Sage Harris Is Figuring It Out on His Own

Image via Complex Original
Image via Complex Original/Sid Naidu
 

Luckily, so far, so good. “Since I’ve been doing this my own way, things have been working out,” he says.

Spanning six smooth tracks, Figure It Out is Harris’ callout to others who are waiting to take the first steps to take charge of their futures. Having spent time thinking about music in places outside of Toronto, the diversity of opportunities has not only provided him with inspiration but also allowed him to network and also embrace growth as an artist. 

“Since I’ve been doing this my own way, things have been working out.”

L.A. is where he attended a songwriting boot camp with Georgia rapper Kap G, who features on the songs “Tell Somebody” and “Love in Atlanta.” “I pulled up and banged out like three or four records on the spot,” he says. “And then Kap G and I just kind of connected. I went to Atlanta, he showed me around, and everything was just very organic.”

Organic is also the word he uses to describe classic R&B hitmakers Jagged Edge, who he worked with last year on the track “Let Me Know.” Being independent and not having copious amounts of money laying around to clear a sample, he decided to flip one of their songs to create something new. And to his surprise, less than two days later he heard back from Brian Casey that things were a go. “I didn’t expect him to, you know, react like that,” he says.

Image via Complex Original/Sid Naidu

Although he has the Kap G, Jagged Edge and Preme collabs under his belt, that hasn’t stopped him from reflecting on who his dream collaborators would be. In the R&B world, there’s Brandy, but when it comes to Canadians, it’s the king of easy listening, none other than Michael Bublé, who he’s itching to work with. “Michael Bublé is like one of my biggest inspirations,” he recalls. “I listened to him as a kid, I love his tone,” he says.

Despite generally enjoying the musicians he’s been able to work with, Harris explains that his favourite song on the project, from which the EP takes its name, is the ’90s-sounding “Figure It Out.” This is because the track showcases how he operates when singing without any features, putting the focus on his songwriting and vocals.

Although music is always at the forefront for Harris, he has other things that keep him busy. Like most artists, when the pandemic hit, it forced musicians to slam the brakes on touring, releasing music and more. But for Harris, he was feeling it doubly with his other business venture, Saturday Life Barbershop. The Scarborough-based shop was forced to temporarily close when COVID-19 cases soared across Ontario, and Harris recalls the toll the situation took.

“I want this body of work to be a reflection of the risks that I took in order to get this done.”

“It [was] honestly very stressful, the reason being [that] there’s still the operational costs of running a business,” he says. “That whole process with it being closed was like a horror movie in itself and… there were so many times where I was I just like, ‘OK, let’s just let the shop go. We can’t hold on to anymore.’ [But then] I was like, ‘No, I can’t do that. [I’ve] got to do it for the people. I’ve got a point to prove.’ So yeah, it was very hard.

 

Image via Complex Original/Sid Naidu

It’s the adage of not being able to have a rainbow without a bit of rain that feels applicable—the barbershop functions as a way for him to be able to focus on music, which he’s able to do right now. And although music is top of mind, for anyone listening to Figure It Out, Harris hopes people take away more than some catchy new songs. Specifically, he wants people to know that despite setbacks, being independent “allows you to be free to move at your own pace.”

“There are obviously risks, but I want this body of work to be a reflection of the risks that I took in order to get this done,” he explains. “And [it’s] a sign of success because what the project has already done so far with the first three singles has done has surpassed a lot of expectations. And, you know, I don’t mean to sound cocky, but the project so far, with the first few singles, has done better than singles that have been released around the same time from artists [on] labels, and we’ve done it independently.”

Image via Complex Original/Sid Naidu

With that said, it’s Harris’ hope to be an “inspirational beacon” for those who might think there is only one path to putting your music out in the world. And anyone who listens to Figure It Out, can tell he’s put time and energy into crafting something that is sleek, sultry and, at times, incredibly danceable, proving that he’s accomplished exactly what it is that he set out to do.

With the EP finished, Harris is keeping his attention on the future of Saturday Life Records, which he says stands for is living every day like a Saturday. Basically, it means to “work hard, and play hard.” He’s also already looking ahead to what’s next. “I’m releasing 20 songs this year,” he says.

Creative Director / Producer: Alex Narvaez
Photographer: Sid Naidu
Photo Assistant: Ferdi Orlain
Production Manager: Jessica Campbell
Production Coordinator: Kylie Laus
Artist Management: Justin Tornato
A&R: Frank Vinata
Studio: Kontra Connect Inc.

David Byrne And Mitski’s ‘Everything Everywhere All At Once’ Song Gets The Multiverse Treatment

If you haven’t seen A24’s mind-blowing multiversal adventure Everything Everywhere All At Once, don’t worry: Somewhere out there, there’s a version of you that has, and they enjoyed it immensely. To celebrate the film’s unexpected success — it’s got a near-perfect 97 percent on Rotten Tomatoes, and has reduced plenty of packed houses to tears while becoming a box office smash — A24 has shared a “musical multi-verse microsite” bearing a reimagining of “This Is A Life,” the film’s unofficial theme song by David Byrne, Mitski, and Son Lux.

Powered by AI company Bronze, the new site reflects the film’s theme of how a singular entity can exist in infinite parallel realities. The machine learning behind the site changes the song subtly — or dramatically — on each listening, resulting in a completely new experience every time. For instance, the first time I hit play, the song started strong with David Byrne’s vocals first. The second time, it was very downbeat, leading with Mitski’s voice. Meanwhile, in future listenings, it could be all instrumental, or the instruments could change arrangements.

Unfortunately, there’s no telling which version is from the universe with the hot dog fingers (again, go see the movie). But being able to imagine that there are infinite universes where the song sounds different in each one is a cool way to connect the already enigmatic and enjoyable soundtrack with the high-low concept of the film it accompanies.

You can listen to the original version of the song above and check out the microsite here.

Travis Scott Books His First Headlining Festival Set Since The Astroworld Disaster

It looks like Travis Scott’s unofficial exile is finally ending this autumn. Brazilian festival Primavera Sound has released its inaugural 2022 Sao Paulo lineup, which features Travis as its Sunday headliner alongside Australian pop star Lorde. They’ll top a roster that includes Arca, Charli XCX, Father John Misty, Phoebe Bridgers, Caroline Polachek, Japanese Breakfast, Jpegmafia, and Raveena.

Also appearing on the flyer are Arctic Monkeys and Bjork, who will headline the Saturday lineup including Beach House, Interpol, Mitski, Helado Negro, and a slew of Brazilian acts. The São Paulo-based festival is booked for the weekend of November 5-6 at Distrito Anhembi. Tickets go on sale beginning today at noon local time. You can find more information here.

primavera sound sao paulo 2022
Primavera Sound

Travis Scott hasn’t performed on a festival stage since his November Astroword Festival, where a crowd crush caused the deaths of 10 people, including a 14-year-old boy. Travis was subsequently removed as the headliner of multiple festivals including Day N Vegas and Coachella, and was sued alongside festival organizers Live Nation by nearly 3,000 victims, which will continue as a single combined case.

Although Travis was removed as an official Coachella performer, he still made appearances at parties nearby and promoted his upcoming album, Utopia, with billboards along the freeway to Indio, California. He’s also launched a project donating to community-based initiatives, although some victims’ families denounced his announcement as a PR stunt.

Drake Has Been Dropped From A Lawsuit Against Chris Brown Over ‘No Guidance’

Good news for Drake: The Toronto rapper/singer has been dropped from a lawsuit against Chris Brown over their 2019 collaboration “No Guidance,” according to Billboard. The two former foes were sued in October by a pair of songwriters, Mr. Cooper and Drum’n Skillz, who claimed “No Guidance” sounded like their 2016 song, “I Love Your Dress.” The plaintiffs also claimed that a line in “No Guidance” is a subliminal reference to Cooper; in his verse, Drake rhymes, “Flew the coop at 17, no guidance / You be stayin’ low but you know what the vibes is.”

The two stars have asked a judge to dismiss the case, but on Tuesday this week, Cooper and Drum’n Skillz (real names Braindon Cooper and Timothy Valentine) voluntarily moved to dismiss claims against Drake, leaving Brown and Sony Music as the defendants.

In their initial response to the lawsuit, Brown and Drake’s effectively said that Cooper and Valentine were too obscure for them to have ever heard their song. Meanwhile, the plaintiffs fired back, writing, “This argument – essentially that defendants are somehow immune from copyright infringement claims by individuals who are not as famous as they are – is both egotistical and without any legal basis whatsoever. Undoubtedly, regardless of their fame and status, defendants may be, and should be, held accountable for their infringement.”

The suit still must go before a judge, who will decide whether to dismiss the claim or proceed toward a jury trial.

Future Teases A Scorching Collaboration With Kanye West Ahead Of His New Album

Future is days away from dropping his 9th studio album I Never Liked You. Ahead of the hotly anticipated release, he has shared a snippet of a collaboration with Kanye West.

“Cross me so much I got nails in my hand/ City on fire, city on fire, city on fire,” raps Ye over a scorching trap beat, before Future jumps in, rapping “Cookin’ out the bowl, tryna scrape out the paint/ One day I was high, had to pour the whole pint/ Woke up in the sky, same money from the bank/ I’ll take it wrapped in plastic, accept anything.”

The track originally appeared on Kanye West’s 10th studio album Donda 2 under the title “Keep It Burning,” however, was later removed from the stem player. It is unclear as to whether or not the song has since been renamed, or if Future or Ye have made any significant changes to the song’s production or lyrics. Future was Donda 2‘s executive producer.

Earlier this month, Future recalled working with Ye during the early stages of his career in an interview with GQ.

“Me and Kanye always had a relationship,” Future said. “But it’s hard for people to understand because I don’t put everything on Instagram. Kanye flew me to Paris in 2011 or 2012 to work on music. [Discussing] his clothing line before it came, his shoe business before it came. People don’t know I’ve been able to go to his house and pull up right into the crib. We just never talked about it.”

I Never Liked You is due 4/29 via Freebandz/Epic.

It Looks Like Even Twitter Jail Can’t Keep Azealia Banks Off Twitter Now That Elon Musk Is Buying It

In 2020, controversial rapper Azealia Banks had her Twitter account suspended. It was after a slew of transphobic tweets, which were nothing out of the sort for her. It was also not her first time being suspended; she was known for getting into fights with stars like Lana Del Rey and others.

Well, now that Elon Musk has acquired Twitter and all hell has been breaking loose on the bird app, Banks has made another Twitter account. She shared this news on her Instagram, posting her new handle @Azealiaishere with the caption: “Oh girlssssssssss lmao we are in this b*tch.” She’s yet to make a tweet yet, but surely she’ll be wreaking havoc soon.

Despite Banks’ chaos, the “212” rapper used Instagram to condemn Kanye West’s actions in February: “Y’all are making way too many excuses for Kanye. This is the second time he has publicly bullied North West. First with the abortion sh*t, and now putting her on blast on his Instagram page as if she’s some sort of criminal.” She continued, “Kanye had no problem with that magazine cover where North had on a f*cking belly top and purple eyeliner with her little buds showing thru the shirt, he thought it was fashion. You all said nothing.”

Kanye West’s King Crimson Sample On ‘Power’ Sparks A Lawsuit

Lawsuits over samples in music seem to be filed all the time. Usually, though, the reason for them tends to be related to the sampled work not being properly credited. However, that’s not the case with the latest lawsuit Kanye West faces, from Declan Colgan Music Ltd (DCM). The suit is regarding West’s sample of King Crimson’s “21st Century Schizoid Man” on his 2010 song “Power.”

Variety reports DCM (which owns the mechanical rights to the King Crimson song, is suing Universal Music Group (UMG) due to payment issues with West’s “Power.” The suit claims the label has been underpaying on streaming royalties. DCM is seeking all sums due along with interest.

After Ye sampled the song without a license, DCM and UMG came to an agreement, allowing West to sample the song in exchange for a 5.33-percent royalty on each copy of “Power” that was sold or “otherwise exploited.” Per the agreement, UMG had to pay a royalty on the same terms West receives royalties from the track.

The lawsuit claims UMG “has failed, and continues to fail, to comply with its royalty accounting obligations in respect of one mode of exploitation, namely the making available of the Power [r]ecording to consumers through so-called ‘streaming’ services.”

So, DCM argues UMG should be paying streaming royalties based on what the sums would be if those streams had instead been physical CD sales, per the royalty agreement. Instead, DCM alleges UMG has been paying a lower amount, being the percentage of what they actually receive per stream.

Lil Shordie Scott’s ‘Rocking A Cardigan In Atlanta’ Just Got An Offset Remix And A Cardi B Shoutout

Sometimes all it takes to get your song noticed is a tweet from Cardi B. Well, it’s not like Lil Shordie Scott didn’t already have a pretty sharp single out with his Cardi B-referencing “Rocking A Cardigan In Atlanta,” but once Cardi herself is acknowledging the song on social media, and her husband Offset is jumping on the remix, things start happening fast.

Three months ago, the Atlanta rapper uploaded his “Rocking A Cardigan In Atlanta” song to Youtube, and it’s racked up about two and a half million views since then. The song starts off with what Scott himself describes as a long intro, where three friends debate what celebrity they’d most like to take a photo with. Doja Cat and Rihanna are both thrown out as ideas, but Scott is set on Cardi B, who he thinks has a great “big sister” vibe. Then, the home video vibes of the clip shift to a drip genie rather magically making his way to their hang, and setting Scott up with a fresh cardigan. That’s when the song kicks in, and well, it was enough to catch the attention of Offset and Cardi.

Check out the original video below, and the remix with Offset up top.

For his part, Scott is pretty excited to get that Cardi B acknowledgement:

Congrats Shordie, this might well be the beginning of a viral hit, and even if it isn’t, having the subject of your song acknowledge it is still a huge win.

Machine Gun Kelly Says He’s Pivoting Back To Rap And Explains Why

A few years ago, Machine Gun Kelly decided to give pop-punk music a try, shying away from the rap that made him famous. On a commercial level, that turned out to be a terrific idea, as MGK’s two rock albums, 2020’s Tickets To My Downfall and last year’s Mainstream Sellout, where his first ones to go No. 1 in the US. He’s apparently not done with rap yet, though, as he’s now saying he wants to get back to making that type of music.

In a new Audacy Music interview (as Rap-Up points out), Kelly said of what’s next for him:

“I’m going to make a rap album for myself, for no other reason, no point to prove, no chip on my shoulder. If I keep doing things to prove things to people, I’m going to one: drive myself crazy, and two: not make a good product. I made Tickets and Mainstream Sellout because I wanted to make them. I need to now also make people miss that sound. […] I’m going to do this tour and I’m gonna step into where I left Hotel Diablo and expand on my storytelling as a rapper and find a new innovative sound for the hip-hop Machine Gun Kelly. That’s where my excitement is and where me as a music archaeologist wants to explore.”

While pop-punk has brought Kelly his biggest commercial success, he wasn’t exactly slouching in his early rap days: All of his albums were top-5 on the charts, save for 2017’s Bloom, which peaked at a respectable No. 8. Bloom, however, yielded Kelly’s biggest hit song, as the Camila Cabello collaboration “Bad Things” peaked at No. 4 on the Billboard Hot 100, making it his only top-5 (or even top-10) single.

Watch the interview above.

Rolling Loud Is Going To Toronto With Dave, Future, And Wizkid Headlining

Rolling Loud, the traveling rap festival with roots in Miami and branches in Los Angeles, New York, and Portugal, has set its sights on Toronto. The Great White North’s upcoming iteration of Rolling Loud is booked for the weekend of September 9-11 at Ontario Place with headliners Dave, Future, and Wizkid. This marks the first time the festival will be headlined by mostly international artists (not including its Portugal events, where technically all the Americans were the imports), with Dave representing the UK (y’know, England) and Wizkid bringing Nigerian flair.

Further down the bill, fans will recognize some familiar names, including Rolling Loud mainstays like A Boogie Wit Da Hoodie, Central Cee, Lil Uzi Vert, Migos, Nav, Rae Sremmurd, Roddy Ricch, Ski Mask The Slump God, and $NOT, while the new international outlook includes upstarts like AJ Tracey, Baka Not Nice, Haviah Mighty, Pressa, Rema, and Smiley.

Tickets for the festival go on sale this Friday, April 29, with the presale beginning Wednesday, April 27, with American Express cardholders getting their own presale on Thursday. For more info, you can check out the official Rolling Loud website: RollingLoud.com/toronto

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.