Who Will Win And Who Should Win At The 2021 Grammys

The 2021 Grammys are less than a week away (airing on March 14), and the nominations are a reflection of 2020’s whirlwind. In a year that was riddled by heartache and isolation, artists either dug deep into quarantine-induced loneliness that birthed relatable tunes or went the opposite route to provide cheerful music to give fans some temporary relief.

This time around, Beyoncé leads the charge with nine nominations. This brings the most nominated artist in history’s career total to 62. She’s up both as a solo artist (among others, “Black Parade” is up for four categories including Record Of The Year) as well as her “Savage” collaboration with Megan Thee Stallion (also up for Record Of The Year).

Following Beyoncé are Taylor Swift (whose total now rises to 41), Dua Lipa, and Roddy Rich, with six nods each. But there are still other artists who could walk away with some trophies, including Fiona Apple, Phoebe Bridgers, and Nas. While there are a few deserving names missing from this year’s nominations (The Weeknd, Summer Walker, and The Chicks were among the most shocking), the Grammys continue to make improvements on its diversity efforts. BTS made history as the first K-pop act to be nominated and women rightfully dominated the country and rock categories.

Check out our predictions below for how the biggest and most coveted categories could play out.

Best Rap Album

D Smoke – Black Habits
Freddie Gibbs & The Alchemist – Alfredo
Jay Electronica – A Written Testimony
Nas – King’s Disease
Royce Da 5’9″ – The Allegory

Who Will Win? Nas

Who Should Win? Freddie Gibbs

With all the standout rap albums released last year, it was quite surprising when The Recording Academy opted to nominate more traditional, older artists instead of highlighting the genre’s newcomers. Nevertheless, this category is filled with decades of remarkable talent. While D Smoke, Jay Electronica, and Nas were all favorites for the “rappity rap” sector of music lovers, it’s Freddie Gibbs’ Alfredo that is an immediate standout. Linking up with esteemed producer The Alchemist, Gibbs doesn’t waste a single breath on his tight bars while dishing out a rap master class.

Best Rap Performance

Big Sean Featuring Nipsey Hussle – “Deep Reverence”
DaBaby – “Bop”
Jack Harlow – “What’s Poppin”
Lil Baby – “The Bigger Picture”
Megan Thee Stallion Featuring Beyoncé – “Savage”
Pop Smoke – “Dior”

Who Will Win? Megan Thee Stallion and Beyoncé

Who Should Win? Lil Baby

This category features all strong contenders, from the late Pop Smoke’s “Dior” continuing his posthumous reign to Jack Harlow’s “What’s Poppin” showcasing just how effortless his flow is. And of course there’s “Savage,” which finds Megan Thee Stallion teaming with her idol Beyoncé. The latter seems like the promising win here based on how massive it was, but Lil Baby shouldn’t be ignored. The rapper is at his most vulnerable on “The Bigger Picture,” as he sheds light on police brutality occurring both in his native Atlanta and across America. But what makes this protest anthem so insightful is that Lil Baby turns the mirror on himself and tries to correct the wrongs he’s done with his own violent lyrics.

Best Alternative Music Album

Fiona Apple – Fetch The Bolt Cutters
Beck – Hyperspace
Phoebe Bridgers – Punisher
Brittany Howard – Jaime
Tame Impala – The Slow Rush

Who Will Win? Fiona Apple

Who Should Win? Fiona Apple

2020 proved that alternative music still has a deserved place in mainstream music, with all five artists in this category creating some of the strongest tunes of their esteemed careers. The Slow Rush is Kevin Parker at his most refined as he imagines lush soundscapes, and both Brittany Howard’s Jaime and Phoebe Bridgers’ Punisher are graciously intimate. But not much else compares to the shocking rawness of Fiona Apple’s Fetch The Bolt Cutters. Of course, honesty has been Apple’s M.O. since her 1996 debut, but she turns the volume on max on her latest record. The most beautiful moments of Fetch The Bolt Cutters are its messiness, from Apple’s crackled, unedited vocals to the clamoring production. That kind of “zero f*cks given” energy should be commended.

Best Pop Solo Performance

Justin Bieber – “Yummy”
Doja Cat – “Say So”
Billie Eilish – “Everything I Wanted”
Dua Lipa – “Don’t Start Now”
Harry Styles – “Watermelon Sugar”
Taylor Swift – “Cardigan”

Who Will Win? Dua Lipa

Who Should Win? Doja Cat

This entire category is filled with fun pop moments, with Harry Styles inviting us to blissful paradise on “Watermelon Sugar” to Billie Eilish giving another dose of relatability on “Everything I Wanted.” Dua Lipa’s catchy earworm “Don’t Start Now” seems to be the biggest contender here, but Doja Cat’s “Say So” was just as inescapable. 2020 was a major year for the triple-threat, and it was partly due to the virality of “Say So.” After it dominated TikTok (whose dance challenge creator Haley Sharpe was featured in the video), the single literally soared onto the charts. Tacking on remix queen Nicki Minaj, “Say So” became both rappers’ first No. 1 single and also made history as the first collaboration by two female rappers to top the Hot 100. Doja Cat’s genre-bending talents combined with this song’s sheer ubiquity are surely worthy of that golden gramophone.

Best Pop Vocal Album

Justin Bieber – Changes
Lady Gaga – Chromatica
Dua Lipa – Future Nostalgia
Harry Styles – Fine Line
Taylor Swift – Folklore

Who Will Win? Taylor Swift

Who Should Win? Dua Lipa

Dua Lipa, Taylor Swift, and Harry Styles arguably gifted us with the best albums of their career in 2020, but something’s telling me that The Recording Academy will award Swift’s beloved Folklore. But let’s not rule out Lipa, who was one of the few artists in recent memory who perfectly executed a proper album era. Not only did Future Nostalgia redefine what ‘80s and ‘90s pop mean in a millennial age, but the promotion — from the visually stunning videos to the accompanying remix album that was just as good as the original — took the compelling songs to new heights.

Best Progressive R&B Album

Jhené Aiko – Chilombo
Chloe x Halle – Ungodly Hour
Free Nationals – Free Nationals
Robert Glasper – F*** Yo Feelings
Thundercat – It Is What It Is

Who Will Win? Jhené Aiko

Who Should Win? Chloe x Halle

R&B has been in the shadows of rap for the past few years, but the genre surpassed its sibling in 2020. That hasn’t been made more clear than with this category, whose name changed from Best Urban Contemporary Album to Best Progressive R&B Album to dismiss the negative connotations the word “urban” brings. Jhené Aiko’s Chilombo being an industry favorite makes it a predicted winner here, but the brilliance of Chloe x Halle’s Ungodly Hour is too hard to surpass. The duo’s sophomore album is a journey of their grown womanhood, as they explore sexuality, rising above failed relationships, feeling petty in the moment, and embracing their imperfections. And it’s all tied together with heaven-sent harmonies, otherwordly production that continues the Afro-Futurism conversation, and smart songwriting. Now, who dared to question if R&B is dead again?

Record Of The Year

Beyoncé – “Black Parade”
Black Pumas – “Colors”
DaBaby Featuring Roddy Ricch – “Rockstar”
Doja Cat – “Say So”
Billie Eilish – “Everything I Wanted”
Dua Lipa – “Don’t Start Now”
Post Malone – “Circles”
Megan Thee Stallion Featuring Beyoncé – “Savage”

Who Will Win? Dua Lipa

Who Should Win? Megan Thee Stallion and Beyoncé

As Record Of The Year is awarded for the final recorded product of a single, it’ll be fair for Megan Thee Stallion and Beyoncé’s “Savage” remix to take the win. The teamwork is between not only the two artists but also the producer and engineer, and it gave way to the catchiest song of 2020. “Savage” was already a standout from Megan’s Suga EP, which was followed by a massively viral moment once TikTok got hold of it and a new dance craze was born. So when Beyoncé decided to hop on the remix months later, the world was stopped once again. What’s better than the two biggest mainstream artists from Houston reveling in all things classy, bougie, and ratchet? But as we bring up catchiness, Dua Lipa’s “Don’t Start Now” also deserves a major hat tip.

Best New Artist

Ingrid Andress
Phoebe Bridgers
Chika
Noah Cyrus
D Smoke
Doja Cat
Kaytranada
Megan Thee Stallion

Who Will Win? Phoebe Bridgers

Who Should Win? Megan Thee Stallion

There are so many deserving artists in this category, including Kaytranada, Chika, and Doja Cat. But Phoebe Bridgers growing into such a major indie darling may give her the win here, and The Recording Academy has a history of shocking the audience when it comes to Best New Artist wins. Still, Megan Thee Stallion’s unwavering dominance in 2020 cannot be ignored. She’s grown into more than just a rapper: she is an advocate for Black women, a businesswoman who has scored multiple partnerships, a philanthropist who gives back to her community, and is leading the charge of unapologetic new-gen women rappers.

Song Of The Year

Beyoncé – “Black Parade”
Roddy Ricch – “The Box”
Taylor Swift – “Cardigan”
Post Malone – “Circles”
Dua Lipa – “Don’t Start Now”
Billie Eilish – “Everything I Wanted”
H.E.R. – “I Can’t Breathe”
JP Saxe Featuring Julia Michaels – “If The World Was Ending”

Who Will Win? Taylor Swift

Who Should Win? Dua Lipa

Like Record Of The Year, this category is also overflowing with strong contenders that range from timely matters of racial inequality to heartbreaking ballads. Seeing as this win is for songwriters though, Taylor Swift getting a gramophone for “Cardigan” makes the most sense. But let’s not knock out Dua Lipa too quickly; the sheer pop perfection of “Don’t Start Now” should get the recognition here. An unofficial sequel to 2017’s “New Rules,” the lead single to Future Nostalgia captures the album’s nu-disco spirit while elevating Lipa to new pop star territory.

Album Of The Year

Jhené Aiko – Chilombo
Black Pumas – Black Pumas (Deluxe Edition)
Coldplay – Everyday Life
Jacob Collier – Djesse Vol. 3
Haim – Women In Music Pt. III
Dua Lipa – Future Nostalgia
Post Malone – Hollywood’s Bleeding
Taylor Swift – Folklore
Who Will Win? Taylor Swift

Who Should Win? Taylor Swift

Ah, Album Of The Year, the coveted Grammy that nearly every artist vies for at some point in their career. It’s also one of the most unpredictable categories as it can either go to the year’s most popular artist (see Adele in 2017 and Bruno Mars in 2018) or the year’s underdog (Kacey Musgraves in 2019 and Billie Eilish in 2020). Taylor Swift is often seen as both, with her likability swaying from overhyped to not credited enough. But there’s a reason why UPROXX chose Folklore as 2020’s best album. Jacob Collier, Haim, and Dua Lipa are all strong contenders here, yet Swift’s effort finds her at her most vulnerable. The singer-songwriter’s pen has always been sharp, and on Folklore she strengths her storytelling while also providing comfort (for herself and other listeners) in the wake of 2020’s darkness.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Megan Thee Stallion Is Celebrating International Women’s Day By Giving Away $1 Million

Monday is International Women’s Day and Megan Thee Stallion is celebrating in a big way. The rapper is partnering with Fashion Nova, a brand she previously designed a clothing line for, to give away a huge sum of money to women entrepreneurs.

Announcing the initiative on social media, Megan said she’s granting $1 million total to women entrepreneurs, female students, women-owned businesses, and women-focused charities:

“Today is International Women’s Day. I’m so excited to announce that Fashion Nova and I are coming together on a women’s empowerment initiative called Women On Top. We’re giving away $1 million in grants and scholarships all month to all the women. The first organization that I wanna give a big shout out to, and the first $25,000 to is the YWCA in Houston.”

This new project isn’t the only charitable initiative Megan has been working on lately. Earlier this week, the rapper announced her Hotties Helping Houston fundraiser, which aims to raise money to help build back the city following the devastating storm. “It is always very important for me to help give back to the city that made me,” she said announcing the benefit drive. “I just want to say thank you to everyone who came together with me to help rebuild my hometown of Houston Texas.”

Megan Thee Stallion is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

Jazmine Sullivan’s ‘Heaux Tales’ Reveres Women With Grace And Self-Love

When we first met Jazmine Sullivan, she was just a young woman figuring life out. Now years later, she arrives with a fresh perspective on her first project in over five years, Heaux Tales.

The thing that was missing back then from now, as Jazmine simply puts it, is grace. Grace is such a wonderful thing because it allows one to stop, breathe, think, and experience emotions that otherwise could never be bothered to be dealt with. Thoughts and feelings that are “swept under the rug” so to speak, because who has time for…feelings? (LOL) Heaux Tales unapologetically unveils what every woman goes through when that pause is taken and an honest conversation is had with the self about sex and the reality of relationships — and there’s power in that.

The stories Jazmine sings are inspired by close friends and family within her circle. She beautifully narrates the kind of freedom to be had on the other side of self-love and self-care, such as “Lost One” or everything Ari Lennox discloses on “Ari’s Tale.”

In a conversation with Uproxx, Jazmine further divulges on the meaning of Heaux Tales, shares the women in her life who inspire her the most, and also tells us what it was like performing at the Super Bowl with H.E.R.

Jazmine, we missed you and you dropped Heaux Tales during a pandemic after years of silence. Was there any hesitation about releasing this project considering everything?

We wanted to be sensitive obviously with everything that was going on so we did have talks about when to put the project out when was the best time to release music. We decided on the beginning of this year and I’m happy. I’m happy with the time that we came out. I feel like it was a good time. I feel like people were home and they kind of want it. They were able to listen in a way, because of the pandemic that maybe if we were all out and about, people may not have had the attention span to do so. I felt like it was good for that reason.

Considering Heaux Tales and everything that you learned from the relationship you went through during the second album at 24, what would you tell your 24-year-old self now?

I would tell my 24-year-old self to love yourself enough to let go of any situation that’s not making you better. And also, not to take it so hard on yourself that you don’t know everything. I think when you’re younger, you kind of beat yourself up. You think that you’re supposed to know things and honestly, you don’t really know until you grow and go through it. Now that I’m older, I definitely have a lot more grace for myself. The things that I don’t know where I mess up at, I have grace.

Do you remember the first time you gave yourself grace and allowed yourself to breathe for a second.

It’s really been during the process of Heaux Tales because it’s hard not to beat yourself up. Especially as a woman, because we feel like we have to do everything perfectly and just be perfect. We have the world on our shoulders normally anyway so we feel like we have to live up to a certain standard and, as a woman growing up, I always felt that way. This process and making the project helped me to do that by listening to the tales of other women, my girlfriends, and older women. And, just knowing that we’re human and we don’t have to be perfect and just allow ourselves to figure things out.

Do you think that men and women can be more honest about their relationships and what they want nowadays?

I think men have been honest and could be honest about everything in their lives because society doesn’t judge men the way that they do women. But I do feel like now there’s a movement with women where we are not being ashamed of our experiences and in fact, proud of them. Because now we’re realizing that without those experiences, we wouldn’t be who we are today. I feel like women are kind of taking up space and being bold about who they are and what they’ve done and what they’ve learned and come through. I just wanted to add to that movement by adding these stories.

Who are some of the women that inspire you?

Definitely my mother, she’s amazing. She is perfect… darn near at everything. She’s so creative and she’s the reason that I sing. I watched her battle cancer and go through chemo so gracefully. She’s just amazing to see. Also, my girlfriends, watching them grow from when we was 14 and 15 to now in our early thirties has been a pleasure and an honor, and they’ve taught me so much as far as being a woman. Mothers and partners and stuff like that. So I definitely just look up to them as well.

I’ve noticed you and Drake don’t have any songs together, but I feel like…

You noticed that.

Yes! And I was just thinking, back when you came out, I feel like you and Drake were out around the same time. I remember I was in college and I think it was just a really big moment in music.

I’ve never met Drake. I love Drake. I love his music and I definitely would do something if he wanted to. I actually haven’t even thought about a particular song, but I think that would be dope.

I feel like “Lost One,” just lives in the same energy as…

Him or maybe Frank Ocean. Either one.

Speaking of Frank, you were on his Endless project. Tell me about your relationship with Frank.

Oh, I love him. I’m such a super fan. When he calls me, I’m always down to go work with him. I really just want to go and listen to his music before it comes out. I will literally be like, okay, what you going to play me to hear? But he’s amazing and he’s a freaking genius. We enjoy working together. I would love to actually do a full collaboration one day because most of the time I’m just singing background vocals and stuff like that. I would love to do an actual song with him.

The streets need it! I also want to talk about your relationship with Issa Rae, because you sang “Insecure” with Bryson Tiller for the Insecure soundtrack. I also saw that tweet where you said you wanted to work with her on something for Heaux Tales. Is there an update on that?

We have been in communication through texts. I believe she’s working on some things now. She’s definitely busy doing so many projects. I think it’s just about schedules and trying to see if we can actually get together to come up with the body of what we want to do. We both love each other and respect each other and what each other does. Hopefully, we get the time to actually create it.

How do you envision the project to go?

We’re still thinking about that. I definitely would love it to be visual. I want to bring the characters to life. I think that people actually seeing these women talk about their tales and talk about their lives would just enhance Heaux Tales and what it means to women to see themselves. So maybe a short film, maybe episodes of the women.

Let’s talk about Super Bowl because I thought that that was so dope. I’ve been waiting for people to just recognize you. I feel like Super Bowl was that moment like, yes, that’s Jazmine Sullivan. Tell us about you getting that call to go do Super Bowl and the feelings that you were feeling when you were performing.

I was super shocked. First, to get the call, I had never even thought that my career would take me to the Super Bowl. I thought it was cool to blend the two sounds with Eric Church, being a country singer, and me being a soul R&B artist. I had never heard him before we actually did the song, but I definitely thought, he was a good country artist and I thought it’ll be nice to blend our sounds together. I actually wasn’t nervous until I started singing. I didn’t realize how huge the impact was until I opened my mouth to sing. Then I was like, “Oh my God, it’s millions of people watching me right now.” It hit me right at that moment and then I got super nervous. So, it was amazing. It was a once-in-a-lifetime accomplishment. I was just so happy that my parents were there to see me do that. They put so much energy and effort into me being a singer and the fact that we all got to share that moment meant everything.

What did your mom and dad say when you told them, “I’m about to perform at the Super Bowl.”

Oh, everybody screamed. My dad doesn’t scream, but he screamed on the inside. Everybody was super excited because I just put my project out maybe two weeks before I got that call. I wasn’t thinking about that at all. I just wanted people to enjoy my work. Then I got such an overwhelming, great response for the project and then that opportunity came. It was blessing after blessing. We were all just super grateful.

H.E.R. was also there performing at the Super Bowl too and y’all collab a lot. Tell me about your relationship with H.E.R. and how it felt to do Super Bowl with her.

We’re, first of all, are just fans of each other first and foremost. When I was on my hiatus, I was just watching H.E.R. dominate and was just amazed, like everybody else, at just how gifted she was. All the instruments she plays and how well she sings. When I was making my songs, she was the first person that kind of came to my head to do the collaboration. I called her. She loved the song and finished it so quickly. Our relationship just grew from there. We’re always just trying to text each other and just encourage her and let her know, just how amazing she is.

It was definitely a moment to do that with her because we’re two Black women. She’s in her early twenties and I’m in my early thirties. We just out here representing for women in general and Brown women and doing our thing and try to bring, real talent, vocals, with her instruments. You’re trying to bring that to the forefront. I love so much that she did “America The Beautiful” first and then I did the “Star-Spangled Banner.” It was a moment for us.

I love that for you guys. The song “Girl Like Me” you two have, I feel like a lot of women feel that way. Is that something that you guys have sat down and talked about with each other?

I had started writing a song, some time ago. I wrote maybe the verse and the hook and the bridge, and I was like, it needs something. I just thought about it real quick and H.E.R. just kind of popped up in my head. I was nervous to actually send it to her because I knew I had been away from the industry for a minute. I just didn’t know if anybody would even care to work with me. When she responded so quickly, I was so happy that she did. She added her part and it just elevated the song so much.

Have you seen the Britney Spears doc on Hulu?

No, I haven’t seen that.

It basically highlights her relationship with the media and fans. As a kid, I didn’t realize how awful the media treated her and just women period. For you, when you started and you entered the business what can you say about the pressure of being in the industry back thing? I feel like today, there seems to be a little bit more empathy and an emphasis on mental health. It was just very, very misogynistic. I didn’t realize it back then.

I have to look at the documentary. I would say that I was sheltered from a lot that was going on in the industry because my mom was so protective of me and my energy and everything that happened around me. She protected me from really knowing exactly what was going on, but definitely, there’s a different pressure with women than there has been with men historically. I can definitely imagine that for a pop artist, especially as big as she was, that there was so much pressure for her to be and act and look a certain way. It takes a toll on you as a person. I just pray for her. I know that the pressure, especially at her level was, it was too much. That’s why I’m an advocate for taking breaks. My breaks are a bit excessive.

But I’m an advocate for taking a break when you need it for your mental health because the world and the industry could be so cruel to people and they just don’t care. If you giving them something, they feel like they can make money off of it or exploit you in any way and they will and not care about you as a person. And so sometimes you have to take a second away from whatever it is that’s doing that to you. It could be a relationship. It could be your job. It could be social media sometimes. You need to take a break when you need to.

Absolutely. It’s hard. Especially if you’re a workaholic. It’s hard. Sometimes I feel guilty for taking breaks.

It’s a catch 22. It’s hard. It’s hard being a woman, man. You just feel like you got to work extra hard to be seen, but then at the same time, you have to, sometimes you know you need to take a break for yourself, but then you don’t feel like you can. So you’re just stuck in the middle of that cycle. So it’s hard.

Megan Thee Stallion sampled your song for her song “Circles” and she’s around the same age you were when you came out. She’s kind of going through her own thing that we’re all witnessing.

I know that it’s hard for her to do what she’s doing, but she’s doing amazing. Just stay focused, don’t let anybody come to take you off of the path that you’re on. Definitely keep God first.

Missy Elliott gave you a shout-out recently and told us a story about Whitney Houston that whenever you were 15, she was like, she didn’t believe that that was you singing.

I have never heard that story, first of all. So Missy probably got a thousand stories of people that we don’t even know about.

She has to write a memoir at some point.

Yes.

I read that you actually — I don’t know if it was a text message or was it a phone call — that you actually got a chance to speak with Whitney?

I was at dinner with Kim Burrell and somehow Whitney came up. She was like, have you ever talked to her? I was like, no. She’s just like, Oh, let me call her. I’ll get her on the phone. I was like, huh? So she got on the phone and we spoke for literally a second, but it just made my night to hear from her. Everybody knows what Whitney means to music and it was amazing to be able to hear from her and actually speak to her.

Do you remember what you guys talked about for that brief moment?

I don’t. I think she may have said that she heard me sing or something like that. My mouth probably dropped and I probably stopped listening. I probably was in shock, to be honest.

I would probably react the same exact way. What song can’t you wait to perform live with an audience when we open up?

I think “Bodies” will be cool to perform live and see people sing the lyrics to. Probably “On It” because I’m seeing so many people who love “On It.” It definitely would be different for me because I don’t really do a lot of sexy songs. I think it’ll be fun to do that live.

Let’s talk about that song. You said you don’t do a lot of sexy songs, but what made you switch it up for this with Ari Lennox? I think we’ve all been waiting for that one to drop!

The project was about women being free, especially around their sexuality and not feeling the shame. That was definitely a song where there was no shame attached to it. Ari is a fellow Aries sister, she might be a little spicier than me, but it naturally fit in with her tale and what she was talking about with her tale. I just thought I needed that moment of being super sensual and sexual and doing it confidently.

Megan Thee Stallion Is Giving Back To Her Hometown With The A ‘Hotties Helping Houston’ Fundraiser

Megan Thee Stallion is taking a moment to help her fellow Houston residents. The rapper’s hometown, along with many other cities in Texas, was slammed by a winter storm last month that results in power outages, boil water advisories and no hot water for many, as well as a senator who tried to skip out on helping for a trip to Cancun.

Hoping to speed up the road to recovery for many Houston residents, Megan has announced the Hotties Helping Houston fundraiser drive. Getting help from NACC Disaster Services and Texas Representative Sheila Jackson Lee, the drive will benefit single mothers and the elderly in the area.

Megan spoke about the drive in a post to her Instagram page. “It is always very important for me to help give back to the city that made me,” she said in the post’s caption. “I just want to say thank you to everyone who came together with me to help rebuild my hometown of Houston Texas.” Some of the names and brands that she mentioned included Maroon 5, Taraji P. Henson, Fashion Nova, her label 300 Entertainment, and Revlon. She also prompted fans to visit her website to find information on how they can help and to buy new merchandise that would see proceeds go directly to NACC’s rebuilding efforts.

You can read the announcement in the post above.

Megan Thee Stallion is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

Megan Thee Stallion Joins Maroon 5 For The Charming Single ‘Beautiful Mistakes’

After nearly three decades in the business and three Grammy Awards to their name, Maroon 5 know how to craft a buoyant pop hit. Now teasing a new era of music, the group recruited Megan Thee Stallion for their latest offering, the shimmering single “Beautiful Mistakes.”

Over a trap-influenced beat, Maroon 5 and Megan Thee Stallion recount their regrets about an ending relationship. “I’m in love with the past / And now we liе awake, making beautiful mistakes,” they sing.

Speaking about the single in a conversation with Apple Music’s Zane Lowe, Maroon 5 vocalist Adam Levine said, “I’m absolutely obsessed with the song. We love how it came out.” Levine went on to praise Megan as “a superstar” for her role on the track. “The way she built her part was just, it couldn’t have been a more epic kind of climax for the song,” he added. “I mean, it really is absolutely perfect. So, I mean, what she did was just miraculous, and it brought the song to a whole new level.”

“Beautiful Mistakes” isn’t the only exciting project Megan released on Wednesday. The rapper also announced that she’ll be one of the new faces of Calvin Klein’s 2021 campaign alongside pop singer Rina Sawayama and actor Anthony Ramos.

Listen to Maroon 5 and Megan Thee Stallion’s “Beautiful Mistakes” above.

Megan Thee Stallion is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

Megan Thee Stallion Is One Of The New Faces Of Calvin Klein’s 2021 Campaign

Megan Thee Stallion is one of the new faces of Calvin Klein. The staple fashion brand recruits the Houston Hottie, along with other stars like actor Anthony Ramos, reggae star Koffee, and singer/songwriter Rina Sawayama, for its new 2021 campaign. Along with the usual print images, the campaign includes an enigmatic short film featuring the campaign’s stars asking viewers, “What makes you vulnerable?”

The campaign is just the latest high-profile brand sponsorship for Thee Stallion this year. Last month, she spoofed the 2004 teen comedy classic Mean Girls in a separate campaign for luxury brand Coach after being featured on the cover of Harper’s Bazaar. Unfortunately, fans weren’t happy about the Harper’s shots, even after it was revealed that Megan herself got approval over the photos.

Of course, the Hotties were quickly appeased by an anime voice actor’s shout out to the “Body” rapper, and she got approving co-signs from both Congressperson Maxine Waters and actor Idris Elba. She’s also on-track to graduate this year and follow through on her plan to open an assisted-living facility with her classmates. It’s safe to say that after 2019’s Hot Girl Summer and 2020’s Good News, Megan Thee Stallion isn’t going anywhere in 2021.

See Megan Thee Stallion in Calvin Klein’s latest campaign above.

Megan Thee Stallion is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

Meg Thee Stallion Shares Must-See High School Pic

Megan-Thee-Stallion-Concerts

Hip-hop superstar Megan Thee Stallion went deep into her bag for Throwback Thursday. The Houston hottie posted a pic on Instagram from her 11th-grade year at Pearland (Texas) High School. Meg Thee Stallion Shares Memory From A Decade Ago Meg Thee Stallion just celebrated her 26th birthday. The photo she posted recently was from way […]

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Megan Thee Stallion Goes Full Regina George In A ‘Mean Girls’ Spoof For Coach

A remake of the cult classic 2004 Mean Girls may be on its way, but Megan Thee Stallion has offered her own spin on the iconic film. Appearing in a promotion video for Coach’s Fall 2021 collection, Megan takes on the role of Regina George, who was originally played by Rachel McAdams.

The commercial is a spoof on the scene where Regina George’s character is introduced to the protagonist, Cady Heron (played by Lindsay Lohan). In the segment, a few members of her high school’s student body shares a ridiculous rumor they heard about George, like that her “hair is insured for $10,000.”

Megan’s commercial is a playful take on the original scene, recreating the script with several contemporary comedians. The script reads:

“Megan Thee Stallion is flawless. One time, she locked eyes with Medusa and all the snakes unionized. Each of her dogs has its own bedroom and country home in France. Shakespeare wrote five sonnets about her. Yeah, she wasn’t alive yet but… he knew. I heard her favorite movie is an anime based on her own life and it won best picture. Her nails are so long that she accidentally gouged my eye out and it was awesome. I heard that she was walking down the street and a guy saw her and crashed his car. It was so fetch. Or, not fetch… it was awesome. She’s perfect.”

Watch Coach’s promotional video with Megan Thee Stallion and see the original Mean Girls clip above.

Megan Thee Stallion is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.