Megan Thee Stallion — who came away with a Best New Artist win at last night’s Grammys ceremony — doesn’t believe that the awards show is inherently rigged. While some stars, like The Weeknd and Lil Wayne, spent the last several weeks railing against the Recording Academy’s “unfair” selection practices, Megan had a far more philosophical outlook on the results of the voting. Stopped by TMZ at some point over the course of the evening, Megan gave a straightforward response to their question about whether she had advanced awareness of the results.
“I didn’t know sh*t,” she replied. “Hell no, the Grammys ain’t rigged. Bitch, you win some, you lose some.” Asked about the importance of the wins for women, she just threw out her standard response: “Real Hot Girl Sh*t!”
The Grammys’ “snub” of artists like The Weeknd in multiple categories — and the singer’s reactive boycott of last night’s ceremony — have only contributed to the feeling that the Grammys have become more of a “popularity contest” in recent years, despite efforts to become more inclusive. However, as Cardi B pointed out, plenty of artists were nominated despite lack of mainstream recognition.
While it’s easy for artists who miss out to chalk their losses up to conspiracies and agendas, the truth is, a voting body comprised of such a broad variety of music industry professionals can hardly be expected to agree on anything, even if more efforts are made to include atypical entries on ballots and shortlists — and artists, who by nature are “sensitive about our sh*t,” to paraphrase Erykah Badu, are exactly the type of folks to take their ommissions personally and resort so using social media to publicize their sour grapes.
You can watch the video of Megan responding to the question of whether the Grammys are rigged here.
Megan Thee Stallion is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.
At every Grammy Awards ceremony, there are winners and losers.
Here, though, “loser” is a relative term. If you’re an artist who is doing so well that you’re at the Grammys at all, it’s hard to imagine that you’re anything but a winner. That said, if you’re particularly confrontational, “loser” might be what you call somebody who was nominated for an award and did not win that award. On the flip side, you could say that some artists didn’t lose: they won the right to keep their title of nominee (at the cost of not getting promoted to winner).
Then there are cases where you don’t need to glass-half-full the truth to declare somebody was a winner, whether they went home with a trophy or two or otherwise excelled during music’s biggest night. Last night’s Grammys ceremony was full of people who had different levels of success, so let’s get into who thrived and who didn’t quite do that, as well as who offered some of the evening’s biggest surprises.
Winner: Megan Thee Stallion
Meg had one of the best winning percentages of the night, taking home three of the four Grammys for which she was nominated — she won Best Rap Performance, Best Rap Song (both for “Savage”), and Best New Artist, but didn’t claim Record Of The Year.
Outside of the awards themselves, Meg was notary-like with how she put her stamp on the evening. She and Cardi B made more modest-minded music admirers mad with a performance of “WAP” (more on that in a second). Even the Grammy Meg didn’t win, she kind of did win it. While Billie Eilish accepted the Record Of The Year trophy, she got behind the podium and mostly spoke about how Meg should have won it instead of her.
Loser: The structural integrity of “WAP”
It’s true that “WAP” was probably the biggest song of 2020. It’s also true that it wasn’t made for TV (or for any audible medium at all, according to Ben Shapiro). So, when it was revealed that Cardi B and Megan Thee Stallion would be performing the hit during the Grammys broadcast, fans were ready to see a non-insignificant portion of the song left on the cutting room floor. That was true to the extreme. The lyric sheet for this version of the track looked like a brand new Madlibs book. I’m sure Cardi and Meg did all they could to bring “WAP” to the Grammys and they still delivered an entertaining few minutes of television, but the performance came across like they didn’t secure the rights to the song, so they got as close to actually performing it as they could without getting into legal trouble.
Loser: Jhené Aiko
As is tradition, the Grammys took a very long time. Even before the actual ceremony, there was the also-lengthy Grammy premiere ceremony, which the Recording Academy roped Aiko into hosting. Between that and the actual show, it was a long, grueling day for Aiko and she didn’t even end up winning any of the three Grammys for which she was nominated.
Thankfully, Aiko is an optimist. The hosting gig was a personal triumph for Aiko, as she wrote on Twitter, “i conquered a major fear of public speaking today by hosting the freaking Grammy Premiere Ceremony!!” She was even cool with not taking home a trophy, as she tweeted, “i know what its like to lose… do u? do u?! lol,” later adding, “what a crazy day! but its all good. love you all so much.”
i conquered a major fear of public speaking today by hosting the freaking Grammy Premiere Ceremony!! thank you @RecordingAcad for having me!! see u at the show after i take this lil cat nap
In some ways, the Grammys are a popularity contest: If some no-name (not Noname) from the middle of nowhere made one of the year’s best songs, they’re probably not going to win a Grammy for it. The Recording Academy further proved that with their pick for Song Of The Year, as HER took home the prize over people like Beyonce, Roddy Ricch, Taylor Swift, Post Malone, Dua Lipa, and Billie Eilish. While HER is certainly a successful artist and “I Can’t Breathe” is an impactful song built on meaningful social justice themes, she’s not exactly a household name and her victory certainly left many viewers feeling like Michael Bluth:
Winners: Fans of normalcy
Over the past year-plus, pretty much every aspect has been entirely different than it was pre-pandemic. That includes The Grammys, but the fact that the ceremony even happened at all is a grounding force. Yes, the show wasn’t really like previous broadcasts in any way, but it was also as close to normal as any sort of live music event has been since early 2020. Considering the circumstances, the Recording Academy excelled with their broadcast. Delayed ceremony aside, one thing music fans have been able to count on towards the start of the year is finding out what music and artists the Recording Academy “secret commitees” deserve to be honored, for better or worse.
Losers: Fans of normalcy
That said, the whole thing was a bit weird, right? During performances, there were probably too many cuts to Trevor Noah and other artists in the room to forcefully drive home the point that everybody was actually there IRL. Those shots just hit different when it’s just one or two people side-stage instead of a big seated audience. Then, when the performances were done, the golf-level applause didn’t make the Grammys seem as epic as they usually do. Going the NBA route and piping in artificial fan noise wouldn’t have been a bad move.
The Recording Academy faced an impossible problem, but they still managed to put on a functional and entertaining show that offered plenty of highlights and made you forget this is an atypical Grammy year. Ultimately, though, it often felt less than grand, which, again, is really nobody’s fault.
Winner: Performance aesthetics
Sure, let’s flip this topic of Grammy normalcy around one more time. Usually, artists and their crews only have a few minutes to get an elaborate performance set-up onto the singular Grammy stage at the Staples Center. This year, though, the set-up made things different, arguably better. The multiple stages on-site allowed for performers to get their own look going in their own space, all with minimal time between performances. In an aesthetic highlight, Taylor Swift, Jack Antonoff, and Aaron Dessner were all able to take to a mini cabin in a mystical-looking forest, for example, it feels like that something that gorgeous may not have been possible in a traditional Grammy year. Lil Baby’s cinematic performance that addressed police brutality definitely wouldn’t have been an eighth as impactful on a traditional stage.
Surprise: Jojo Rabbit
Taika Waititi himself would agree with this pick, as it seemed like he didn’t really expect the Jojo Rabbit soundtrack to win Best Compilation Soundtrack For Visual Media over films like Frozen 2 and Eurovision Song Contest: The Story Of Fire Saga. Waititi offered a simple “Lol wtfffff” on Twitter in reaction to the news, and during his acceptance speech, he noted, “I guess they’re just giving Grammys to anyone now! I’ll take it, thank you.” He went on, “It was so long ago, I can barely remember anything about making that movie — but it seems like it’s never going to go away, and I’m happy about that.”
So, if you don’t remember the Jojo Rabbit soundtrack, it’s OK because Waititi probably doesn’t either.
Winner/Loser: Masks
Whether this is a winner or loser is a matter of perspective. Audience shots at awards shows are usually the most fruitful vine from which to pluck plump, dank memes of celebrities who didn’t expect the camera to be on them at a share-worthy moment. In that regard, music fans and internet jokesters lose. Masks could be seen as a major victory for artists who didn’t pick up a trophy, though, considering a wearable specifically made to cover the lower half of your face makes it a heck of a lot easier to hide your disappointment when you come away from a category empty-handed. Frustrated cursing no longer has to be under your breath!
Winner: The entire Carter family
The Beyhive would never let me hear the end of it if I declared Beyonce a loser, so thankfully, she had an amazing night. For years, she has been climbing up the all-time Grammy wins list, and she made history this year by picking up more trophies to become the woman and singer with the most Grammy victories.
That would have been enough to get her on this list, but that was just one aspect of a multi-pronged night for Bey. She and Megan Thee Stallion became the first women to win Best Rap Performance with “Savage,” and on top of that, her daughter Blue Ivy managed to become one of the youngest Grammy winners ever. Jay-Z was the only member of his immediate family to not directly win a Grammy this year, except even that’s not quite true since he has a writing credit on the “Savage” remix.
So, in what was perhaps the least surprising takeaway from the evening (or from any day, really), the Carter family is doing quite well.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Pretty classic surprise expressions, right there. For her part, Megan didn’t even know Beyonce was present at the ceremony, so got another big surprise when she saw Bey walking up to the stage to help accept the trophy:
But before they could even get off the stage, tonight’s host Trevor Noah stopped the pair to let them know with the addition of two more Grammys tonight, Beyonce has now tied the record for most awards any female artist has received. That doesn’t mean we’re not still mad Lemonade was snubbed, but it does help a little.
Opting to use the clean version — which contains one of the three words Cardi says she hates the most — Cardi and Meg hit the stage together for a smashing, roaring 20s-inspired performance. Opening with a jazzy medley of Meg’s “Body” and “Savage,” Cardi appeared via a wild, LED screen, dancing in a gleaming futuristic ensemble to start her performance with her new song “Up.” Then Meg joined her after a very quick costume change for a performance of “WAP” backed by a giant stripper shoe with a heel that doubled as a pole.
While there are always complaints about who gets nominated for what at the Grammy Awards, there’s no denying that this year’s set of nominees for Best New Artist is a stacked group. Somebody had to win though, and it has now been revealed that Megan Thee Stallion is taking home the Grammy for Best New Artist at the 2021 awards.
The artists who were nominated for the award this year were Ingrid Andress, Phoebe Bridgers, Chika, Noah Cyrus, D Smoke, Doja Cat, Kaytranada, and Megan.
This year’s field is one of the more stacked list of Best New Artist nominees in recent memory. Both Doja and Megan had No. 1 singles in 2020: “Say So” for Doja and “Savage” and “WAP” for Meg. The first two of those three aforementioned songs are up for Record Of The Year, too. Bridgers had a standout year in terms of Grammy nominations outside of Best New Artist, as she also earned nods for Best Rock Performance, Best Rock Song, and Best Alternative Music Album. The same is true for Kaytranada, who picked up wins in the Best Dance Recording category, for his Kali Uchis collaboration “10%,” and in Best Dance/Electronic Album, for Bubba.
Find the full list of this year’s Grammy winners and nominees here.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Megan Thee Stallion has achieved a long list of things in her short career and thanks to this year’s Grammy Awards, she can add a special accomplishment to her resume. The Houston rapper and Beyonce became the first women to win in the Best Rap Performance category thanks to their “Savage” collaboration. The song originally appeared on Megan’s Suga project as a solo effort, but shortly after its release, Beyonce hopped on it for a sizzling remix, which helped boost the track to the No. 1 position on the singles chart.
It should be noted that the Best Rap Performance award was created back at the 1989 Grammy Awards, but after the 1990 show, it was split into the Best Rap Solo Performance and Best Rap Performance By A Duo Or Group categories. It remained this way until 2012 when they were recombined into the Best Rap Performance award after the Grammys reconstructed their categories. Prior to this year’s show, it had only been men who won in the Best Rap Performance category in the 11 years that it was presented at the Grammys.
The Best Rap Performance win is Megan’s first Grammy award. She is also nominated in three other categories including Record Of The Year and Best New Artist. As for Beyonce, the win is the 25th Grammy of her career. The “Black Parade” singer also won in the Best Music Video category for “Brown Skin Girl.” Here’s Meg’s delightful reaction to winning: