Tupac

The Results Of A ‘Celebrity Family Feud’ Question About The Greatest Rapper Of All Time Causes Chaos Online

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Celebrity Family Feud GOAT Rapper Screenshot 2024 (1024x437)
X (Twitter)

If you ever want to spark a debate, post a ranked list about anything. But especially if that opinion piece as anything to do with rapper stars, just ask Eminem, Fat Joe, or Usher.

The producers of Celebrity Family Feud learned this the hard way. During a recent episode of the beloved game show, starring Tori Kelly, Meghan Trainor, and Daryl Sabara, the families and even host Steve Harvey were rattled by the survey results. When asked who was the greatest rapper of all time, Kendrick Lamar, J. Cole, Lil Wayne all struck out as confirmed answers.

Eventually, a contestant scored with a guess of the late Tupac. But, subsequent responses of Nas and Drake earned players strikes. When the full list was revealed, which included Snoop Dogg (at No. 1), Tupac, Eminem, Dr. Dre, LL Cool J, The Notorious B.I.G., 50 Cent, and Jay-Z.

Users across X (formerly Twitter) voiced their issues with the results.

“We literally asked 100 Vermont residents to answer this,” wrote one user.

“We know who was polled for this question by the answers 🥴,” penned another.

“That’s hip-hop. But, they didn’t ask hip-hop people,” remarked one user.

“Snoop Dogg number 1 and Jay-Z last? Who answered this question? Some bums in the street,” chimed another.

“Family Feud needs to be investigated,” joked another.

Drake Fans React To His New BMW That Looks Suspiciously Like Tupac’s

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Drake recently hung out with 50 Cent in Toronto and seemed to have a great time, but one of his most talked-about social media posts from this session has nothing to do with Fif. Instead, fans raised their eyebrows at a black BMW that he featured on his Instagram Story, which many felt looks suspiciously similar to the BMW in which Tupac Shakur was tragically shot and killed in 1996. But just like with many other things related to these two MCs and a certain Compton lyricist in 2024, things aren’t that simple. It’s not even the same model as the ‘Pac one, but maybe the image and similarity alone is what Drizzy intended.

Of course, we’re referring to the mentions of Tupac’s ring and Drake’s use of a ‘Pac A.I. voice during the 6ix God’s beef with Kendrick Lamar. During K.Dot’s “The Pop Out” concert in Los Angeles, he changed one of his lyrics in the “Euphoria” diss track to the following: “Give me Tupac’s ring back and I might give you a little respect.” This came after the West Coast legend’s estate threatened legal action against the Toronto superstar for replicating his voice without consent, which Aubrey then accused Kendrick of setting up.

Read More: Latto Shares Her Take On Kendrick Lamar & Drake’s Fierce Feud

Drake’s Suspiciously Familiar BMW

Even though this and other social media jabs have folks thinking that Drake still wants smoke with Kendrick Lamar, the biggest likelihood is that these attacks will remain as Internet jokes and probably not manifest in full-on diss tracks. According to DJ Akademiks, he’s looking forward to giving fans “what they love” from him, which could include a Kendrick subliminal. But this phrasing suggests that the OVO mogul will focus on making great music and being the versatile force that fans can’t get enough of. Only time will tell…

Meanwhile, Drake has some financial opportunities and offers to consider as well that aren’t a curiously evocative BMW purchase. Lupe Fiasco recently suggested that he should buy Dame Dash’s shares in Reasonable Doubt by Jay-Z. “@champagnepapi will keep it safe for generations to come,”he posited. “This is grail and influenced an innumerable amount of rappers to see it peddle such a lack of grace genuinely hurts my feelings a little bit. But also on savages s**t f**k it…either donate it to a museums for safekeeping or seriously let Drake make an offer so he can put in where it needs to be. Or just keep the s**t OG you should be infinitely proud of this. Without it there is no me as I am and I’m sure other MC’s will agree.”

Read More: Drake Fans Are Convinced That Childish Gambino Named His Son After Him Amid Diss Rumors

The post Drake Fans React To His New BMW That Looks Suspiciously Like Tupac’s appeared first on HotNewHipHop.

New Evidence Places Keefe D At Murder Scene of Tupac Shakur

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Tupac Murder Suspect States That Murder Claims were Entertainment, Requests Release from Jail

The murder trial of Duane “Keefe D” Davis, accused of orchestrating the 1996 killing of rap legend Tupac Shakur, has taken shocking turn with the emergence of new evidence placing him in Las Vegas on the night of the murder.

Keefe D, a self-proclaimed Compton Crip ganglord, has been in custody since September, held on $750,000 bail. Despite securing the bond, a Las Vegas judge denied his release in June, citing the severity of the charges. The recent developments, reported by The Sun, further complicate his case.

Prosecutors have uncovered decades-old evidence indicating that a room at the then-Monte Carlo Resort (now Park MGM) was booked under the name of Keefe D’s wife, Paula Clemons, on September 7, 1996—the night Tupac was killed in a drive-by shooting. Additionally, a room at the Excalibur Hotel & Casino was reserved under the name of Keefe D’s nephew, Orlando Anderson, who is suspected of firing the fatal shots.

According to court documents obtained by The U.S. Sun, Las Vegas Metro Police detectives have been meticulously combing through hotel records for reservations made under the names of known gang members. Clemons’ reservations, however, initially did not raise suspicion as she was not a known Southside Crip.

Keefe D’s defense team had previously argued for the dismissal of charges, claiming there was no evidence placing him in Las Vegas on the night of Tupac’s murder. This new discovery directly challenges that assertion and could be pivotal in the trial.

A legal insider revealed that prosecutors are now scouring through any paperwork or surveillance footage from the Monte Carlo Hotel to establish a more concrete link. The source mentioned that investigators have reexamined the original homicide files and conducted fresh interviews with every person named in those files. These efforts have led to new leads and the identification of potential witnesses who had never previously come forward.

“Conversations are ongoing with several people who have connections to Keefe and his gang. What emerges from that remains secret at the moment,” the insider added, suggesting that more revelations could come to light as the investigation continues.

Watch Keefe D’s confession below.

The post New Evidence Places Keefe D At Murder Scene of Tupac Shakur first appeared on The Source.

The post New Evidence Places Keefe D At Murder Scene of Tupac Shakur appeared first on The Source.

Sheryl Crow Blasted Drake Soaking Up Tupac’s Vocal Likeness On His Kendrick Lamar Diss Track ‘Taylor Made Freestyle’

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All Drake wanted to do was have some fun. But even folks on the country side aren’t having his Tupac cosplay. In an interview with BBC, country icon Sheryl Crow expressed her chagrin toward artists using AI in their music. Specifically, Drake’s use of AI to imitate Tupac’s voice on his Kendrick Lamar diss track, “Taylor Made Freestyle.”

“You cannot bring people back from the dead and believe that they would stand for that,” Crow said. “I’m sure Drake thought, ‘Yeah, I shouldn’t do it, but I’ll say sorry later.’ But it’s already done, and people will find it even if he takes it down. It’s hateful. It is antithetical to the life force that exists in all of us.”

The track was removed from online shortly after its release, largely in part to Tupac’s estate threatening a lawsuit. However, Crow says that Drake’s actions cannot be undone.

But luckily, she isn’t too shaken up about the possibility of AI creeping into the industry. Especially because artists can do what AI can’t — perform with live with pure, raw vocals and instrumentation.

“AI can do lots of things, but it can’t go out and play live,” Crow said. “So as long as we have live music, as long as we have hands holding a paintbrush, all is not lost.”

Why Did Kendrick Lamar Call Out Drake For Tupac’s Ring At ‘The Pop Out’?

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kendrick lamar The Pop Out – Ken & Friends Presented by pgLang and Free Lunch
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Kendrick Lamar’s The Pop Out — Ken & Friends Juneteenth concert — at Kia Forum in Inglewood, California on Wednesday night, June 19 — was bookended by Lamar reasserting his deep hatred for Drake. Lamar began his set with “Euphoria,” and his instantly iconic finale involved running through “Not Like Us” five times (six, if you count the instrumental as he left the stage) — both live debuts of his Drake diss tracks.

Fans noticed something different about “Euphoria,” as explained below.

Why Did Kendrick Lamar Call Out Drake For Tupac’s Ring At The Pop Out?

While performing “Euphoria” live for the first time, Lamar added a bar: “Give me Tupac’s ring back, and I might give you a lil respect.”

Last July, Drake bought a custom ring formerly belonging to the late Tupac Shakur at an auction. USA Today reported at the time that Drake dropped more than $1 million for the ring, which Sotheby’s described in a press release as “an exceedingly rare piece of Tupac’s signature aesthetic and a slice of hip-hop history” while confirming that Drake was the purchaser “after Shakur’s grandmother and lifelong supporter, Yaasmyn Fula, put it up for auction.”

Seeing as Tupac was a cornerstone for West Coast rap — Lamar has since taken on the mantle — and Drake has absolutely no allies within Los Angeles rap, it makes sense that Drake owning anything related to Tupac doesn’t sit well with Lamar.

Tangentially related, Lamar name-checked Tupac twice (“You think the Bay gon’ let you disrespect ‘Pac, n****?” & “Yeah, it’s all eyes on me, and I’ma send it up to ‘Pac”) in “Not Like Us” after Drake used AI-generated voices of Tupac and Snoop Dogg on “Taylor Made Freestyle,” one of his Kendrick diss tracks from April. Drake took a massive L on that — deleting it from social media after Tupac’s estate threatened legal action.

Kendrick Lamar Appears To Pay Tribute To Tupac’s Source Awards Outfit

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Kendrick Lamar’s “Pop Out” in Los Angeles on Juneteenth was many things: a victory lap of sorts for the Drake beef, a celebration of many of the West Coast’s best current artists, and a thankful message and tribute to those who paved the way. In this last regard, eagle-eyed hip-hop fans drew a particular connection between K.Dot’s outfit for the occasion and that of a California legend for an iconic event. Moreover, the Compton lyricist donned a red hoodie and hat with baggy jeans and light-colored sneakers, mirroring the style that Tupac Shakur rocked at the 1994 Source Awards. Perhaps it seems like a reach at face value, but we all know how much Mr. Morale loves ‘Pac, so it’s not an impossibility.

Furthermore, another heartening tribute at the Kendrick Lamar show was to the late great Nipsey Hussle. Mustard honored the L.A. rapper by playing some of his big hits and collaborations during his set, including a special performance from Roddy Ricch that included a rendition of “Racks In The Middle.” It was probably the most special moment at the concert when it comes to explicitly honoring the West Coast’s hip-hop history, and definitely the most emotively resonant. It’s been five years since we lost Nipsey, and folks seem no less committed to keeping his legacy alive and well.

Read More: Kendrick Lamar Really Popped Out: The West Coast Is Back On Top

Kendrick Lamar Might’ve Emulated Tupac Shakir With “The Pop Out” Fit

Back to Tupac, though, Kendrick Lamar issued a new “olive branch” to Drake with his “Euphoria” performance: give Ken ‘Pac’s ring back, and he might give The Boy a little respect. Of course, this seems like an unlikely reconciliation, and Drizzy might just take it to the grave at this point out of spite. A lot of fans are buzzing about what his reaction to all this is, and whether or not we’ll get some subliminal bars about “Not Like Us” playing five times because Kendrick is scared of the 6ix or something along those lines. Either way, this feels like an easy thing to ignore from the Toronto superstar’s perspective, as well.

Meanwhile, there are still some questions about why other West Coast artists didn’t attend the Kendrick Lamar show. The Game is suspect number one in this regard, and while his relationship with Dot isn’t combative in the public eye, it does appear strained. After all, he dissed Rick Ross amid this whole feud and seemingly took Drake’s side, which led many to speculate. Nevertheless, seeing Kendrick rock a similar fit to Tupac makes Aubrey’s use of his A.I. vocals on “Taylor Made Freestyle” all the more ironic.

Read More: DJ Akademiks Caught Deleting Tweet Claiming Dave Free & Whitney Alford Skipped Kendrick Lamar’s Show

The post Kendrick Lamar Appears To Pay Tribute To Tupac’s Source Awards Outfit appeared first on HotNewHipHop.

Hits By 50 Cent, Eminem, Lil Wayne, And More Were Remixed In 1950s Style By AI, And Fans Love It

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Eminem
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50 Cent’s breakout hit “In Da Club” isn’t the only song to get the AI remix treatment today. Remakes of faves from Eminem, Tupac, UGK, and more were remade in the style of 1950s doo-wop and rock hits, and are going viral on social media as fans are delighted by the juxtaposition of modern lyrics and songwriting philosophies with sounds that evoke a more wholesome time — at least, in comparison.

After all, rock and roll stars like Chuck Berry and Little Richard were plenty controversial in their day, much the same way Eminem drew fire for his deliberately provocative lyrics. Singers like Sam Cooke tackled divisive sociopolitical topics the same way Tupac did, and it’s important to remember that even Elvis — the original Eminem — were largely considered sex symbols whose work was too racy for the relatively conservative climate of the midcentury, even if they’re considered pretty tame by today’s standards. Check out some of the remakes below.

Lil Wayne: https://twitter.com/AllHHSessions/status/1799284198005706961/video/1
Tupac: https://twitter.com/AllHHSessions/status/1799548625107718366/video/1
Eminem: https://twitter.com/AllHHSessions/status/1799656245974225099/video/1
Ugk: https://twitter.com/AllHHSessions/status/1799670328399974413/video/1
Young Thug: https://twitter.com/AllHHSessions/status/1799865845876703405/video/1
50 Cent: https://twitter.com/AllHHSessions/status/1799895616765694195/video/1
Sisqo: https://twitter.com/AllHHSessions/status/1800049570568913201/video/1

AI in music has been considered a bit of a hot topic recently, with AI-generated songs drawing both derision and acclaim as the works become more popular. However, there are still plenty of fans and music industry professionals who see a need for legislation to control how and when AI can be used, before it’s too late.

Jon B. Net Worth 2024: What Is The Singer Worth?

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Jon B., an acclaimed R&B singer, songwriter, and producer, has impacted the music scene with his smooth vocals and heartfelt lyrics. According to CelebrityNetWorth, his net worth is estimated to be $4 million as of 2024. From his early days working behind the scenes to his rise as a solo artist, Jon B.’s career reflects his dedication to the craft and his ability to evolve with the times.

Born Jonathan David Buck on November 11, 1974, in Providence, Rhode Island, and raised in Pasadena, California, Jon B. grew up surrounded by music. With a father who was a professor of music and a mother who was a concert pianist, his path seemed almost predestined. His multicultural background and musical upbringing provided a rich foundation for his later success in the industry.

Early Career & Breakthrough

Jon B.
Patti LaBelle and Jon B. during MBK’s R&B Live Featuring Chico and El DeBarge – November 10, 2003 at B.B. King in New York City, New York, United States. (Photo by Johnny Nunez/WireImage)

Jon B.’s entry into the music industry was marked by his work as a songwriter and producer for some of the biggest names in R&B and hip-hop. Before entering the spotlight, he penned hits for artists like Toni Braxton and After 7. His talent behind the scenes quickly garnered attention, setting the stage for his own recording career.

His debut album, Bonafide, released in 1995, featured the hit single “Someone to Love,” a duet with Babyface. The song showcased Jon B.’s vocal prowess and positioned him as a rising star in the R&B genre. The album’s success was a clear indicator that Jon B. was more than just a behind-the-scenes talent; he was a compelling artist in his own right. The success of Bonafide significantly boosted his profile and laid a strong foundation for his net worth.

Continued Success & Musical Evolution

Jon B.
LONDON, ENGLAND – AUGUST 08: Jon B performs during Metrofest 2021 at Trent Park on August 8, 2021 in London, England. (Photo by Joseph Okpako/WireImage)

Following the success of his debut, Jon B. continued to release music that resonated with both fans and critics. His second album, Cool Relax, released in 1997, solidified his status as an R&B mainstay. The album included hits like “They Don’t Know” and “Are U Still Down,” featuring Tupac Shakur, and showcased Jon B.’s ability to blend soulful melodies with contemporary R&B beats.

The late ’90s and early 2000s were marked by many successful albums, including Pleasures U Like (2001) and Stronger Everyday (2004). Each project displayed Jon B.’s growth as an artist and his willingness to experiment with new sounds while staying true to his R&B roots. His ability to adapt and evolve musically has been crucial in maintaining his relevance in the industry, contributing to his $4 million net worth.

Personal Life & Influence

Jon B.
NEW YORK – AUGUST 09: Mr. and Mrs. Jon B attend 2009 Central Park SummerStage at Rumsey Playfield on August 9, 2009 in New York City. (Photo by Johnny Nunez/WireImage)

Beyond his professional achievements, Jon B.’s personal life has also shaped his music. His multicultural heritage and experiences have infused his work with a unique perspective that resonates with a diverse audience. Married to Danette Buck since 2007, Jon B. often speaks about the importance of family and how it influences his music and life choices.

Jon B.’s influence extends beyond his own music. He has been a mentor and inspiration to many up-and-coming artists in the R&B genre. His commitment to authenticity and quality in music has set a high standard, and his impact on the industry is evident in the work of younger musicians who cite him as an influence.

The post Jon B. Net Worth 2024: What Is The Singer Worth? appeared first on HotNewHipHop.

Questlove Issued Another Hot Take About A Classic Diss Track After Deriding The Drake And Kendrick Beef

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Despite already being in hot water with rap fans over his take on the Drake/Kendrick Lamar beef, Questlove derided a different diss track in a new interview. This time, his beef (heh) is with a classic of the genre: Tupac’s “Hit ‘Em Up,” which is widely regarded as one of the best — or at least, the most disrespectful — diss tracks in rap.

Appearing on SiriumXM’s One Song Podcast to discuss Public Enemy’s “Cold Lampin’ With Flavor,” Quest was inevitably baited into commenting on the evolution of diss tracks. While pointing out how the lyrics on them are usually just “okay,” he brought up his issue with “Hit ‘Em Up” — which is so very specific, and so very, very Questlove.

“I would actually respect Tupac’s ‘Hit ‘Em Up’ if his music tracking was better,” he announced. “‘Hit ‘Em Up,’ to me, is disqualified not because of the misogynist… forget all that. Dude, you’re rhyming over smooth jazz dinner music! Luther Vandross could sing over this!”

He’s referring here to “Don’t Look Any Further” by Dennis Edwards, the song sampled by “Hit ‘Em Up” producer Johnny “J.” (For a laugh, check out the original music video, which is unintentionally hilarious in its 1980s-ness.)

Once a clip of the interview — out of context, of course — made its way to Twitter, Questlove became the target of fans already incensed that he had declared “hip-hop is dead” over the Drake/Kendrick battle. Some fans pointed out that The Roots’ video for “What They Do” could be interpreted as a satirical diss of The Notorious B.I.G. (and, in fact, was seen that way by Biggie, but as Quest has repeatedly pointed out, that was all a misunderstanding — read the liner notes sometime, people).

It seems unlikely that Quest is going to change his opinion. After all, he’s seen hip-hop through a great many iterations and has maintained more or less the same level of forward-thinking, left-of-center outlook on it the entire time. The people fronting on him now probably aren’t the people who actually had Illadelph Halflife on vinyl, so some friction between their viewpoints is probably not only to be expected, but practically inevitable (anyone who was on rap forums in the late 90s or early 2000s can attest to this).

Shocking Revelation in Tupac Murder Case: Confession Ignored for 15 Years

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New revelations have surfaced in the long-standing investigation into the 1996 shooting death of iconic rapper Tupac Shakur. Last year, West Coast gangster Duane “Keefe D” Davis was arrested in connection with the murder, and recent developments have shed light on a previously undisclosed confession made by Davis to Las Vegas police in 2009.

According to reports from The Sun, Las Vegas Metro Police possess a 15-year-old recording in which Keefe D admits to his involvement in the fatal shooting of Tupac. In the recording, Keefe allegedly confesses to being in the car when gunfire erupted, claiming that he and his gang “got to shooting” as they pulled up next to Tupac on the Las Vegas strip.

However, Keefe’s lawyer claims that he was unaware of this confession, suggesting that it was not disclosed during the murder trial. Attorney Carl Arnold argues that the revelation does not bring anything new to the case and, in fact, highlights the lack of concrete evidence against his client.

Arnold contends that the newly discovered recording does not constitute proof of a crime, as it contradicts Keefe’s earlier claims that he was not in Las Vegas at the time of the shooting. Despite the potential significance of the tape, Arnold dismisses its impact, stating that it does not change the fundamental facts of the case.

Furthermore, Arnold raises questions about why the confession was not brought to light earlier and why authorities waited 15 years to prosecute his client based on this information. He alleges that the delayed prosecution deprived Keefe of his right to a fair trial, pointing out that crucial witnesses who could confirm or refute the confession have since passed away.

In response to these developments, Arnold is preparing a motion to dismiss the evidence if it is entered into the case, arguing that the prosecution’s actions constitute a failure of due process. He maintains that the evidence against Keefe is circumstantial and insufficient to secure a conviction.

Thoughts?

The post Shocking Revelation in Tupac Murder Case: Confession Ignored for 15 Years first appeared on The Source.

The post Shocking Revelation in Tupac Murder Case: Confession Ignored for 15 Years appeared first on The Source.