Travis Scott is one of the best artists in the world, and that has not changed over the past five years. Since the release of Astroworld, fans have been waiting for his follow-up. Although UTOPIA has been teased numerous times, nothing has dropped. However, there are reports that the album could be released sometime this summer. Ultimately, Scott has yet to confirm anything, which has left his fans in absolute shambles. Once he does drop the album, we’re sure all will be right in the world.
Luckily, Travis Scott is still keeping busy through different avenues. For instance, fans absolutely adore his work with Jordan Brand. Over the past two years specifically, he has worked a lot on the Air Jordan 1 Low. We have seen an abundance of colorways from this silhouette, and as it turns out, Scott isn’t done just yet. The next colorway on his list is this women’s model below, simply called “Olive.” Overall, it is a nice neutral color scheme that features an aesthetic we have seen before from Travis.
Travis Scott x Jumpman
As you can see in the official images above and below, this is a shoe that contains everything you need from a Travis Scott offering. Firstly, the sneaker begins with some black on the toe box, tongue, and side panels. Secondly, we get white overlays all throughout the shoe that help bolster the darker tones. Lastly, the shoe features on olive backward Nike swoosh. This is then complemented by an olive outsole that contributes to the overall aesthetic of the sneaker. Once again, Jumpman and Travis Scott have knocked these out of the park.
In terms of the release date, fans who want these will be able to cop a pair as of April 26th for $150 USD. These will be hard to grab, however, GOAT and Flight Club will have you covered if you need a pair. As always, be sure to let us know what you think of these kicks, in the comments section below. Additionally, you can stay tuned to HNHH for the latest news and updates from around the sneaker world.
Dennis Rodman is one of the most beloved former athletes out there. Overall, he is someone that has a very interesting personality. From his days as an ambassador to North Korea to his unique commentary on basketball, Rodman is a treasure. Although, there is no denying that sometimes, his delivery can rub people the wrong way. At the end of the day, Dennis Rodman is unapologetically himself, and you either love him or hate him for it. No matter what, his contributions to The Last Dance were simply amazing.
If you know anything about Rodman and his history as an athlete, you know he had his own shoe at one point. This sneaker was called the Nike Air Darwin which featured a chunky design. Overall, these designs were all the range back in the day, especially in 1994 when these debuted. In fact, the sneaker was known for having a backward swoosh near the back heel. Ultimately, it was a nice nod to his off-kilter personality. Subsequently, decades later, Travis Scott came through with a backward swoosh of his very own.
Dennis Rodman Jokes Around
As it turns out, Rodman has taken notice of Scott’s design. According to TMZ, Rodman was at a Got Sole event in Chicago where a fan came up to him with a pair of Travis Scott Air Jordan 1s. Consequently, Rodman couldn’t help but let people know that he was the true originator of this aesthetic. The former Bulls superstar looked at the camera and asked Scott to give him some credit. Mostly, Rodman didn’t seem too pressed about it all. However, he did want to make it be known that he came up with the concept first.
Overall, it is clear that Travis’ shoe has had a lot more impact than Rodman’s. As unfortunate as it is to say, the Air Darwin is one of the shoes that hasn’t had much of a revival. However, perhaps that will change now that people know the truth behind them. After all, Rodman definitely deserves the extra success. Let us know what you think about both of these shoes, in the comments below.
The organizers of Rolling Loud recently sent an invoice to the Wireless Festival for allegedly stealing their content to promote their upcoming event. The organization took to social media and shared the invoice, revealing a six-figure fee. Rolling Loud, one of the biggest hip-hop music festivals in the world, has taken to their official Twitter […]
The Hollywood Park Grounds in California hosted the largest Hip-Hop festival in the world, Rolling Loud, this past week from March 3-5. The festival was headlined by Playboi Carti, Travis Scott, and Future with Lil Wayne as a special guest. The anticipation for this year’s event was high, as this was the first performance by Travis Scott since his Astroworld concert incident in November of 2021.
Scott did not disappoint, as his performance on Day 2 of Rolling Loud was one of the highlights of the weekend. The crowd was electric as Scott began his set with “Hold That Heat” and proceeded to play hits such as “Butterfly Effect”, “Way Back”, and “Antidote”. Scott even dug into his mixtape bag, as he performed “Mamacita” from his 2014 mixtape Days Before Rodeo.
As Scott ended his set with “Sicko Mode”, the sound was cut off abruptly and a message flashed on the screen wishing the audience a good night and safe return home. However, Scott continued rapping while only the house monitors gave off sound. Despite the sudden ending to Scott’s performance, the Rolling Loud audience was overwhelmed with excitement to see the Houston rapper back on stage.
Another highlight of the festival was Lil Wayne, as though he was featured as a “special guest”, he performed on his own stage at the same time as Scott. Wayne appeared on stage rocking a pink fur coat as he performed “Blunt Blowin’” with a live drummer. He exclaimed that he was at Rolling Loud on behalf of Young Money Records to a huge ovation from the crowd.
The rapper also brought 2 Chainz on stage to perform their collaborative songs “Rich as Fuck”, “Duffle Bag Boy” and “Watch Out.” However, the surprises were not done there as Nicki Minaj, Wayne’s long time friend and associate, joined Weezy on stage. Minaj and Wayne performed hits that have spanned the last decade such as “Bed Rock”, “Chun-Li”, and “Truffle Butter”. Both Wayne and Minaj showed why they have been on top of the rap game for so long, with Wayne performing around thirty songs, all of which are hits. Wayne finished his set with his classic song “A Milli”.
Playboi Carti’s set was cut short due to a rowdy crowd. According to Rolling Loud security, fans of the Atlanta rapper hurdled over the barricades by the stage only three songs into Carti’s set and the “Magnolia” rapper was escorted from the stage and forced to stop performing. After a thirty minute delay, Carti was able to finish his set with his song “Location” from his first, “Self-Titled” album.
The show also featured a performance from New York rapper Ice Spice to great fan-fare. Over the past few months, Ice Spice has exponentially grown in popularity due to the success of songs such as “Munch” and “Bikini Bottom”. While Ice Spice is relatively new to the Hip-Hop world, her confidence and swagger on stage made for an incredible act. Spice even performed her recently released song “Boy’s a Liar pt. 2” with Pink Pantheress for the first time.
An additional newcomer who showed off their star potential at Rolling Loud was Destroy Lonely. Lonely, an Atlanta rapper signed to Playboi Carti’s “Opium” label, began his set with “If Looks Could Kill”, a song he released only days before on March 3rd. However, an unofficial leak of the song surfaced the internet months before, so its live debut was one of the highlights of the entire festival for many members of the audience. Lonely arrived on stage in all black, a now trademarked look of the “Opium” label, and the crowd showed its mark of approval for Lonely throughout his entire set, as they sang along to the majority of his songs. Lonely also performed hits such as “Neverever”, “VTMNTSCOAT”, and “Bane” and ended his set with probably his most popular song “NOSTYLIST”.
Along with many relative newcomers, fan favorites of the Hip-Hop world such as Lil Uzi Vert also performed at the California show. Uzi entered on-stage in an all-red suit and a new hairstyle which was reminiscent of many punk-rockers from the late 1990’s to the early 2000’s. The Philadelphia native previewed three new songs during his set while also playing many of his hits such as “Money Longer”, “XO TOUR Llif3”, and “20 Min”.
However, the highlight of Uzi’s entire set was his performance of “Just Wanna Rock”. He even played it twice. While Lil Uzi Vert’s last solo full-length album, “Eternal Atake” dates back to 2020, it is apparent that fans around the world are eager for more from the Philadelphia rapper.
A staple of Rolling Loud, Lil Baby, also performed at the California show, and as per usual, his set was one of the standouts from the entire event. The Atlanta rapper has cemented himself as one of the most popular artists in the country over the past few years and his performance here showed why that is the case. Baby began his set with a cover of his song with Drake, “Wants and Needs”. The rapper then displayed just how many hits he has accrued over the past five years as he played songs such as “We Paid”, “Drip Too Hard”, and “Pure Cocaine”. He finished his set with “Freestyle”, which was obviously a crowd favorite, as the entirety of Hollywood Park Grounds rapped alongside Baby word for word.
Rolling Loud 2023 provided all Hip-Hop fans in attendance an incredible weekend, as the hottest rappers of today all arrived with the intention of giving California a show they would not forget. Rolling Loud showed why they are the largest Hip-Hop festival in the world as both upcoming artists and icons of the industry took the stage in Hollywood Park Grounds. The next Rolling Loud event will take place at the Hard Rock Stadium in Miami, Florida on July 21st of this year.
Travis Scott shoes are some of the most sought-after sneakers on the market. The Houston-born rapper and producer has made a name for himself in the fashion and sneaker world, with his unique designs and eye-catching collaborations. From his Nike SB Dunks to his Air Jordan 1s, there is no shortage of Travis Scott sneakers to choose from. In this article, we’ll be revealing which Travis Scott shoes are worth the money. So strap in and let’s get started!
Nike Air Jordan 1 Retro High OG Cactus Jack
The Nike Air Jordan 1 Retro High OG Cactus Jack is a collaboration between rap artist Travis Scott and sneaker brand Jordan. This special edition of the classic Air Jordan 1 features a bold “Cactus Jack” logo on the heel, as well as a brown, black, and red upper with a white midsole and black outsole. The tongue has an oversized Jumpman logo, while the laces are held together with an orange aglet. This particular style also has debossed “Nike Air” branding on the side panel and a “Cactus Jack” label on the insole.
The Nike Air Jordan 1 Retro High OG Cactus Jack was released in June 2018 and has since become one of Travis Scott’s most popular collaborations. Not only is the design eye-catching and stylish, but it’s also comfortable to wear and highly sought after by sneakerheads. Whether you’re a fan of Travis Scott or just appreciate a good sneaker, the Nike Air Jordan 1 Retro High OG Cactus Jack is worth checking out.
Nike Air Force 1 Low Sail
The Nike Air Force 1 Low Sail is one of the most iconic Travis Scott sneakers of all time. Originally released in 2018, this shoe has been a staple in Travis’ wardrobe ever since. Featuring a unique colorway of white and sail, the shoe is made from premium leather with white accents on the Swoosh, tongue, and heel tab.
Additionally, a black midsole and a red outsole complete the design for a truly eye-catching look. The shoe also has a unique rubber cup sole that provides excellent cushioning and comfort. With its clean, classic design, the Nike Air Force 1 Low Sail is a must-have for any Travis Scott fan or sneaker collector.
Nike SB Dunk Low Travis Scott
The Nike SB Dunk Low Travis Scott is one of the most popular and sought-after sneakers from the Houston rapper’s collaboration with Nike. The low-top silhouette features a white leather base with black and orange detailing throughout. It includes “Cactus Jack” branding on the heel and tongue. It also features a white midsole with a black and orange rubber outsole for extra traction. The shoes were released in 2020 and has since become a must-have for any fan of Travis Scott or of streetwear fashion in general.
The shoe is relatively affordable compared to other premium sneaker releases. It is a great choice for those looking to add some stylish pieces to their wardrobe without breaking the bank.
Nike Air Max 97 Militia Green
When it comes to his collaborations, the Nike Air Max 97 Militia Green has been one of the most popular. The sneakers were released in 2018 and feature an all-black upper with an olive green midsole and outsole. The shoe also features a black and olive green camouflage pattern on the Swoosh logo and tongue. The combination of colors gives the shoe a distinct look that stands out from other Travis Scott sneakers.
The Air Max 97 silhouette is classic and timeless, making it a great addition to any sneaker collection. The shoes are perfect for those looking for a unique statement piece to add to their wardrobe.
Air Jordan 6 Dunk From Above
The Air Jordan 6 Dunk From Above is a classic Travis Scott sneaker that pays homage to the high-flying legend, Michael Jordan. The shoe features a white and blue upper with hints of gold throughout. The midsole is done in a blue hue and boasts a unique graphic pattern. The look is finished off with an icy blue outsole and a Nike swoosh logo on the heel.
The Air Jordan 6 Dunk From Above was released in 2016 and has since become a sought-after sneaker for many Travis Scott fans. The shoe features some interesting details, such as the 3M reflective tongue, Flight Club branding on the insoles, and the Travi$ Scott branding on the heel. This model perfectly encapsulates Travis Scott’s love for the Air Jordan line. It’s clear why it’s one of his favorite sneakers.
Nike Air Max 270 Travis Scott Shoes
The Nike Air Max 270 Travis Scott is a limited edition sneaker designed by the Houston rapper. This iconic silhouette has been a hot item ever since its release in 2019, and it continues to be a favorite among sneakerheads.
This sneaker features a grey and white upper with a black midsole and orange details on the outsole. The bright orange accents are eye-catching, and the classic Air Max 270 design makes this sneaker stand out from the crowd.
The shoe is designed with comfort and style in mind, making it a great choice for all-day wear. It features an adjustable lacing system that allows you to customize the fit of your shoe. It also has a padded collar that provides superior support. The soft foam cushioning also makes it comfortable to wear all day long.
The Nike Air Max 270 Travis Scott is perfect for anyone who loves the classic Air Max design and wants to add some Travis Scott style to their look. This limited edition sneaker is sure to turn heads wherever you go. It will no doubt be a conversation starter when you show it off.
Air Jordan 1 Retro High OG Shattered Backboard
The Air Jordan 1 Retro High OG Shattered Backboard is one of Travis Scott’s most iconic sneakers. It features a black and orange color scheme inspired by Michael Jordan’s famous ‘Shattered Backboard’ dunk. The sneaker also has an icy blue translucent outsole and waxed laces.
The Air Jordan 1 Retro High OG Shattered Backboard released in 2018 as part of the ‘Cactus Jack’ pack. It has since become one of Travis Scott’s most sought-after sneakers. This shoe is great for any sneakerhead looking to make a statement with their footwear. It’s perfect for both casual wear and more formal occasions.
Just when I was beginning to worry that I had seen everything Rolling Loud has to offer, the 2023 festival in Los Angeles showed me something new. I don’t know if Lil Yachty’s Sunday night set will be a one-off curio or the blueprint for the evolution of the punk-rap festival’s format, but it delivered a level of production that more of the fest’s mainstays should at least think about adopting – especially those who want to grow beyond the limitations of its audience for that real four-quadrant appeal.
Meanwhile, Rolling Loud continues to be one of the best “starter” festivals around. Even compared to bigger-name, more local events like Coachella and Lollapalooza, Rolling Loud has probably the best handle on both its format and its audience, leading to a level of enthusiasm unmatched by any other festival in the increasingly crowded market. And while sticking so closely to its dedicated format led this weekend to long stretches of samey-sounding material and lots of lineup recycling in general, even this can be useful for the kids who are just getting their feet wet in the festival scene.
That demographic, actually, constitutes a lot of the Rolling Loud audience. This is purely anecdotal, but it didn’t surprise me to note that those attendees in my vicinity who seemed to have the best grasp on the timing of the festival’s sets and the chillest overall demeanor were those wearing Rolling Loud merch from prior festivals – but never more than a year old. It’s always fun to see the teen boys bounding from stage to stage with all the energy of a year-old golden retriever puppy when a leisurely saunter will do the job most of the time.
Likewise, for a show in early March, with a cloudy forecast and lows promised in the 40s, there are always so many young women trying to pull off the skimpy outfits they’ve seen on social media, only to end up draped in layers of merch tent hoodies to fend off the chills and light drizzles that skittered down periodically throughout the weekend. Rookie mistakes, surely – but the kind that I’m sure they’ll look back on fondly in the future, laughing at their youthful naivete as they bundle up for their more experienced festivals.
This year’s event brought a new location: the Hollywood Park area outside of SoFi Stadium in Inglewood. This was also the biggest improvement over the last California show in San Bernardino. First off, it’s just such a scenic venue, with a gorgeously-lit lake sprawling out from beneath the majestic dome. I’d have loved it if this view had been more incorporated into the orientation of the stage near it. Meanwhile, the wraparound setup reminded me of the first few Rolling Loud festivals in LA at Banc Of California Stadium but with a few changes.
First, the good: There was no dust or grass or rugged terrain to navigate, with the streets lining the stadium offering the food concessions, water stations, and rest areas all in an easily traversable thoroughfare with few choke points. Getting around the fest was a breeze. And including three entrances not only increased the sense of convenience but also the feeling that the organizers had prioritized safety, preventing bottlenecking in any one part of the festival grounds as new arrivals got themselves oriented.
Unfortunately, evoking the Banc Of California setup also leads to this year’s fest losing points. In 2018 and 2019, the stage positioning allowed VIP fans to easily get from the two main stages without leaving the VIP area, making it a true VIP experience. This year, the separation between the two main stages left the VIP sections cut off from each other. Meanwhile, all the VIP activations – a barbershop, tattoo parlor, and hair salon – were all situated at Levi’s Stage, leaving the amenities for the GoPuff Stage feeling a little scarce.
Meanwhile, the more underground Culture Kings stage was angled kind of awkwardly, competing with the sound from Levi’s and lacking a spotlight. While its positioning close to the North entrance seemed planned for more exposure for the more underground acts, it felt more closed off once I realized that it was more or less a straight shot between the Levi’s and GoPuff Stages. Once fans were inside, their only incentive to go anywhere near the third stage was if they really wanted to see Kamaiyah, RJ, or OT Genasis (although the latter certainly made the trip worth it with his sneakily hit-laden setlist and roguish, recklessly charming stage presence).
As far as the programming goes, I can’t offer many complaints – but I don’t know how many compliments I can give either. It didn’t feel like this year’s lineup was sufficiently different from any prior year; I’ve seen DaBaby, Future, Kodak Black, Lil Wayne, Lil Uzi Vert, Lil Yachty, Rich The Kid, Ski Mask The Slump God, and Trippie Redd at previous Rolling Loud iterations, and while they were all mostly pretty good, it seems like most of the variety at the fest is in its midline performers. I did enjoy Tyga bringing out YG to perform “Go Loko” and announce their upcoming joint album. Compton.
Destroy Lonely was a new name to me but cut from the same cloth as goth-rock rappers like Playboi Carti, Trippie, and Uzi, he just didn’t seem to stand out – although he attracted a massive, truly exuberant crowd that speaks to the popularity of that sound at the moment. And, not to put too fine a point on it, but there are so many problematic names involved — including among the headliners — that it’d take another paragraph to point out the litany of abuse charges down the lineup.
At various points throughout the fest, it also felt a lot like watching performers doing karaoke to their own music. In some cases, like that of Coi Leray and Kodak, it seemed as though they were more intent on dancing while the song played than in actually rapping their songs (although that was still more entertaining than one local duo, whose stage presence was so lacking I won’t mention them here, so I won’t hurt any feelings). Still, I’ve been to a lot of “real hip-hop” shows, and to be honest, at least they gave something visual and appeared to be having fun. I’ve seen way too many rappers rapping at the floor while rooted to one spot to ever complain about Coi’s twerking or Saweetie’s choreo (Nicki Minaj’s pop-out during Wayne’s set was fun, but plagued by sound issues).
I was pleasantly surprised by Ice Spice. Say what you want about her monotone – which I think is really the primary complaint about her music, although her most vocal critics probably don’t have the vocabulary to pinpoint this – but her breath control is superb. She doesn’t write super complex bars, but she leaves so little space between them that I truly didn’t think she’d be able to rap them live. Not only did she do that, but she also nailed them, while actually utilizing the full stage and engaging with fans. Ice Spice is a star.
The only other knock on Rolling Loud – and this can actually apply to a lot of fests I’ve covered lately – is this weird commitment to cutting the one corner that absolutely no event should be cutting in the wake of Astroworld Festival 2021: Security. Not only was security generally scarce, but whenever it was in evidence, I didn’t have much faith in the guards to do much. On Friday night, scores of kids hopped the barricade into VIP, and while that certainly devalued the VIP experience, far more unnerving was how quickly that section filled up, creating another one of those potential crowd-crush situations. On Sunday, both during Uzi’s set and ahead of Future’s, I more than once overheard a PA announcement demanding fans take two steps back. To their credit, it seemed they were able to receive some degree of compliance.
I’d love to see more festivals work to get on top of these situations earlier, but as I wrote earlier, Rolling Loud seems to get its audience far more than some others. The organizers know that their audience is mostly excited kids overwhelmed by the prospect of their first concert, so they know exactly how to talk to them to get them to watch out for each other, pick each other up, and take stock of their surroundings – something kids have never historically been great at. But for those times when their inexperience gets the best of them, it’d be nicer to know that there are a few more responsible adults around to get things under control.
Still, it’s worth the live experience, even as the festival has begun to stream the main stages for 90 percent of the fest (Travis Scott’s comeback set was reportedly not streamed) (the stream did come in clutch when counterprogramming forced me to make a choice between two acts). The food, the views, the brand activations, the sense of community and camaraderie… all are essential parts of the experience (although for next year, I’ma need y’all to do some dribble drills before you jump on the basketball court, I’m embarrassed for you). And for anyone’s first experience, it’s very difficult to do better than Rolling Loud.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Unfortunately for hip-hop lovers, another Rolling Loud festival is gearing up for its final roster of performances for the season this evening (March 5). The past two days have been jam-packed with plenty of noteworthy moments. Among them was Playboi Carti debuting new music during his headlining set, as well as Nicki Minaj and Lil Wayne reuniting on old favourites like “Truffle Butter” and “High School.” Those who didn’t attend the Louisana native’s set on Saturday (March 4) could likely be found elsewhere on the grounds, watching Travis Scott bring his signature rage to the stage.
As Variety notes, the father of two only got about 30 minutes of performance time. Afterward, his sound was abruptly cut off during “Sicko Mode.” This happened around 11 PM, which Rolling Loud had previously widely publicized as the mandatory end time for all headliners. Even as his music was shut off, Scott still sang for the crowd as a goodbye message was shown on the screen.
La Flame’s Set Cut Short
“Thank you very much, I love y’all. I wish I could do more but they’re making me go,” the Houston native told the audience. In response, they didn’t hesitate to let out loud boos, making their displeasure with the short concert well-known. Rolling Loud marked Scott’s return to the festival stage for the first time since 2021’s deadly Astroworld tragedy. Many were disappointed that it lacked the rapper’s usual strength and stamina.
According to TMZ, La Flame was possibly late for his set’s start time, which would explain the lacklustre half an hour-long performance. Elsewhere, some are speculating that RL maintained strict rules to avoid having another disaster unfold during Scott’s time on stage. Still, it seems those who did attend stayed safe while enjoying tracks like “Antidote,” “MAFIA,” and “Praise God.”
Travis’ NYPD Plans
At this time, many fans are waiting for an update on the Rodeo hitmaker, as past reports claimed he would be turning himself in to the NYPD following his festival appearance. He’s facing accusations of assault and a potential lawsuit from another disgruntled person after seemingly throwing their phone. Keep scrolling for more videos from Travis Scott’s Rolling Loud headlining set, and check back later for more hip-hop news updates.
There have been many occasions where practical jokes were pulled on celebrities that took a sharp turn. SOHH, we are taking a look at the top five pranks by/on rappers that went too far. Here are five specific instances where rappers were the subject of a practical joke that took things too far: Maino Chokes […]
Another controversy is sweeping Travis Scott’s camp. Scott is accused of acting out at the Nebula nightclub in New York City this week. Initially, reports stated that Scott was accused of assaulting a sound engineer in a heated confrontation. That same evening, the rapper was also seen in a video attempting to grab someone’s phone. Clips of the rows quickly circulated online, and soon, Scott’s representative and attorney issued statements via Complex.
The Houston star’s rep says the allegations are “a complete and total joke.” They reportedly added, “As anyone with common sense can see, the video that shows Travis DJ’ing in Nebula proves that the incident was nothing. All it shows [is] that Travis’s performance was disrupted by someone aggressively in his personal space.” Additionally, attorney Mitchell Schuster spoke on the ongoing controversy.
Travis Scott’s Attorney Calls It “Clickbait & Misinformation”
At the time of this publication, no official charges have been filed against Scott. However, there are reports that he plans to turn himself over to the authorities. “Legal counsel for Travis are actively working with the authorities and remain confident that Travis will be vindicated once all is said and done,” he stated. “Any statements about the incident involving Travis are clearly an attempt to sensationalize what is nothing more than a misunderstanding.”
When news of the incidents was first shared, Schuster called it all “clickbait and misinformation.” He further explained to TMZ: “While this is clearly a misunderstanding being blown out of proportion by clickbait and misinformation, we are actively working with the venue and law enforcement to resolve and set the record straight. We are confident our client will be cleared of any wrongdoing.”
The Alleged Victim Speaks
The sound engineer named in the controversy has only been identified as “Mark.” He detailed his alleged injuries with a new station and claimed Scott damaged $12k worth of equipment. Mark asserted he and Scott verbally disagreed before the rapper allegedly attacked him. “My neck is f*cked up. My arm is tingling. I have pins and needles going down it,” he said. Check it out above.