Grammy-nominated R&B sensation Paperboy Fabe is back with a soul-stirring single that’s bound to find its way onto your spring and summer playlists. Titled “Hundred Million Reasons,” this track sees Fabe teaming up with the velvety vocals of Pink Sweat$ to deliver a mesmerizing musical experience. At its core, “Hundred Million Reasons” is a heartfelt exploration of the complexities of love and loyalty in relationships. Pink Sweat$ pours his soul into the lyrics, expressing a commitment to his partner despite the countless obstacles in their path. It’s a reminder of the enduring power of love, even in the face of adversity.
But the magic doesn’t stop there. Accompanying the heartfelt lyrics is a visually stunning music video directed by the talented Alexis Rivera. Moreover, Rivera’s keen eye for cinematography and storytelling shines through as she uses color and fluid tracking shots to evoke raw emotions from the characters. Drawing inspiration from iconic music videos of the early 2000s and the film Crash, Rivera takes viewers on a journey through the highs and lows of a relationship, exploring the multitude of reasons that shape our decisions to stay or leave.
This release marks another milestone in Fabe’s illustrious career as both a producer and artist. With notable contributions to Brent Faiyaz’s discography, Fabe has established himself as a powerhouse in the R&B scene. Now, with “Hundred Million Reasons,” he’s stepping into the spotlight, ready to share his own story with the world. But this is just the beginning. Fabe has big plans for the future, with a debut solo project slated for release later this year.
Moreover, as he continues to push the boundaries of contemporary R&B, Fabe is poised to leave an indelible mark on the music industry. So, if you’re ready to be swept away by the soulful sounds of Paperboy Fabe and Pink Sweat$, look no further than “Hundred Million Reasons.” Stream it now and get ready to be captivated.
Quoteable lyrics:
See, I got a hundred million reasons Why I should, why I should go A hundred million reasons But you keep pullin’ on my soul A hundred million reasons, reasons A hundrеd million reasons Why I should leave, but I don’t
There are a lot of talented R&B artists going today. Undoubtedly, one of the biggest fan-favorites in the modern era is PARTYNEXTDOOR. The OVO Sound signee has been delivering wavy, vibey, and standout sexy tracks for just a little over 11 years now. He is best known for his self-titled series that kicked off his career and were his first three releases. Soon, PARTYNEXTDOOR will be dropping the fourth installment and to prepare for it he is back with “Real Woman.”
Since 2020, PARTYNEXTDOOR has been fairly quiet from dropping new music. The Toronto native revealed why that has been the case in a recent interview with Billboard. “I get into relationships and then music becomes second. I think I’m going to take a break from relationships, a long break, and just get back to making music.”
He also went on to mention his onstage anxieties and not using everything he has learned about making quality music to the best of his abilities. But PARTYNEXTDOOR is gearing up for a major return with “Real Woman (R e a l W o m a n).” On this track, which is looking like the third single for PARTYNEXTDOOR 4, he is singing about a love interest he sees a true future with. His stunning and sensual vocals are always a treat, and hopefully we get the album on April 26.
What are your thoughts on this brand-new single, “Real Woman,” by PARTYNEXTDOOR? Is this one of his strongest tracks in recent memory, why or why not? What is your favorite element of the song and why? Do you think we are getting his next album in April? Who do you want to see on the record? We would like to hear what you have to say, so be sure to leave your takes in the comments section. Additionally, always keep it locked in with HNHH for all of the latest news surrounding PARTYNEXTDOOR. Finally, stay with us for everything the most informative song posts throughout the week.
Quotable Lyrics:
Last night we were sipping Henny and now we’re doing deals Tomorrow we will be hungover but hanging here (Baby) Life is good, the worst is over now I bet Love ain’t never made mo more sense than right now Ok it’s 4 AM and I’m about to turn these lights down But first I’m about to tell you how I’m, proud
Ariana Grande’s eternal sunshine shows that she knows heartbreak quite well. In the same vein, she learned to allow her aching pain to metamorphose into sugary pop and R&B pieces of confectionery. On the chart-topping 2018 single “thank u, next,” Grande held out hope for a forever love but still entertained feelings of doubt. “God forbid something happens… Least this song is a smash,” she sang, tiptoeing between consternation and temerity. Five years later, the worst had happened.
But on eternal sunshine, her seventh album, Ariana Grande deals with her latest heartbreak and everything surrounding it rather ruefully. It’s evident that the pop sensation’s emotions are heightened, but in an almost vampiric sense, she’s venturing back into the night. Her latest album is a diary entry projected to the world on the template of her overwhelming success. The verdict? She sees and hears what you’re all saying, but she stopped giving a damn a long time ago. If anything, eternal sunshine is Ariana Grande’s reminder to the world that she won’t stop putting herself first.
Since 2018, Ariana Grande has repeatedly made herself clear about rising above negativity. The pipeline from “no tears left to cry” to “yes, and?” is laced with several IDGAF prompts. As with most child stars, growing up under the intense scrutiny of the public eye can have detrimental effects. However, Grande has chosen herself, resulting in some of the most vulnerable music in her catalog. On eternal sunshine, she continues the trend of returning the middle finger to her naysayers. However, this time, it’s with more sleek cheekiness, because now the joke’s on everyone else.
Eternal Sunshine Is Woeful Pop At Its Sexiest
A master of cheerful cheerlessness, Grande is a definitive lyricist. Post-divorce, her words prove a lack of malice, choosing the amicable exit from her ex-husband. The culmination of her feelings has left her shaky, but not unsure of her decision. Indeed, the obvious subjects of eternal sunshine are her past and present loves. While the latter offers a glimmer of hope, there’s a melancholy attached to the references to the former.
Tracks like “bye,” “i wish i hated you,” and “we can’t be friends” are lyrically on the nose. However, it’s on the latter that her bleeding heart is loudest. Moreover, it’s the delivery that drives home Grande’s point. Regardless of her breakup, which she saw coming, there’s no hate involved. “we can’t be friends” also has the privilege of being the artist’s second single.
The music video borrows from the movie Eternal Sunshine Of The Spotless Mind. In it, Grande attempts to let go of the memories of her lost love. It’s one of the most vulnerable moments in her musical career. But the summary remains: It’s over.
Indeed, the soft ballads are a worthwhile addition to the album’s overall cohesion. But Grande’s no-nonsense lyricism is her greatest contribution to eternal sunshine. “the boy is mine,” which interpolates the classic song of the same name, is the perfect example. Everyone can remember how the news of her new beau rocked the media. As a result, Grande was labeled everything, from “homewrecker,” to “not a girl’s girl.”
While she has since shared that the allegations are, in fact, false, her music takes a rougher approach. In “the boy is mine,” she’s conflicted in her emotions. But that won’t stop her from giving the man in her sights a try. Overall, Grande’s excited; almost addicted to what’s right in front of her, and she’s going all in. The track may not spend 11 weeks atop the Hot 100 as Brandy and Monica did. But “the boy is mine” is the sharpest, wittiest song on eternal sunshine, and where Grande shines brightest.
Chasing Imperfect Perfection
Altogether, eternal sunshine is a serious improvement over 2020’s positions. This is why it’s rather bittersweet that heartbreak and controversy bring out the deepest parts of the pop star. Ariana Grande is moving on from the weight of her past and in a cheeky, powerful fashion. Despite her newfound romance, she’s still madly in love with herself.
That’s what makes eternal sunshine some of her boldest, rawest, most authentic work. R&B and pop sit side by side with experimental Scandi-inspired music. Through the use of synthesizers and electronic influences, Grande sounds even more otherworldly, letting the music guide her crisp vocals, and not the other way around. Surely, the star is still evolving.
Rappers are spoiled these days when it comes to having options for a R&B feature. Artists like The Weeknd, Sampha, Summer Walker, SZA, and 6LACK, are just a handful of terrific selections. They can really transform and elevate the listening experience of any track and we have it seen it happen time and time again. Another name that needs to be added to that never-ending list is Fridayy, especially after his new single “Without You.”
He is of Haitian and American descent who is from Pennsylvania. He is not a rookie on the site by any means. However, he certainly does not get the same shine and appreciation for his work. He is a master when it comes to blending hip-hop, R&B, gospel, and Afrobeats. “Without You” sees Fridayy take elements of the second and the latter.
On his first solo record of the year, he pens a song about his deep love and connection he has with a woman. He feels incomplete without her, but she is giving him some confusing signs as well. You truly feel his heart breaking a little bit, especially with his patented baritone delivery. Be sure to check out Fridayy’s latest offering above, you will not be let down.
What are your thoughts on this brand-new single, “Without You,” by Fridayy? Is this one of his better songs as of late, why or why not? Is he one of the stronger options for a guest singer on a rap song? What is your favorite element of the track and why? We would like to hear what you have to say, so be sure to leave your takes in the comments section. Additionally, always keep it locked in with HNHH for all of the latest news surrounding Fridayy. Finally, stay with us for the most informative song posts throughout the week.
Quotable Lyrics:
One last time, I get to see your face (Yeah) Knowin’ you won’t take your love away (Yeah) Lookin’ over your body, tellin’ you to give me a sign Standin’ right here, waitin’ on you to open your eyes Oh, could this be the last time that I get to hold your hand? I’m breakin’ down, I hear you tellin’ me to be a man
West coast singer-songwriter Allyn has teamed up with BlueBucksClan for her latest single “Flood.” Hailing from Sacramento, Allyn wanted to infuse her track with a distinct west coast vibe, evident in the choice of beats and overall sound. The song is an R&B track with an infectious beat & definitely is something listeners can have on repeat. Inspired by the desire to achieve success on all fronts, “Flood” embodies the notion of making it rain not just in the strip club, but in every aspect of life until it’s flooding with abundance.
Moreover, the collaboration with BlueBucksClan adds an extra layer of energy to the song. This creates a dynamic and captivating listening experience from start to finish. BlueBucksClan delivers a heavy-hitting verse as well, complimenting the track overall. In a statement to HNHH, Allyn shared the inspiration behind “Flood” and what she hopes audiences will take away from listening to the track. “Flood was originally inspired by the idea of making it rain in the strip club,” she explained. “But for me, it goes beyond that. I aspire to be so successful that I’m making it rain in every aspect of life to the point it’s flooding.”
With its catchy melody, “Flood” is a song that’s meant to be enjoyed and danced to. However, Allyn also wants listeners to dive deeper and find inspiration in its lyrics. “I want people to be able to vibe to the song and have fun. The beat makes you move,” she said. “But I really want people to listen to this song and feel like they’re able to ‘make it rain’ in any aspect of their lives.” Moreover, “Flood” is more than just a party anthem—it’s a testament to resilience, ambition, and the relentless pursuit of success. Moreover, through her music, Allyn encourages listeners to embrace their dreams and strive for greatness, knowing that with determination and hard work, they too can make it rain in their own lives.
Furthermore, as “Flood” makes its way onto airwaves and streaming platforms, audiences are sure to be captivated by Allyn’s infectious energy and undeniable talent. In addition, the Los Angeles-based musician continues to showcase her multi-faceted talents with this track. It’s clear to see the hard work and passion that has been put into her career thus far. Let us know what you think of “Flood,” on HNHH!
Quoteable Lyrics:
Cause I’m on a mission I ain’t slippin’, I ain’t switchin I ain’t lettin’ up All this money raining F**ked around and caused a flood
Sesame Street is an iconic kids’ show, and over the years, many R&B singers have made guest appearances. The educational series premiered decades ago, in 1969, and has since become a staple of children’s TV. Presently, with 53 seasons and counting, it is one of the longest-running shows in the world. SZA recently revealed that she has been on the set of Sesame Street and will be appearing on-screen with the muppets. While it is unknown when her episode will air, fans are definitely waiting in anticipation. Here are seven other R&B singers who have appeared on Sesame Street over the years.
Patti LaBelle
Without a doubt, Patti LaBelle is one of the greatest R&B singers to ever perform on Sesame Street. The powerhouse vocalist and Godmother of Soul has had multiple guest appearances on the show. In 1984, she made her debut appearance when she performed “Oh, How I Miss My X” on episode 2168 of the show. Subsequently, she appeared again in 1986, twice in 1990, and a handful of other times. However, arguably her most beloved showing was in 1999 when she performed “The Alphabet Song” with the muppets. With her unmistakable voice and dynamic performance style, LaBelle transformed the familiar tune into a soulful anthem.
Stevie Wonder
Another legendary guest on Sesame Street, Stevie Wonder, is an inspiration to R&B singers everywhere. He made a guest appearance on episode 514, which aired on April 13, 1973. While it’s been over five decades since, Stevie’s appearance on the show is still etched in the memories of fans young and old. In the episode, he sings “123 Sesame Street,” teaches Grover how to sing, and performs his hit song, “Superstition.” Altogether, it was a delectable treat to experience the singer’s unparalleled talent on Sesame Street.
Soon after winning his Academy Award for Best Actor in 2005, Jamie Foxx shared a screen with Elmo and the muppets. He is among a crop of super-talented R&B singers who have appeared on Sesame Street. However, he is also a very accomplished actor as well. His first appearance was in episode 4111, in which he sang the alphabet. Subsequently, he also appeared in the Sesame Street holiday special, Elmo’s Christmas Countdown. It aired on December 23, 2007, and Foxx performed a “Nutcracker” medley, which he wrote specifically for the special.
Jill Scott
Three-time Grammy Award winner Jill Scott is a highly celebrated figure in R&B. She appeared on the children’s TV show in 2002, specifically in the first episode of season 33. Like the aforementioned R&B singers who appeared on Sesame Street, Jill Scott also gave a very memorable performance. While her time on the episode is relatively short, it is one of its highlights. Scott, joined by a chorus of muppets, beautifully sings “We Are All Earthlings.” Scott’s soulful rendition of the song resonated with viewers of all ages and continues to do so.
John Legend’s first guest appearance on Sesame Street was in the premiere episode of season 37. On episode 4109, which aired on August 14, 2006, he sang “It Feels Good When You Sing a Song” with Hoots the Owl. Subsequently, he made another guest appearance on episode 4130, one of the later episodes of season 37. In that episode, he performed “Hello Little One.” Later, in February 2018, the singer returned to Sesame Street on episode 4814, where he performed “Come Together” with the muppets. Soon after, Legend achieved an EGOT, becoming one of the most accomplished R&B singers to ever appear on Sesame Street.
Destiny’s Child
Regarded as one of the greatest girl groups of all time, Destiny’s Child’s appearance on Sesame Street was an iconic event. The Grammy-winning trio featured in episode 3984, performing “A New Way to Walk” with Grover, Elmo, and Zoe. It’s a fun rendition with a dance routine that encourages viewers to get up and move. Accordingly, the group’s infectious enthusiasm and catchy lyrics made the song an instant hit among fans.
India.Arie
Another icon among R&B singers, India.Arie, appeared on Sesame Street way back in 2005. The four-time Grammy winner was featured on episode 4100 of the children’s show, which aired on June 20, 2005. While it remains India.Arie’s sole appearance on the Sesame Street show to date is very memorable. The singer, backed up by Elmo, gave a soulful and lush performance of “The Alphabet Song.” India.Arie also has a short appearance in the Sesame Street direct-to-video release, Happy Healthy Monsters. In the home video, the singer performs “Jumping J.”
Bobby V recently went viral for his recent performance, although it’s unfortunately not for the talent he exhibited during it. Rather, it’s actually for his exposed hips, since many fans noticed that he apparently wasn’t wearing underwear beneath his jeans, and proceeded to clown him online. “It might look good in person,” one fan joked of the Millennium Tour participant. “Freeballin jeans gotta be a incarcerationable offense,” another added, with a particularly cheeky fan referencing another fashionably provocative celebrity. “He got the low rise Britney Spears joints on lol,” they wrote, with a user providing the best possible pun around this. “Bobby just wanted to show yall his V.”
Furthermore, apart from this performance, Bobby V is pretty low-key and under the radar these days, which must feel nice. After all, even the happiest or most successful celebrity in the world can’t keep up with so much attention all the time. Regardless, he is still moving his career forward and making the best out of it, with some potential opportunities on the horizon. For example, Ray J said last year that he wants a Verzuz rematch with Bobby Valentino, Sammie, and Pleasure P.
“Listen, everybody talking ’bout their get back on Verzuz. I want my get back,” Ray J shared on Instagram. “You know what I’m saying? Can I get my get back, Sammie? Can I get my get back, P? Even [Bobby V], you switched sides fam. When I looked back you was on they side. I know ya’ll all from the A but God damn, we supposed to be a team. Ya’ll back there singing my songs and s**t, throwing me off.
“I over-rehearsed, you know?” he continued. “I learned from what I did wrong and I want my get back, too. Can ya’ll run me my get back? I’m ready to get back right now. Were we at? I done drank my tea. Pops done got me right. You feel what I’m saying? Brandy got me strong mentally. What ya’ll n***as want to do? Run it back. FORGET THE GROUP RIGHT NOW!! Run it back!! @sammiealways @bobbyvshow @pleasurep — @officialrsvp – @verzuztv — What yall think??” For more news and the latest updates on Bobby V, keep checking in with HNHH.
Multi-cultural R&B singer Erika de Casier is an extremely underrated artist in the R&B space. She has a serene and entrancing voice that can fit over pretty much any instrumental you throw her way. Born in Portugal to a Belgian mother, the soon-to-be 25-year-old artist is back with a new project that sees her attack that very challenge. Still is Erika de Casier’s first record since 2021’s Sensational.
She got this project out in late February, but we still wanted to give it a listen. We are sure glad we did, as there are plenty of fun and beautiful songs that add so much diversity to the tracklist. Speaking of which, there are 14 cuts to be heard on this one, making it her longest to date. Features include They Hate Change, Shygirl, and Blood Orange.
As we mentioned, Erika is sensually singing on top of a wide range of instrumentals, many of which she had a hand in. Only herself, Natal Zaks, and Nick Leon are the producers on Still. That title may be a bit of an oxymoron, as Erika does not remain stuck with one type of production style. We highly encourage you check this one out ASAP.
What are your thoughts on this brand-new album, Still, by Erika de Casier? Is this her best project ever, why or why not? What songs are you gravitating toward and why? Who had the strongest feature performance and why? Is she the most underrated R&B artist going right now? We would like to hear what you have to say, so be sure to leave your takes in the comments section. Additionally, always keep it locked in with HNHH for all of the latest news surrounding Erika de Casier. Finally, stay with us for the most informative project posts throughout the week.
Chloe and Halle Bailey have built strong careers for themselves over the past couple of years. Both are multi-talented in their own way and it has led to some amazing defining moments for them. For example, Halle landed the starring role in the live-action remake of the beloved Disney film The Little Mermaid. For Chloe, she has been thriving in the modeling department. All the proof you need is her bevy of Instagram photo dumps that fans have been thirsting over. Today though, Chloe Bailey is ditching the cameras and bright lights for a new single called “FYS.”
This marks the soon-to-be 26-year-old’s first single since the fourth teaser to her debut album, In Pieces. The title track dropped nearly a year ago to the day, so it has been a long time coming for Chloe. She is another R&B songstress with a buttery smooth voice. For us, it is one that we enjoy hearing when we can.
The main message she is getting across on “FYS” or (F*** Your Status), is that Chloe wants to love the person and not what they own. She sums it perfectly, “So I wrote this song to be like “f*** your status,” it doesn’t matter because I have this on my own. So you having cars and you having money it doesn’t really matter… I just want to love you.” Chloe continues, “This song is really just about loving someone for who they are and not what they have or can give you monetarily wise.”
What are your thoughts on this brand-new single, “FYS,” by Chloe Bailey? Is this the best solo song release of her career, why or why not? What is your favorite element of the song and why? How long do you think we will have to wait for her sophomore album? We would like to hear what you have to say, so be sure to leave your takes in the comments section. Additionally, always keep it locked in with HNHH for all of the latest news surrounding Chloe Bailey. Finally, stay with us for the most informative song posts throughout the week.
Quotable Lyrics:
Feels so good like that (Like that) When you hit it right like that (Like that) Go another round for the night (For the night) Then three more times like that, like, “Woah” I know that you in love with the gyat (With the gyat) You squeezin’ so tight you can’t let go
Music has always been an ever-changing and evolving art form, with artists constantly pushing boundaries and redefining genres. R&B is a highly beloved genre, and many notable singers have found their voices within it. While it’s easy to stay in one’s comfort zone, acts are always willing to test the limits, and experiment extensively within a genre. However, some R&B icons go above and beyond, fearlessly crossing into other musical territories entirely. Beyoncé’s venture into country music is the latest example of such versatility.
From pop to rock, Hip Hop to reggae, many R&B idols have wholeheartedly embraced musical experimentation. In doing so, they have left an enduring imprint on the music industry by defying conventions. Here, we’ll shine a spotlight on some of these remarkable singers who have transcended the confines of R&B. With ambition and determination, they have made an impact far beyond the borders of their musical origins.
Beyoncé
Beyoncé, renowned for her powerful R&B vocals, is now widely regarded as a groundbreaking, visionary artist. Throughout her career, she has constantly experimented with genres, incorporating elements of pop, EDM, reggae, and even rock into her music. When it comes to versatility and range in regards to musical experimentation, not many R&B singers come close. Time after time, she has proven her ability to transcend genre limitations. The track “Hold Up,” from her Lemonade(2016) album, effortlessly combines reggae with elements of soul and rap. Likewise, her recent releases, “Texas Hold ‘Em” and “16 Carriages” are full-on country songs. Beyonce has shown herself most capable of holding her own in different music genres. The Queen Bey’s ability to slay in all these different territories needs to be studied.
Rihanna
Known for her distinct and versatile vocals, Rihanna seamlessly infuses various genres into her music. While she has not released music in a while, her reputation stands firm. Although she is primarily regarded as an R&B vocalist, she is one of a handful of singers who can succeed in many other genres. Throughout her musical career, Rih has been known to incorporate her Caribbean roots into her works. When she released “Man Down” in 2011, with its reggae and soulful vibes, it ushered in a new era in the singer’s career. Equally notable are her electrohouse collaborations with Calvin Harris, “This is What You Came For” and “We Found Love.” With her chart-topping hit, “Work,” Rihanna also explored dancehall music.
With a classical training in piano, Alicia Keys has always been an interesting and notable artist. Using the instrument as an extension of herself, she’s always brought a peculiar touch of elegance to R&B. Additionally, the singer’s ability to infuse soulful vocals with intricate piano arrangements truly sets her apart. However, Keys has also explored the territories of pop in several of her albums. These include The Element of Freedom(2009), Here (2014), and Alicia (2020). On Alicia, she went even further, experimenting with orchestral pop and reggae on tracks like “Love Looks Better” and “Wasted Energy.”
When it comes to an alternative approach to R&B and genre-blurring, Frank Ocean is among a handful of essential singers. His distinctive style of music incorporates a myriad of influences, allowing him to carve out a niche for himself. Ocean’s sophomore album Blonde (2016) contains elements of psychedelic pop and ambient pop in the tracks. Blonde is a testament to the singer’s ability to create a dreamy, genre-defying soundscape that resonates with a broad audience.
Kelly Rowland has an impressive solo catalog. Without a doubt, she is among the best R&B singers of her generation. Despite her reputation as an R&B vocalist, however, she has released various hit songs in other genres. Rowland went full-on EDM onhits like “When Love Takes Over” and “Commander.” She also experimented with dance-pop on the track “Work,” cementing her status as a genre-bending icon.
A stalwart in the R&B scene, Usher has successfully switched between genres various times with his music. He has worked on pop, EDM, and Afrobeats, among others. Tracks like “DJ Got Us Fallin’ In Love” and “OMG” demonstrate his ability to experiment with EDM elements. Looking 4 Myself (2012) remains his most experimental album with songs like “Can’t Stop, Won’t Stop” and “Numb.” On his most recent album, he incorporated Afrobeats into the track “Ruin,” and showcased his capacity to push genre boundaries.
Janet Jackson
The R&B and pop icon Janet Jackson has effortlessly navigated between genres throughout her career. She is celebrated alongside many other iconic R&B singers, and rightly so. However, unlike some R&B vocalists, Jackson has successfully crossed genre lines many times in her career. For example, with her album Rhythm Nation 1814 (1989), she played a crucial role in popularizing the New Jack Swing genre. She has also fearlessly experimented with funk, rock, and disco, among others. Some of her most experimental and celebrated tracks to date are “Black Cat,” “If,” and “Control.”
