The Wiggles had themselves a bit of a viral moment earlier this year when they covered Tame Impala’s “Elephant” while mashing it up with their own “Fruit Salad.” The children’s music group apparently decided they’re really into covers, because next year, they’re releasing a whole album of them.
ReWiggled is set to drop on March 11, 2021, and it’s a two-part affair. The first side features artists like Stella Donnelly, The Chats, and the Melbourne Ska Orchestra covering songs by The Wiggles, while the second side sees the group performing songs by artists like Rihanna, AC/DC, Blondie, James Brown, and The Rolling Stones. They shared a preview EP of the album today and it features their renditions of “Elephant” and Queen’s “Bohemian Rhapsody,” a famously over-the-top song that is perfect for the cartoony style of The Wiggles.
They also shared an announcement video, so find that above and check out the ReWiggled art and tracklist below.
The Wiggles
1. DZ Deathrays — “Hot Potato” (The Wiggles cover)
2. Spacey Jane — “D.O.R.O.T.H.Y (My Favourite Dinosaur)” (The Wiggles cover)
3. Stella Donnelly — “Ba Ba Da Bicycle Ride” (The Wiggles cover)
4. The Chats — “Can You (Point Your Fingers And Do the Twist?)” (The Wiggles cover)
5. Emily Wurramara — “Dressing Up” (The Wiggles cover)
6. Polish Club — “Apples & Bananas” (The Wiggles cover)
7. Donny Benet — “Sicily (I Want to Go)” (The Wiggles cover)
8. San Cisco — “H.O.L.I.D.A.Y.” (The Wiggles cover)
9. Custard — “Do The Propeller!” (The Wiggles cover)
10. Emma Donovan & the Putbacks — “Say The Dance, Do The Dance” (The Wiggles cover)
11. Dami Im — “Big Red Car” (The Wiggles cover)
12. Luca Brasi — “The Shimmie Shake” (The Wiggles cover)
13. Melbourne Ska Orchestra — “We’re All Fruit Salad!” (The Wiggles cover)
14. The Wiggles — “Elephant” (Tame Impala cover)
15. The Wiggles — “Bohemian Rhapsody” (Queen cover)
16. The Wiggles — “Umbrella” (Rihanna cover)
17. The Wiggles — “Thunderstruck” (AC/DC cover)
18. The Wiggles — “Pub Feed” (The Chats cover)
19. The Wiggles — “Sunday Girl” (Blondie cover)
20. The Wiggles — “Get On The Good Foot” (James Brown cover)
21. The Wiggles — “Praise You” (Fatboy Slim cover)
22. The Wiggles — “Brand New Key” (Melanie cover)
23. The Wiggles — “She’s A Rainbow” (The Rolling Stones cover)
24. The Wiggles — “Live It Up” (Mental As Anything cover)
25. The Wiggles — “Shipping Up To Boston” (Dropkick Murphys cover)
ReWiggled is out 3/11/2022 via The Wiggles. Pre-order it here.
For a festival that dubs itself as “boutique,” Buku Music + Art Project has some pretty heavy-hitting names on its newly announced 10th-anniversary lineup. After a three-year hiatus, the New Orleans festival will be back along the banks of the Mississippi River in the Lower Garden District near the imposing defunct Market Street Power Plant from March 25th – 26th. So, about that lineup…
Tyler The Creator and Tame Impala are titanic headliners at the top of this one, but it doesn’t stop there. Arena-rockers Glass Animals and Colombian-American pop superstar Kali Uchis are joining them on the bill along with surging rappers Tierra Whack, Trippie Redd, and Baby Keem. There’s also a concerted effort to reflect electronic music and artists like Porter Robinson, Allison Wonderland, Lane 8, and Rezz lead a formidable slate. There’s also a focus on local New Orleans artists too from the hip-hop of Glbl Wrmng (who put out 0ne of our best sleeper albums of 2021), Neno Calvin, and 504icygrl, to the dubstep of Tvboo and sfam.
Buku prides itself on a “festival experience that proudly reflects the progressive, artistic, and diverse subculture of New Orleans.” The lineup is just one aspect of an event that features indoor and outdoor stages, art installations, pop-up breakdancing, live graffiti art, etc… Buku also partners with the Take Action project (TAP) to use the fest’s platform “to elevate awareness around issues of various social & environmental justice issues.” TAP and the music education nonprofit Upbeat Academy will receive a portion of proceeds from all tickets sales.
Buku Music + Art Project is from 03/25/2022 – 03/26/2022. Presale tickets go on sale 12/17/2021 and registration has begun here. Buku’s general on-sale begins on 12/20/2021 at the same link.
After ten illustrious years on Alabama’s Gulf Shores, Hangout Festival has had to postpone year number 11 twice due to the pandemic. But the wait is finally over as Hangout Festival 2022 will be going down from May 20th to 22nd with a stacked lineup.
Post Malone is the lone holdover from the previously announced but postponed headlining slate, and he’ll be joined by Tame Impala, Halsey, Doja Cat, Fall Out Boy, Illenium, Kane Brown, and Megan Thee Stallion on top of the bill. It’s a loaded lineup of all kinds of music that will even feature an appearance from Shaquille O’Neal, as his music persona Diesel. Hangout is marked by its bustling oceanside venue footprint and there will be plenty of sunshine to go around next summer at the festival.
The complete lineup includes, in alphabetical order, 347aidan, Audrey Nuna, Bankrol Hayden, Beabadoobee, Blu DeTiger, Breland, Bren Joy, Briston Maroney, Chelsea Cutler, Dayglow, Diesel (Shaquille O’Neal), Doja Cat, Ericdoa, Fall Out Boy, Fletcher, Flipturn, Flo Milli, Gabriel Black, Halsey, Hastings, Hugel, Illenium, Jvna, Jack Harlow, Joy Oladokun, Kane Brown, KennyHoopla, Koffee, LP Giobbi, Leon Bridges, Lil Yachty, Louis The Child, Lucii, Luttrell, Madds, Madeon, Maren Morris, Megan Thee Stallion, Montell2099, Moon Taxi, Notd, Neal Francis, Nightly, Oliver Tree, Paul Cauthen, Petey Martin, Phoebe Bridgers, Post Malone, Remi Wolf, Renforshort, Role Model, Sidepiece, Slander, Snbrn, Ship Wrek, Still Woozy, Sublime With Rome, Surf Mesa, Surfaces, T-Pain, Tame Impala, The Band Camino, The Blossom, The Brook & The Bluff, The Head And The Heart, Tre’ Amani, Tyla Yaweh, Vnssa, Zach Hood, and Zedd.
Presale tickets are live on 12/10 at 10 a.m. CT. Register for early access here.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
We were promised a return to normal. Or, actually, we probably weren’t. But it sure felt like with the defeat of Donald Trump and the vaccine rollout and a stream of festival and tour announcements, that by the fall of 2021, we would be back to some version of normal. But that’s definitely not how it has felt. Instead, we keep redefining a new normal, adjusting our expectations to the reality that many people won’t be getting vaccinated, that indoor masks are here to stay, that safety from Covid is not a guarantee, regardless of the actions we take.
That’s all to say that the return of Outside Lands to Golden Gate Park in San Francisco wasn’t a one-for-one replica of the festival of old. After undergoing multiple postponements due to the pandemic, the fest finally returned to action more than two years after its 2019 installment, shifting from its typical mid-summer dates to Halloween weekend. Funny enough, the weather on the west side of San Francisco really isn’t that different any time of year, so aside from the costumes that grew denser as the weekend went on, the date switch had little effect on the actual feeling of the festival.
So what was different? There were vaccine/testing checks, all done efficiently using the Clear app, utilizing wristbands that made entry a breeze, even better than before the pandemic. There were mask requirements indoors, and despite general mask recommendations for the rest of the grounds, a good portion of the crowd opted to enjoy the crisp, cool air. There were also more lineup changes than usual, most notably Young Thug canceling a set Saturday evening on the main stage, which isn’t exactly uncommon in a normal year, and should only be more common as everything from supply chain issues to general health affect touring.
Philip Cosores
But mostly, Outside Lands 2021 felt like the return to normal we’ve been craving, the type of place you can go and temporarily forget about the horrid previous 18 months. Sunday closer Tame Impala exemplified that with their multisensory experience around their pre-pandemic offering, The Slow Rush. Seeing the fans in the front row absolutely lose their shit with the faux commercial for the drug Rushium — some clearly questioning whether the psychedelic video was druggy in production or just druggy because they were, in fact, on drugs — was equally hilarious and endearing. The band’s decision to announce that Tame Impala had been replaced by The Wiggles, and then showing up dressed like the kids’ entertainers for their Halloween set, only added to the joyous insanity of it all. But frills aside, Tame Impala was the act of the weekend that best bridged the fest’s dueling demographics, where OSL veterans and the next generation of Zoomers could enjoy one of contemporary rock’s best bands together.
Lizzo’s infectious personality also managed to unite the OSL audience; she’s the kind of pop star that can attract a crowd out of sheer curiosity as much as because of actual attachment to the music. And it’s a good thing, because witnessing a Lizzo concert is to become a fan, with the catchy tunes joining forces with a captivating stage presence that just screams stardom. Her rise from daytime small stages at festivals to the marquee act has been a pretty wonderful storyline over the last half-decade, and if she can continue to turn out hits, she’ll be doing the same for a long time.
Philip Cosores
In fact, of the headliners, only The Strokes that disappointed. It’s tough to say what’s going on there, but it’s easy to say that the responsibility falls solely on leader Julian Casablancas. His interest in his main band has seemed slight for literally decades, with him much more artistically and, seemingly, emotionally invested in his side work with The Voidz. On this night (and, through conversations, other nights of the current run), Casablancas seemed to hold his audience in contempt, baffled by why anyone would care about his music and giving them little reason to while on stage. It says something about the undeniability of their catalog that even with a lead singer phoning it in, they still entertained and showed flashes of greatness. Still, it was clearly the least attended headlining set of the weekend.
Philip Cosores
Outside of the headliners, the highlights were many. Vampire Weekend might as well have been a closer, as few bands that are still at their creative peak can fill a festival set with more recognizable tunes. Angel Olsen and Sharon Van Etten got together to play their great recent single “Like I Used To,” while also offering career-spanning sets that presented versions of themselves less tied to particular album cycles. More in the hip-hop lane, Rico Nasty and Nelly both showed off polar-opposite appeals, one with inviting abrasiveness, the other with a stream of tunes deeply ingrained in the public consciousness. And then there’s Khruangbin, the ideal festival band for 2021 that can tap into decades of hits from other artists as well as their own hyper-vibey psych-funk, becoming the ultimate communal band.
Outside Lands also remembers that festivals should be about music discovery. That’s why getting there early is essential, to make sure you take in people like Bartees Strange, whose anthemic indie rock is on a trajectory for bigger rooms as soon as next year. Or people like Dijon, whose silky voice is buoyed by a stage persona that’s hard to take your eyes off, his face contorting and eyebrows furrowing to exemplify the passion of his music. And then there’s my beloved Petey, who opened the Twin Peaks stage on Sunday to a small but mighty crowd, showing off his unique blend of clever songwriting and absurdist humor. He’s the absolute best.
Philip Cosores
Of course, there were all the rest of the activations and eats that make Outside Lands one of the best live events in the world. Maybe most notable is Grasslands, which thanks to California’s legalized weed laws, actually has areas now designated for consumption. Pair that with the self-explanatory Beerlands and Winelands, and well, you have yourself a nice time in the park. The cuisine was expertly curated with some of the best of the Bay, with a special shoutout needing to go to both the wonderful sticky buns from The Chairman and the delicious BBQ from Vegan Mob. But the overall sense of Outside Lands 2021 wasn’t a band or a song or a bite, it was being among tens of thousands of people and losing sight of the greater world narrative for a moment. Live music is a place to lose yourself and find it again. It felt more essential than ever this year.
Travis Scott has done really well his with Astroworld Festival over the past few years, as it routinely has some of the most appealing lineups on the fest circuit. Fans have come to expect that, so much so that the event sold out in May, well before the lineup was even announced. Speaking of that, Scott shared the lineup for the 2021 event today, which is returning on November 5 and 6 at Houston’s NRG Park.
The full lineup, in alphabetical order, consists of 21 Savage; Baby Keem; Bad Bunny; BIA; Chief Keef; Don Toliver; Earth, Wind & Fire; Houston All-Stars; Lil Baby; Master P; Roddy Ricch; Sheck Wes; Sofaygo; SZA; Teezo Touchdown; Toro Y Moi; Travis Scott; Tame Impala; Young Thug; and Yves Tumor.
It’s been about a year and a half since Kevin Parker released Tame Impala‘s highly anticipated album The Slow Rush. Now, the musician is giving fans even more Tame Impala content with The Slow Rush Deluxe box set, which will celebrate the album’s two-year anniversary. It features some unreleased b-sides from the LP, which Parker has now previewed with a hypnotic remix to “Breathe Deeper” featuring none other than Lil Yachty.
The “Breathe Deeper” remix’s instrumentals stay the same, but Parker’s verses are replaced with Yachty unique flow. The rapper’s cadence mirror’s the song’s swirling and psychedelic beat. He delivers lyrics about linking up with a love interest and dancing the night away that are slightly washed out over the bouncy rhythm, giving the impression of a lo-fi remix.
Lil Yachty spoke about his collaboration with Parker in a statement alongside the new remix, saying he’s been a longtime fan: “It was so amazing to work with Kevin as I’ve been a big fan since high school so it was a pleasant surprise and honor to be a part of such an incredible song.”
The physical version of the The Slow Rush Deluxe box set features two transparent red vinyls and alternate album artwork, including a 40-page booklet and The Slow Rush 2050 calendar. Both the physical and the digital version of the deluxe album include the “Breathe Deeper (Lil Yachty Remix),” as well as the pre-album single “Patience” and some extended versions of a few songs.
Listen to “Breathe Deeper (Lil Yachty Remix)” above.
The Slow Rush Deluxe is out 2/18/2022 via Modular. Pre-order it here.
After taking a break in 2019, Florida’s Okeechobee Music & Arts Festival was one of the last festivals to fully run its course in 2020 before the pandemic shut down the music world for over a year. Okeechobee wound up skipping the 2021 festival season, but thankfully the Florida showcase will be back in 2022. On Tuesday, organizers revealed their full lineup.
The Official #OMF2022 lineup is here! We can’t wait to see you back at Sunshine Grove.
Okeechobee will return to Sunshine Grove during the weekend of March 3-6, 2022 to celebrate the festival’s fifth anniversary. Tame Impala, Porter Robinson Megan Thee Stallion, Rezz, and Griz are among the bigger names. Others include Denzel Curry, Jungle, Gary Clark Jr., Ashinko, Flying Lotus, Troyboi, Jai Wolf, Four Tet, Caribou, The Glitch Mob, Clozee, Smino, Coi Leray, Mt. Joy, BIA, Sven Vath, Tobi Lou, Chiiild.
After announcing the festival’s 2022 dates back in June, Pasquale Rotella, the founder and CEO of Insomniac Events (one of the companies behind the festival), shared their excitement about their return. “After this long year, I couldn’t be more excited to return to Sunshine Grove and be back in nature with all my Okeechobee friends and fam,” Rotella said in a statement. “This festival is all about music, camping out, and making s’mores while dancing in a jungle, grass fields, and on a beautiful beach. It was the last festival I attended before the pandemic hit so I can’t wait to be back!”
You can check out the full lineup for Okeechobee’s 2022 showcase in the post above.
Tame Impala’s Kevin Parker has had the opportunity to collaborate with a handful of rappers over the years. A prominent and relatively recent example of that is “Skeletons,” a highlight from Travis Scott’s hit 2018 album Astroworld. Earlier this week, on September 7, Tame Impala kicked off their comeback tour at the United Center in Chicago, and during the set, the band decided to perform the Scott collaboration for the first time.
In a 2018 Billboard interview, Parker spoke about how “Skeletons” came to be, saying, “[Scott’s] manager got in touch and said he was a big fan [and suggested we] meet up if I was ever in LA, so I went to a few sessions with him. We hung out and played some stuff, and he really liked what ended up being ‘Skeletons.’ That definitely got the biggest reaction out of him. I could tell he liked it. I remember going through this stuff to play to Travis, and just thought, ‘Oh, this is actually really up his alley.’ I know Travis likes his psych-rock. He likes his crusty metal guitar sound. I was struck by how much I thought it would fit Travis’ thing even though it’s not hip-hop-sounding. So much hip-hop is cycled from music that sounds like that — crusty-sounding ’70s rock. There’s so much of that, that kind of King Crimson stuff.”
In that same conversation, he talked about what it was like working with Scott, saying, “What’s cool about people like Travis is that they’re just getting a bunch of people in the room and seeing what happens. For a lot of it, I was just a team player. At some points, there were 10, 20 people in the room. You could just be there and hang out and not do anything for like an hour. And then something perks your ears up, and you can be like, ‘Oh yeah yeah, plug me in, I’ve got an idea.’ We’d go for hours, until three in the morning.”
Watch a clip of the “Skeletons” performance above.
In 2020, Primavera Sound was forced to cancel. The Spanish festival faced the same fate this year as well. Organizers are getting ready for 2022 in a big way, though: They unveiled the lineup for the massive 2022 event today, which takes place over the weekends of June 2 to 4 and June 9 to 11, along with some ancillary performances from June 5 to 8 and on June 12.
The lineup is stacked, but fans seemed most excited about the inclusion of Lorde, as she became a trending topic on Twitter this morning following the lineup reveal. Primavera Sound is Lorde’s first confirmed show in a while: Her last full live set came in November 2018 at the Corona Capital festival (according to setlist.fm).
Alongside Lorde, headliners include Massive Attack, Pavement, Tame Impala, Beck, The National, The Strokes, Gorillaz, Jorja Smith, Nick Cave And The Bad Seeds, Tyler The Creator, Disclosure, Interpol, Jamie xx, Megan Thee Stallion, Dua Lipa, and the Yeah Yeah Yeahs. The rest of the poster has too many artists to list, but some of the others include Charli XCX, 100 Gecs, Brockhampton, Big Thief, Jay Electronica, Brittany Howard, Clairo, Run The Jewels, and Slowthai.
Tickets go on sale on June 1, so learn more about tickets and the 2022 festival here.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Festival season is upon us once more, last year’s barren lineups, canceled shows, and quarantine protocols be damned. Now that vaccination is a real option, festivals have slowly but surely begun announcing their lineups, and Delaware’s Firefly Festival joined the fray today. Their four main headliners are no surprise to those who have been following the artists making waves on 2021 setlist: Billie Eilish, The Killers, Tame Impala and Lizzo will hold down the four top spots. And you know what else is great about that lineup, aside from the fact that all four artists make incredible music? That it’s a 50/50 headliner setup with two bands anchored by men, and two women holding their own, too.
The discussion about how male-dominated festival bookings have been has been going on for years, so it’s nice to see that some events took the time off last year to make sure they come back with a bit of gender equity on the docket. Check out the album poster below, along with a list of every artist booked for the event in alphabetical order. And before you ask, yes, Phoebe Bridgers is going to be there. The event kicks off on Thursday, September 23, 2021 and runs through Sunday, September 26, 2021 at Delaware’s Woodlands.
Firefly Festival
A full list of the artists playing Firefly’s 2021 event:
Almost Monday
Aluna
Anna of the North
Arlo Parks
Atlas Genius
Badflower
Band of Horses
Big Wild
Billie Eilish
Binki
Blackbear
Blossom
Cage The Elephant
Cannons
Caribou
Carolesdaughter
Cassy
Chris Lake
Claud
Clever
Clozee
Deep Sea Diver
Denzel Curry
Des Rocs
Diplo
Dominic Fike
Duckwrth
Duke Dumont
Elohim
Flo Milli
GG Magree and Mija
girl in red
Glass Animals
Gracie Abrams
Grandson
iann dior
Jordy
Judah and the Lion
JXDN
Kenny Mason
Kennyhoopla
Khruangbin
The Killers
Kim Petras
Laundry Day
Lizzo
Lost Frequencies
Lovelytheband
LP Giobbi
Machine Gun Kelly
Madds
Madeon
Marc Rebillet
Maria Isabel
Megan Thee Stallion
Michigander
Middle Kids
Missio
Mt. joy
Nelly
Noga Erez
Oliver Tree
ONR
Orion Sun
Peach Pit
Phoebe Bridgers
Portugal. the Man
Positive Movement Drumline
redveil
Remi Wolf
REZZ
Ritt Momney
Roddy Ricch
Role Model
Royal & The Serpent
Rossy
Rozet
Serena Isioma
Slander
$NOT
Sofi Tukker
St. Panther
Still Woozy
Sub Urban
Surf Mesa
Sylvan Esso
Taking Back Sunday
Tame Impala
Tate McRae
Trevor Daniel
Turnstile
White Reaper
Wiz Khalifa
Some of the artists mentioned are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Tickets go on sale on 1st June at 11:00 CEST 
