drill

Lil Mabu Teams Up With Fivio Foreign On “Teach Me How To Drill”

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Lil Mabu is someone who has been making a whole lot of noise as of late. Overall, he is someone who is known for making drill songs. He is also extremely young and the origins of his rap career are dubious. There are all sorts of rumors about him going to a private school and using his wealth to buy studio time. However, the true origins of Mabu remain a mystery to the vast majority of his fans. In their eyes, it doesn’t matter. All they want is some music to rage out to.

After a collaboration with Chrisean Rock, it is clear that Mabu wants to step his game up. Subsequently, he has found himself next to Fivio Foreign, who is a giant of the New York drill scene. Below, you can find the music video for their song “Teach Me How To Drill.” As it turns out, this entire concept is based on Mabu being in school, and Fivior being his drill tutor. It is a unique concept that is certainly also a novel one.

Read More: Chrisean Rock Is Dating Lil Mabu, Sources Claim

Lil Mabu Continues His Run

As for the song itself, it is a fiery drill beat that a lot of fans are going to be excited about. Overall, Mabu and Fivio deliver spirited performances. They trade bars on every verse, and it is mostly because Fivio says the N-word for Mabu on numerous occasions. Sometimes, the song borders on bad taste, but that has always been Mabu’s M.O.

What do you think of this collaboration between Lil Mabu and Fivior Foreign? Is this in good taste or do you think Mabu is making a mockery of drill? Let us know your takes, in the comments section below. Additionally, stay tuned to HNHH for the latest news and updates from around the music world. We will keep you informed on all of your favorite artists and their upcoming releases.

Quotable Lyrics:

Baby, welcome to the hood (Hood)
If you with us, you good (You good)
Yeah, Stichy (Stichy), huh, woo’d up (Woo’d up)
Backpack full of rulers
Yeah, I got a white shooter, huh (I do)
And no, I ain’t shootin’ no schools up (He not)
Yeah, I feel like the drill tutor (I do)
Wait, can I do a hit on a scooter? (Grrt, baow)

Read More: Chrisean Rock & Lil Mabu Antagonize Blueface On Social Media

The post Lil Mabu Teams Up With Fivio Foreign On “Teach Me How To Drill” appeared first on HotNewHipHop.

Fivio Foreign Drops Off New Anthem “Why Would I?”

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New York’s very own Fivio Foreign returns to the scene with new music. He’s been a prominent voice in the drill movement, and also has proven just how versatile he can get with his music. In his new song, “Why Would I?” Fivio is questioning why he should care about people’s opinions, especially on the internet. Within the new track “Why Would I?,” Fivio Foreign takes a reflective stance, questioning the significance of people’s thoughts, particularly those expressed on the internet. In an era where social media and online platforms often amplify voices and judgments, the rapper raises the essential question: Why should he lend an ear to the noise of the internet?

Set against a dynamic drill beat, Fivio delivers his verses with a compelling blend of confidence and contemplation. In addition, Fivio Foreign also directs his attention toward his “opps.” He asserts that despite the bravado and threats made by his rivals, he rarely encounters them in real-life situations. This assertion is evident in his lyrics: “All n****s do is go live on the internet, lyin’ and chugglin’.” In essence, Fivio Foreign is calling out the bluff of those who resort to talk online but fail to back up their words with actions in the physical world.

Read More: Fivio Foreign Refuses To Sell His Catalog For Eight Figure Payout

Fivio Foreign Calls Out His Opps

Moreover, Fivio is clearly speaking to people who talk a lot online but never do anything in person. “None of these n****s is savage,” Fivio raps on the beat. “None of these n****s pop out to my shows and I’m always postin’ up the address.” The release of “Why Would I?” underscores Fivio Foreign’s ability to blend his own commentary with the gritty energy of drill music. His willingness to address relevant topics and challenge the authenticity of online personas is a good sound for him. As Fivio Foreign continues to navigate the music landscape, “Why Would I?” serves as a reminder of his commitment to staying true to his artistry. It is a testament to his growth as an artist who is unafraid to tackle complex themes within the context of the drill genre.

However, as he continues to make his mark in the music industry, Fivio Foreign’s authenticity and lyrical prowess remain key elements of his evolving artistry. Fans can only anticipate what’s next from him. Did you check out the song? What are your thoughts on Fivio’s new music? Let us know in the comments below! Stay tuned to HNHH for more music news.

Quotable Lyrics:

I been through the most (I been through the most)
Why would I trip over internet posts? (Why would I?)
Yeah, yeah (Look)
Why would I stop when I’m in that Ghost? (Why would I? Skrr)
Huh, why would I let niggas get too close? (Why would I?, yeah, why would I?)

Read More: Fivio Foreign & GloRilla Link Up

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Digga D Uploads Chilling Video Of Alleged Murder Attempt Against Him

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Digga D recently took to social media to share just how close his alleged recent close brush with death was. Moreover, the U.K. MC uploaded two pictures and a video that seem to depict an attempt on his life, and it’s chilling footage all things considered. One of these includes a video that quickly cuts out after you hear shots ringing out from outside the vehicle. In addition, Digga posted pictures of a Mercedes Benz SUV with bullet holes in it, showing presumed evidence of the attack. “Cherish God More,” he wrote as his post’s caption alongside a prayer hands emoji, acknowledging how lucky he is to have escaped harm’s way.

Considering the violent subject matter of much of the drill scene in the region, stories like these don’t get any less scary. It also came at what should be a celebratory time in the London rapper’s life, as he just released his album Back To Square One in late August. This new footage from Friday (September 15) shows that things could’ve taken a very nasty turn. Fortunately, it seems like the 23-year-old is safe and sound, and he elaborated on the experience on his Instagram Story.

Read More: Babyface Ray Teams Up With Digga D On “Goofies”

Digga D Shares Haunting Murder Attempt Footage

“What soldier you know goes to war & don’t get shot or shot at,” Digga D wrote on the social media platform. “Most these punk uk rappers have experienced it & are embarrassed to talk about it cause they don’t stand on business! They rather just show u the good side. I’d rather show you the Real side. Remember death is a place of no return. Don’t go out wrong trying to impress a bunch of people that will forget about you. Whatever religion you are, keep praying no matter what Cherish God More CGM.”

Meanwhile, the “G Lock” artist might be moving away from this violent lifestyle, at least artistically. Recently, he declared that he was done with drill, and teased a more dancehall-inspired cut to shift gears. With this in mind, no matter what musical route he takes, we hope that he doesn’t face more situations like these. For more news and the latest updates on Digga D, keep checking in with HNHH.

Read More: Digga D Drops Off His New Project “Made In The Pyrex”

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Sleepy Hallow & Marshmello Join The “GBG” On New Single

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No one hears “Sleepy Hallow” and thinks EDM, the same way that no one hears Marshmello and thinks “Brooklyn drill.” But what’s great about these genres is that they work so well with so many others, and with each other, you can get a catchy and faithful song to its roots. Moreover, the two artists just released the new single “GBG,” which features a high-pitched vocal sample that sounds like the lead-up to a progressive house drop of sorts. However, the song is firmly planted in New York drill territory, as the Flatbush MC always does with his hard-hitting material. While it might not be a new take on the genre or anything outside of either’s traditional comfort zones or skill sets, it makes for a pretty straightforward and instantly satisfying cut.

Furthermore, a great deal of that satisfaction comes from the fact that Sleepy Hallow stays on a consistent flow and locks into the beat smoothly. His voice propels the whole thing, rendering the chipmunks lead melodic vocals to a simple background addition to the main draw. “GBG” also benefits from a seamless verse-chorus-verse structure, where the 23-year-old’s bars are what moves one section of the track to the next rather than a melodic or instrumental switch-up. Sure, it might not be the most elaborate structure, but it’s a clear and righteous effort to spotlight Hallow’s presence on this song. He’s a leader in his scene, and one that’s unfortunately had a lot of time in his career cut short by external issues.

Read More: Sheff G & Sleepy Hallow Among 32 Arrested In Brooklyn Shootings

Sleepy Hallow’s “GBG” With Marshmello: Watch The Music Video

Meanwhile, for those unfamiliar with Marshmello, this is far from the first time that the EDM giant has crossed over into the hip-hop or R&B space. Just this year, he released the bubbly Brent Faiyaz collaboration “Fell In Love,” and will likely continue to expand his credits in the future. These two certainly set themselves up as a potentially consistent and chemistry-filled collaboration for the future. If you haven’t heard “GBG” yet, find it on your preferred streaming service and check out some notable lyrics below. Also, stay up to date on HNHH for more news on Sleepy Hallow and Marshmello, and for more great music each week.

Quotable Lyrics
Yeah, I’m good, she proud of my drip,
She said she adore my Dior kicks,
F**k a Uber, you gotta get Lyft,
In the air, that’s an opp in a spliff

Read More: Sleepy Hallow & Lil Tjay Link Up For “Pain Talk”

The post Sleepy Hallow & Marshmello Join The “GBG” On New Single appeared first on HotNewHipHop.

Stormzy Locks In With Fredo On “Toxic Trait”

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Stormzy remains a leading figure in the UK rap scene, although he’s shown that he’s much more than an MC. Since his debut album, Gang Signs & Prayers, his appreciation for gospel and soul music have trickled through his catalog but none more than on 2022’s This Is What I Mean. The majority of the project found Stormz’ in a plaintive space but fans hoped that he’d come through with some bangers.

It seems that he listened to the fans and slid through with some new heat this week. The rapper came through with the release of his new single, “Toxic Trait” ft. Fredo. Produced by Dave Santan, who recently dropped off his joint project with Central Cee, Stormzy and Fredo deliver a blistering banger that finds them showcasing their lyrical tenacity on wax. Hopefully, it signals that a follow-up to This Is What I Mean come soon.

Read More: Rappers Like Dave: J. Cole, Kendrick Lamar, Stormzy & More

Stormzy & Fredo Deliver A Banger

A large part of the record revolves around Stormzy’s growth throughout his career. Emerging into the rap game in his early 20s, he recently reflected on his maturity as he approaches his 30s. “There’s a difference between doing music at 22 and when you’re about to turn 30,” Stormzy recently told Dazed Magazine. “It’s the kind of peace and stability and stillness you can only get from maturity. You lose all the nervous shivers and the anxiety; you shake it off because now you’re a grown man coming into your skin.”

As for Fredo, the UK rapper came through with a few new records this year including “Everybody Knows.” His last album Scorpion dropped in 2022 and he also came through with a couple of features. Dave, on the other hand, is getting deeper into his production bag. Along with collaborating with Central Cee on Split Decision, he also contributed to the majority of the production on the project. Press play on Stormzy’s new single above and sound off with your thoughts in the comments.

Quotable Lyrics
Tell Gretta to ‘llow me
I know that my carbon footprints large
The Urus drinks, I still wear minks
We brought on weed, The PJ stinks 

Read More: Stormzy Makes His Return With “Mel Made Me Do It”

The post Stormzy Locks In With Fredo On “Toxic Trait” appeared first on HotNewHipHop.

Sheff G And Sleepy Hallow And 30 Other Alleged Gang Members Were Indicted On Conspiracy Charges

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sheff g sleepy hallow
Getty Image

Brooklyn drill rappers Sheff G and Sleepy Hallow are among 32 people facing 140 charges in a New York criminal conspiracy indictment, according to the New York Times. Sheff G, whose real name is Michael Williams, is accused of bankrolling two NY street gangs, the 8 Trey Crips and 9 Ways, which are linked to 12 shootings and a murder.

Prosecutors say after one such violent incident, Williams treated the shooters to a lavish dinner at a Manhattan steakhouse in 2020 which was also attended by Sheff’s frequent collaborator Sleepy Hallow, real name Tegan Chambers. Hallow had just completed an eight-month sentence in prison for weapons possession. Although authorities say Williams used the profits of his rap career to fund his gang activity, Brooklyn district attorney Eric Gonzalez maintains that no lyrics were used in the indictment.

During a press conference covered by Rolling Stone Gonzalez said, “This is not an indictment of rap music. In fact, this investigation did not rely on a single lyric to prove any of the alleged crimes. But it is an indictment of how when someone does well for themselves and could do real good in our community, they use their fame and money to further gang violence.”

The use of rap lyrics in racketeering/conspiracy indictments such as this one has been a hot topic in the past year after Atlanta authorities indicted Young Thug and several members of his YSL label including Gunna using samples of their raps as evidence. The practice has been called racist by critics and several jurisdictions are considering legislation to ban the practice.

Sheff G and Sleepy Hallow both rose to stardom as part of the explosion of drill rap’s popularity in 2019 alongside fellow Brooklynite Pop Smoke. After his death, they were among the young artists who picked up the torch for drill in defiance of New York Mayor Eric Adams’ seeming crusade against the street movement.

Lola Brooke Taps Yung Miami & Latto For Massive “Don’t Play With It (Remix)”

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Lola Brooke became one of the IT artists over the past few months. With “Don’t Play With It,” she became the next promising star nearly a year after its release. The rising Brooklyn rapper earned co-signs from Kim Kardashian, Cardi B, and a number of other A-listers. Meanwhile, artists like Future and A Boogie With The Hoodie extended their own praise to Lola Brooke. It’s only a matter of time until her breakout moment and becomes the next big star out of NYC.

In the past few months, she’s unloaded a handful of new singles, which presumably will lead the campaign for a debut project. Today, however, she revisited her breakout hit and added some star power to the record. Alongside Yung Miami and Latto, Lola Brooke debuted the “Don’t Play With It (Remix)” earlier today. The drill-centric production becomes a perfect canvas for Latto to pop her sh*t and take aim at her detractors. What Yung Miami lacks in lyricism, she makes up for with her attitude, while doubling down on her singledom with Diddy’s approval.

Lola Brooke’s Star-Studded Remix

Lola Brooke continues to keep the rap game on their toes for what she has in store but with “Don’t Play With It (Remix),” she’ll definitely keep the momentum high. The rapper recently dropped off her first single of the year, “So Disrespectful,” highlighting her sleek flow, deep voice, and quick-witted wordplay.

Lola Brooke revealed to HNHH that the title of her project is going to be titled, Little Big Momma. Though no release date has been set, she explained that she wants to ensure that her fanbase can appreciate everything that she offers on the body of work. “I know what they deserve,” she said. “They deserve everything but I need my fans to tell me what they need for me. It’s there, but it’s not all the way there yet. I need to still learn them as well as they learn me.” Check the remix above. 

Quotable Lyrics
Hundred bands, fuck is a hundred bands?
You fuck like a hundred n***as, ain’t got one man
You fuck like a hundred n***as, ain’t got one hit
Whole lot of motherfuckers speakin’ on me that ain’t done shit

Jadakiss Believes Labels Should Be Held Responsible For Violent Lyrics

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The call for record labels to be held accountable for how they navigate artists’ careers is ongoing, and Jadakiss is speaking on how those executives move. There have been conversations about rappers being money-makers for labels after they’ve died. We’ve seen how bigwigs have capitalized on the deaths of our favorite artists. Contracts and deals have also been disparaged by entertainers stuck in loops of debt. Jadakiss recently visited the I Am Athlete podcast to share thoughts on labels taking a gamble on artists’ lives.

“[There was] a song about it, and it was able to get a lot of streams, and that became a thing with the whole Drill [scene],” the Rap icon said. “They actually going out, gettin’ active and doin’ stuff and then go into the studio and make a song about what they just did.” Drill music has been under a microscope from the public to politicians. Mayor Eric Adams even called for a ban on Drill as he lamented over the ongoing violence in New York City.

Labels Are Taking A Gamble

CLEVELAND, OH – FEBRUARY 20: Jadakiss attends All Star WKND Finale at Galleria at Erieview on February 20, 2022 in Cleveland, Ohio.(Photo by Prince Williams/Wireimage)

“That sh*t get nipped in the bud as soon as it got created,” Jadakiss added. “But nobody’s going to these labels saying they wrong for this. We just blaming it on the kids. So, like my brother [Styles P] said, he don’t like to just put all the blame on these young artists because the radio stations are making them the top songs of the playlist. And the labels are still signing them.”

“They even got it—they puttin’ out life insurance on these young kids now.” Others were surprised at the revelation, but it’s been common for some time. “The labels. ‘Cause they gamblin’ on you to do something dumb, so they can profit after you die. So, this is getting ridiculous.” Rappers have complained about how labels move after one of their artists dies. Posthumous albums are quickly put together, and special edition merchandise is sold.

Vince Staples Said Similar Last Year

It was around this time last year when Vince Staples shared similar thoughts during an interview with Hot 97. “It’s money in it and they gonna keep selling it and we gonna keep perpetuating it and we gon’ be hurt when somebody dies,” said the Long Beach star. “I don’t necessarily know if they care. If they did, man the album ready in four weeks once you die. You get more press on the album after you die.

“When it comes to these systems, they look at you like, ‘Oh, you’re dead, now we got something to move with.’ To the people that’s running music: just treat these people with humanity. You’re worth something before you die.”

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Danny Brown Isn’t A Fan Of NY Drill: “All These N*ggas Sound Like ‘Batman Beyond’”

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The Drill wave was established in Chicago, and despite being a global phenomenon, Danny Brown isn’t a fan. Drill has taken new heights in different cities, which tap into the sound but amend it to their own style. Brooklyn Drill has been the latest craze, and we’re seeing more artists emerge from New York City. As it continues to gain movement, Brown hopped on his podcast with JPEG Mafia and disparaged the subgenre.

“I got some funny sh*t for Rap I wanna say,” the rapper said on The Danny Brown Show. “What’s up with New York Drill music?” He was asked what he meant. “Why all these n*ggas sound like Batman? All these n*ggas rap like Batman Beyond. What the f*ck is wrong with y’all n*ggas man? That sh*t ain’t fire!” Obviously, it’s the deep voices that irked Brown. “N*gga you 16. Your balls ain’t even dropped yet. You ain’t even got a deep voice yet. These n*ggas rapping like villains.”

Danny Brown Unleashes

PHOENIX, AZ – OCTOBER 22: Rapper Danny Brown performs at the Lost Lake Music Festival on October 22, 2017 in Phoenix, Arizona. (Photo by Tibrina Hobson/Getty Images)

“I just wanted to say that, man,” Brown added after getting a few things off of his chest. “All you New York Drill n*ggas rapping like Batman Begins, that sh*t is over with. Pop Smoke, that was his natural voice, man, but all y’all 16.” He added, “Shout out to real New York rappers like MIKE, you know what I’m saying.” He isn’t the first to air out grievances with Drill.

While Brown’s take had much to do with the deep voices rappers use while performing, others have taken issue with the violence within Drill. Things became so concerning that certain New York City radio hosts refused to play Drill tracks that called out other artists. Recently, Remy Ma also delivered a hot take about the subgenre, stating that she feels as if much of Drill is overrated. She also noted that it’s difficult to understand and touched on the troubles regarding violence.

Is Drill The Next Hip Hop Target?

Additionally, politicians have also targeted Drill. Mayor Eric Adams has called for a ban on the music, but recently, he’s been spotted rubbing elbows with Hip Hop’s elite. Check out Danny Brown above.

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Vic Mensa Explains Why He Got Upset With Akademiks: “Parasitic Platform”

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He may not be firing off new music like his peers, but that doesn’t mean Vic Mensa’s schedule isn’t stacked. The Chicago artist is fresh off helping organize the Black Star Line Festival in Ghana alongside Chance The Rapper. In an interview with Paper Magazine, Mensa detailed traveling to Ghana in January last year. When he reached out to friends about being in Africa, only Chance asked to come to visit. It was a spiritual experience that bonded the friends, sparking the idea to host a music festival overseas.

Additionally, activism is something that Mensa continues to be involved in, especially in the Windy City. His non-profit SaveMoneySaveLife has helped thousands of residents in need, and Mensa is active in the local music scene to support rising artists. Paper asked about Chi-Town’s Drill scene and Mensa’s tense reaction to DJ Akademiks during an interview in 2017.

CHICAGO, ILLINOIS – SEPTEMBER 18: Vic Mensa performs during Riot Fest 2021 at Douglass Park on September 18, 2021 in Chicago, Illinois. (Photo by Daniel Boczarski/Getty Images)
Read More: Vic Mensa’s Heated Confrontation With DJ Akademiks Resurfaces After Ak’s Clash With Megan Thee Stallion

It was then Mensa was a guest on Everyday Struggle, a show co-hosted by Akademiks. The rapper took issue with how the blogger covered Chicago Drill artists, and Paper asked what it was like to see the genre accepted worldwide. “It’s really astounding, man. It’s beautiful. Ghanaian Drill is interesting too because it’s this ping-pong effect where Drill music from Chicago then inspired the UK, who transformed that sound plus Grime into a UK Drill scene; which then ping-ponged and inspired Pop Smoke and them to do the New York Drill scene, which then ping-ponged and inspired the Ghanaian kids to make Ghanaian Drill.”

Mensa explained that each scene is rooted in something different. In the U.S., Rap is heavily centered on experiences connected to violence. In Ghana, Mensa says the struggle isn’t the same. “The Drill movement was always conflicting for me,” he shares. “While I loved the artistic expression in the music, I also had a front-row seat to the real-life accompaniment to that music. Friends of mine were killed in the midst of Drill rap beef and all that sh*t. That was why I got into it with Akademiks.”

Read More: Vic Mensa On Kanye West, XXXTentacion, DJ Akademiks & The “Trend” Of Abuse

He continued, “Because a kid that I grew up with and went to karate with when we were five years old ended up being a street n***a, gang banging, et cetera. He was also a very talented rapper. When he got killed, there was music involved, there were big Drill artists involved, and I heard about it on Akademiks’ parasitic platform. So that’s why I was upset.”

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