a murder-suicide perpetrated by his stepdad. Soulja Boy also shared screenshots of alleged old messages between him and Metro in which the producer said he was trying to send Soulja Boy beats. Soulja Boy captioned the post, “You was tryna send me beats too p**sy a*s boy @MetroBoomin.”
Again, Metro Boomin didn’t respond to Soulja Boy’s antics, but 21 Savage did. The “Bank Account” rapper posted a screenshot of a news article. The article reported that Soulja Boy had a negative net worth. Afterward, 21 Savage tweeted, “Speaking on a n**ga mama like sh*t a game you gone sh*t on yourself when I see you boy.” However, Soulja Boy responded, “F*ck u and his mama lil boy. Nah umma swing on u when I see you lame.”
Soulja Boy Gets More Heat But Remains Defiant
I don’t give a fuck!!!! It’s always cool when a nigga come at me but when I defend myself it’s too much huh?! Fuck that nigga mama!!!!!!!!!! Don’t speak on my name bitch!
After bringing Metro Boomin’s late mom into the beef, Soulja Boy was heavily criticized on social media. However, he responded to his critics in a post on X, saying, “I don’t give a f**k!!!! It’s always cool when a n***a come at me but when I defend myself it’s too much huh?! F**k that n***a mama!!!!!!!!!! Don’t speak on my name bitch!” Afterward, he continued his beef with Metro and 21 Savage by asking them to sign the boxing contract. He wrote, “I’ll beat the fuck out you @MetroBoomin and @21savage sign the boxing contract since u p**sy n***az so tough!!!”
The “Crank That” crooner mentioned Metro’s mom again in another post on X. However, this time, he suggested that Metro sacrificed his mom for fame. Soulja Boy posted, “You sacrificed your own mom @MetroBoomin you a puppet.” In another post, Soulja Boy called out Metro again, writing, “All the streams, sales, money, and fame not gone bring your mom back @MetroBoomin was it worth it? I can say f**k this money and fame sh*t and still be a boss can you?”
In more X posts, Soulja Boy called Metro a “Pussy a** bi***h” and 21 Savage a “F**k n***a.” He also posted, “F**k being relevant f**k this whole fake a*s rap game. And f**k all of yall.” Not satisfied, Soulja Boy infuriated many people when he posted, “Dig that n***a mama up and throw her back in that b**ch,” about Metro’s late mom. Many fans slammed Soulja Boy for his “disgusting” and “disrespectful” tweets about the late Leslie, but he remained defiant and soon posted, “This make yall mad huh? I’m smoking mama metro in a fat a*s wood rn.”
Later, Soulja Boy shared a screenshot from a bank transaction that showed he received a million dollars from Warner Music. The post was in response to 21 Savage’s earlier post about him having a negative net worth, and he made sure the Slaughter Gang rapper knew about it by tagging him in the post. Afterward, Soulja Boy expressed his feelings about 21 Savage, writing, “21 speaking on my name must be trippin, I cannot be scared of a n***a from Great Britain.” So far, 21 Savage has not responded to any of Soulja Boy’s recent tweets while Metro has chosen to ignore the “Kiss Me Thru The Phone” rapper’s antics.
Much Ado About Nothing
All the streams, sales, money, and fame not gone bring your mom back @MetroBoomin was it worth it? I can say fuck this money and fame shit and still be a boss can you?
The Soulja Boy vs. Metro Boomin and 21 Savage beef is unnecessary and almost laughable. There was really no reason for Soulja Boy to react angrily to a tweet from 12 years ago from a teenage Metro. Fine, he is known for not letting things go no matter how long ago they happened, but bringing Metro’s late mom into the issue was wrong. Also, 21 Savage, knowing about Soulja Boy’s antics on social media, should’ve realized that a response would only prolong its newsworthiness. Metro hasn’t spared Soulja Boy a thought despite being tagged multiple times, and 21 Savage should have done the same. The rap scene is chaotic at the moment, and many rappers, known or unknown, might want to take advantage, but this is the wrong way to do so. No one knows if 21 Savage or Metro would respond to Soulja Boy. However, no one needs all that drama right now. The less said about this beef, the better!
Rappers are known for their bold and unapologetic personas, but even the toughest MCs have found themselves in situations where a public apology was necessary. From J. Cole to Soulja Boy, Cam’ron, and others, rappers’ apologies have taken various forms throughout the years. Rappers seeking forgiveness and admitting their mistakes, no matter why they did it, stand out in a culture that often glorifies swagger and defiance. At times, rappers apologize and put their tough exteriors aside, reminding us that vulnerability can coexist with bravado in hip-hop.
J.Cole
J. Cole raised eyebrows by publicly addressing his diss aimed at Kendrick Lamar on the song “7 Minute Drill.” Though not explicitly saying “I’m sorry,” many fans view Cole’s speech at the 2024 Dreamville Festival as an apology to Lamar. During the festival, Cole expressed remorse for using his new album to retaliate against Lamar’s shots at the “Big 3” on “Like That” by Future and Metro Boomin.
After praising Lamar as “one of the greatest,” Cole called his own diss track the “lamest” and “goofiest” thing he’s ever done. He begged fans for forgiveness, admitting the past few days felt “terrible,” and invited Lamar to “take your best shot” in response, vowing to “take that s**t on the chin.” Cole’s unexpected humility led to the song’s removal from streaming services, highlighting the humbling power of rap apologies.
ATLANTA, GEORGIA – SEPTEMBER 10: Rapper Soulja Boy is seen backstage during his SouljaWorld tour at Buckhead Theatre on September 10, 2023 in Atlanta, Georgia. (Photo by Paras Griffin/Getty Images)
Soulja Boy found himself in hot water and forced to apologize after releasing the song “Let’s Be Real” in 2011 with lyrics that were deemed anti-patriotic towards the U.S. Army. The controversial lines “F–k the FBI and the army troops/B—h, fighting for what? Be your own man” sparked backlash, leading to reports that military stores would not carry his new record.
Soulja Boy expressed remorse in a blog post on Global Grind, stating, “When I expressed my frustration with the U.S. Army, not only did my words come out wrong, I was wrong to even speak them.” He explained he was venting frustrations about the economy and constant wars of the post-9/11 era, questioning, “What if we had never gone to war?” Despite being no stranger to controversy, the rapper’s lyrics prompted an apology to the troops some felt he had disrespected.
Cam’ron
In April 2007, Cam’ron sparked outrage during a 60 Minutes interview with Anderson Cooper when he stated he wouldn’t snitch even if a serial killer lived next door, affirming the “Stop Snitchin’” mentality. Four days later, the rapper issued an apology, saying, “I in no way was intending to be malicious or harmful. I apologize deeply for this error in judgment.” Despite not excusing his remarks, Cam’ron explained that he was venting frustrations about criminal injustice in inner cities while acknowledging that his remarks might offend victims and those who risk their lives to protect them.
The Jewish people I know are very wise with there money so that’s why I said we been gettin Jewish money I never thought anyone would take offense I’m sorry if I offended everybody never my intention I love all people
An apology from the rapper 21 Savage arrived during the 2018 holidays for controversial song lyrics that struck some as lacking goodwill and understanding. The rapper faced backlash for “ASMR” from his album, i am > i was. The lyrics, “We been gettin’ that Jewish money, everything is Kosher,” led the rapper to issue an apology for what many considered bigoted and offensive toward the Jewish community. 21 Savage took to Twitter on Christmas Eve to express remorse for offending the Jewish community with lyrics that also drew criticism when quoted by NBA star Lebron James. Savage stated that this particular bar was intended as a compliment about financial wisdom, not an offense.
In 2018, Lil Pump adopted a similar approach when addressing backlash to his song “Butterfly Doors,” in which he made derogatory remarks about the Asian community while mimicking stereotypical eye gestures. Facing mounting pressure from critics like Crazy Rich Asians star Awkwafina, the rapper posted an Instagram apology on Christmas day, stating he meant no harm and has Asian friends, pleading, “It’s all love.”
In 2020, Doja Cat addressed past insensitive remarks on social media regarding rumors that she had used racist language in various white supremacist chat rooms. She stated, “I want to address what’s been happening on Twitter.” She acknowledged using public chat rooms since childhood but clarified, “I personally have never been involved in any racist conversations. I’m sorry to anyone I offended.”
Referring to surfaced clips of her in “racist misogynistic” chat rooms that led to #DojaIsOverParty trending, the rapper affirmed “I’m a Black woman. Half of my family is Black from South Africa and I’m very proud of where I come from.” She added, “I love you all and I’m sorry for upsetting or hurting any of you. That’s not my character and I’m determined to show that to everybody moving forward.”
Lil Mama
At the 2009 MTV Video Music Awards, an unexpected and bizarre incident overshadowed the highly-anticipated performance of Jay-Z and Alicia Keys’ hit song “Empire State Of Mind.” As the iconic duo delivered the show-closing rendition, celebrating their New York roots, an uninvited guest joined them on stage. Lil Mama, a then-rising rapper known for her single “Lip Gloss,” unexpectedly crashed the performance, running up alongside the two superstars.
Jay-Z had swiftly signaled for Lil Mama to exit the stage. However, the young artist remained defiant. She struck a B-girl stance as the headliners concluded their powerful tribute to the Big Apple. The following day, Lil Mama attempted to explain her actions. She offered an apology in a statement to MTV. “I did not mean any disrespect towards Jay-Z or Alicia Keys. I admire them and look up to them as role models,” she expressed. “‘Empire State of Mind’ had my emotions running high. In that moment, I came up onstage to celebrate my two icons singing about NY.”
Lil Nas X addressed backlash over his religion-themed single “J Christ” in a video. He apologized for a TikTok where he consumed communion elements dressed as Jesus. This drew criticism from artists like Lecrae for perceived mockery of Christianity. Though saying “I’m not an evil demon trying to destroy someone’s values,” Nas admitted “I messed up severely,” and the controversy took a “psychological toll.”
He apologized for going “excessive” with the promotional visuals but he defended portraying Jesus, noting others have done the same. The eye-catching “J Christ” video depicts Biblical scenes. It hints at a continued exploration of LGBTQ and religious themes on Nas X’s upcoming album. This follows his debut Montero album, which sparked both praise and backlash.
Ye (Kanye West)
The outspoken and controversial rapper Ye has frequently found himself in situations where he’s had to apologize for his brash statements. Given his tendency for bold and provocative remarks, it’s almost inevitable that he would offend or upset various individuals and groups along the way. In the aftermath of the devastating Hurricane Katrina disaster in 2005, Ye made headlines when he bluntly declared on live television that “George Bush doesn’t care about Black people.”
This comment sparked significant backlash and controversy. In 2010, during an interview on the Today show, Kanye expressed regret for his charged remark, stating, “I would tell George Bush, in my moment of intense frustration, I did not have valid grounds to label him a racist. In highly emotional situations like that, we as human beings sometimes fail to choose our words wisely.”
During another incident, an inebriated Ye interrupted Taylor Swift’s acceptance speech for Best Female Video at the MTV Video Music Awards. “Yo, Taylor, I’m really happy for you and I’mma let you finish,” he remarked, “but Beyoncé had one of the greatest videos ever. Of all time!” Shortly after being escorted out, the rapper offered an all-caps apology to his blog.
“I’m sooooo sorry to Taylor Swift, her fans, and her mother,” Ye penned in his apology. “I spoke to her mom right after, and she said the same thing mine would’ve said. She is extremely talented!” Later, in 2016, Ye released “Famous,” rapping, “I feel like me and Taylor might still have sex/ Why? I made that chick famous.” This ignited further drama between the two and Ye’s then-wife Kim Kardashian over whether Swift approved the line, rendering that initial apology from the rapper a distant memory.
The Game
In the wake of a tumultuous and public falling out that involved traded insults and diss tracks, Game’s association with G-Unit, Shady Records, Aftermath Entertainment, and Interscope Records appeared irreparably damaged. However, in June 2009, he reached out and extended an apology to his former mentor, 50 Cent. During an interview with MTV, Game stated, “For 50, I’m just gonna apologize to him, just as a man. It has nothing to do with music, or beef, or nothing like that. It ain’t about being the bigger man. He can take it and say, Game is apologizing, Game’s a sucka, he’s apologizing. I’m apologizing for me to him, to [Dr.] Dre, to Jimmy Iovine, to Eminem, to all the fans.”
Kid Cudi
In a heated incident during a December 2009 performance at Vancouver’s Commodore Ballroom, rapper Kid Cudi reacted impulsively after an object thrown from the audience struck him. Amidst the chaos, Cudi leaped off the stage and lashed out. He punched an unsuspecting concertgoer, Michael Sharpe, in the face, despite Sharpe’s lack of involvement in the initial provocation.
Months later, in February 2010, Sharpe spoke to TMZ, revealing that Kid Cudi had reached out to extend an apology and offer a conciliatory gesture – an all-expenses-paid weekend trip to New York City. The olive branch didn’t end there. In June of that year, during Kid Cudi’s set at the Sasquatch Music Festival in Washington state, he brought Sharpe on stage and acknowledged the unfortunate Vancouver incident to the crowd. Cudi stated, “Remember that kid I punched in Vancouver? This is him. I’ve brought him here to hang out. It’s all good now; he’s forgiven me.”
Metro Boomin has been dealing with a lot of backlash on the internet over the last few months in particular. He has to deal with some criticism over taking Kendrick Lamar’s side during the Drake saga. Internet users were telling him to shut up and stick to beats. On top of that, he was ripped to shreds –perhaps more justifiably in this case — for some old tweets about getting with younger women. He received the Metro Groomin title, and it was a trend on the platform for several days. Now, Metro Boomin has been having to deal with Soulja Boycoming at him over a 2012 tweet. “My phone rings to come to the studio with Jeezy. Yours rings to send Soulja Boy a pack of beats. Sit down.”
It gotten under Soulja’s skin so much that he demanded that Metro delete the message off X in the next 24 hours. If not, he would deal with some sort of consequence. 21 Savage has been jumping in to defend his close collaborator during this new beef and it’s turned quite distasteful since yesterday, May 12. That date happened to be Mother’s Day, so Soulja pulled out the big guns by reminding Metro of his late mother. “F*** that n**** mama!!!!!!!!!! Don’t speak on my name b****! You sacrificed your own mom @MetroBoomin you a puppet. All the streams, sales, money, and fame not gone bring your mom back @MetroBoomin was it worth it?” Soulja asked. “I can say f*** this money and fame s*** and still be a boss can you?”
With all of that background info, 21 Savage has since replied back to those messages on X. “Speaking on a n**** mama like s*** a game you gone s*** on yourself when I see you boy,” Savage threatened. If it has not been clear enough that Soulja is not messing around with the trap duo, he doubled down on speaking about Metro’s late mom. “F*** u and his mama lil boy. Nah umma swing on u when I see you lame.” While a majority of these beefs have been entertaining, this one could get uglier and uglier by the day.
What are your thoughts on Soulja Boy continuing to whale on Metro Boomin and 21 Savage? Do you think anything more serious will come out of this, why or why not? Has Soulja taken it too far with including the producer’s late mother? We would like to hear what you have to say, so be sure to leave your takes in the comments section. Additionally, always keep it locked in with HNHH for all of the latest news surrounding Childish Gambino. Finally, stay with us for everything else going on in the music world.
Soulja Boy crashed out over an old Metro Boomin tweet. Way back in 2012, tweeted, “My phone rings to come to the studio with Jeezy. Yours rings to send Soulja Boy a pack of beats. Sit down.”
That did not sit well with Soulja Boy. Big Draco would then went on the attack.
“Fuck is you talking about, Metro Groomin?” Soulja said. “You was lit about going to the studio with Jeezy, bitch ass boy? Stop playing with me. I had a number one in 2007 when I was 17, fuck n—a. You was still in elementary school. You was in middle school, boy.”
He added, “Fuck is you hype about going to the studio with Jeezy for? Bitch ass n—a, I was making beats for Gucci! I don’t give a fuck about no Jeezy, n—a. I was in the studio with Guwop at 18.”
21 savage wanna know what happens in 24 hours if metroboomin don’t delete the tweet that Soulja boy says he better delete pic.twitter.com/k57NiCOhXk
He then demanded the tweet be taken down, which prompted an “Or what” response from 21 Savage. Soulja berated Savage, calling him a british rapper and stating he would slap both of them.
21 Savage wants to know what will happen if Metro Boomin doesn’t delete the tweet that Soulja Boy says he has to delete within 24 hours. pic.twitter.com/ZXZCPTnk2d
All the streams, sales, money, and fame not gone bring your mom back @MetroBoomin was it worth it? I can say fuck this money and fame shit and still be a boss can you?
Today, in a move sure to endear him to a younger generation of voters, President Joe Biden signed a bill that requires ByteDance to sell its US-based interests in TikTok or see the app banned from cell phone marketplaces. While it has been described as a bill banning TikTok outright, it’s actually pretty vaguely written and probably more or less unenforceable as is, the equivalent of “okay, Boomer” in legal form.
But that hasn’t stopped the offers from rolling in, including a (probably facetious) one from Soulja Boy, who asked on Twitter, “How much yall want for TikTok?” declaring, “I’ll buy it.”
How much yall want for TikTok? I’ll buy it. @tiktok_us
The “Protecting Americans From Foreign Adversary Controlled Applications Act” (say that five times fast) has otherwise been met with widespread criticism. From its oblique wording to its borderline hypocritical positioning — focusing on TikTok after Meta actively engaged in the promotion of phony news propaganda aimed at influencing the last election, for instance — TikTok’s user base has pointed out a number of flaws in the political strategy behind the bill. For instance, do you all remember those hilariously (terrifyingly) off-base hearings with ByteDance CEO Liang Rubo? By the way, here’s his response to all the kerfuffle:
Sexyy Red celebrated her birthday and went out twerking. The issue in certain social media sectors is her son, who is looking on in the moment. Red’s butt is in full view of the child, and another woman would playfully interact with him.
The reaction is split as some supported Sexyy Red, with one social media user writing: “So yall don’t dance in front of yall kids?? Yall just 2 step ok.”
You can see the moment below. What’s your take on it?
Returning down memory lane to the MySpace and Juicy Couture era, Sexyy Red has unveiled the video for her latest Billboard-charting single, “Get It Sexyy.” Produced by Tay Keith, the track has already amassed millions of streams and debuted impressively at #23 on the Billboard Hot 100.
Directed by Des Gray, the video captures the essence of the early 2000s, reminiscent of BET’s “106 & Park” playlist. Sexyy Red channels the era’s vibes, sporting tall tees and putting her spin on classic internet dance challenges. Notably, internet sensation Soulja Boy makes a cameo, contributing to a catchy dance routine akin to “Crank Dat.”
The star-studded video features appearances from Drake, humorously portrayed as Sexyy Red’s roller-skating rink date, along with cameos from Adin Ross, Rob49, Wizz Havinn, Fabo, Tay Keith, and more. “Get It Sexyy” marks Sexyy Red’s highest-charting solo single, surpassing her previous hit “SkeeYee.”
Returning down memory lane to the MySpace and Juicy Couture era, Sexyy Red has unveiled the video for her latest Billboard-charting single, “Get It Sexyy.” Produced by Tay Keith, the track has already amassed millions of streams and debuted impressively at #23 on the Billboard Hot 100.
Directed by Des Gray, the video captures the essence of the early 2000s, reminiscent of BET’s “106 & Park” playlist. Sexyy Red channels the era’s vibes, sporting tall tees and putting her spin on classic internet dance challenges. Notably, internet sensation Soulja Boy makes a cameo, contributing to a catchy dance routine akin to “Crank Dat.”
The star-studded video features appearances from Drake, humorously portrayed as Sexyy Red’s roller-skating rink date, along with cameos from Adin Ross, Rob49, Wizz Havinn, Fabo, Tay Keith, and more. “Get It Sexyy” marks Sexyy Red’s highest-charting solo single, surpassing her previous hit “SkeeYee.”
contract since u p**sy n***az so tough!!!”
