Lucky Daye
Photo Recap: Jhené Aiko, Jazmine Sullivan, Summer Walker, and More Perform at Sol Blume R&B, Soul & Hip-Hop Music Festival
After returning from a 3-year hiatus, Sol Blume has grown into one of the largest annual R&B events in the country while also playing host to an all-female headlining lineup that included Jhené Aiko, Jazmine Sullivan, Summer Walker, and Jorja Smith. The 2 day Sacramento festival saw 40,000+ total guests this year.
Headlining acts on Saturday night featured Jorja Smith and Jazmine Sullivan, followed by Jhené Aiko and Summer Walker who helped close out the festival on Sunday night.
READ MORE: [WATCH] Summer Walker is Joined by SZA and Cardi B for “No Love” Extended Version Video.
Additional performers included Thundercat, Alina Baraz, Syd, SiR, Lucky Daye, Smino, Blxst, Tinashe, Majid Jordan, and DVSN, among many others. This year’s lineup also feature several acts with local Sacramento roots including Victoria Monét and Yelly.
The Black-owned, Sol Blume Music Festival will return in 2023 with dates to be announced. For more info visit here.
The post Photo Recap: Jhené Aiko, Jazmine Sullivan, Summer Walker, and More Perform at Sol Blume R&B, Soul & Hip-Hop Music Festival appeared first on The Source.
Lucky Daye Brings The Lovelorn ‘Over’ To ‘The Tonight Show’ For A Stirring Performance
Lucky Daye is just a few days removed from completing his tour in support of his sophomore album Candypaint. The New Orleans singer set out on the road for a string of shows that kicked off in mid-March. West Coast singer Joyce Wrice also accompanied him on the tour. Daye’s final stop on the Candypaint Tour was in New York City and it appears that he used that opportunity to also give a performance on The Tonight Show Starring Jimmy Fallon. There, Daye delivered a stirring performance of highlight record “Over,” one that accounts for his struggles with moving on from an inconsistent partner.
This year has been a pretty big one for Daye so far. He earned his first entry on the Billboard 200 with Candypaint which peaked at No. 69. Daye also earned his first entry on the Billboard Hot 100 with “Over,” a record that peaked at No. 77 earlier this month. However, Daye’s most exciting moment in 2022 came when he earned his first Grammy award for a win in the Best Progressive R&B album category thanks to his Table For Two EP.
You can watch Daye’s performance of “Over” in the video above.
Candypaint is out now via RCA and Keep Cool. You can stream it here.
Lucky Daye Pleases The Eye In His Fashionable Video For ‘NWA’ With Lil Durk
Last month, Lucky Daye once again proved why he’s one of the best acts in R&B with his sophomore album Candydrip. Through 17 songs and guest appearances from Smino, Chiild, Alex Isley, and Lil Durk. Candydrip highlighted Daye’s versatility as it’s quite different from his Grammy-nominated debut album Painted. Daye is currently on tour in support of his second album, and with just a few shows left, he returns with a brand new video for “NWA.”
The track, which features a guest verse from Lil Durk, is quite the fashionable effort as it features some stylish looks like Daye as he appears on collages that are artistically placed in sort of a photo album. While Durk does contribute a verse to the song, he doesn’t appear in the video. Instead, Daye recruits Smino and Algee Smith, who most notably plays Christophe McKay in HBO’s Euphoria series, for cameo appearances in the visual.
Daye’s new video arrives after he won his first Grammy at the award show earlier this month. He was selected in the Best Progressive R&B Album category for his 2021 project Table For Two. Prior to that, he collaborated with Syd for their romantic track “Could You Break A Heart.”
You can watch the video for “NWA” above.
Candydrip is out now via Keep Cool and RCA. You can stream it here.
Lucky Daye Shares “NWA” Video With Lil Durk
Lucky Daye’s Career Trajectory Makes Him A Deserving 2022 Grammy Winner
Being at the forefront of R&B and comparable to legendary figures within the genre like Usher and Frank Ocean is not an easy title, but David Brown goes above and beyond, while being known for his charm. Professionally known as Lucky Daye, the artist has become a pinnacle of new age R&B that placed him in the hot seat for two 2022 Grammys, winning one.
Raised in New Orleans, Daye’s sound is inspired by his Southern roots, effortlessly mixing old school with contemporary soul to create experimental R&B. The definition of what modern R&B is supposed to sound like has been tipping the scales thanks to artists like Daye who have defied labels within the genre. Between soulful interludes and mesmerizing ballads of adoration, listeners are incapable of not falling for Daye’s charm and getting lost in his voice.
With the recent release of his second album Candydrip, the passionate offering derives from a place of emotion, which isn’t a new method for him. In 2019, his first album Painted was his debut into artistry as an up-and-coming musician and proved himself as a force to be reckoned with. In addition, the singer’s background as a songwriter for legends like Mary J. Blige and Ne-Yo gained his notoriety and led to him signing with BMI. But this is something that Daye’s number one fans — labeled his “Daye Ones” — would already be familiar with. Out of the 132 accounts that he follows on Instagram, one of the fortunate fan pages that happened to make the cut is @daye.ones. He’s deemed as a kind artist, often thanking his Daye Ones and leaving free concert tickets for them via a city-wide scavenger hunt.
Some would consider producer Dernst “D’Mile” Emile II a Daye One, since the artist has worked with him since Painted for his debut single “Roll Some Mo,” which was released in 2018. Nominated for Best R&B Song and Best R&B Performance in 2020, the cannabis-inspired single describes Daye’s intimate smoking session with his girl as they’re mentally transported elsewhere while getting high. As the album continues, listeners are taken throughout Daye’s love story, including all of the highs and lows. The remaining 12 tracks keep the same energy as “Roll Some Mo” while exploring love, emotional attachments, and vulnerability. The success of this album led to Daye embarking on the Painted Tour across Canada and the US from September to October in 2019, including an appearance at AFROPUNK Atlanta.
Another highlight of Painted is Daye’s commentary on his religious upbringing, which is seen in songs like “Misunderstood.” Beyond musical inspiration, his stage name derived from fellow soul singer-songwriter Marvin Gaye when the New Orleans native chose to add an “e” to the end of Daye. Similar to Gaye, Daye’s upbringing in a Southern Christian church condemned secular music, therefore leading him to craft this religious trauma into creating his own melodies. Daye found a way to create music with essentially nothing but his voice and eventually ended up in season four of American Idol in 2005. Titled on YouTube as “David Brown audition,” the archaic footage of a twenty-something Daye singing “A Change Is Gonna Come” by Sam Cooke begs the question — why did it take nearly a decade for his music career to take off?
Clips like Daye’s 2019 NPR Music Tiny Desk appearance show he’s a performer at heart and has a knack for captivating an audience. Throughout the comment section of the YouTube video, fans complimented his vulnerability and flow while restating that Daye’s career in R&B has been long-awaited. His 2019 live rendition of “Buying Time” on the COLORS show is another example of the artist’s tasteful vocal ability to glide over instrumentals. Although his four previous Grammy nominations (“Roll Some Mo” for Best R&B Song and Best R&B Performance, “Real Games” for Best Traditional R&B Performance, and Painted for Best R&B Album) were to no avail, Daye’s Painted era was only the beginning of his career trajectory.
Prior to the beginning of the pandemic, Daye’s career knew zero boundaries as he was featured on the Robert Glasper-scored soundtrack for The Photograph alongside HER and Erykah Badu. Aimlessly watching the Black love story between Lakeith Stanfield and Issa Rae’s characters was already intoxicating enough, with the introduction to Daye’s “Fade Away” an added bonus. Then, 2020 was a busy year for the New Orleans native. Among collaborators like Kehlani, Jim-E Stack, Babyface, Buddy, KAYTRANADA, SG Lewis, KIRBY, Kiana Ledé and Leon Bridges, there wasn’t a moment to sleep on Daye’s features in between Painted and his next project.
Following his first tour, Daye’s successful track was cut short by quarantine, which led to intimate recording sessions for his EP, Table For Two. The critically acclaimed seven-track project is composed of duets with women of R&B like Mahalia, Yebba, Joyce Wrice, Ari Lennox, Queen Naija, and Tiana Major9. Keeping the contributors solely women wasn’t a thoughtless tactic, since Daye understood that the women in R&B deserved their flowers for their effortless talent. “I’ve been feeling like it’s time for women to take their rightful place in leadership roles,” Daye said in an interview with W Magazine. “It’s their time to shine. Women need to be seen and heard, and I want to be a part of that.” While singing about the uglier side of a relationship, Daye and his female contributors explored breakups, jealousy, miscommunication, and frustration on the duets project, which was a prequel to Candydrip.
The hype and mystery surrounding Daye’s second album ceased when the artist unveiled the first single “Over,” an electrifying standout track that sampled Musiq Soulchild’s “Halfcrazy” and accompanied a music video that featured Jordyn Woods as his leading lady. Among collaborations like “NWA” featuring Lil Durk, the Smino-assisted track “God Body,” and “Compassion” featuring Canadian soul duo Chiiild, Candydrip reflects Daye’s roots in the Crescent City and is an amalgamation of hip-hop, blues, soul and R&B. As he celebrates the success of Candydrip with his headlining sold-out tour with Joyce Wrice, award show season completed with his two nominations for Table For Two, and a win for Best Progressive R&B Album. To the artist that assumed no one would listen to Painted, turned his personal struggle into success, and sang his heart out onstage during American Idol, milestones such as collaborating with Earth, Wind & Fire are only the tip of the iceberg to what’s in store for his artistry.
Daye said it best during an interview with Harper’s Bazaar in 2021, “I think chemistry isn’t something that you create.” Although the artist is no chemist, he’s certainly correct. Among the love ballads, breakup songs, and quaint interludes dispersed throughout his catalog, the chemistry layered through his discography knows no bounds and leaves listeners with an organic love and understanding for Daye.
First Quarter Highlights: Our Favorite Albums of the Year, So Far
Syd Duets With Lucky Daye On “Could You Break A Heart” Single
Lucky Daye Indulges His Nagging Sweet Tooth On The Flirtatious ‘Candydrip’
The RX is Uproxx Music’s stamp of approval for the best albums, songs, and music stories throughout the year. Inclusion in this category is the highest distinction we can bestow and signals the most important music being released throughout the year. The RX is the music you need, right now.
With his sophomore album Candypaint, all the world wanted from Lucky Daye was to see him whisk us off our feet with another captivating project. His 2019 debut album Painted was praised from top to bottom by those who enjoyed his serenading vocals on efforts like “Love You Too Much” and “Floods,” as well as folks who caught a groove and danced the night away with “Extra” and “Karma.” Painted was much more than a fan-favorite that was safeguarded by R&B lovers, as is what often happens with stellar projects in the genre. It earned the New Orleans native attention from critics as it landed multiple Grammy nominations at the 2020 award show – including one for Best R&B Album. Painted essentially cemented Daye as next up in the genre that so many are quick to call “dead.”
As Daye prepared to release Candypaint, it became clear that a change in direction was in order. Its cover art portrayed the singer from the chest up dripping in some honey-like substance, an image inspired by The Ohio Players’ 1975 album Honey. It’s a stark contrast from the artistic portrait of Lucky Daye that appears on the cover of Painted. With this visual change comes one for the sonics of Candypaint. Where Painted saw Lucky pop champagne in celebration with his lover, Candypaint slyly dangles handcuffs in front of them with dripping infatuation. Painted dwells on innocent daytime fun and pure love while Candypaint finds life in the sultry atmosphere of nighttime romance.
While the aforementioned albums may fall on opposite sides of the spectrum, they’re both undeniable evidence of Lucky Daye’s sprawling versatility. Candydrip does a great job of flaunting his talents and how he can pretty much do everything and do it well. Whether it’s the funk-inspired “Feels Like” or the traditional R&B beauty of “Guess” or even the alternative R&B-leaning “Intermission,” Lucky’s musical pockets are infinite, and for him, it’s just a matter of picking one to get into. Additionally, while this versatility might cause others to do too much on a given project, Lucky keeps things cohesive and tightly wrapped.
On Candydrip, Lucky Daye yearns for intimacy. The possibility of its arrival through a new lover presents a thrill for him while its continued return from his current partner keeps him on a high. “F*ckin’ Sound” sees Lucky put up blinders to the world as he begs his companion to satisfy his overbearing craving for their body and the passionate interaction that comes with it. “God Body,” which concludes with a slick-talking verse from Smino, uses the ultimate compliment to simplify Lucky’s attempt to get his hand into the cookie jar. While Lucky’s contribution to the song is strong, it’s Smino’s verse that best highlights their ultimate goal. “Roll up on you in the morning like I do my weed,” he raps. “I know what I want and you more like a need.”
For every uphill trek to glory, there’s a downward spiral that marks a return to square one. An excellent example comes with the project’s lead single, “Over.” Here, the flare and undeterred spirit of Lucky Daye vanishes and is replaced by frustration and annoyance. The record recounts an on-again-off-again love that finds Daye consistently surrendering to a woman who can’t make up her mind between being with him or moving on. He impresses, dazzles, and sweet-talks the ladies when he’s in command of everything, but issues tend to arrive for him when he’s forced to wait on others. Finally, when that decision is made, and his attempt at love comes to an end, as it does on “Used To Be,” Daye – just like anyone else – is left to sulk in sadness as his partner’s departure stings a bit too much for him. “A dying rose in the winter / I’m holdin’ on every way I can,” he beckons. “Tell me, is this only just me / By my lonely.”
Candydrip covers Lucky Daye’s insistence on satisfying his nagging sweet tooth towards romance. More times than not, he’s a slick-suit-wearing man who knows just what to say to earn his way as he does on “Guess,” “Feels Like,” and “F*ckin’ Sound.” There are moments when he does a little too much, like the candy-themed “Candy Drip (Interlude)” where he rattles off a raunchy poem that uses candy brands for lustful puns. However, Candypaint concludes with Lucky returning to his original form with heartfelt numbers like “Fever,” “Cherry Forest,” and “Ego.” Lucky Daye has this generation’s R&B crown as he’s made a great case to possess it with each release. All we can do now is watch him shine and thrive in the spotlight as he’s continuously done in his career.
Candypaint is out now via RCA/Keep Cool. You can stream it here.