In March, Travis Scott’s attorneys moved to be dismissed from pending liability litigation over the 2021 Astroworld Festival tragedy, but today, his request was denied by the judge overseeing the case. According to Billboard (via Rolling Stone), Judge Kristen Hawkins denied the motion without a written rationale for her ruling. That means Scott will still be on the hook — along with Live Nation and the other festival organizers — when the massive combined civil liability trial begins on May 6. The first case to be tried will be the wrongful death suit filed by the family of the late Madison Dubiski.
Scott’s lawyers’ bid to remove him from the liability proceedings followed a similar, successful bid by Drake. They argued, “Performing artists, even those who engage in certain promotional activities, have no inherent expertise or specialized knowledge in concert safety measures, venue security protocols, or site-design,” asserting that should free him from liability for the crowd crush that killed 10 and injured hundreds. However, Dubiski’s family’s attorneys responded that Scott showed “a conscious disregard for safety,” citing Scott’s tweet that “we still sneaking the wild ones in” after the festival sold out as evidence he did not properly regard overcrowding concerns. In addition, he was the only artist performing during his headlining set with no counterprogramming to cut down on crowding, and the plaintiffs say he disregarded festival organizers’ recommendations to stop the fest as conditions worsened.
Drake has reportedly been dismissed from all Astroworld lawsuits, according to TMZ. The publication shared that the “First Person Shooter” hitmaker was granted a motion for summary judgment and as a result, all the claims against him were dismissed.
Court documents obtained by TMZ noted that a judge in Harris County, Texas heard the Astroworld-related arguments and chose to dismiss all claims against Drake with prejudice.
Drake had been previously named a defendant in some lawsuits related to the Astroworld Festival tragedy of 2021. Plaintiffs had reportedly alleged that Drake, who performed on stage at the festival as a guest of the founder and creator, rapper Travis Scott, helped incite the crushing frenzy, which resulted in several deaths and injuries.
Drake reportedly argued that him showing up as a guest of Scott shouldn’t be grounds for legal action. Evidently, he added that he shouldn’t be held responsible for any injuries or casualties, as he wasn’t involved with planning the festival.
Scott, along with Apple, also reportedly asked to be removed from the lawsuits, suggesting that safety measures were not his responsibility. However, a Harris County judge denied both Scott’s and Apple’s request.
The Astroworld trial is scheduled to begin in May.
It’s been two-and-a-half years since the Astroworld Festival disaster where 10 people died in the crowd. It happened during the 2021 edition of Travis Scott’s Astroworld Festival and led to discussions about crowd safety and emergency protocol for similar live experiences. There’s still a long legal battle ahead of Scott and some of the companies that helped promote and run the festival. But one person who won’t have to be concerned with the legal proceedings anymore is Drake.
Drizzy appeared on stage alongside Travis Scott during the now-notorious performance. He was named as a defendant in some of the lawsuits filed against the festival as some believed he helped contribute to the chaotic nature of the event. When the dozens of lawsuits filed were collected into one big lawsuit his name carried over as a defendant. But his days of having to worry about the case are officially over. According to TMZ, a judge has ruled in the rapper’s favor in his request to be released from all claims in the lawsuit.
The new ruling releasing Drake from the lawsuit follows his original filing last month. Travis Scott himself also attempted a similar move claiming that he wasn’t responsible for things like festival safety since he was merely an artist performing at the event. The judge shut that claim down and denied his motion to be released from the suit. Apple was also declined a release from the lawsuit. The tech company streamed the performance through their Apple Music platform.
After an extended absence from new studio albums, Travis Scott returned with his new album UTOPIA last year. The record even featured a collaboration with Drake on the track “Meltdown” which would become one of the record’s biggest hits. What do you think of Drake being dismissed from the Astroworld Festival lawsuit? Do you think it’s the right move to let him off the hook for what happened at the festival? Let us know in the comment section below.
Travis Scott is looking to avoid a major legal burden. Back in 2021 his Astroworld Festival in Houston became the site of a now notorious festival tragedy. As the crowd rushed the stage during Scott’s performance, tons of people were dangerously compressed with fatal results. A total of 10 people died as a result of the performance getting wildly out of hand. Subsequently, after an investigation into the incident a grand jury declined to indict Scott or anyone else with criminal charges spawning from the tragedy.
But that doesn’t mean anyone is legally off the hook. Hundreds of lawsuits were filed in the months following the festival almost all of which name Scott as a defendant. Now in a newly filed motion he’s attempting to separate himself from the proceedings. “Like any other adrenaline-inducing diversion, music festivals must balance exhilaration with safety and security—but that balance is not the job of performing artists, even those involved in promoting and marketing performances. Which only makes sense: Performing artists, even those who engage in certain promotional activities, have no inherent expertise or specialized knowledge in concert safety measures, venue security protocols, or site-design,” the motion his lawyers filed reads.
This request for removal comes just a few days after some concerning news about the tragedy leaked via court docs. They showed that one of the heads of security at the festival expressed concerns about overcrowding ahead of the tragedy. In Scott’s dismissal request they specifically mention adjustments being made beforehand in an attempt to alleviate concerns, though they obviously didn’t do enough.
Last week, Scott contributed to what it likely to be one of the biggest rap records of the year. He teamed up with Future, Metro Boomin, and Playboi Cartifor the song “TYPE SH*T.” What do you think of Travis Scott asking to be removed from the Astroworld Festival lawsuits? Do you think he has a point that safety isn’t the responsibility of the artists performing? Let us know in the comment section below.
After being named as a defendant in the hundreds of combined lawsuits stemming from the 2021 Astroworld Festival disaster, Travis Scott has at last asked out of future proceedings. According to Billboard, Travis’ attorney Daniel Petrocelli filed a motion to dismiss him from the suit on Monday, asserting that ensuring safety and security at live events is “not the job of performing artists” — even ones whose album tiles grace said events.
The motion reads in part, “Like any other adrenaline-inducing diversion, music festivals must balance exhilaration with safety and security—but that balance is not the job of performing artists, even those involved in promoting and marketing performances. Which only makes sense: Performing artists, even those who engage in certain promotional activities, have no inherent expertise or specialized knowledge in concert safety measures, venue security protocols, or site-design.”
Even so, the defense writes, Travis did make concessions to alleviate crowding issues when they were brought to his attention during the planning phase. “When, during festival planning, concerns arose about the risk of a stampede occurring in the festival site, the Scott defendants supported festival organizers’ efforts to eliminate that risk by agreeing to remove certain rides and other attractions at the site,” Petrocelli wrote. “Then, when the Scott defendants were told to end the show after Mr. Scott’s guest performer finished performing, they did just that—ending the show as directed.”
Travis is, of course, only one of the named defendants, which included Drake (who has also since requested dismissal from liability), Apple Music, Live Nation Entertainment, and the venue and security companies involved. The nearly 300 cases were combined into a single case in January 2022, and proceedings have have gone relatively slowly since. Scott, after a year out of the spotlight, returned to performing in 2022 and released the follow-up to Astroworld, Utopia, in summer of 2023.
The Astroworld Festival tragedy of 2021 is one of the most infamous hip-hop history moments of the decade so far, and for good reason. Ten lives were lost, and hundreds more injured, and scrutiny for the event’s organization, planning, and execution followed immediately. While Travis Scott himself seems mostly cleared of all wrongdoing, there is still a lot of conversation around his personal responsibility and accountability. But even more important in the civil litigation against the rapper and Live Nation, the concert series organizers, are new reports from AllHipHop and other sources about what could’ve been prevented.
Furthermore, these new revelations indicate that Astroworld Festival’s Safery and Risk Director for 2021, Seyth Boardman, warned organizers about overcrowding before this aspect resulted in the tragedy, according to court documents reportedly obtained by AHH. Specifically, he made these claims days before they planned accommodated 50,000 festival patrons, a number that reportedly rose by 5,000 individuals on the day of Travis Scott’s concert series. In addition, these new filings reveal that organizers thought they had to account for five square feet per person due to the fire safety code. In fact, they reportedly had to hold the standard at seven square feet.
WEST PALM BEACH, FLORIDA – FEBRUARY 24: Musician Travis Scott celebrates after throwing the opening pitch prior to a game between the Washington Nationals and the Houston Astros at CACTI Park of the Palm Beaches on February 24, 2024 in West Palm Beach, Florida. (Photo by Rich Storry/Getty Images)
As such, this new scrutiny centers around the alleged irresponsibility displayed by Live Nation and Travis Scott by underestimating the space necessary to prevent a crowd surge or overcrowding. What’s more is that litigators specifically claim that 50,000 people fit in a space that should’ve accounted for a crowd of 34,500. Additional claims include a lack of action when it comes to folks entering the festival without a ticket and insufficient monitoring for those who needed help in the crowd. This is such a big element that prosecutors identified security breaches as a principal contributor to the disaster.
Meanwhile, there’s still significant legal action from about 4,900 patrons that seek billions of dollars in damages. Drake’s legal team still wants the court to remove him from these lawsuits despite performing that night alongside Scott, since he had no knowledge of security concerns or the festival’s organization. The Houston MC cooperated with police, and the current focus is on the safety guidelines and event planning that caused this tragedy. For more news and the latest updates on Travis Scott, check back in with HNHH.
The hip-hop world suffered huge losses back in November of 2021. Of course, we are referring to when at least eight concertgoers lost their lives at the Astroworld Festival. It is crazy to think that it was nearly three years ago, and that night will never be truly forgotten. There is still a lot of uncertainty surrounding it, with families still looking for some answers. However, while Drake was certainly heartbroken, he also feels that his name should be removed from the Astroworld lawsuits.
AllHipHop reports that Drake’s legal team is arguing that his lack in planning makes him not liable. Their motion reads, “Mr. Graham did not receive any security briefings, was not informed of any crowd control issues, injuries or deaths in the crowd, or any stop show orders at any time either before or during his 14-minute performance.” Furthermore, they are saying that since he was “under oath” to not having any input on planning the event, there is no reason for Drake’s name to be tied up.
LOS ANGELES, CA – FEBRUARY 10: Travis Scott (L) and Drake backstage during the 61st Annual GRAMMY Awards at Staples Center on February 10, 2019 in Los Angeles, California. (Photo by Rich Fury/Getty Images for The Recording Academy)
Drake and his team certainly have a compelling argument. All around this was a very poorly planned event, with security measures taking a backseat. It makes sense why Travis Scott, Live Nation, Scoremore, and Apple, are receiving the bulk of the lawsuits. Unfortunately, it may be a little while longer before anything truly happens. We continue to send our thoughts and condolences to the families who lost their kids that night.
What are your thoughts on Drake asking to be removed from the Astroworld lawsuit? Do you think he will get his wish, why or why not? Do you think he is the most innocent one that was a part of the tragedy? Will there be any justice for the families who lost the children? We would like to hear what you have to say, so be sure to leave your takes in the comments section. Additionally, always keep it locked in with HNHH for all of the latest news surrounding Drake, Travis Scott. and the Astroworld tragedy. Finally, stay with us for everything else going on around the world of music.
With an estimated net worth of $80 million as of 2024 according to Celebrity Net Worth, Jacques Berman Webster II, professionally known as Travis Scott, stands as one of the highest-earning rappers of his generation.
The Path To Riches: Travis Scott’s Music Career
CANNES, FRANCE – MAY 22: Travis Scott attends the “The Idol” red carpet during the 76th annual Cannes film festival at Palais des Festivals on May 22, 2023 in Cannes, France. (Photo by Samir Hussein/WireImage)
Travis Scott’s road to wealth is largely paved by his successful music career. Since his debut mixtape in 2013, Scott has released several multi-platinum albums, including Astroworld, significantly contributing to his net worth.
More Than A Rapper: Travis Scott’s Brand Partnerships
DOWNEY, CALIFORNIA – SEPTEMBER 08: Travis Scott surprises crew and customers at McDonald’s for the launch of the Travis Scott Meal on September 08, 2020 in Downey, California. (Photo by Jerritt Clark/Getty Images for McDonald’s)
Beyond music, Travis Scott has engaged in numerous brand partnerships, further boosting his net worth. Notable collaborations include deals with Nike, McDonald’s, and Fortnite, all of which have been financially rewarding.
A Shrewd Businessman: Travis Scott’s Entrepreneurial Ventures
LOS ANGELES, CA – SEPTEMBER 15: Travis Scott performs during the unveiling of the New NBA Partnership with Nike on September 15, 2017 in Los Angeles, California. (Photo by Josh Lefkowitz/Getty Images)
Scott’s earnings are not solely tied to his music and partnerships. He has demonstrated business acumen, launching his own record label, Cactus Jack Records, and a merchandise line. These ventures have significantly added to his net worth.
NEW YORK, NY – JUNE 02: Travis Scott performs onstage during Day 2 of 2018 Governors Ball Music Festival at Randall’s Island on June 2, 2018 in New York City. (Photo by Taylor Hill/Getty Images for Governors Ball)
While Scott’s net worth is undoubtedly impressive, his philanthropic efforts are equally commendable. He has used his wealth to support various charitable initiatives, including donations to food banks and scholarship programs, highlighting that his wealth isn’t just for personal gain, but also for societal good.
In conclusion, Travis Scott’s net worth of $80 million as of 2024 is a testament to his talent, business savvy, and commitment to giving back. From his successful music career to his brand partnerships and entrepreneurial pursuits, each aspect of his professional journey has contributed to his wealth. Moreover, his dedication to philanthropy demonstrates the potential of wealth to effect positive change. Travis Scott’s story serves as an inspiring example of how talent, hard work, and a smart business strategy can lead to financial success, while also making a difference in the world.
Travis Scott is featured in the GQ Men of the Year issue and opens up about the Astroworld tragedy. In the feature, he says he always thinks about the tragedy because “those fans were like my family.” He also addressed whether the album should have reflected on the tragedy.
“Making music, you think about things that go on in life and things that happen in your life, and you dial in on things,” Scott said. “That moment for families, for the city, you know, it was devastating. And when it came to making, like even finishing the album…I got back into it probably like, I don’t know, months and months and months after. And the idea of just even getting back into music, working on music and just even getting into that, was therapeutic of being able to channel some of the energy into production and sounds and finishing it.”
You can read the full feature below.
.@trvisXX reflects on the events of his Astroworld festival in Houston:
“Those fans were like my family. You know, I love my fans to the utmost.”
Travis Scott’s Astroworld stands tall as his best-selling album. Since it debuted in 2018, it achieved quadruple-platinum status by the RIAA and surpassed over 5 million copies sold globally. This record-breaking success propelled Scott to the forefront of the music industry, showcasing his prowess as a multifaceted artist. The album’s rollout, hit singles, and widespread acclaim have solidified its place in the cultural zeitgeist. Although he already had a grip on the culture, Astroworld cemented Scott’s reputation as an influential figure in contemporary music.
The rollout of Astroworld was an intricately planned spectacle, generating substantial anticipation among fans. Scott strategically teased snippets of tracks and unveiled cryptic hints through social media. Through this, he created an electrifying buzz around the album’s impending release. The lead singles, such as “SICKO MODE,” “STARGAZING,” and “STOP TRYING TO BE GOD,” captivated audiences with their innovative production and infectious beats. These tracks dominated the charts and also encapsulated Scott’s signature sound. Ultimately, it drew widespread acclaim for its sonic innovation and lyrical depth.
Critical Reception And Comparisons With Other Works
LONDON, ENGLAND – AUGUST 07: Travis Scott performs at The O2 Arena on August 07, 2022 in London, England. (Photo by Lorne Thomson/Redferns)
The reception of Astroworld was overwhelmingly positive. Critics lauded its ambitious production, cohesive storytelling, and Scott’s ability to create an immersive sonic experience. The album’s fusion of diverse musical elements resonated with listeners across various demographics, contributing to its enduring popularity. When juxtaposed with Scott’s earlier works like Rodeo and Birds In The Trap Sing McKnight, Astroworld emerged as a pinnacle of his artistic evolution, showcasing his growth as an artist and solidifying his position in the pantheon of hip-hop.
Scott’s subsequent album, Utopia, released in July 2023, swiftly made headlines by selling a remarkable 1 million copies within a month of its debut. This achievement further underscored Scott’s immense popularity and commercial viability in the music industry. Utopia ventured into new sonic territories, incorporating experimental sounds and collaborations with various artists. It also continued to harness Scott’s signature style, ensuring a seamless transition for his fanbase.
In conclusion, Travis Scott’s Astroworld remains a crowning achievement in his discography, characterized by its monumental sales figures, hit singles, and enduring cultural impact. Its success not only solidified Travis Scott’s position as a trailblazing artist but also set a high benchmark for his subsequent albums, including the record-breaking Utopia. As a visionary in the realm of hip-hop, Scott’s ability to innovate and captivate audiences continues to define his illustrious career in the music industry.
Read the news. 
