Music

Juicy J Picks Megan Thee Stallion Over Nicki Minaj, Co-Signs “HISS”

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Juicy J has seemingly taken a side in the beef between Nicki Minaj and Megan Thee Stallion, although it’s not an overt line in the sand. Still, there are very little other ways to interpret his support on Twitter of the latter’s newest single “HISS,” which is what ignited this outright battle in the first place. However, it wasn’t the song to start this spat, as the two sent subliminal shots at each other long before Queen Barb retaliated with “Big Foot.” You can also argue that this fiery revisit mostly owed itself to Nicki’s response to the “Megan’s Law” bar seemingly referencing her husband’s sex offender status, but that could apply as a general line in a lot of circumstances.

Furthermore, Juicy J didn’t like a tweet shading Nicki Minaj, retweet a disparaging comment, or say anything about the beef specifically. He simply quote-tweeted “Let’s go!” on a promotional video and thankful message from Megan Thee Stallion for fans’ support, encouraging them to keep watching the music video and listening to the track. For those unaware, the Three 6 Mafia legend and the Houston superstar have collaborated often in the past, such as 2019’s “Three Point Stance” with additional support from the City Girls. As such, this respect between collaborators is hardly surprising.

Read More: Megan Thee Stallion, Juicy J, & More Voice Support For Rico Nasty

Juicy J Is A Fan Of Megan Thee Stallion’s Nicki Minaj-Targeting Track “HISS”

Another example came as recently as last August, when Megan Thee Stallion and Juicy J filmed a TikTok together. Regardless of that bond, he didn’t really ever outwardly diss or suggest any animosity with Nicki Minaj, another MC that he worked with in the past on tracks like 2014’s “Low” with Lil Bibby and Young Thug. With that in mind, we don’t think this endorsement is anti-Roman, but rather just an artist supporting another. Perhaps there’s more behind-the-scenes tea about this that we’re still not privy to.

Meanwhile, “HISS” is on the path to massive success, on pace to cinch Meg’s first solo number one hit. “Big Foot” is doing very well too, though, and once both tracks have been out for a full week, we can really break down the numbers. Do you think Juicy J has the pull to turn the tide? Hit the comments below with your takes and, for more news on him and the latest updates on Megan Thee Stallion and Nicki Minaj, stay logged into HNHH.

Read More: Is Nicki Minaj’s Wild Barbz Fanbase Out Of Control?

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Is Nicki Minaj’s Wild Barbz Fanbase Out Of Control?

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Many celebrities tout their own unique cult following of loyal consumers who would go above and beyond to defend them. Unfortunately, the modern era of social media and parasocial relationships has led some famous people to surround themselves with obsequious yes-men who will insatiably do their bidding, no matter how absurd. One such example is Nicki Minaj’s so-called “Barbz.”

The Barbz actively employ threats and online harassment to aggressively target Nicki’s enemies and critics. At times, they have gone so far as to doxx the personal information and whereabouts of those who speak negatively about their femcee queen. With the latest headlines once again maligning Nicki Minaj and her band of crazed fans, it begs the question: are Nicki Minaj’s Barbz the most dangerous fan base in all of music?

The Barbz Have Doxxed Megan Thee Stallion’s Deceased Mother

In a move that truly sounds impossible to accomplish, Nicki Minaj’s fans have successfully doxxed a dead woman. In a vehement response to the ongoing rap feud between Nicki and Megan Thee Stallion, the Barbz have gone to the extent of researching and uncovering the location of Meg’s mother’s burial plot. Some fans have issued threats to show up at the site, hinting at unsavory acts of vandalism.

The cemetery security has been notified of this ongoing breach and has pledged to maintain a watchful eye over the plot as the story continues to unfold. Megan’s mother tragically passed away from cancer in 2019, and has nothing to do with the ongoing exchange of words between Nicki Minaj and her daughter which recently culminated in tracks such as “Hiss” and “Big Foot.”

Clearly, this is twisted behavior that should unequivocally be condemned by any artist, though Nicki Minaj has a long and unfortunate history of whipping her fans into a fervor like this and letting them loose, or even actively encouraging them to engage with their worst impulses. While Megan’s family is the most recent example of this trend, they are far from the first victims of the Barbz’s toxic ire.

This Is Not The First Incident With The Rapper’s Fans

@belatown

I’m sorry Nicki fans, please leave my family alone. I took the video down.

♬ original sound – Bela Delgado

Several victims of Nicki Minaj’s Barbz have taken to social media to inform the public that they have lawyered up against the ravenous fans, after suffering harassment similar to that of Megan Thee Stallion in years past. While some famous people such as Lil Kim have faced the ire of rabid fans, many victims of the Barbz include random teenagers voicing their distaste for the rapper on social media. Many onlookers have even taken to comparing the Barbz to the crazed central character Dre from the Prime Video series Swarm.

Swarm was created by Donald Glover and Janine Nabors to illustrate the wild lengths some fans will go to in order to impress their favorite musician. The show features a crazed fan who locates and brutally murders members of the public who take to social media to voice criticism of her favorite singer, Ni’Jah. While the show primarily draws real-world parallels to the fan base of Beyoncé, it seems that Nicki Minaj and her Barbz are far more deserving of the title at this time.

Nicki’s fans have brigaded subreddit communities, turned out in droves to cyberbully autistic TikTok users, and even ganged up to launch a widespread attack on her husband’s sexual assault victim, in a disgusting display of toxicity. Hopefully, Nicki will come to her senses and gain control over her over-protective fans quickly before they spiral out of control on another unsuspecting critic. With all this toxicity and horrifying behavior, the Barbz are genuinely a dangerous fanbase.

[Via]

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DaniLeigh Receives Sentence For DUI Hit & Run

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In May of 2023, DaniLeigh was arrested for a DUI hit-and-run near Miami Beach. The performer was reportedly seen speeding and swerving in and out of lanes and eventually struck someone riding on a motorized scooter. She dragged the individual for almost a block before witnesses alerted a nearby police officer, who pulled her over and conducted various field sobriety tests.

Unfortunately, she didn’t pass and blew almost twice the legal limit. An empty bottle of vodka was also found in the back of her vehicle by an officer on the scene. Her victim received treatment at a local hospital, where he was diagnosed with a kidney laceration and a spinal fracture. She was handed multiple felony charges including driving under the influence, DUI damage to property, and causing bodily injury. Shortly after her arrest, she was released on a $1K bond.

Read More: DaBaby’s Bowling Alley Brawl Earns Him Second Lawsuit

DaniLeigh Sentenced To Five Years Probation

Now, the 29-year-old learned her fate. According to The Neighborhood Talk, she appeared in court today where she was handed her sentence. Reportedly, she’s been ordered to five years of probation. Luckily for her, DaniLeigh won’t be spending any more time behind bars. That doesn’t mean, however, that her consequences end there. Her victim has also filed a civil lawsuit against her, which is still pending.

This isn’t the only legal trouble DaniLeigh has found herself involved in as of late, either. The father of her daughter, DaBaby, was hit with a second lawsuit earlier this month stemming from his 2022 bowling alley fight with her brother, Brandon Bills. Reportedly, the bowling alley where the brawl took place wants him held liable for any damages. What do you think of DaniLeigh getting sentenced to five years of probation for her 2023 DUI? What about the fact that her civil lawsuit is still pending? Share your thoughts in the comments section down below, and keep an eye on HNHH for more updates.

Read More: DaniLeigh Net Worth 2024: Updated Wealth Of The Singer

[Via]

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Icewear Vezzo Drags Benzino For Mention In Eminem Diss

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Benzino’s new diss track towards Eminem, “Rap Elvis,” is a follow-up to his own shots on “Doomsday Pt. 2” -– and it expands the scope of their shotgun blasts against their immediate circles. Marshall Mathers roped The Source‘s former co-owner’s daughter Coi Leray into their long-running feud, and he responded by bringing up a lot of Em’s rap peers. One of these is Icewear Vezzo, who had previously called his fellow Detroit MC “out of touch,” something that ‘Zino tried to use against them. However, Vezzo responded to the mention on “Rap Elvis” with some harsh words on Instagram on Wednesday (January 31), making his actual stance much clearer.

“Icewear Vezzo said that Em don’t be showing the city love/ Why you ain’t got no words for him, huh? He in your city, bruh!” Benzino rapped. “Say, Benzino, it’s all gangsta, ya heard?” the lyricist clapped back on the social media platform. “I did fed time with your big brother. But check it out, I don’t think it made sense that you brought me up in a diss song for a few reasons.

Read More: Icewear Vezzo Is Sipping And “Pouring Wok” On His New Single

Icewear Vezzo Pops Off On Benzino After Eminem Diss: Watch

“Number one, I don’t second nothing you said,” Icewear Vezzo went on. “And number two, I’m never going against a n***a from my city for a n***a from another city. I don’t go against the grain, we don’t move like that. I think you got the wrong impression of Detroit, Michigan and of who I am. Holmes ain’t gotta make no diss songs to say nothing back to me ’cause I ain’t disrespect or discredit who he is. What he did might never get done again. Holmes top five lyricists dead or alive. That s**t not even arguable or debatable. And he put n***as on from his area.”

Meanwhile, Slim Shady’s frequent collaborator and fellow Detroit legend Royce Da 5’9″ saluted Vezzo on his Instagram account. The “Perfect” lyricist clearly gets the respect he deserves from peers and forefathers alike, and he’s standing on his reciprocation of that commendation. Perhaps more rappers will come forward to defend Eminem against Benzino, but only time will tell. For more updates on them and the latest news on Icewear Vezzo, keep checking in with HNHH.

Read More: A History Of Eminem’s Most Vicious Lyrics

[via]

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Chris Brown & Tyla Clowned By Fans For Picture Together

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Chris Brown recently hit up Tyla’s birthday party on Tuesday night (January 30), and fans may remember the two’s musical ties. Moreover, she opened up for his Under The Influence tour in Europe last year, and their sets’ blends of pop, R&B, amapiano, Afrobeat, and so much more results in a lot of chemistry. But based on a particular snap from the “Water” singer’s b-day bash, fans think that chemistry is not exactly photogenic. “They both look a mess here,” one fan commented under a post featuring the picture on Twitter, with another adding, “See this is why nobody likes y’all bc the hell would you post him looking like that.”

Of course, this is all just mean jokes and assumptions online, because the camera is a sneaky backstabber sometimes. Many other videos and photos of the event show Chris Brown and Tyla in a more flattering light, if you thought the first one was unflattering to begin with. Regardless, it’s an irrelevant conversation to have about two superstars, especially ones whose visual presentations are key to their appeal and success. The South African rising star has a new project on the way, and we’re sure that she will treat her visuals with care, so why are we pressed about the random picture that someone else took?

Read More: Jack Harlow’s “Lovin On Me” Scores Him His Third Consecutive No. 1 Hit, Tyla Cracks The Top 10 With “Water”

That aside, there’s been a lot to discuss in the headlines recently when it comes to Chris Brown, as is unfortunately the case given his often controversial takes or ever-present history of abuse. No matter what you think of that, it’s at least heartening to see that the recent discussion revolves around something as simple as a rap beef. He and Quavo have been at odds for a while now, and a recent run-in at Paris Fashion Week confirmed that it’s ongoing. Hopefully they can patch things up eventually, but to be honest, it doesn’t seem that serious to begin with.

Fans React

Meanwhile, the 22-year-old artist will likely continue to enjoy her rapid success, including a follow-back from Drake. She knew this would come eventually, and to see this manifestation is always satisfying for a young creative. Let’s just hope that fans don’t make such a fuss about a pic amid their more relevant exploits. For more news and the latest updates on Chris Brown and Tyla, log back into HNHH.

Read More: Chris Brown Praised For Being Comfortable In His Sexuality After Laughing Off NSFW Comment During Adin Ross Stream

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How Much Are Tickets For Mad Cool Fest 2024?

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Dua Lipa Argylle premiere January 2024
Getty Image

Mad Cool Festival has taken the slow burn approach to its 2024 announcements. The lineup was initially revealed in December, with Dua Lipa, Pearl Jam, and Bring Me The Horizon among the headliners. Tickets became available days later, and anybody who hopped on tickets in December are being doubly rewarded this morning, February 1, when Mad Cool announced the final names for its 2024 lineup, including additional headliners Måneskin and The Killers.

Mad Cool is scheduled to run from July 10-13, 2024, in Villaverde, Madrid, Spain.

How Much Are Tickets For Mad Cool Fest 2024?

Tickets are still available here. According to the official website, there are several options:

  • 4-Day Tickets, beginning at €210 ($227.75)
  • 1-Day Tickets, beginning at €89 ($96.52)
  • VIP 4-Day Pass, beginning at €482 ($522.73)
  • VIP 1-Day Pass, beginning at €187 ($202.80)

What Is The Full Mad Cool Festival Lineup?

Dua Lipa will headline on Wednesday, July 10, and other featured artists on that day will be The Smashing Pumpkins, Janelle Monáe, Garbage, Sexyy Red, Rels B, Nothing But Thieves, Tom Odell, James Arthur, Kenya Grace, Soccer Mommy, and more.

On Thursday, July 11, Pearl Jam will headline. The day’s other featured artists are Motxila 21 and Greta Van Fleet. Fans attending on Friday, July 12, will be treated to Måneskin as the headliner, while Rema, Sum 41, Jessie Ware, Black Pumas, Tom Morello, The Breeders, Unknown Mortal Orchestra, and Alec Benjamin will also perform (as will many others).

The festival will wrap on Saturday, July 13, with the newly announced The Killers as headliners — joining Bring Me The Horizon, Avril Lavigne, The Gaslight Anthem, Arlo Parks, and former Uproxx cover star Ashnikko.

Along with Benjamin, Måneskin, The Killers, Rema, and Sexyy Red, the newly announced artists are Tyla, Nia Archives, 2ManyDJs, Claudia León, Dead Posey, Depresión Sonora, Lord Huron, Bar Italia, Andres Campo, Picture Parlour, Sea Girls, Nadye, Comandante Twin, Julia Sabaté, Choses Sauvages, and Slix.

See the updated poster below.

Mad Cool Fest poster
Mad Cool Festival

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Usher Cleared Up A Rumor That He Was Once Beyoncé’s Nanny: ‘I Looked Over Them’

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In a new interview, Usher cleared up a longstanding rumor that he was once Beyoncé’s nanny. Appearing on Shannon Sharpe’s YouTube show Club Shay Shay ahead of his upcoming Super Bowl Halftime Show performance, Usher downplayed the caregiving role he played for his fellow pop-R&B star.

Torward the end of the interview (about 53:00 above), Sharpe asks directly, “I read that you were Beyoncé’s nanny. Is that true? Were you Beyoncé’s nanny?”

“First of all, I’d be a ‘manny,’” Usher jokes (look, he grew up in a different era). “Nah, I wasn’t Beyoncé’s nanny. Daryl Simmons had a group by the name of The Dolls, and they came to Atlanta for the first time. This is before Destiny’s Child became Destiny’s Child. I think I looked over them while they was doing something in the house; I had to watch over them ’cause I was like the, you know, the authority — ’cause I guess I was the teenager at the time.”

Sharpe then wonders if Usher could foresee Beyoncé’s future success, using his discovery of Justin Bieber as evidence of his eye for talent. Usher plays it humbly, pointing out that Destiny’s Child, as a group, is still successful collectively. But he does note that even those around him would say they could see that Beyoncé was special.

There’s a lot of insight in the interview, from Usher detailing the preparation it takes to remain at the top of his game for so long to revealing tidbits about alternative timelines within the music industry where he and Jay-Z were in a supergroup. Check out the full interview up top.

Dua Lipa, The Killers, Pearl Jam, And Måneskin Are The Headliners For The 2024 Mad Cool Festival

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Dua Lipa Argylle premiere 2024
Getty Image

Back in December 2023, Madrid, Spain’s Mad Cool Festival unveiled the initial lineup for its 2024 festival. Now, the final names have been revealed today (February 1) and the poster is set in stone ahead of the fest, which runs from July 10 to 13.

Most notably, The Killers were added as headliners, as they’ll close out the festival in the 13th. Måneskin locked down a headlining slot as well, on the 12th.

Other names newly added to the lineup include Rema, Tyla, Sexyy Red, Lord Huron, Nia Archives, Alec Benjamin, 2ManyDJs DJ Set, Claudia León, Dead Posey, Depresión Sonora, Bar Italia, Andres Campo, Picture Parlour, Sea Girls, Nadye, Comandante Twin, Julia Sabaté, Choses Sauvages, and Slix.

They join a lineup that already included Dua Lipa, Pearl Jam (the other two headliners), The Smashing Pumpkins, Janelle Monáe, Jessie Ware, Sum 41, Bring Me The Horizon, Avril Lavigne, Arlo Parks, Greta Van Fleet, Kenya Grace, Genesis Owusu, The Gaslight Anthem, and Uproxx’s August 2023 cover star Ashnikko.

Tickets are still available through the Mad Cool website. A 4-day ticket is currently going for 210€ (about $227), while 1-day tickets are €89 (about $96).

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Usher Opens Up On Beyonce Nanny Claim

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Back in August of last year, Usher made a statement in an interview that surprised many fans. He claimed that he knew Beyonce when she was young before Destiny’s Child ever became a reality. “Fun fact, I knew Beyoncé when she was 12 years old, 11 years old. She used to be in a group by the name of The Dolls. I don’t know if I could consider myself their babysitter, but I had a time where I had to watch The Dolls.” Though he didn’t elaborate on the story at the time it clearly stuck in fan’s heads.

During an appearance on Shannon Sharpe’s Club Shay Shay podcast earlier this week, Usher shared the full story. “Daryl Simmons, he had a group by the name of The Dolls, and they came to Atlanta for the first time. This is before Destiny’s Child became Destiny’s Child. I think I looked over them while they [were] doing something in the house; I had to watch over ’cause I was like the, you know, the authority ’cause I guess I was the teenager at the time,” he explains in the interview. Check out the full interview where the R&B legend discussing his experiences with a young Beyonce below.

Read More: Summer Walker Was Downright Giddy At Usher’s Las Vegas Show

Usher’s Full Beyonce Nanny Story

Fans of Usher have quite a bit to look forward to next week. First, the legendary pop and R&B singer will be releasing his new album Coming Home on February 9th. It’s his first project since 2018’s A and his first studio album since 2016’s Hard II Love. Earlier this week he unveiled the tracklist for the album which sports some impressive contributions from artists like Latto, The-Dream, and Burna Boy.

Just a few days after that he’ll take the stage during the Super Bowl Halftime show. Almost nothing is known about exactly what he’s planning for his performance but he’s made it known that he’s aiming for perfection. What do you think of Usher’s full story about a time he had to look after young Beyonce? Let us know in the comment section below.

Read More: What Is Usher’s Best-Selling Album?

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All The New Albums Coming Out In February 2024

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newalbums-tfeat-uproxx.jpg
iStock

Keeping track of all the new albums coming out in a given month is a big job, but we’re up for it: Below is a comprehensive list of the major releases you can look forward to in February. If you’re not trying to potentially miss out on anything, it might be a good idea to keep reading.

Friday, February 2

  • Ariel Kalma, Jeremiah Chiu, and Marta Sofia Honer — The Closest Thing (!K7)
  • Artimus Pyle — Anthems — Honoring the Music of Lynyrd Skynyrd (Bfd)
  • Big Scenic Nowhere — The Waydown (Heavy Psych Sounds)
  • Brittany Howard — What Now (Island Records)
  • Britti — Hello, I’m Britti. (Easy Eye Sound)
  • Dylan John Thomas — Dylan John Thomas (Ignition Records)
  • Flight Mode — The Three Times EP (Tiny Engines)
  • Giant Rooks — How Have You Been? (Mercury)
  • Good Cop Bad Cop — Welcome to the Marble Zone (Count To Ten Records)
  • Grazia — In Poor Taste EP (Feel It Records)
  • J Mascis — What Do We Do Now (Sub Pop)
  • J. Robbins — Basilisk (Dischord Records)
  • Jamie Webster — 10 For the People (Virgin Music)
  • Joe Wong — Mere Survival (self-released)
  • Kim Krans — MIRRORMIRROR (Echo Magic Records)
  • Kirin J Callinan — If I Could Sing (Worse Records)
  • The Last Dinner Party — Prelude to Ecstasy (Island)
  • Lee “Scratch” Perry — King Perry (False Idols)
  • LUCI — They Say They Love You (Don’t Sleep)
  • Matisyahu — Hold the Fire EP (Fallen Sparks Records)
  • Meanstreak — Blood Moon EP (Step Off Records)
  • Mindchatter — This Is A Reminder That You Are Not Behind Your Face EP (Foreign Family Collective)
  • The Miserable Rich — Overcome (Rags to Ruin)
  • MORGXN — BEACON (Nettwerk)
  • The Paranoid Style — The Interrogator (Bar/None Records)
  • Rick Rude — Laverne (Midnight Werewolf Records)
  • Ronnie Stone — Ride Again (Feeltrip Records)
  • Teejay — I Am Chippy EP (Warner Music)
  • Vera Sola — Peacemaker (City Slang)

Friday, February 9

  • aldrch — would you like to go out? EP (Epitaph)
  • Astral Bakers — The Whole Story (Sage Music)
  • Chelsea Wolfe — She Reaches Out To She Reaches Out To She (Loma Vista Recordings)
  • David Nance & Mowed Sound — David Nance & Mowed Sound (Third Man Records)
  • Declan McKenna — What Happened to the Beach? (Tomplicated)
  • The Dream Syndicate — Live Through the Past, Darkly (51 Recordings)
  • Ducks Ltd. — Harm’s Way (Carpark)
  • Haystack — Doomsday Goes Away (Sound Pollution)
  • Helado Negro — PHASOR (4AD)
  • Joel Ross — nublues (Blue Note Records)
  • Kali Malone — All Life Long (Ideologic Organ)
  • Katelyn Tarver — Quitter (Nettwerk)
  • Kelela — RAVE:N, The Remixes (Warp)
  • Loving — Any Light (Last Gang Records/MNRK)
  • Madi Diaz — Weird Faith (Anti-)
  • MICHELLE — GLOW EP (Transgressive Records)
  • Mk.gee — Two Star and the Dream Police (Danger Collective)
  • My Life Story — Loving You Is Killing Me (Exilophone Records)
  • Nils Hoffmann — Running in a Dream (Anjunadeep)
  • Orgōne — Chimera (3 Palm Records)
  • Pouty — Forgot About Me (Get Better Records)
  • Royel Otis — Pratts & Pain (Ourness)
  • Shygirl — Club Shy EP (Because Music)
  • Split System — Vol. 2 (Goner)
  • The Strumbellas — Time Believer (Glassnote)
  • Tyler Ramsey — New Lost Ages (Soundly Music)
  • Usher — Coming Home (Mega/Gamma)
  • Yellowcard + Hammock — A Hopeful Sign (Equal Vision)
  • Zara Larsson — Venus (Sommer House/Epic)

Friday, February 16

  • Bingo Fury — Bats Feet for a Widow (The state51 Conspiracy)
  • Blackberry Smoke — Be Right Here (Legged Records/Thirty Tigers)
  • Bloom — Maybe in Another Life (Pure Noise Records)
  • Cast — Love is the Call (Cast Recordings)
  • Chromeo — Adult Contemporary (BMG)
  • Crawlers — The Mess We Seem to Make (Interscope)
  • Daniel Ellsworth & The Great Lakes — High Life (Curation Records)
  • Daniel Noah Miller — Disintegration (FADER Label)
  • Dekker — Future Ghosts (Rude Records)
  • Devon Ross — Oxford Gardens EP (Daydream Library Series)
  • El Perro del Mar — Big Anonymous (City Slang)
  • Elliot Moss — How I Fell (Nettwerk)
  • Frances Chang — Psychedelic Anxiety (Ramp Local Records)
  • Friko — Where we’ve been, Where we go (ATO Records)
  • Frontier Ruckus — On the Northline (Loose Music)
  • Gaby Moreno — Dusk (Cosmica Artists)
  • Grandaddy — Blu Wav (Dangerbird Records)
  • Heems — LAFANDAR (Veena Sounds)
  • Idles — Tangk (Partisan Records)
  • IHSAHN — IHSAHN (Candlelight)
  • The Immediate Family — Skin in the Game (Quarto Valley Records)
  • The Jack Rubies — Clocks Are Out of Time (Big Stir Records)
  • Jason Derulo — Nu King (Atlantic)
  • Jennifer Lopez — This Is Me…Now (Nuyorican/BMG)
  • Karen Vogt — Waterlog (Nite Hive)
  • Kid Bloom — Inner Light Part 1 EP (Position Music)
  • late night drive home — i’ll remember you for the same feeling you gave me as i slept EP (Epitaph)
  • Laura Jane Grace — Hole in My Head (Big Scary Monsters Recording Company)
  • Les Amazones d’Afrique — Musow Danse (Real World)
  • Lime Garden — One More Thing (So Young Records)
  • Lola Kirke — Country Curious EP (One Riot Records)
  • Matthew Logan Vasquez — Frank’s Full Moon Saloon (Dine Alone Records)
  • MAX — LOVE IN STEREO (Warner Records)
  • Middle Child — Faith Crisis Pt 1 (Lucky Number)
  • Molly Lewis — On the Lips (Jagjaguwar)
  • Mother Mother — Grief Chapter (Warner Records)
  • Omni — Souvenir (Sub Pop)
  • Paloma Faith — The Glorification of Sadness (RCA Records)
  • Prize Horse — Under Sound (New Morality Zine)
  • The Requiem — A Cure to Poison (Fearless Records)
  • San Fermin — Arms (Better Company Records)
  • serpentwithfeed — GRIP (Secretly Canadian)
  • Shadow Show — Fantasy Now! (Little Cloud Records)
  • Shambolics — Dreams, Schemes & Young Teams (Scruff of the Neck Records)
  • Solar Eyes — Solar Eyes (Fierce Panda Records)
  • Tinlicker — Cold Enough For Snow ([PIAS] Électronique)
  • TisaKorean — MUMU 8818 EP (Ultra Records)
  • William Doyle — Springs Eternal (Tough Love Records)

Friday, February 23

  • Ace Frehley — 10,000 Volts (MNRK Music Group)
  • Allie X — Girl with No Face (Twin Music Inc)
  • Blaze Bayley — Circle of Stone (Autoproduction)
  • Bombay Bicycle Club — Fantasies EP (Arts & Crafts)
  • Cavetown — little vice EP (Sire Records)
  • The Children’s Hour — Going Home (Sea Note)
  • Church Chords — elvis, he was Schlager (Otherly Love Records)
  • Colouring — Love to You, Mate (Bella Union)
  • Corb Lund — El Viejo EP (New West Records)
  • Elephant Stone — Back Into the Dream (Elephants On Parade)
  • Emahoy Tsege Mariam Gebru — Souvenirs (Mississippi Records)
  • Eric Hilton — Sound Vagabond (Montserrat House Music)
  • Erick the Architect — I’ve Never Been Here Before (Architect Recording)
  • Essence Martins — Dear in the Headlights EP (MNRK Music)
  • Geographer — A Mirror Brightly (Nettwerk)
  • Glitterer — Rationale (ANTI‐)
  • Hurray for the Riff Raff — The Past Is Still Alive (Nonesuch)
  • iDKHOW — Gloom Division (Concord Records)
  • Jazmin Bean — Traumatic Livelihood (Island)
  • JJ Grey — Olustee (Alligator Records)
  • Job for a Cowboy — Moon Healer (Metal Blade Records)
  • John Bramwell — The Light Fantastic (Townsend)
  • Laetitia Sadier — Rooting For Love (Drag City)
  • Liam Bailey — Zero Grace (Big Crown)
  • Mama Zu — Quilt Floor (Cosmic Twin Records)
  • Mary Timony — Untame the Tiger (Merge)
  • MGMT — Loss of Life (Mom + Pop)
  • Mick Mars — The Other Side of Mars (1313, LLC)
  • Modern English — 1 2 3 4 (Inkind Music)
  • Morgan Harper-Jones — Up to the Glass (PIAS Recordings)
  • Nadine Shah — Filthy Underneath (EMI North)
  • Persher — Sleep Well (Voam)
  • Real Estate — Daniel (Domino)
  • Remo Drive — Mercy (Epitaph)
  • Revival Season — Golden Age of Self Snitching (Heavenly Recordings)
  • Rod Stewart with Jools Holland — Swing Fever (Warner Records)
  • Royal Tusk — Altruistic (MNRK Heavy)
  • Shaina Hayes — Kindergarten Heart (Bonsound)
  • Sleepytime Gorilla Museum — Sleepytime Gorilla Museum of the Last Human Being (Avant Night)
  • The Snuts — Millennials (Happy Artist Records)
  • William Brittelle — Alive in the Electric Snow Dream (New Amsterdam Records)

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.