The Stacked 2023 Dreamville Festival Is Set To Headlined By J. Cole, Drake, Usher, And Burna Boy

Rap superstar J. Cole’s record label’s annual namesake music festival is back. After being canceled in 2020 amid coronavirus concerns, last year, the festival expanded much to the pleasure of avid supporters. The multi-day lineup continues this year, as Dreamville Festival 2023 will be held on both April 1 and 2 at Dorothea Dix Park in Raleigh, North Carolina.

This year’s festival will be headlined by Usher (on Saturday, April 1), J. Cole, Drake, and Burna Boy (on Sunday, April 2). Of course, Dreamville acts will grace the stage. Both Ari Lennox and JID’s respective tours will wrap up at the end of next month, giving them both plenty of time to prepare for their Dreamville Fest sets.

Minutes before dropping the lineup, Cole teased, “Bout to drop the hardest festival lineup ever @Dreamvillefest sheeeeeeeesh [crying laughing emojis].”

Whereas Bas is still in a full-on album preparation mood, releasing single, “Diamonds,” in late January. Fellow Dreamville Records signees Earthgang and Omen are slated to perform on the festival’s opening day.

Other notable acts on the lineup include Lil Durk, City Girls, Sean Paul, Sir, Summer Walker, Jessie Reyez, Baby Tate, and GloRilla.

View the full lineup below.

Dreamville Festival 2023 flyer
Dreamville / Twitter

Tickets for Dreamville Festival 2023 are on sale now. To purchase tickets, click here.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Usher Names Which Of His Albums Was The “Birth Of Toxic R&B”

He’s been belting out hits since childhood, and Usher’s talents have inspired several charting artists who came after him. The R&B icon is still making records and releasing singles—but these days, he’s wearing the crown of the R&B King of Las Vegas. His residency has received rave reviews, including many from his peers. It’s reported that fans will still have the opportunity to catch the “My Way” hitmaker in Sin City as 15 more dates have been added to his residency.

To further promote his time in Vegas, Usher recently caught up with GQ. He chatted about the show and the various stages of his career, including recent years that he has called “frustrating.” Usher said, “It’s not Hip Hop enough, it’s not current enough, it’s not TikTok savvy, it’s not memeable. That sh*t can be frustrating for an artist who is all about passion. I literally want to go and sing and perform for audiences.”

Usher Names His “Toxic R&B” Album

ACCRA, GHANA – SEPTEMBER 24: Usher performs on stage during Global Citizen Festival 2022: Accra on September 24, 2022 in Accra, Ghana. (Photo by Jemal Countess/Getty Images for Global Citizen)

However, he isn’t dismayed. “I’m feeling inspired again, to now launch new music and also to continue to keep this phenomenon going,” Usher noted. “It’s just really been about [a] celebration of entertainment, celebration of the standard that was set by these incredible guys who inspired me.” These entertainers include Michael Jackson, Gene Kelly, and Prince.

One of his most celebrated albums is Confessions, his 2004 chart-topper that spawned several classic singles. Usher recognizes the project’s influence and how audiences continue dissecting its impact. “The conversation, the music, the entertainment, the dialogue, the energy around it. The toxic R&B of it. Because [it] was the birth of toxic R&B.”

Usher Defines “Toxic”

He then offered an explanation. “Yo, but by the way, toxic was just being honest,” he added. “It’s how you choose to say it.” Confessions, for the singer, was about being truthful regarding relationship and the issues that come from making ill-thought-out decisions. Now, “toxic” holds a different meaning. “Toxic now is like: I’m f*cked up and I’m just sayin’ I’m f*cked up, and that’s it, with no remorse,” said Usher.

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‘Bel-Air’: Here’s All The Music You Heard In Season 2, Episode 1

(SPOILERS for this week’s Bel-Air episode will be found below.)

Bel-Air is back for season two and things aren’t as wholesome as any of the show’s characters would’ve hoped to start. The season one finale was highlighted by Will’s decision to leave the Bel-Air mansion after he learned that Phil, Viv, and his mom lied about Will’s father. Though it was done out of love and protection, Will felt betrayed by the most important adults in his life. Thankfully though, what started as a family divided to begin episode one of Bel-Air season two, ended as one reunited as Phil put his pride aside to apologize to will and invite him back into the house. Elsewhere, love is in the air for Jazz and Hilary!

The aforementioned events in the first episode of Bel-Air season two are soundtracked by songs that help to accentuate the emotions behind each scene. You can find a list of them belong as well as details about the scenes that the records soundtracked.

Nipsey Hussle — “Last Time That I Checc’d” Feat. YG

Nipsey Hussle’s “Last Time That I Checc’d” off Victory Lap checks in around the 01:24 mark. A short time later, we see Will who wakes up in a slightly messy room — one that is notably not in Uncle Phil’s massive Bel-Air mansion — to get dressed for the day. He heads out into the city to start his day. We later learn that the room is in Jazz’s house in South Los Angeles.

MIKNNA — “Angel City”

MIKNNA’s record plays faintly in the background around the 3:02 mark as Will orders some breakfast at a local restaurant. A man named JB meets him there and he gives Will some money that was made off some a deal they had. We later find out that JB is helping Will secure basketball matchups for money.

Bryce Green & 81Maantra — “Boom”

We hear Bryce Green & 81Maantra around the 06:18 mark as Will and Carlton are driving to school together. Carlton lets Will know that Phil and Viv are worried about him, but Will’s rather large stash of cash has Carlton worried about what Will is doing to make money.

Easy McCoy — “Deja Vu”

At around the 07:15 mark, Easy McCoy’s “Deja Vu” briefly plays as the Bel-Air title flashes on the screen. This record is the theme song for Bel-Air.

The Royal Chief — “See Me Now”

The Royal Chief’s “See Me Now” plays around the 10:09 mark while Will and Carlton walk through the halls of their school. Carlton explains what’s changed with his school friends and also throws out the idea of him and Will becoming the school’s latest dynamic duo. Carlton may also have a new crush, a girl named Yazmin, on his hands.

BOSCO — “Easy” Feat. Smiles Davis & Royal Bait

BOSCO’s song can be heard around the 13:25 mark. At this point of the episode, Hilary meets with Ivy as they begin their run as the leaders of the content creator house. It’s also here that Hilary learns about her responsibilities as a manager and the true dynamic of her business relationship with Ivy.

Freddy Bam Bam — “Need You”

Freddy Bam Bam’s “Need You” plays softly in the background around the 15:04 mark when Hilary vents to Jazz about having to fire two men from the influence house. Afterward, they discuss their relationship status and whether or not it’s time to place an official label on it, something Hilary isn’t in a rush to do.

Last Verse — “Semper”

At around the 28:34 mark, Will walks onto an outdoor basketball court in Venice as Last Verse’s “Semper.” It’s there that he hopes to meet a scout named Doc in order to form a relationship and further his basketball career.

Via The Great — “Champion”

Via The Great’s “Champion” plays around the 31:45 mark and it soundtracks Will’s pick-up game against a much bigger guy named Big Dre. Things start off slow for Will, but he eventually picks things up and wins the game.

City Girls — “Good Love” Feat. Usher

The party begins around the 37:14 mark. It’s Ashley’s official 13th birthday party and it gets underway with City Girls’ “Good Love” being the record that everyone dances to. While most of the attendees are dancing together and having a great time, Hilary stands at a distance jealous of Jazz dancing with Ivy.

Manus — “On Top” Feat. Turbo9

Manus’ “On Top” plays around the 38:21 mark as Phil overlooks the water deep in thought. Carlton comes up to him and gently confronts him about running away from the issues and tension between Phil and Will. A short time later, Phil asks Will to speak with him.

Saweetie — “Bo$$ Chick”

To round out the music at the end of this episode, Saweetie’s “Bo$$ Chick” plays around the 42:55 mark. Saweetie herself makes an appearance to sing happy birthday to Ashely and gives her well-wishes on a new year of life. Will makes the tough decision to put things on pause in their relationship.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Usher Thought Biggie Smalls Was The ‘Most Profound Talent’ He’d Ever Seen In A Rapper After Joining Him In The Studio

Usher is undoubtedly becoming the unofficial king of Las Vegas, thanks to his My Way Residency. Even with a career spanning 30 years, the singer has continued to find ways to honor the acts before him in his music by way of samples while finding inspiration in today’s newer acts.

The musician doesn’t mind calling cap on the questioning of his talent, but giving other recording artists their flowers is as equally important to him. Late rap music icon The Notorious B.I.G. (real name Christopher Wallace), often referred to by the shortened name Biggie Smalls, is at the center of Usher’s latest praise session.

In an interview with GQ, the singer shared the story of sharing a studio with the late rapper. Although Usher wasn’t working on his own solo material, he stuck around to watch the rapper lay down his own music.

“He didn’t write anything down,” says Usher. “He lined up four blunts, ran it back, just listening [to the beat].” After three blunts, Biggie was ready to go to work. Usher continued, “He was the most profound talent I think I’ve ever seen in an MC. Coming up with sh*t off the top of his head, the ability to make things so vivid. That sh*t was profound, man.”

Even after the rapper’s tragic death in 1997, Biggie is still remembered as one of the greatest to ever touch a microphone.

Usher Was So Blown Away By A K-Pop Group’s Concert That It Inspired His Own Shows

In honor of Usher’s Vegas residency, the R&B icon did an interview with GQ, revealing some interesting anecdotes along the way. Particularly, one about how his teenage sons took him to a truly special show that changed his outlook — and possibly converted him into a K-pop stan.

“I literally went to a Blackpink concert in Atlanta, and I was like, man!” Usher said. “I’m goofy! I’m looking like, ‘Wow, this is amazing.’  They were putting on a show. Wardrobe, great sequencing, with the lighting and everything working in sync — there’s no detail spared. I loved that.”

The piece also notes that he thoroughly enjoyed Blackpink’s choreography and all the pieces that went into their concert. Usher goes on to touch on how this ties into his intentions for each of his “My Way” residency performances — titled after his second album from 1997.

He notes that he wanted it to cater to the ladies attending and bringing his level of perfectionism to the Park MGM.

“I really wanted to give women something to look forward to, something to come here to Las Vegas with their friends for,” he shared. “They’ve been saving up all year and were able to manage to get away from their kids or get away from their problems.”

“They come out and really enjoy themselves for the entire weekend. They want to be able to really get away and have an experience,” Usher added.

Usher’s shows are picking back up in March and will run through July. More information is available here.

Usher Teases “GLU” Single & Music Video Starring Lori Harvey

New releases from Usher have been a rarity in recent years. Thankfully, today (February 14), the R&B star let his fans know that he’s back. In a teaser shared on various social media platforms, he previewed an upcoming release called “GLU.” While the song has undeniably caught our attention, excitement is also swirling because the singer tapped a famous beauty to star in the accompanying visual.

Presently, the Texas native is preparing for his return to Sin City. After taking some time off to rest and recharge, he’ll be performing for audiences at his Las Vegas residence once again later this month. Audiences have been loving the show Usher previously put together. However, it’s practically guaranteed that he’ll be bringing new material with him this time around. While teasing the new arrival to followers on TikTok, he wrote, “You’ll thank me later. GLU. #SlowJams #Black Music.”

As sultry sounding as ever, the 44-year-old sings, “I just love that glue / It gets all on you / All on me” in the teaser. While his beautiful voice rings out, Lori Harvey appears on screen, her perfectly sculpted figure shown from various angles. As the brief video comes to an end, we briefly see the model’s face. Her hair is styled in a short, blunt bob, and her makeup looks on point as always.

Ty Dolla $ign and La La Anthony are both looking forward to the release, according to Usher’s Instagram comment section. Several followers are rejoicing as well, leaving replies like “Stop playing with the King of R&B” and “Lawd, I ran to Apple Music so fast. Where is the rest? Stop teasing us.”

Lovers of the multi-talent have been desperately waiting for news of new music from him. Last year, he spoke with PEOPLE about his future career plans, teasing, “In COVID, while we have been in quarantine, my ideas changed. I actually learned new things. I was able to really be reflective and find out what things matter and really have some true, honest, deep conversations with people and myself, to take some ownership of some of where my life has gone and some of the things that I’ve come through.”

Usher Raymond attends the Healthy Thanksgiving meals giveaway event hosted / sponsored by HUNGRY, Sunfare and Usher Raymond at Mary Hall Freedom Village on November 23, 2022 in Sandy Springs, Georgia. (Photo by Paras Griffin/Getty Images)

As for Harvey, she’s mostly been waking waves due to her romantic relationship with Snowfall‘s Damson Idris. The two went public recently, and have been regularly spotted out and about together since. Read more about the young lovers here, and check back later for updates on Usher’s upcoming single.

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Jermaine Dupri Responds To Getting Called “Irrelevant” + 4 Recent Songs He Produced

Jermaine Dupri

Jermaine Dupri was interviewed on the I AM ATHLETE podcast and responded to getting called irrelevant in today’s music. SOHH also highlighted recent hit songs JD has recently produced. Star producer and music executive Jermaine Dupri was interviewed on the I AM ATHLETE podcast and responded to being called “irrelevant” in today’s music by fans. […]

The post Jermaine Dupri Responds To Getting Called “Irrelevant” + 4 Recent Songs He Produced appeared first on SOHH.com.

The Samples That Pay Homage To Black Legacy Acts In Music

These days, music nostalgia is showing up in more ways than one. As recording stars like Lady Gaga have older songs finding success in the present day, others like Gwen Stefani are considering reuniting with her former bandmates after years of being on a hiatus. But, between the sheer force that is TikTok sounds and the professional pressures recording artists feel to obtain commercial success, when monitoring the Billboard Hot 100 charts, it is hard not to come across a few dozen songs that aren’t flooded with easily recognizable samples.

Many music purists argue that sampling is a creative cop-out, but when intentionally done, sampling is one of the easiest ways to reintroduce legacy acts into music’s forever-changing ecosystem. For some artists (or their estates), it can prove lucrative.

The world of music theory and overall music production is vast, so a few terms need to be defined to add context to this list. “Sample” as a term is often thrown around loosely, but to clarify in terms of this list: Generally put, there are two things people mean when they use the term. A true “sample” is using part of an original recording, whether it’s clipped, slowed, sped up, or played in reverse. Meanwhile, interpolation is the reproduction of an element of the original recording, such as quoting lyrics or having musicians replay melodic elements of the underlying instrumental. For a breakdown, check out Uproxx’s interview with Naima Cochrane.

With tens of thousands of songs to choose from, the songs selected for this list adhered to a strict set of qualifying factors. First, all samples that appear on the songs listed below must be billed to a Black recording artist’s discography (across the diaspora). Next, the newer song, which includes the older sample, must have been released in the last 20 years (2003 and beyond). Next, cover songs were not considered. Finally, the songs on this list were screened for quality control metrics, including the creative way the sample was used, how prominent the featured sample is integrated into the newer song, and the overall quality of the newer song. These samples were verified by WhoSampled.com’s online database.

So, without further ado, here are the best uses of samples (over the last 20 years) in alphabetical order according to the artist.

50 Cent – “21 Questions” feat. Nate Dogg

Before 50 Cent (real name Curtis Jackson) became a dominant force behind some of today’s popular television programming, he ran the rap music charts. His debut studio album, Get Rich Or Die Tryin’ is considered by many rap critics to be one of the most impactful hip-hop debut projects of all time. Jackson is no stranger to sampling or being sampled, but his song “21 Questions” stands head and shoulders above all others. On “21 Questions,” Jackson’s use of the instrumentation of Barry White’s 1978 song “It’s Only Love Doing Its Thing” is thoroughly blended across the song, serving as the ideal backdrop to the gangster love song.

A Boogie Wit Da Hoodie – “Look Back At It”

Bronx rapper A Boogie Wit Da Hoodie is one of the leaders of New York’s music scene within the new school. A Boogie acknowledges his heightened status by lending his platform to his home state’s rising acts, including Lola Brooke. The rapper has a string of popular songs, including “Drowning” and “Jungle,” but none stand out quite like “Look Back At It.” What makes the song so irresistible? Michael Jackson. Both Michael Jackson’s 1991 song “Remember The Time” and 2001’s “You Rock My World” were sampled in this track.

Beyoncé – “Naughty Girl”

Beyoncé, affectionately referred to by super fans as Queen Bey, is a music veteran (as she reminds us in the lyric, “since 15 in my stilettos, been struttin’ in this game” heard on “Diva”). The Houston native serves as an inspiration to many of today’s musicians. However, as seen on her latest album, Renaissance, she also finds inspiration in other musicians. In “Summer Renaissance,” she samples Donna Summer’s 1977 song “I Feel Love,” but this wasn’t the first time the Ivy Park boss pulled in music for Summer.

On her debut solo album, Dangerously In Love, she also sampled the late pop superstar on the single “Naughty Girl.” The sensual song pulls from Summer’s 1975 song “Love to Love You Baby,” a masterclass on how to reuse and remix a wildly popular song while respecting the original artist’s work. Honorable mention to Beyoncé’s song “Church Girl,” which samples The Clark Sisters’ 1981 song “The Center of Thy Will.”

Burna Boy – “Last Last”

Last year, international acts dominated the American music market. One of those acts near the front of the pack was none other than Burna Boy. The self-proclaimed African Giant has a strong hold on the West African music space as a native of Nigeria. The musician did see success in countries outside of the continent, but with the release of his single, “Last Last,” his international fame was cemented. The song samples Toni Braxton’s 200o song “He Wasn’t Man Enough.” With just a few vocal adlibs from Toni and under 30 seconds of Rodney “Darkchild” Jerkins’ original production, Burna and his frequent collaborator Chopstix reimagined the beloved R&B track with a fresh Afrobeat perspective.

Cardi B – “Bickenhead”

On her debut album Invasion Of Privacy, Cardi brings in quite of few iconic samples. Her strongest display of sampling is heard on the smash single “I Like It,” featuring Bad Bunny and J Balvin. However, because the sample used is Pete Rodríguez’s 1966 song “I Like It Like That (A Mi Me Gusta Asi),” it won’t make this list as Rodríguez does not identify as Afro-Latino. But her song “Bickenhead,” also on the album, is certainly a close second. The song samples Oscar Award-winning rapper Project Pat (of Three 6 Mafia). Pat’s 2001 song “Chickenhead” featuring La Chat served as the inspiration behind Cardi B’s track.

Childish Gambino – “Redbone”

A prime example of Donald Glover’s (also professionally known as Childish Gambino) homage to past artists is his 2016 song “Redbone.” The song has been featured in nearly every industry adjunct to music, including television, film, and video games. But what do you expect when funk legend Bootsy Collins is involved? The track interpolates elements of the 1976 song “I’d Rather Be With You” by Bootsy’s Rubber Band.

Chris Brown – “She Ain’t You”

On “She Ain’t You,” Chris Brown walked a creative tightrope, showing love to Michael Jackson, one of his biggest inspirations, while making the track his own. The song samples SWV’s 1992 song “Right Here (Human Nature Remix),” which is also a sample of Michael Jackson’s 1982 song “Human Nature.” While the harmonies and instrumentation remained the same, Brown took the right creative liberties to make it his own.

City Girls – “Twerk” feat. Cardi B

Quality Control’s dynamic duo City Girls entered the rap scene like a bull in a china shop, wrecking sh*t. Thanks to some brilliant music choices, the group has carved a lane for themselves. As proud Liberty City representatives, they’ve paid homage to Florida greats like Luke and Trina in their music. But their strongest sample to date is undisputedly heard in their song, “Twerk,” featuring Cardi B. Pulling in samples from both James Brown’s 1976 song “Get Up Offa That Thing” and Choppa’s 2003 song “Choppa Style,” no dance floor has been safe since its release. Their 2018 song “Take Yo Man,” which samples Salt-N-Pepa’s 1986 song “I’ll Take Your Man,” and Jacki-O’s 2004 song “Fine,” deserves an honorable mention.

Coi Leray – “Players”

Coi’s latest single, “Players,” highlights her knowledge of hip-hop’s roots. The track samples Grandmaster Flash and The Furious Five’s 1982 song “The Message.” With assistance from TikTok’s flourishing mashup culture, Coi’s song has gained a life of its own. The strongest of those remixes comes from DJ Smallz 732. DJ Smallz 732’s Jersey club mashup showcases just how tapped in Coi is, as she quickly embraced the TikTok, going back to her home state to film an accompanying music video.

Drake – “Nice For What”

Drake is the king of embracing new artists and sounds. So much so, that critics consider his acceptance of every new trend serves as a detriment. But when it works, it works. Drizzy pulls inspiration from all around the globe into his music, but his best use of a sample to this day features American recording artists. Lauryn Hill’s 1998 song “Ex-Factor” serves as the sample foundation for Drake’s “Nice For What,” while the Big Tymers’ 2000 song “Get Your Roll On” is the cherry on top.

Fat Joe, DJ Khaled, and Amorphous – “Sunshine (The Light)”

Before he found a passion for media commentating or ever thought to write a book, Fat Joe was one of the Bronx’s biggest rappers. Over his decorated career, the Terror Squad head honcho had the pick of the liter when it came to guest features. However, sometimes instead of the artist picking a well-known collaborator, it’s important to work with newer acts. When DJ and producer Amorphous’ mashup of Rihanna’s 2016 song “Kiss It Better” and Luther Vandross’ 1981 song “Never Too Much” became a viral smash, Fat Joe knew he had to act. Bringing in DJ Khaled, the trio pumped out Fat Joe’s song “Sunshine (The Light),” his best incorporation of a sample in his music to date.

French Montana – “Pop That” feat. Lil Wayne, Drake, and Rick Ross

The Moroccan-American rapper has a string of smash songs, but the crown may have to go to his song “Pop That,” featuring Lil Wayne, Drake, and Rick Ross. The song was everywhere, which made it difficult to escape, but why would you want to? The remixes to the track also hit, especially the Jersey Club version. The song samples Luke’s 1992 song “I Wanna Rock” and Tyga’s 2011 song “Lap Dance,” which made it the ultimate strip club anthem.

Future – “Mask Off”

Atlanta native Future is a strange case when it comes to sampling. Although his 2018 guest verse on Jay Rock’s song “King’s Dead” featuring Kendrick Lamar and James Blake became a running joke across social media due to his quote from Juicy J’s 1993 song “Slob On My Knob,” in his song “Mask Off,” his use of Carlton Williams’ 1976 song “Prison Song” is without a doubt great.

Kanye West – “Through The Wire”

In recent times, Kanye West has been as cuddly as a porcupine. But before he was viewed as public enemy number one, West was a highly sought-after producer even before he had a smash single to his name. With his unique ear for music, West has almost always incorporated samples of all varieties into his own solo music as well as the work he’s produced for others. Of those multiple dozen uses of samples, his debut single, “Through The Wire,” which samples Chaka Khan’s 1984 song “Through The Fire” and OutKast’s 1993 song “Player’s Ball,” edges out all others by a thin margin.

Kehlani – “In My Feelings”

Singer Kehlani is another example of a singer that often pulls in vibrant blasts from R&B’s past in their work. Before Kehlani had several studio albums to their name, their mixtape releases made a huge impact not only in R&B music but rap as well. However, speaking of their studio albums, Kehlani will often seek out guest verses from more veteran singers, but on “In My Feelings,” they stuck to good ole classic sampling. The breakout single samples one of R&B music’s most celebrated groups New Edition. The track samples their 1988 song “If It Isn’t Love.”

Kendrick Lamar – “King Kunta”

Then there’s Kendrick Lamar. The Compton native’s usage of samples has earned him not only multiple Grammy Awards but a Pulitzer Prize. As a mentee of Dr. Dre, the king of sampling in hip-hop, Kendrick has laser focus when it comes to finding the perfect song to complement his art. His intricate blending of these researched references displays his deep knowledge of music across genres. There are several honorable mentions you could make, but let’s just stick with his 2018 song “King Kunta,” which contains six samples (most notable being Curtis Mayfield’s 1974 song “Kung Fu,” James Brown’s 1973 song “The Payback,” and Ahmad’s 1994 song “We Want The Funk”).

J. Cole – “G.O.M.D.”

Across his decade-plus career, J. Cole has experimented with several sounds all while paying homage to some of music’s heavyweights. So, Cole has quite a few great sample honorable mentions, including his use of Hubert Laws’ 1972 song “No More” on Cole’s 2013 song “Power Trip” featuring Miguel. Also, his use of Fela Kuti and the Afrika ’70s’ 1973 song “Gentleman” and Nas’ 1999 song “Nas Is Like” in his 2013 song “Let Nas Down” can’t go ignored. But his strongest sample use can be heard in his song “G.O.M.D.,” which samples Branford Marsalis’ 1992 song “Berta, Berta.”

Jennifer Lopez – “All I Have” feat. LL Cool J

At this point in time, Jennifer Lopez is probably more known for her filmography than her music, but initially entering the acting world playing the late Selena Quintanilla Pérez, Lopez is no stranger to using art to pay homage to another musician. Her song “All I Have” featuring LL Cool J may not be her most popular song, but is certainly her best use of a sample. The track samples Debra Laws’ 1981 song “Very Special.”

Lucky Daye – “Over”

Although his discography is still growing, the singer does have a few standout uses of samples. The best of those showings hands down is heard in his song “Over.” Sampling Musiq Soulchild’s 2002 song “Halfcrazy,” Daye pours his all into the track, and it certainly paid off. Honorable mention to his 2020 song “Shoulda” featuring Babyface. The track samples Toni Braxton’s 1992 song “Love Should Brought You Home,” also produced by Babyface.

Nelly – “Dilemma” feat. Kelly Rowland

Featuring Kelly Rowland, “Dilemma” was inescapable in the early 2000s, and that hasn’t changed in all these years. Thanks to Gen Z’s obsession with the song, Nelly found himself occupying the top trending sounds on the application for quite a while. The song samples legendary vocalist Patti LaBelle’s 1983 song “Love, Need and Want You” as well as D-Train’s 1986 song “Misunderstanding.”

Nicki Minaj – “Super Freaky Girl”

Nicki earned her first solo No. 1 with “Super Freaky Girl.” The song samples the late Rick James’ 1981 song “Super Freak.” Throughout the track, James’ vocals are weaved in and out as Minaj does what she does best. The song also features James’ addictive funk instrumentation. This isn’t the first time Minaj has used a sample in this way; her 2014 song “Anaconda,” which samples Sir Mix-a-Lot’s 1992 song “Baby Got Back,” follows the same format.

Saweetie – “Tap In”

In just a few short years, Bay Area representative Saweetie rose to prominence. Her keen marketing skills and vibrant personality online quickly earned her a dedicated social media following. Known as to go-to musician influencer, Saweetie has become the face of several brand deals and advertisements. But the face of her town area belongs to rappers Too Short and E-40. As a way to pay homage to her standing grounds and Too Short, in her song “Tap In” she samples Short’s 2006 song “Blow The Whistle.”

Summer Walker – “Come Thru” feat. Usher

Summer Walker is one of R&B music’s most impactful acts. Although she feels that she is often overlooked by award shows, that hasn’t stopped R&B lovers from running her streaming numbers through the roof, landing on the Billboard Hot 100 charts for weeks at a time. On her debut studio album, Over It, the single “Come Thru” featuring Usher, Walker, and producer London On Da Track created magic. The song shows how to blend legacy acts with rookie talent with integrity. “Come Thru” samples Usher’s 1997 song “You Make Me Wanna.”

Wale – “Break Up Song”

Wale is the uncrowned king of sampling in rap music. The DMV-representer has found a way to incorporate some of his favorite artists into his music beyond guest features. From his meteoric mixtape run to his studio releases, Wale never passes up on the opportunity to incorporate a sample of some sort in his music. His 2010 song “Break Up Song,” samples Stevie Wonder’s 1980 song “All I Do.”

Usher – “Throwback” feat. Jadakiss

Casual music fans without knowledge of R&B may only recognize the singer Usher from his viral “watch this” gif pulled from his appearance on NPR’s Tiny Desk Concert series. But for avid lovers of the genre, the Atlanta native is one of the sound’s leading voices. Usher has already appeared on this list as a featured artist on Summer Walker’s song “Come Thru,” as the track sampled his 1997 song “You Make Me Wanna.” But, Mr. Raymond has a few notable samples sprinkled throughout his discography. His 2004 song “Throwback” featuring Jadakiss, however, is arguably the most creative use of one. On the song, Dionne Warwick’s 1973 song “You’re Gonna Need Me” serves as the track’s anchor.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

50 Cent, Missy Elliott, And Usher Will Headline Lovers And Friends Festival When It Returns This Spring

Like Aaliyah once said, “If at first, you don’t succeed, you can brush it off and try again.” That seems to be the strategy the Lovers And Friends Festival is going with this spring (you just know Aaliyah herself would have been on the lineup), bringing back the nostalgic event for a second attempt at the Las Vegas Festival Grounds on May 6. Today, the fest announced its millennial-baiting lineup, which features TRL faves like Missy Elliott, 50 Cent, Mariah Carey, and of course, the fest’s inspiration, Usher, whose 2004 hit is the festival’s namesake.

Unfortunately, Lovers And Friends Festival has had a bumpy road so far, starting with its first planned iteration in Carson, California in 2020. Numerous artists on the original lineup initially denied their involvement after the show was announced before their respective booking agents let them know they were on the c/o 2000 fever dream lineup. Once they were confirmed, demand for tickets skyrocketed, prompting the organizers to add a second day before the COVID-19 pandemic put the kibosh on the whole event.

However, a revamped version of the festival came back in 2022, moving to Las Vegas and reverting back to a one-day fest. This turned out to be kind of a bad idea, as logistics for the fest were kind of a mess, leaving fans without shade or water in the 100-plus-degree desert heat (which tends to go the other way at night, leaving fans freezing instead). Then, there were reports of gunfire, causing stampedes and thankfully minor injuries.

Hopefully, they can learn from those mistakes as they return this spring and give fans the show they deserve because as an elder millennial (or Xennial or whatever you call us), I for one am extremely tired of having the rug pulled out from under me. Let us have something nice, for once. Please and thanks.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.