Dr. Dre

Scott Storch Is Unmatched: Best Hits With Beyoncé, Dr. Dre & More

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Hip Hop is known for hosting producers who are the foundations of some of the industry’s greatest hits. The career of Scott Storch began decades ago as he was mapping out his successes. His contributions to The Roots made him a global sensation, but Storch’s reach didn’t end there. Many hits we deem classics were created by the megaproducer who has worked with Beyoncé, Dr. Dre, 50 Cent, Ja Rule, T-Pain, Jennifer Lopez, Sean Paul, Mario, Ludacris, and several others of the industry’s elite.

We’ve pulled together seven of Scott Storch’s biggest hits—however, we recognize that this list could go on and on. Additionally, this collection, by no means, is meant to read as his “best” songs; that debate is never-ending. This is more of a celebration of decades of career-topping success and a walk down memory lane. Take a look at our list of some of Scott Storch’s biggest hits that have gone down in Hip Hop history. Let us know what your favorite Storch production is after revisiting these classics.

7. “Still D.R.E.” – Dr. Dre feat. Snoop Dogg (1999)

Hip Hop’s Golden Era arguably hosts some of the genre’s most memorable productions. In 1999, Dr. Dre and Snoop Dogg dominated with “Still D.R.E.,” a track that hosts an iconic Scott Storch piano riff. The song became a cultural milestone, and with over 1 billion views on YouTube, few Rap songs hold similar weight. “Still D.R.E.” was featured on Dre’s sophomore studio album, 2001, which also featured repeated collaborators Kurupt, Xzibit, Eminem, and Nate Dogg.

6. “Lean Back” – Terror Squad feat. Fat Joe & Remy Ma (2004)

Terror Squad was one of many Rap collectives out of the Big Apple, but they packed a lyrical punch. Led by the likes of Fat Joe and Remy Ma, the Squad erupted in 2004 with “Lean Back.” It became an instant hit, thanks to Storch’s ability to easily craft club-bangers. Further, the New York party scene was reflected in the track and the music video, making this a Hip Hop staple.

5. “Candy Shop” – 50 Cent feat. Olivia (2005)

Although we haven’t received much new music from Olivia over the years, the singer’s voice is etched into Rap history. She assisted 50 Cent on his chart-topping hit “Candy Shop,” a song that hosts one of Storch’s many memorable productions. When New York City emcees were battling it out by beasting rough bars about the street life, Fif eased in with a seductive-ish song that spoke to an audience of women. It represented the pinnacle of 50 Cent’s commercial success, earning him international acclaim and solidifying his position as a Hip Hop superstar.

4. “Run It!” – Chris Brown (2005)

Today, fans debate if Chris Brown should be hailed as better than Michael Jackson. As the updated King of Pop discussions rage on, we’re looking back at C. Breezy’s beginning. In 2005, Storch helped catapult Chris Brown into superstardom with “Run It!” It was Brown’s breakout hit, showing his versatility as an artist. Displaying these talents at a young age would lay the foundation for an illustrious career. The perfect blend of Pop and R&B solidified Chris as a leader in the space, and he hasn’t let up since.

3. “Let Me Love You” – Mario (2004)

Another catchy Storch production that we haven’t been able to get out of our heads is Mario’s “Let Me Love You.” This romantic hit is a staple in the singer’s catalog and has gone down in history as one of his most beloved tracks. “Let Me Love You” was one of the most successful R&B songs of the 2000s. Storch is also credited as a co-writer of the song, as well.

2. “Naughty Girl” – Beyoncé (2003)

This was a single that stirred up controversy, but not because of its producer. Scott Storch has repeatedly worked with Beyoncé, and this time, they added Sean Paul to the mix. “Naught Girl” was also included on Bey’s Dangerously in Love album, and like others, it was quickly a fan favorite. There was controversy surrounding Bey, Jay-Z, and Sean Paul as the years moved forward. However, despite those conversations, “Naughty Girl” remains a smash hit for all parties involved.

1. “Just a Lil Bit” – 50 Cent (2005)

Scott Storch produced “Just a Lil Bit” for 50 Cent in 2005, adding another sultry Rap track to both their catalogs. Early in his career, 50 Cent was the definition of a romantic thug, and he capitalized on the label. Not only was he able to garner support from the streets, but his fanbase of women was growing with each new track. Additionally, the song remains a fan favorite and a staple in any party or club playlist, reflecting its cultural significance as an anthem of the Hip Hop genre.

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Snoop Dogg Is Commemorating The 30th Anniversary Of ‘Doggystyle’ With A Concert At The Hollywood Bowl

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Apparently, Snoop Dogg‘s performance at the Hollywood Bowl for Willie Nelson’s 90th birthday celebration was just the start of his plans for the iconic venue this year. 2023 marks the 30th anniversary of Snoop’s debut album Doggystyle, and he’s celebrating as only he can: with a Snoop Dogg & Friends concert at the Hollywood Bowl produced by Dr. Dre.

Presented by the Los Angeles Philharmonic Association, the show will see Snoop perform his culture-defining album backed by the ReCollective Orchestra led by conductor Derrick Hodge, as well as some of the Doggfather’s nearest and dearest. The two-night event is scheduled for June 27 and June 28 at 8 pm, and tickets go on sale Friday, May 5 at 10 am. You can find more information here.

Snoop recently reissued Doggystyle on limited-edition vinyl to celebrate his favorite holiday but good luck getting your hands on a box; the entire run sold out nearly instantly, proving Snoop’s lasting importance to both hip-hop fans and stoners everywhere. Meanwhile, he teased a direct sequel to Doggystyle, fittingly (and somewhat sophomorically) titled Missionary. That’s presumably dropping sometime this year.

Other projects Uncle Snoop has been working on include trying to buy an NHL team, campaigning for a cameo on a British soap opera, and hitting the road with Wiz Khalifa for their High School Reunion Tour.

Suge Knight Makes Bold Claim About Dre’s Producer Credits

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Suge Knight is currently masterminding a ten-season biopic series to premiere on BLK Prime later this year. Each of the show’s seasons will focus on Suge’s relationship with a different iconic member of Death Row Records. These figures ranges from 2Pac to Snoop to Diddy to Dre. The show will eventually conclude with his trial and incarceration. All this is happening despite Suge being in a California prison for voluntary manslaughter.

However, in a new interview with TMZ, Suge has revealed yet more details about the show. Specifically, Knight has promised that the show will tell the true story behind two iconic 90s sounds. Those being 2Pac’s “California Love” and Snoop’s Doggystyle album. Both works were created and influenced by Dre during his time at Death Row. However, Suge’s claims would rock the music industry and even have the potential to rewrite history.

Suge Claims Dre Did Not Create “California Love” or “Doggystyle”

Why those in particular? Because Suge wants to hit back against recent claims about the stories behind them. Let’s start with Doggystyle. Released in 1993, Doggystyle peaked at #1 and went four-times platinum. It came off the back of Snoop’s involvement in Dr. Dre’s The Chronic and was produced by Dre. However, Suge alleges that the album was actually produced by Daz Dillinger and that Dre bought the album rights from Daz. Dillinger is yet to refute or corroborate this story.

Then there’s “California Love”. Suge’s ire about this song stems from 2015’s Straight Outta Compton. The film shows Dre and Tupac Shakur creating the song together. Once again, Suge says that’s false. According to Knight, the original beat was created by DJ Quik. It then went unused for five years until introduced it to 2Pac, not Dre. This is because, according to Suge, 2Pac and Dre were beefing at the time of “California Love”‘s recording. Dre is yet to respond to these allegations. Furthermore, fans will have to wait until the show debuts later this year to see the full story from Suge’s side. Are you excited for Suge’s biopic series? Be sure to follow HotNewHipHop for all the latest details and drama.

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Today In Hip Hop History: Dr. Dre Released “Deep Cover” Single, Introduced Snoop Doggy Dogg 31 Years Ago

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On this date in 1992, Dr. Dre took the first step in his successful solo journey and released this single 31 years ago today

On April 9th, 1992, the premiere single from the silver screen blockbuster Deep Cover was released and it featured the former producer from “the world’s most dangerous group” and a fresh 21-year-old Crip from Long Beach known then only as “Snoop”.

After the very public and messy break up of N.W.A., Dr. Dre and his behind the boards prowess were invited to create the musical score of the dirty cop flick starring Larry Fishburne. He brought along one of his little brother Warren G’s homies and the rest was history. The song became a hit and the track continues to be recognized as one of the best-crafted tracks in Hip Hop history. Fat Joe and the late Big Pun even created a classic remix of the joint that featured Dre and Snoop in the video entitled “Twinz”(Deep Cover ’98).

Salute to Dre and Snoop for this timeless gem and look forward to another one from them in another 29 years! Peace!

The post Today In Hip Hop History: Dr. Dre Released “Deep Cover” Single, Introduced Snoop Doggy Dogg 31 Years Ago appeared first on The Source.

Keefe D: Eazy-E Offered Spot At Death Row Records Before Dre

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Keefe D has dropped some interesting facts about the early days of Death Row Records in a new interview with VladTV. In the early-to-mid 90s, it was practically impossible to ignore the label. It gave birth to some of the most legendary artists in the hip-hop genre. In the 30-plus years since its founding, Death Row has gone through plenty of ups and downs. After quite a bit of stagnation, it was recently acquired by Snoop Dogg, who released his debut album on the label. At this point in the game, you might think there is nothing left to learn about Death Row’s history. However, in his new interview, Keefe D proved that there’s probably a lot we still don’t know.

Duane Davis, AKA Keefe D, is a former prominent member of the South Side Compton Crips. He was a childhood friend of Eazy-E and was present for or involved with many of the events surrounding the founding of Death Row Records. Keefe was also allegedly connected to the murder of Tupac. In fact, he was behind the claims that Diddy placed a $1 million hit on the late Shakur. Whether or not there is any truth to that claim is still unclear. Still, Keefe seems to have plenty left to say about Death Row. This time, he’s opening up about the founding of the label and how Dr. Dre wasn’t actually the first choice.

Keefe D’s Involvement With Death Row

While speaking to VladTV, Keefe revealed that Death Row Records wanted Eazy-E to join before they approached Dr. Dre. He says that his friend was in prison with Death Row co-founder, Michael Harris. Through this friend, Harris asked Keefe to set up a call with Eazy. The late rapper was not too keen to do business with people behind bars, though. After the call, Eazy apparently showed up at Keefe’s house in person to talk. “Once the phone call went dead, Eazy showed up to my house 30 minutes later,” Keefe recalled, “He like, ‘Dude, them dudes in jail and I’m already established.”

The former gangster says that Harris called Dr. Dre the next day, and he accepted. The acquisition wasn’t quite so simple, as the NWA member was actually signed to Eazy-E’s label at the time. For many years, it’s been said that Suge Knight had to strongarm Eazy to get him to release Dre from his contract. According to Keefe, the truth is a lot less interesting. For the early contract termination, Eazy was allegedly paid $200,000. Once Dre was free of his contract, he joined Death Row, and the rest is history. What do you think Death Row would have been like if Eazy had said yes? Let us know in the comments!

Jim Jones Says Dr. Dre “Punked” Him During Dipset Studio Session

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Jim Jones recently incited some potential bad blood between Dipset and Dr. Dre after saying he’ll charge the star producer $2 million if he ever releases the songs they recorded together. Moreover, these revelations came from an interview with The Amazing AllHipHop podcast. While the Harlem MC recalled a “great night” in the studio with Dre, he went on to express some harbored feelings of frustration. “That was a great night in Hip Hop, a great night for the Diplomats,” the “We Fly High” hitmaker expressed. “I had a little studio on 28th street, and Dr. Dre was trying to recreate his new sound for his new album at the time, and we had that sound. Came to my studio, me and Cam did like four records in there. Juelz came and did a record at the end.

“We did about four or five records with Dr. Dre,” Jim Jones continued. “I don’t know what he ever did with the records. Yeah, he did them directly to his hard drive so we had a copy of it to listen to and s**t like that. Truthfully, he better not put it out ’cause I’m charging $2 million for my verse.

Jim Jones Felt Punked By Dr. Dre

“It was the first time I ever had somebody really make me do my verse over like 20 times. The first time I got a piece of that, it had made me think about 2Pac and Snoop. All the others that had to get the beats from Dre. Dre was punking n***as like, ‘Man, go back in there and spit that s**t over, bro. You bugging the f**k out.’ Every time he told me, ‘Nah nah, do that over, man.’

“Like bro, you’re cursing at me,” the Diplomat stated. “You don’t even know you’re cursing at me. You’re punking the s**t outta me right now. ’Cause n***as is looking at me like, ‘You’re telling Capo to do his s**t over? This is crazy.’ N***a, you f***ing it up for me.” Regardless of those studio woes, we’ll see if this manifests into a reconciliation and a release. For the latest on this story, stick around on HNHH for the latest on Dr. Dre and Jim Jones.

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Jim Jones Says He’ll Charge Dr. Dre $2M If He Drops Unreleased Dipset Records

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Not everyone gets to be a fly on the wall during a Dr. Dre session but even fewer get the opportunity to actually work with him directly. We could imagine that there are hard drives upon hard drives of unreleased music throughout his career, whether from the Death Row era or the mythical Detox, which will likely never see the light of day. But, somewhere in the vault contains an EP of unreleased Dipset records produced by Dr. Dre. 

Jim Jones recently sat down with All Hip Hop where he detailed some of the work he did with Dr. Dre alongside the rest of Dipset. He explained that there’s unreleased music sitting in the vault, though he also reflected on the level of perfection that Dr. Dre aspired towards. Jones said that Dre brought Dipset into the studio to “recreate his sound” at the height of the Harlem group’s dominance. At the time, Dre was working on a new album and evidently, he wanted some of their swag to compliment his sound. 

Jim Jones Reveals Dr. Dre-Produced Dipset Records

If you’ve heard any story about working with Dr. Dre, the general consensus is that he has an incredible ear for sound. So good, in fact, that even the most seasoned of MCs will find themselves under a microscope for each bar, inflection, and ad-lib. Jones learned that first-hand as he explained that it was the first time anyone made him re-record a verse several times. “It was the first time had somebody really make me do my verse over like twenty times,” the rapper said. “It had made me think about Tupac and Snoop and all the others that had to get the beats from Dre.”

Jones revealed that they recorded about four to five songs in total when working with Dr. Dre. Unfortunately, the producer kept those records on his hard drive without Jim Jones, Cam’ron or Juelz receiving a copy of their work. Though it’s unlikely if they’ll ever see the light of day, Jones explained that he’s anticipating a huge check if any of the music drops. “He better not put it out because I am charging him $2 million for my verse.”

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H.E.R., Kehlani, Zendaya, & Others Who Were Childhood Besties Before The Fame

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Many celebrities have built friendships that began before they gained fame. Some celebrity friendships such as H.E.R., Kehlani, and Zendaya, could be a shock to some once it is revealed.  Here are some celebrities who were childhood best friends that you may not have known about. Something is fascinating about celebrities who knew each other […]

The post H.E.R., Kehlani, Zendaya, & Others Who Were Childhood Besties Before The Fame appeared first on SOHH.com.

DJ Drama Would Prefer A Show On Dr. Dre Rather Than Suge Knight

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The influence of BMF is already taking shape in the television landscape. Though it only recently completed its second season, the 50 Cent-EP’d series has apparently inspired more biopics based on the life and times of the most infamous figures in American pop culture. Last week, news broke that Suge Knight’s producing a biopic series based on his life, from his aspirations to become a football coach to his demise as the leader of the Death Row camp. DJ Drama feels that it would be an incredible story, though he feels a story on Dr. Dre would be even more compelling. 

TMZ recently caught up with Drama shortly after the release of his new album, I’m Really Like That. The Philadelphia DJ explained that Suge Knight’s story would undoubtedly make for great television, especially in context with that era in hip-hop. “That universe, that time and that period, who wouldn’t wanna watch that? That shit would be incredible,” he said. From there, he began to campaign for a biopic on Dr. Dre that would explore his illustrious career from the pre-NWA days to bringing Eminem and 50 Cent into the fold.

DJ Drama Wants A Role In Dr. Dre’s Biopic

The Gangsta Grillz creator said that Dre’s career alone would be able to produce seasons upon seasons of content. “With all due respect, you know what would be even crazier? If we did a Dr. Dre universe, and we did from [World Class] Wreckin’ Crew to like N.W.A to the Death Row era, to then Aftermath, and then him working with Em and then with 50 came along. That’s like 10 seasons right there,” he told TMZ.

It seems like DJ Drama also hopes to make his acting debut in the hypothetical series. He called on 50 Cent to bring him onto the cast. “I need a role too, Fif! You’ve seen my acting skills,” he said, referring to the Juice reenactments to promote his latest album. “C’mon, Dram Cruise. C’mon, Fif! I’m manifesting, I’m putting it into the universe.” If anyone were to bring Dr. Dre’s story to television, we’d assume it would be 50 Cent. Check out Drama’s interview above. 

The Best Dr. Dre Beats He’s Produced

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Dr. Dre is one of the most prominent artists in hip-hop history. Though he is known for his signature deep voice, he is most known for producing some of hip hop’s most legendary songs. He has been heavily involved in shaping the careers of Snoop Dogg, Eminem, and 50 Cent, producing many of their first hits. We have previously compiled lists of Dr. Dre’s productions, focusing on his most haunting beats and his greatest productions from the Death Row era. This list looks at the entire span of Dr. Dre’s career and the best beats he has produced. 

Dre has collaborated with many artists over the years, and some of his work also features co-producers. This list prioritizes those solely produced by Dr. Dre but includes songs that additional producers worked on that deserve mentioning. This list is in chronological order to emphasize the legendary production discography of Dr. Dre over his 30+ year career. 

1. N.W.A. – “Sa Prize (Part 2)” (1990)

Because “F**k Tha Police” is such an iconic statement in hip hop history, the sequel to the song from N.W.A. ‘s EP 100 Miles and Runnin’ often goes unnoticed. It’s argued the production Is arguably better than the first. The tempo and percussion are mostly the same. However, the bassline and melody breathe new life into the song. The verses sound even more powerful, specifically Dr. Dre’s show-stealing verse that sets the bar very high for the rest of the song.

2. Dr. Dre feat. Snoop Dogg – “Deep Cover” (1992)

Before The Chronic and Doggystyle, Dr. Dre reinvented his sound and introduced Snoop Dogg on “Deep Cover.” The track has one of the meanest basslines in hip hop history. The rugged drum break allows Dre and Snoop to showcase their chemistry. It is a classic instrumental that has also been repurposed by the likes of Big Pun and Tyga.

3. Dr. Dre feat. Jewell – “Let Me Ride” (1992)

The instrumental for “Let Me Ride” provides the perfect amount of smoothness and funky. Dre’s rap voice still cuts deep but also carries the infectiously catchy chorus. The song samples Parliament’s “Mothership Connection,” “Kissing My Love” by Bill Withers, and James Brown’s “Funky Drummer.” The three classics are among the most sampled songs ever. The squeaky melody and groovy bassline on this song is a prime example of why The Chronic is so significant to hip hop.

4. Snoop Dogg  – “G Funk Intro” (1993)

The instrumental of Snoop Dogg’s G Funk Intro sounds almost identical to Dr. Dre’s “F**k Wit Dre Day.” It’s a more upbeat instrumental, along with a different melody. That’s what makes “G Funk Intro” among one of Dr. Dre’s best productions. It is quintessential G Funk, which is what made Doggystyle such a classic album.

5. Snoop Dogg  – “Gin and Juice” (1993)

It is impossible to discuss Dr. Dre’s best beats without mentioning “Gin and Juice.” It is one of the most legendary songs in the history of west coast hip hop. Dr. Dre provides a bouncy yet lowkey sound for Snoop’s rhymes and one of the catchiest hip hop songs of the ’90s. It’s no wonder this is a classic staple in rap, encompassing the genre’s popular Golden Era.

6. Snoop Dogg  – “Tha Shiznit” (1993)

“Tha Shiznit” is one of Snoop’s best lyrical moments on Doggystyle. However, it would arguably not be one of the highlights of Doggystyle without the incredible instrumental. The pulsing bassline, along with the classic flute and organ, allow for Snoop Dogg to freestyle some of his greatest rhymes so casually.

7. Snoop Dogg  – “Who Am I? (What’s My Name?)” (1993)

Snoop Dogg’s Dre-produced debut single is arguably as funky as the songs it sampled. “Who Am ?” takes from George Clinton’s “Atomic Dog,” Funkadelic’s “(Not Just) Knee Deep,” and Parliament’s “Give Up the Funk.” Dr. Dre used parts of these songs from Clinton’s extensive catalog to create the ultimate single. Snoop’s introduction as a rap superstar exemplifies Dre’s talent as a producer.

8. Snoop Dogg  – “Gz and Hustlas” (1993)

A highlight from Doggystyle, “Gz and Hustlas” is one of Snoop Dogg’s greatest songs. The instrumental is easily one of Dr. Dre’s best. The music box sound perfectly transitions from the “Class Room Intro” to the most complex beat on the entire album. The deep bass, along with the high-pitched synthesizers, are one of the finest moments on Doggystyle.

9. 2Pac feat. Roger Troutman & Dr. Dre – “California Love” (1995)

2Pac’s “California Love” is an anthem for the entire state for a good reason. The classic verses from Dr. Dre, 2Pac, and vocals from Roger Troutman are backed by an instrumental that is quintessentially Dr. Dre. The piano provides the main backing for the song with the additional horns, bass, and Troutman’s use of the talk box. It also has a remix on 2Pac’s All Eyez on Me that has an instrumental equally as good.

10. Dr. Dre – “The Watcher” (1999)

Dr. Dre’s production contains a lot of intricacies, whether it comes to instrumentation or a sample. The beat on “The Watcher” is simple yet effective, as it only comprises a few sounds. The space in the beat allows for Dre’s verse to stand out, and the rest of the song comes together with the whispers of the title in the actual beat. The space in the beat on “The Watcher” is similar to 50 Cent’s “If I Can’t,” which Dre produced four years later.

11. Dr. Dre feat. Snoop Dogg – “Still D.R.E.” (1999)

“Still D.R.E.” is such a classic song that it is almost larger than life 24 years after its release. The piano melody is known by hip hop fans of all ages and transcends the late-’90s era. It is also a simple but potent instrumental by Dr. Dre and Mel-Man. “Still D.R.E.” makes for the perfect soundtrack for bouncing lowriders, precisely what the song’s music video is.

12. Dr. Dre feat. Hittman, Kurupt, Nate Dogg & Six-Two – “Xxplosive” (1999)

Dr. Dre’s hip hop production is consistently mid-tempo, making the “Xxplosive” instrumental so amazing. It is slower yet still funky. The high-pitched guitar sound, complimented by bass and xylophone, makes for a smooth listening experience. It perfectly contrasts the jarringly explicit lyrics from Hittman, Kurupt, Nate Dogg, and Six-Two.

13. Dr. Dre feat. Eminem – “Forgot About Dre” (1999)

“Forgot About Dre” has a unique bounce that very few Dr. Dre instrumentals had before its release. The beat was shaped around Eminem’s syllable-heavy hook. It allowed for both Dre and Eminem to rap double-time. Not many Dr. Dre beats were known at the time for featuring a double-time tempo. This instrumental likely paved the way for Busta Rhymes’s “Break Ya Neck,” which is even faster and also produced by Dr. Dre.

14. Dr. Dre feat. Snoop Dogg, Nate Dogg & Kurupt – “The Next Episode” (1999)

“The Next Episode” is another one of those songs that is an essential hip hop classic. It is vital for Snoop Dogg and Dr. Dre, as well as west coast hip hop. Dr. Dre’s production of songs like this one encapsulates the period in which it was released but also stands the test of time.

15. 50 Cent – “In Da Club” (2003)

The greatness of 50 Cent’s iconic hit single “In Da Club” is that the instrumental shines equally on the song as 50 does. Though the rapping and the beat shine as co-stars, they do not depend on each other. One is just as great without the other. Each component of the beat is balanced and comes together to make one of the greatest hip hop songs of all time.

16. Dr. Dre – “Talking To My Diary” (2015)

The closing track on Dr. Dre’s third album, Compton, co-produced by DJ Silk and Mista Choc, could not be a more fitting send-off. It is the only song on the album where Dr. Dre raps independently, and the beat is just as challenging as it is reflective. It is the ultimate soundtrack for Dr. Dre to look at the success that he has reached while also reminiscing about his beginnings. The song’s end features a two-minute trumpet solo from Dontae Winslow, making the song even more cinematic. Overall, Dr. Dre’s catalog as a producer is hard to beat, and there are so many iconic instrumentals to choose from. Here are the honorable mentions of the best beats that Dr. Dre has produced that did not quite make the list:

  • N.W.A. – F**k Tha Police
  • Dr. Dre – Nuthin’ But A G Thang
  • Dr. Dre – What’s The Difference
  • Eve – Let Me Blow Ya Mind
  • Mary J. Blige – Family Affair
  • Eminem – Business
  • 50 Cent – If I Can’t
  • JAY-Z – Lost One
  • Eminem – Crack a Bottle
  • Eminem – So Bad