A Right-Wing Platform Has Offered Joe Rogan $100 Million To Leave Spotify

The Joe Rogan Spotify saga isn’t going away anytime soon, folks. Today, a right-wing platform just offered Rogan the same $100 million that Spotify paid him for the exclusive rights to broadcast his The Joe Rogan Experience podcast, because of course they did.

The company that has approached Rogan with the offer is Canadian video platform Rumble, which has prominent right-wing pundits like Steve Bannon and Dinesh D’Souza in its stable. As The Hollywood Reporter reported, CEO Chris Pavloski posted an open letter to Rogan on the company’s Twitter account. It has a real deal with the devil vibe.

“Dear Joe, We stand with you, your guests, and your legion of fans in desire for real conversation,” Pavloski began. “So we’d like to offer you 100 million reasons to make the world a better place. How about you bring all your shows to Rumble, both new and old, with no censorship, for $100 million bucks over four years? This is our chance to save the world. And yes, this is totally legit … We stand with you, your guests and your legion of fans in desire for real conversation.”

So what would stop Rogan from spurning Spotify and taking the money from Rumble? For one, Spotify’s platform is huge and Rogan can certainly get more listeners there than just about anywhere else. Additionally, for all the malarkey that he spits on his show, he is a self-proclaimed liberal who has apologized for using the n-word. So, finding a platform that would seemingly not care if he used it or spread vaccine misinformation isn’t likely what motivates him quite so much as what the court of public opinion thinks of him in the long run.

Meanwhile, Spotify CEO Daniel Ek wrote a letter to all staff members on Sunday night indicating that he doesn’t believe that censoring Joe Rogan is the right call. Time will surely tell how this all plays out…

Spotify CEO Daniel Ek Tells Employees He Doesn’t Believe ‘Silencing’ Joe Rogan Is A Good Idea

When Spotify employees clock into work on Monday morning, they’re going to have a bold letter to digest from CEO Daniel Ek. In a message sent to the entire “Spotify Team” on Sunday, Ek addressed the mounting controversy surrounding The Joe Rogan Experience. This began when Neil Young decided to pull his music from the platform on January 24th, citing the COVID vaccine misinformation that Rogan regularly purveys on his show. Other artists soon followed suit, including India.Arie, who cited Rogan’s problematic language surrounding race and posted a damning clip on her Instagram Story three days ago, of multiple instances where Rogan used a racial slur on his show.

“I do not believe that silencing Joe is the answer,” Ek said in his letter, which was obtained by The Hollywood Reporter. “We should have clear lines around content and take action when they are crossed, but canceling voices is a slippery slope. Looking at the issue more broadly, it’s critical thinking and open debate that powers real and necessary progress.”

Ek also tried to illustrate that Spotify is not the publisher of The Joe Rogan Experience, but are merely the exclusive license holders — a license that Spotify acquired for that $100 million figure that keeps popping up. He referred to the notion that people assume that the streaming platform is the publisher of the show as merely the “perception” of it, which gave his lengthy letter an odd public relations feel, as if he’s being open with a divided staff about a damage control situation. “…I’ve been wrestling with how this perception squares with our values,” he said.

To that point, the most impactful portion of the letter was Ek pledging $100 million to elevate creators from historically marginalized groups. “If we believe in having an open platform as a core value of the company, then we must also believe in elevating all types of creators, including those from underrepresented communities and a diversity of backgrounds,” he said. “I am committing to an incremental investment of $100 million for the licensing, development, and marketing of music (artists and songwriters) and audio content from historically marginalized groups.”

Rogan has apologized for using a racial slur and is in a damage control situation of sorts himself. Especially considering Spotify has already pulled 70 of his episodes, presumably for containing inappropriate language. Ek also addressed this and more in his letter, which you can read in full below.

“Spotify Team,

There are no words I can say to adequately convey how deeply sorry I am for the way The Joe Rogan Experience controversy continues to impact each of you. Not only are some of Joe Rogan’s comments incredibly hurtful — I want to make clear that they do not represent the values of this company. I know this situation leaves many of you feeling drained, frustrated and unheard.

I think it’s important you’re aware that we’ve had conversations with Joe and his team about some of the content in his show, including his history of using some racially insensitive language. Following these discussions and his own reflections, he chose to remove a number of episodes from Spotify. He also issued his own apology over the weekend.

While I strongly condemn what Joe has said and I agree with his decision to remove past episodes from our platform, I realize some will want more. And I want to make one point very clear — I do not believe that silencing Joe is the answer. We should have clear lines around content and take action when they are crossed, but canceling voices is a slippery slope. Looking at the issue more broadly, it’s critical thinking and open debate that powers real and necessary progress.

Another criticism that I continue to hear from many of you is that it’s not just about The Joe Rogan Experience on Spotify; it comes down to our direct relationship with him. In last week’s Town Hall, I outlined to you that we are not the publisher of JRE. But perception due to our exclusive license implies otherwise. So I’ve been wrestling with how this perception squares with our values.

If we believe in having an open platform as a core value of the company, then we must also believe in elevating all types of creators, including those from underrepresented communities and a diversity of backgrounds. We’ve been doing a great deal of work in this area already but I think we can do even more. So I am committing to an incremental investment of $100 million for the licensing, development, and marketing of music (artists and songwriters) and audio content from historically marginalized groups. This will dramatically increase our efforts in these areas. While some might want us to pursue a different path, I believe that more speech on more issues can be highly effective in improving the status quo and enhancing the conversation altogether.

I deeply regret that you are carrying so much of this burden. I also want to be transparent in setting the expectation that in order to achieve our goal of becoming the global audio platform, these kinds of disputes will be inevitable. For me, I come back to centering on our mission of unlocking the potential of human creativity and enabling more than a billion people to enjoy the work of what we think will be more than 50 million creators. That mission makes these clashes worth the effort.

I’ve told you several times over the last week, but I think it’s critical we listen carefully to one another and consider how we can and should do better. I’ve spent this time having lots of conversations with people inside and outside of Spotify — some have been supportive while others have been incredibly hard, but all of them have made me think.

One of the things I am thinking about is what additional steps we can take to further balance creator expression with user safety. I’ve asked our teams to expand the number of outside experts we consult with on these efforts and look forward to sharing more details.

Your passion for this company and our mission has made a difference in the lives of so many listeners and creators around the world. I hope you won’t lose sight of that. It’s that ability to focus and improve Spotify even on some of our toughest days that has helped us build the platform we have. We have a clear opportunity to learn and grow together from this challenge and I am ready to meet it head on.

I know it is difficult to have these conversations play out so publicly, and I continue to encourage you to reach out to your leaders, your HR partners or me directly if you need support or resources for yourself or your team.

Daniel.”

Rudy Giuliani Improbably Popped Up On ‘The Masked Singer,’ Causing Judges Ken Jeong And Robin Thicke To Storm Off In Protest

Warning: This post contains spoilers for Wednesday night’s episode of The Masked Singer.

If you ever find yourself working directly for a disgraced leader who’s been accused of corruption and fascism and are worried about your future, fret not! You can always find a second life on some trash game show. Sean Spicer, who bullied and lied to journalists as Donald Trump’s first White House press secretary, improbably wound up on Dancing with the Stars. Sarah Palin, recently seen jeopardizing the health of New Yorkers by dining out after testing positive for COVID, was among the unmasked (in more ways than one) on The Masked Singer.

Speaking of, as per Deadline, on Wednesday’s episode of the singing-themed reality show, the big reveal was so shocking it reportedly prompted two of the judges to storm off in protest. Who could be that polarizing? Why, it’s Trump’s cash-strapped, legally doomed, accident-prone personal attorney, Rudy Giuliani.

When one of the masked singers was revealed to be one of the key players in Trump’s failed attempts to overturn democracy, judges Ken Jeong and Robin Thicke furiously fled the scene. The other two judges, Nicole Scherzinger and Jenny McCarthy, who was anti-vaxx before everyone else, remained and engaged in some banter with the guy responsible for such classics as “Four Seasons Total Landscaping” and “Mystery Black Goo Pouring Down Head.” Jeong and Thicke eventually returned.

In any case, it’s probably a bit too early to be normalizing alleged crooks who have yet to have been punished. But then, Rudy probably needs the dough.

(Via Deadline)

Neil Young Has Threatened To Leave Spotify Because They Allow Joe Rogan To Spread Vaccine Misinformation: ‘They Can Have Rogan Or Young’

Who would you prefer: the weakest link on the ‘90s sitcom NewsRadio or the legend who wrote “Cinnamon Girl”? That’s the choice Neil Young is giving Spotify. The music streamer is home to dozens and dozens of Neil Young releases, from his self-titled 1969 debut to last year’s excellent Crazy Horse reunion Barn. It’s also home to the podcast The Joe Rogan Experience, whose host regularly spouts misinformation about the two-years-old-and-counting pandemic.

Now Young is taking a stand. As per Rolling Stone, the rocker wrote a letter to his management and label, sking them to remove some of the greatest songs ever recorded from the streamer that also allows a guy who used to force people to eat bugs to help make a public health crisis even worse.

“I am doing this because Spotify is spreading fake information about vaccines — potentially causing death to those who believe the disinformation being spread by them,” Young wrote. “Please act on this immediately today and keep me informed of the time schedule.”

“I want you to let Spotify know immediately TODAY that I want all my music off their platform,” he charged. “They can have [Joe] Rogan or Young. Not both.”

Young is the latest figure to come out against Rogan, who has fed his 11 million subscribers nonsense that is sometimes debunked on his show by his guests. Earlier this month, 250 doctors signed an open letter, begging Spotify to “to take action against the mass-misinformation events which continue to occur on its platform” by implementing a policy against misinformation. Meanwhile, the day before Young came out against Rogan, the U.S. saw almost 700,000 new COVID cases, as well as over 2,000 COVID-related deaths.

In the meantime, you better take one last spin of Everybody Knows This is Nowhere, On the Beach, Tonight’s the Night, maybe even Everybody’s Rockin’ before it vamooses, all for a guy who’d rather take medication also used on horses than get a free and effective vaccine.

(Via Rolling Stone)

Neil Young is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

Kendrick Lamar’s Upcoming Slave Intern Movie Was Absolutely Slammed By People On Twitter

Earlier this week, Kendrick Lamar was announced as one of the creators of an upcoming film. It’s listed as a comedy and it has Kendrick’s longtime partner Dave Free as well as the creators of South Park, Matt Stone and Trey Parker, as collaborators of the film. So far so good? Well, here’s where things get sticky. The currently untitled film was described as follows: “a young Black man who is interning as a slave reenactor at a living history museum” … finds out that his white girlfriend’s ancestors owned his own ancestors.

This plot seemed to rub many the wrong way and it resulted in the film being absolutely torn apart on social media. One person wrote, “And it’s gonna be a… comedy? Oh this bad,” while another shared an image of Dr. Umar Johnson and wrote, “What is this plot?” A third person said, “This is easily, without hyperbole, the worst idea for a story I’ve ever heard.” Others pointed to how their recent requests from the rapper were for new music, his fifth album preferably, and not this kind of movie. “Mannn.. all we asked for was the J.Cole collab,” a user wrote.

The script for the upcoming film was written by MTV2’s Wonder Showzen creator Vernon Chatman, who also voiced a handful of characters on South Park. A director for the movie has not been selected yet.

You can see some more reactions to the upcoming film below.

Ina Garten Dragged Reese Witherspoon’s Guide To Healthy Habits, Saying People Drink Should ‘Drink More Large Cosmos’ Instead

A new year brings with it a bevy of breathless — and quickly ignored — resolutions. (Or at least jokes about same.) But this year, like last year, is a little different. Since 2020, we’ve been living amidst a once-in-a-century public health crisis that some people keep help making worse. We’ve developed, and nurtured, a lot of bad habits. So when 2022 rolled along, some celebrities offered people their own resolutions, to help people lead healthier lives in the face of unimaginable horror. But in the case of Reese Witherspoon, that do-goodery led to them being hilariously mocked.

On Monday — a few days after being dragged for supporting cryptocurrency — the Oscar-winning actress posted a list of life-changing activities she’s “working towards” in 2022. They were:

1. Start the day with a big glass of water
2. Get 10 minutes of outdoor light. [Stanford neuroscience professor Andrew Huberman] recommends morning light.
3. Spend 30-60 mins reading without distraction everyday.
4. In bed by 10pm. *no late night TV binges. Try to get 8 hours of rest!”

This is all basic but sage advice. Water, natural light, a good night’s sleep — all important. Reading is better for you than binge-watching, late night or any other time of day. You’re right, Reese.

But someone wasn’t having it. That person was Ina Garten, host of The Barefoot Contessa and serial cookbook author. In the post’s comments, Garten told Witherspoon that her advice may “sound great.” Alas, she also wrote, “Probably not doing any of those things!” She instead offered her own four tips that are…well, maybe not healthier but certainly more fun.

1. Drink more large cosmos
2. Stay up late watching addictive streaming series
3. Stay in bed in the morning playing Sudoko instead of reading a good book
4. Spend more time (safely) with people you love.”

She added, “In a pandemic, I do what I can.”

Reese Witherspoon Ina Garten
Instagram / @ReeseWitherspoon

Since the pandemic began two years ago, Garten has been a cheerleader for cosmos, the tasty cocktail made famous on Sex and the City two decades back. Last month she went on TODAY with Hoda and Jenna, where she told the hosts, “At the beginning of the pandemic I thought we all needed a treat so I did the largest cosmo anybody’s ever had.” They then all shared super-sized cocktails, during a morning chat show. Living one’s best life, for sure.

(Via People)

Seth Rogen Still Has No Idea How He Ended Up Sitting Front Row At Adele’s Televised Concert Special

Seth Rogen digs weed. Let me take that back. Seth Rogen absolutely loves weed. He recently lit up with Conan O’Brien on the last episode of the host’s TBS late-night show. Rogen’s got his own weed company and is rolling in success, along with rolling in joints. For those reasons, it’s not at all hard to believe that Seth was high while recently appearing in the front row of Adele’s CBS TV concert special, “Adele One Night Only.”

There were a few surprises during the course of that special, apparently. Adele helped one gentleman pull off a surprise proposal that night, and as it turns out, Rogen was very surprised to be front row at an Adele show while the thing was being taped for TV. Here’s how he boisterously explained (to Jimmy Fallon) how this happened. Let’s just say that weed wasn’t the reason, but it still came up in conversation:

“I was in the front row of the Adele concert. And that is as surprising to me as anyone because I had no idea I was attending the taping of an Adele television special at all. I got an invitation, ‘Do you want to go to a small Adele concert?’ is what I remember absorbing. And I go to my wife Lauren, ‘You want to go to this small Adele concert?’ ‘Great, sounds fun’ … So, if I’m being honest, I hate to burst everyone’s bubble, I smoke weed, Jimmy.”

Rogen continued while adding that he “smoked a ton of weed” that night, and then, when he and his wife (Lauren) arrived at she show, “we see camera cranes.” That was when he realized that this was probably going to be on a TV show, but he reasoned, “Maybe it’s not that big a television special.” That’s when he saw Oprah at the show, and then Rogen thought maybe he could “just sit in the back.” However, that’s not what the powers in be had in mind for him, despite not being “equipped mentally to deal with doing this right now, really.” The situation progressed to where “I sit down, there’s like a camera literally just pointed at my face.”

Sounds surreal. And as one might expect, Rogen rolled with it. He stars as Santa Claus in Santa Inc. (which is currently streaming on HBO Max), and you can watch him at the aforementioned Adele concert in the below video from Entertainment Tonight.

Louis C.K. And Dave Chappelle Getting Grammy Nominations Is Making People Wonder If Maybe ‘Cancel Culture’ Isn’t Real

It’s become fashionable, even profitable, to come out against what is known as “cancel culture.” Opponents to this practice, whose very existence is debatable, claim people, usually young progressives, destroy the lives of those who say or do things they problematic. Others argue it’s a fiction, invented by culture warlords to protect those who don’t want their controversial views called into question. So when Dave Chappelle, under fire for anti-trans comments, and Louis C.K., who confessed to multiple cases of sexual misconduct in 2017, wound up with Grammy nominations on Tuesday, some wondered if “cancel culture” was perhaps not as powerful, or as real, as some have claimed.

C.K., who’s been playing big shows again, wound up fêted with a Best Comedy Album nom for Sincerely Louis C.K. Meanwhile, fellow comic Chappelle received a nom not for comedy but for Best Spoken Word Album, for 8:46, which he released mid-pandemic, and which addressed the murder of George Floyd. That means he’ll be competing against no less than Barack Obama, for A Promised Land.

The two weren’t the only “cancelled” artists who wound up with Grammy nominations. Marilyn Manson, who’s facing sexual assault lawsuits from several women, wound up recognized for his work on Kanye West’s Donda. Kevin Hart, whose homophobic comments led to him withdrawing as host of the 2019 Oscars, will compete with C.K. for the comedy album Zero F***s Given.

Chappelle has not apologized for his anti-trans comments, which he’s made across numerous specials for Netflix. After his most recent controversial special, The Closer, dropped, he even told a roaring crowd, “If this is what being canceled is like, I love it.” Perhaps it was a joke on how “cancel culture” isn’t real, that it doesn’t destroy lives but make them stronger. Or perhaps he was just reveling in his infamy.

But when word broke out that C.K., Chappelle and other “cancelled” artists were being celebrated by a major awards body, some people on social media wondered if “cancel culture” was just a bunch of BS.

Some wondered why Chappelle was nominated but not Bo Burnham’s acclaimed Inside.

Others pointed to another “cancelled” celebrity who recently revealed good career news: alleged Lethal Weapon 5 director Mel Gibson.

Emily Ratajkowski Shared A Compelling Observation About Robin Thicke’s Now-Infamous Alleged Groping On The ‘Blurred Lines’ Set

Emily Ratajkowski recently threw down a convincing theory about how “only other men” are confused about Pete Davidson’s attractiveness in the eyes of women, and she’s here to level the field on a more serious subject. That would be her revelation (as published in her My Body memoir) that Robin Thicke groped her on the “Blurred Lines” set, an account that was backed up by video director Diane Martel, who cut the shoot short after the incident. Emily visited with Trevor Noah on The Daily Show, where she revealed what she’s gained in perspective from that experience.

Let’s just say that she likely did not set out to level Robin Thicke with her declaration, but that’s still part of the effect because her take is incredibly effective. She suspects that maybe Thicke felt powerless on the set (which was run by a female director and filled with women owning their sexuality, contrary to the song’s lyrics) and was acting out as a result. Yup, she said this, and Emily totally took the high road while responding to Noah’s question on how she views the experience through the lens of time:

“I think that I’m really not interested in blaming individuals. I think that we live in a culture that allows a lot of these situations to occur. [Not just in] professional settings but on dates. Again, not to beat the horse, but power dynamics is what I’m interested in talking about and really revealing because I think that, in some ways, maybe that was like an attempt at leveling the power for him, and I think we need to look at how many this culture if bad for both men and women.”

Again, Emily did not appear to set out with the intent of making Robin Thicke look like a disempowered presence on his own video set, but oh boy, that’s how it’s looking now. And it’s a powerful move on her part to make this observation, and it’s completely her prerogative to look at the situation as reflective of the whole culture. The entire The Daily Show interview is a fascinating one, and it began with Noah admitting, “This is one of the most interesting and complicated books I’ve read about the subject.”

From there, Emily discussed what empowerment really means and how our culture has commodified women. She sees this as extreme in society, to the point where the OnlyFans back-and-forth on whether to ban explicit material was a way for someone to attempt to take power from those women. She compares that situation to the “Blurred Lines” video, and she further says, “Every woman can relate to the experience of getting dressed and knowing, you know, sort of the negotiation of how tight to I want my shirt to be? How, you know, much do I want to cover up?” Emily Ratajkowski gets it.

William Shatner’s Late 1970s Rendition Of Elton John’s ‘Rocketman’ Is Finding New Life After He Blasted Into Space

“And I think it’s gonna be a long, long time” could be a way to describe William Shatner’s wait to actually head into space (at age 90) after his (for all practical purposes) lifelong run as forever Captain Kirk of Star Trek fame. And on this fine Wednesday morning, William Shatner actually made good on his reputation by blasting into space (for real) on Amazon founder Jeff Bezos’ anatomically-shaped rocket. The pop-culture institution and three other passengers finally ended up on the New Shepard vessel, in which they glided into the very edge of space before making a safe touchdown on planet Earth.

Following Shatner’s return to civilization, CNN reports that he grew very emotional after his sub-orbital journey (which included a few minutes of weightlessness). He told Jeff Bezos, “What you have given me is the most profound experience I can imagine.” And it seems that Shatner fans, as well, are feeling similarly. In fact, this day has seen Shatner’s late 1970s Saturn Awards rendition of Elton John’s “Rocketman” go viral. Decades later, the clip’s still as funny and bizarre as ever while featuring a smoking, tuxedo-adorned Shatner — multiple versions of him, even — doing the spoken-word thing. Can we consider this “singing”? Probably not. “Dancing,” though? For sure.

The clip began to heavily circulate during blast-off time, and for good reason.

Congrats to William Shatner, and welcome back to civilization.