Offset has announced the return of his annual Toys 4 The Nawf Christmas, which will take place this Saturday (December 2). For the second year, Offset will partner with the Ann Cephus Family Fund Corporation to provide toys and support to families in the Atlanta ara.
Last year, at the inaugural Toys 4 The Nawf, Offset, and the Ann Cephus Family Fund Corporation were able to provide support to 248 local families, including approximately 500 children. They were able to achieve this with the help of community volunteers, as well as support from local organizations like the Lawrenceville Boys & Girls Club, Alpha Phi Alpha Fraternity, Inc., and Delta Sigma Theta Sorority, Inc.
“We had a great turnout last year, and I’m hoping for an even better one this year,” said Offset in a statement. “I’ve been so blessed this year, I’m excited to bless others. That’s the reason for the season.”
This year, Offset and Toys 4 The Nawf want to significantly increase their impact. They plan to double the number of families served last year, with the goal to support 500 to 600 families and 1,000 children. The crew also aims to provide winter coats to families and children in need, along with wellness checks offering immunizations and blood pressure checks.
Also during the event, barber services will be provided for children, and there will also be an educational portion for the Internet Affordable Connectivity Program, aiming to raise awareness about the importance of Internet access for all.
This year’s Toys 4 The Nawf event will feature a Christmas Carnival Theme, offering an assortment of carnival snacks and drinks. Attendees and volunteers can register here.
One of the highlights of the films of Jeymes Samuel (aka The Bullitts) is the soundtrack albums he curates for them. In 2021, I praised the soundtrack of The Harder They Fall, writing that the movie often works best as a themed music video a la Beyoncé’s Black Is King. It looks like that may continue to be the case with Samuel’s next upcoming film, The Book Of Clarence, as Samuel shares its first soundtrack song, “Hallelujah Heaven” featuring Lil Wayne and dancehall legends Buju Banton and Shabba Ranks.
Samuel’s love for dancehall and reggae artists was also a fixture of the Harder They Fall soundtrack, which featured Barrington Levy, Dennis Brown, and Koffee in addition to rappers like Jay-Z, Jadakiss, and Conway The Machine. The Book Of Clarence will likewise contain appearances from Jay-Z (who is again credited as a producer for Samuels’ latest work), Kid Cudi, Jorja Smith, and more.
The Book Of Clarence is set in 33 AD and follows the exploits of the titular character (portrayed by LaKeith Stanfield) as he tries to follow in the footsteps of Jesus Christ — not as a disciple but as an imitator, looking to get rich quick. The film is set to hit theaters in January 2024.
You can listen to “Hallelujah Heaven” above and check out the new Book Of Clarence trailer below.
U.S. District Judge Sarah S. Vance upheld C-Murder’s murder conviction on Monday in federal court. The decision comes despite two key witnesses recanting their testimony and admitting that their comments implicating the rapper were false. C-Murder was convicted of killing 16-year-old Steve Thomas in 2009. The shooting occurred at the Platinum Club in New Orleans in the early hours of January 12, 2002.
Vance explained her ruling in a 47-page decision, arguing that C-Murder’s lawyers had the legal burden to “put forth clear and convincing evidence of error in the state courts’ findings of fact, which he has failed to do.” For now, Murder will continue serving a life sentence for the crime.
C-Murder Attends “When the Levees Broke: A Requiem in Four Acts” Premiere
C-Murder with girlfriend and Kernel (Photo by Skip Bolen/WireImage)
Plenty of celebrities have spoken out in support of freeing C-Murder in the years since his conviction. Kim Kardashian has taken a vocal interest in particular. Back in August, she posted a lengthy statement about working on his case on social media. “Rather than search for the real perpetrator of the crime, the local sheriff’s office zeroed in on proving a case against Mr. Miller. The lead detective harassed multiple witnesses and mishandled the case to such a degree that the trial court had no choice but to grant Mr. Miller a new trial after he was convicted in 2003,” she explained. “Louisiana recently enacted a new law that provides innocent people with the ability to raise a post-conviction claim of factual innocence. Mr. Miller has raised such a claim and, like all of his prior post-conviction filings, has been denied relief without even so much as an evidentiary hearing. In light of the fact that the only witnesses have completely recanted their testimony, there is absolutely no remaining evidence against Mr. Miller.”
C-Murder intends to appeal Vance’s decision to a higher federal court. Be on the lookout for further updates on C-Murder’s case on HotNewHipHop.
Lil Nas X is someone who likes to take a hiatus in between projects. Overall, he is very funny on Twitter and fans have always known him for that. However, since the release of his debut full-length album, we have not actually heard from him all that much. Except for a few tweets here and there, Nas X just kinda does what he wants and keeps to himself. Well, it seems like he is gearing up for something new as last night, he made a triumphant return to the Twitter world.
In the tweets below, you can see that he is scheming about something. Whether or not that is new music seems to have been answered. Although as you are going to see, it seems like the artist is a bit non-commital as to what he wants to do next. He posed a question to his fans about releasing something. Once they answered in the affirmative, he decided to take a step back and change his mind on everyone. Needless to say, not the ideal answer for his fans.
“Sorry i haven’t released music in 2 years yall i forgot my spotify login,” he began. “Releasing new music if this gets 1 likes. this is way more than 1 likes. i’m logging out. let’s try again this time next year. not gonna lie i wanted to reinvent myself for this next era but sadly im still gay.” Once again, the artist is bringing his signature humor to the table here. It remains to be seen, however, if he really does have a new album coming. Hopefully, we are not being led too far astray.
Let us know what you think of these teasers from the artist, in the comments section below. Additionally, stay tuned to HNHH for the latest news and updates from around the music world. We will always be sure to keep you informed on all of your favorite artists.
We are now just about 24 hours away from an icon’s concert film hitting select theaters. Beyonce’s, RENAISSANCE: A FILM BY BEYONCÉ, recently had a private showing over the holiday weekend on November 25. Plenty of stars stepped out to support the Houston native, including people like Lizzo and almost the entire cast of Destiny’s Child. There was a hot topic that came out that event that centered around Beyonce’s look. Many were saying she was trying to be white and rip off Kim Kardashian’s style.
Even though that moment was bothersome, especially for her mother, Tina Knowles, it appeared to be a successful evening. Over the past month or so, Beyonce has teased the movie with trailers including one that dropped on Thanksgiving. The icon shared a message to her followers, wishing them a Happy Holiday, while also revealing a first look at her film.
With all of this hype around her to begin with, it was fair to reason that the movie would perform well at the box office. Well, those assumptions look to be true. According to HipHopDX, a solid opening weekend is on the horizon. Beyonce is looking at $30 to $40 million, but she will be collecting about half of those earnings. It will be in AMC, Regal, and Cinemark theaters from November 30 to December 3. Then, it will return to the big screens from December 7 to the 10, before heading to VOD on the 13.
What are your initial thoughts on Beyonce’s opening weekend projections for her concert film, RENAISSANCE? Are you going to check out the movie when it officially hits theaters on November 30? Will this be the best concert movie of the year, or could it be the greatest one ever? We would like to hear what you have to say about all of this. With that in mind, be sure to leave all of your hottest takes in the comments section below. Additionally, always keep it locked in with HNHH for all of the latest breaking news around Beyonce. Furthermore, stay with us for everything else going on around the music world.
Forbes dropped their annual 30 Under 30 Lists this week, honoring some big names that are making a significant impact in their respective fields. For musicians, Ice Spice, Trippie Redd, Steve Lacy, and Latto were included among the recipients.
Others on this year’s class list were all three members of Boygenius (Phoebe Bridgers, Julien Baker, Lucy Dacus), Gracie Abrams, Dominic Fike, Peso Pluma, Reneé Rapp, and Kali Uchis.
Ice Spice didn’t come as a surprise, considering how she took over the music scene this year. She dropped her Princess Diana EP, after getting a boost through hits like the title track, “Bikini Bottom,” and more. She appeared on the soundtrack of the Barbie movie alongside Nicki Minaj. She also collaborated with PinkPantheress, Taylor Swift, and more.
Lacy was previously honored this year on the Time Most Influential People of 2023 list. He continued performing his hit “Bad Habit,” including at the Grammys this year, and dropped a new video for his song, “Helmet.”
And Rapp has remained incredibly busy, dropping her debut album, Snow Angel, and securing the lead role in the forthcoming Mean Girls reboot movie.
Most of the recipients released new albums or projects this year, thus making their inductions feel like a tribute to their hard work. To view the rest of the Forbes 30 Under 30 list, visit their official website.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Spotify Wrapped is officially here. Today (November 29), Spotify users received their annual interactive summary of their listening habits, along with fun character and personality assessments.
While some are excited to see their Spotify Wrapped, some are a bit confused about their results. Because of this, they are hoping to get on top of the tracking process and produce more accurate assessments for future editions of Spotify Wrapped.
When does tracking start for Spotify Wrapped?
Tracking begins on January 1, according to varioussources. This can also be confirmed by the fact that each Spotify user is told which song they kicked off each year with.
Tracking continues over the course of several months, however, ends at an unknown date toward the end of each calendar year. The date has often been thought to be Halloween, however, Spotify has since confirmed that this isn’t the case.
Spotify remains secretive about the process, however, individual Spotify users are encouraged to share their Wrappeds with their friends. For this year’s Wrapped, Spotify introduced Blend, a feature with allows each Spotify User to combine Wrapped playlists with one or more fellow Spotify users.
Spotify users can see their Wrappeds by opening up the app on their mobile device, or by visiting here.
Spotify Wrapped 2023 has arrived! The popular annual campaign already has music fans around the world sharing their lists of favorite artists, albums, and songs along with the cheery, colorful graphics that make the event so anticipated each year. And while the focus is usually on users’ individual lists, it’s also fun to see what everybody else was listening to. So, what was the most-streamed album? Well, that depends. The world likes one thing, but of course, the US likes its own thing. Find out more below.
Spotify’s Most-Streamed Album Globally For 2023
The most-streamed album on Spotify in the world was Un Verano Sin Ti by Bad Bunny, a popular icon in much of the Spanish-speaking world (and a big chunk of the Anglophone one as well). You might think it would have been Midnights by Taylor Swift due to her massive Eras Tour shifting the global economy — and you’d be close, as she came in second.
Spotify’s Most-Streamed Album In The US For 2023
However, when it came to America, the biggest hit was in a completely different, more homegrown genre. One Thing At A Time by Morgan Wallen was the No. 1 album on Spotify in the US, which only makes sense, as country music isn’t quite as popular outside of our cowboy-obsessed corner of the continent (there’s also some weird culture war stuff going on, which… yeah). R&B is also much more popular at home than abroad; SZA overtakes Taylor for the second position with SOS, while Swift comes in third.
“Before [I was incarcerated, the sound of hip-hop] was more East Coast grimy,” recalls Westside Gunn, “when I came out, it was leaning towards the trap. That’s when everybody was going South for a little bit.” The transition from the East Coast’s dominance to the South’s reign is vivid for the East Side Buffalo native. When Jeezy’s Trap Or Die and Gangsta Grillz mixtapes punctuated hip-hop’s soundscape, Gunn sat in a cell in Atlanta. “It was the soundtrack of what we were doing,” he describes fondly of the South’s surge.
Those days of hustling embody the same grit that Griselda conveys in their art. And while we’ve heard Conway, Benny The Butcher, and Westside Gunn lean into the rolling hi-hats and pulsating 808s in recent years, the sound of trap music is deeply ingrained in Griselda’s DNA. “At the same time, I was hustlin’ in the A. I was in that time in real-time. That was my life,” he adds. “My route was going back and forth from Atlanta to Buffalo.”
And Then You Pray For Me concretizes this chapter of Westside Gunn’s life, where these routine trips to Atlanta exposed him to a lifestyle that encapsulates the Fly God’s aura. From frequenting clubs to shopping for designer brands that weren’t readily available in Buffalo, it’s no secret that Atlanta captures Fly God’s ethos to some degree — the often bleak descriptions of the streets and his upbringing, juxtaposed with the flamboyance of Atlanta’s dope boy chic.
It’s a sunny Wednesday afternoon in Los Angeles, days after the release of Westside Gunn’s latest studio album, And Then You Pray For Me. It’s an album he’s described as his final full-length body of work that also serves as the successor of Pray For Paris. Gunn appears on Zoom, diamonds dancing across his teeth and chest with a jovial spirit that shines as brightly as jewels. After a hearty meal at Los Angeles’ revered Bossa Nova (chicken, fries, rice, and some grilled shrimp, he tells me), Gunn is en route to a quick shopping trip. His tone is relaxed, sounding equally as satisfied with his plate of chicken and shrimp as he is with the reception of his latest album. “It’s super dope that I could make another classic project that don’t sound like none of my other projects,” he states confidently. “I was really just trying to have fun. Just being in a different space in life and living life, but it wasn’t like I was trying to outdo anything. It was really one of those projects.”
Everything about 2020’s Pray For Paris — a masterclass in curation that juxtaposes opulence with Buffalo’s grimy essence — laid the foundation for And Then You Pray For Me. COVID-19 struck a month before Pray For Paris, and Westside Gunn suffered a serious bout with the respiratory illness as the death toll started to rise. Then tragedy struck again with the death of Virgil Abloh. Pray For Paris was birthed after Abloh invited Gunn to the Off-White fashion show at Paris Fashion Week. Similarly, the 2023 Paris Fashion Week planted the seed for AndThen You Pray For Me, down to the cover art, another Virgil Abloh design.
Hip-hop, as a whole, suffered greatly from Virgil’s death. As a visionary, Virgil understood the importance of Griselda back in 2016, the year before they inked a deal with Shady Records, and his bond with Westside Gunn was fortified in the following years as the rapper’s profile grew. Admittedly, the stream of inspiration Gunn captured on Pray For Paris was hard to find after Virgil’s passing. “[Virgil] made me get the passport and everything. You know, I owe a lot to that man,” he says emphatically. “He’s one of the illest architects of all time. The GOAT. I’m just privileged to be able to keep the legacy alive, keep the art alive, and give the world what me and him cooked.”
His worldly travels this year helped rekindle that musical breath of life. And Then You Pray For Me captured Gunn’s energy over the summer — the spur of creativity that allowed him to travel to the UK to record with Giggs or head to Champagne, France, to “build with the builders.” “Fashion week ended on Sunday. On Monday, I was taking a road trip with Kid Super and Mike Amiri out to Champagne, France, to meet Just Don. Like, it was just like fly shit.”
In the same way that songs like “Kitchen Lights” and “Mamas Primetime” intend to bring us into the alleys of East Side Buffalo, a large portion of And Then You Pray For Me describes this summer journey. Visiting the pyramids in Egypt, overseeing the waters of Athens, Greece, while eating Wagyu steak. “A lot of [this album] will go over people’s heads because they have never been to London, they’ve never been to Athens, Greece, they have never been to Paris. So a lot of this sh*t might sound like I’m talkin’ sh*t, but if you’ve been there before, then I’m speaking your language,” he says.
Westside Gunn’s Obligation
Image via Prolifickid
The Griselda fanbase is far from monolithic these days. Still, the expectation for a 10+ song body of work with songs that lean closer to “Flygod 2X” rather than “Kostas” is evident. Many of these fans followed the ascent of Griselda for over a decade, others discovered Gunn’s nasally flow on Kanye’s Donda or, most recently, Travis Scott’s Utopia. “I can be their favorite rapper at 12 years old, but then you got OG that just came home from doing 15 years [in prison],” he says, “he’s 50 years old, like, ‘Yo, bruh, man, I miss this sound. I thought the sound changed, but y’all brought it back. I’ve been listening to bullsh*t on the radio for 15 years. This is what I miss.’”
As a hip-hop historian, the sonic palette of the 90s has been well-explored with the voices of a number of pioneers (Slick Rick, AZ, etc.) echoing through his catalog. “I done gave the boom-bap community a decade straight of their language,” he states.
That’s why And You Pray For Me stands out in Westside Gunn’s catalog. Although previous collaborators, such as DJ Drama, appear on the record, along with the usual cast of Griselda mainstays, Westside Gunn felt an obligation to ensure that the fans he’s procured in recent years — both old and young — have a comprehensive understanding of what’s shaped him and hip-hop at large. Much of it stems from his own personal tastes. Take Drama, for instance. Gunn recalls tuning into the Grammy-award-winning Gangsta Grillz maestro through the radio on Saturday nights when he was locked up in Atlanta. You could imagine he feels a sense of vindication when Drama’s voice emerges on songs like “Suicide In Selfridges.”
As such, exploring the textures and frequencies of trap music on his latest project felt necessary not solely in paying homage to artists like Jeezy and Rick Ross but integrating what they’ve done with the voices of the new generation, such as J.I.D., Denzel Curry, EST Gee, and Peezy. “It’s my responsibility, now, man, to keep doing exactly what I’ve been doing,” he adds.
It’s a pledge he took for the culture, an unofficial oath to push it forward and preserve the legacies of those whose roles in the culture have been celebrated to various degrees. “The youngins, we just got to educate them and show them the history, teach them the history. People scared to learn. Ain’t that sad?” he asks rhetorically after emphasizing the importance of Jeezy rapping the way he does on “Mr. Everything” alongside DJ Swamp Izzo.
Even beyond his lyrical aptitude and the ability to stand next to everyone, from Rick Ross to MF DOOM comfortably, Westside Gunn’s ear transformed him into a cultural pillar. He admits that he skims through roughly 1,000 beats to find the perfect selection for each project, whether for his own catalog or the artists he works with, like Estee Nack. “Just imagine starting with a blank canvas and actually have production cater to that artist 12 to 15 times to bring the best out of them,” he says. That’s exactly what soundtracked his summer travels — finding the right beats for his latest album. However, he admits he’d often press play on Young Nudy’s Gumbo during his off-time.
“My whole goal was to turn it around… bring this sound and this style to the mainstream,” he says of the signature Griselda production style. The influence is discernable, especially considering the number of Billboard chart-toppers who’ve sought a similar sound in recent releases. The ultimate goal is to ensure that he can shed light on the talent that surrounds him. For example, Gunn reflects on working with Jay Versace on Pray For Paris. Fast forward a few years, and Versace contributed his production to R&B’s brightest talents, like SZA and Summer Walker.
Gunn’s approach to introducing talent to the world has ushered in a new 90s renaissance of sorts. Drake, for instance, tapped Griselda’s in-house producer, Conductor Williams, for two songs on his latest album, “8 AM In Charlotte,” and “Stories About My Brother,” which appears on For All The Dogs Scary Hours Edition. Then, there’s Call Me If You Get Lost by Tyler, The Creator, an artist who has openly credited Westside Gunn for revitalizing his passion for rapping. “Sir Baudelaire,” off of the Grammy award-winning album, contains an uncredited sample of Westside Gunn’s “Michael Irvin,” produced by Williams.
“To inspire my peers is everything,” he states calmly. “It’s respect, you know what I’m sayin’? I like when someone’s confident enough to give somebody their flowers. Like I said, Tyler don’t have to do that ever again. He already did that. Drake don’t have to do it again, he did it. I’m gonna always respect both of them for doing that.”
Westside Gunn’s Plans For Michelle Records
Image via Prolifickid
Gunn makes it clear that everything he accomplished was done on his own terms. “I earned my respect. There wasn’t nothing given to me in this shit,” he states. As an avid wrestling fan, Westside Gunn parallels this chapter of his life to Roman Reign’s WWE career. He reflects on Roman Reign’s journey from The Shield, alongside Dean Ambrose and Seth Rollins, to overcoming hardships and eventually, becoming a leader of his own team.
“When’s the last time Roman lost?” he asks. The similarities are uncanny — The Shield could be compared to the original Griselda trifecta, alongside Benny and Conway. Gunn faced personal adversities when he lost his cousin, Machine Gunn Blakk in 2006, and then in 2020, close Griselda affiliate DJ Shay passed away. “Roman Reign came back stronger than ever. Like, he hasn’t lost since,” he says.
Gunn’s comfortable with his position right now and looking forward to another unrelenting run. However, it’s a moment that he feels should’ve come three years ago. The roll-out for Pray For Paris was hindered by a bout with COVID-19 in the midst of the devastating death counts. Without the ability to touch the people and travel, the album wasn’t able to reach its maximum potential on a commercial scale. Vowing to deliver even more music at higher quality, he’s alleviated himself from the pressures of producing high-quality bodies of work for himself now that he’s released his final album. However, there is one particular album stashed away: Michelle Records. “That’s my baby that’s tucked under,” he says. An album that we may never hear unless — as Westside Gunn describes it — he mirrors Damson Idris in the tragic final scene of the Snowfall series finale.
“Whenever I get broke, I’m saying, lookin’ like Franklin in the last episode, I know I can cash in that Michelle Records. I might be sittin’ in the f*ckin’ MOMA with a tuxedo on. Start the highest bidder at… let me start it at,” he thinks, “we’ll start it at $5 million.” It’s a plan inspired by Wu-Tang Clan’s infamous one-of-one seventh studio album, Once Upon A Time In Shaolin, that made the rounds between the hands of incarcerated pharma bro Martin Shkreli and the FBI. “I might do that for the art of it.”
Michelle Records, an album shrouded with mystery ever since he began teasing beat snippets of it on Instagram, already has songs fully recorded. “I could play that shit right now,” he adds, revealing that he’s not even rapping on the album. “I was already curating ahead of its time. I’m not on one song, but it already [has] your favorites on it.”
It’s Still Buffalo To The World
The next chapter of Gunn’s career will continue to carve out and magnify his legacy. His children, of course, will inherit his legacy, carving their own artistic avenues (future fashion icons and hip-hop connoisseurs, no doubt). Four out of his five kids already have credits on the album. More music remains in the pipeline, too in the form of singles and EPs, along with more movies and visual content that centers around Buffalo. Then, there’s the next chapter of Griselda. As the original trio, Westside Gunn, Conway The Machine, and Benny The Butcher — establish themselves as forces, Gunn is putting his golden touch on a number of projects, including Jay Worthy’s, that he describes as influenced heavily by the early 90s West Coast sounds. Before jumping on the Zoom call, he was on the phone with Benny The Butcher, who was filming a video with Stove God Cooks, to discuss plans for his Def Jam debut.
From building Griselda from a clothing line to one of the most respected labels in the game, Westside Gunn has kept Buffalo at the forefront of his plans. “It’s still East Side Buffalo, don’t let the bougie sh*t fool you,” he asserts. His efforts have earned him the honor of having a Westside Gunn Day in the city. Next, he plans on opening another art gallery in Buffalo inspired, in part, inspired by Nipsey Hussle. The art space will be located on the corner of Kensington Ave and Bailey Ave in East Side Buffalo, an intersection he describes as Buffalo’s equivalent to Crenshaw and Slauson in Los Angeles. It’ll be a cultural hot spot that will only open four days out of the month but will focus on bringing the community together through events like paint and sips.
But what’s most important to him is ensuring that the legacy of Buffalo is conveyed with balance. Yes, the Buffalo Bills have also been doing well in recent years, but it’s the stories of local legends like the late Claire Melendez, whose image graced the cover of Griselda’s WWCD and Eastside Flip, who appears on And Then Pray For Me, that he hopes reaches beyond the city.
“Just the stories of these people are crazy, you know what I’m sayin’? This is really the harsh reality,” he says. “These are very important people to my city,” he adds, citing a billboard of Claire that he put up on the highway near his stomping grounds to ensure that her story, like other local figures and rap legends to whom he pays homage, isn’t forgotten. “I like to give it to people raw, you know what I’m saying? And sometimes, it might be a little too rough… We could rap about it all day but, you know, people are scared to show it. It’s like, nah, you got to put it out there.”
Boosie Badazz says he’s worried about his son, Tootie Raww “crashing out” amid his ongoing feud with Kodak Black and NBA YoungBoy. He discussed worrying as a parent when fans asked him about the beef on Instagram Live.
“I wouldn’t know what to do if my son get a murder charge,” he told his followers. “I gotta stop him from crashing out. Then it worry me more all them lil n****s around him clutching. It’s easy for something to happen. Got me worried as a daddy. You got sh*t around you, everybody clutching. That’s how that sh*t happen.” Check out the clip below.
LOS ANGELES, CALIFORNIA – JUNE 25: Boosie Badazz attends the BET Awards 2023 at Microsoft Theater on June 25, 2023 in Los Angeles, California. (Photo by Paras Griffin/Getty Images for BET)
Tootie Raww called out both YoungBoy and Kodak Black in different livestreams in recent weeks. With YoungBoy, Tootie was upset with him for not clearing a feature. “YB ain’t clear my feature,” he said to his followers. “I don’t really f*ck with that n***a either. I don’t respect it.” As for Kodak, Tootie said: “Kodak Black a straight b*tch. That n***a lied to my face. If I see Kodak I’m a slap the f*ck outta him. That n***a said he gone send my sh*t back. I ain’t never heard from again.” Over the summer, Tootie also took issue with Kodak Black for working with 6ix9ine instead of him. Check out Boosie’s response to the various comments below.
When Live Bitez shared the clip on Instagram, fans showed plenty of support for Boosie in the comments section. Many found his situation relatable while others compared Tootie’s behavior to that of Boosie. Be on the lookout for further updates on Boosie Badazz as well as Tootie Raww’s issues with Kodak Black and NBA YoungBoy on HotNewHipHop.
