SZA is ruthless when it comes to critiquing herself. Part of what makes her such a good songwriter is her ability to pinpoint her insecurities and express them with lyrics that connect with the masses. It’s what’s led to her first two albums being hailed as modern classics. SZA is, conversely, very confident about the music she puts out. She knows she’s one of the best R&B artists working today. The confident side came out on May 16, when SZA was informed that SOS cracked Apple Music’s list for the greatest albums of all time. She was flattered, but she expected higher.
Apple Music is slowly rolling out its ranking for the greatest albums of all time on its streaming platform. There have already been some heavy hitters that have made the list, including Usher’s Confessions and Tyler, The Creator’s Flower Boy. SZA’s second album had the honor of placing much higher than these albums AND classics like people like George Michael and Solange. Rather than celebrate, SZA made it clear she was underwhelmed. “Lmao,” she wrote on X (formerly Twitter). “72nd is so disrespectful.”
SZA’s comments drew mixed reactions from fans. Some felt the singer was being ungrateful, despite having placed higher than several notable artists. Others championed her confidence, and felt that SOS was indeed one of the greatest albums of all time. The singer’s took several years making SOS, which is probably why she feels so proud of it. “I never thought in a million years that people would like it,” she told Variety. “Everybody came down to make sure I didn’t lose my mind if the album went bad once it came out. And now we’re just hanging out, ’cause it didn’t go badly.”
“Didn’t go badly” is an understatement. SOS earned nine Grammy nominations, including Album of the Year, and won Best Progressive R&B Album. It spawned a number one single with “Kill Bill” and a number two single with “Snooze.” The latter the distinction of being the only song to chart on Billboard for all of 2023. SOS was also ranked 351 on Rolling Stone’s 500 greatest albums of all time list. If you ask SZA, though, she probably felt that placement was too low as well.
Every now and again, bullying can help to better society. Ironically, SZA, an avid proponent of anti-celebrity online harassment found herself on the other side of things.
Despite her busy schedule, which includes her international SOS Tour dates, the “Snooze” singer still manages to catch up television’s hottest shows. Thanks to her May 2 post on X (formerly Twitter), SZA’s followers found out that includes Apple TV’s Severance starring Ben Stiller.
“Was tryna be polite but I really need a new season of ‘Severance’ right the f*ck now,” she wrote.
Well SZA’s outcry quickly made its way back to Stiller. So, the actor took hopped onto his personal page to issue a response.
Although the original series was renewed, not much progress has been made since its 2022 debut. With SZA lighting a fire under the production team, things could change soon. Even so, SZA decided to issue a playful apology for her strong language.
“Omg,” she wrote. “Please accept my humble apology LMAO. Whenever you’re ready is fine . [I’m] just dying of thirst. It’s the best show ever! You’re a madman . Thank you, Mr. Stiller, king sir!”
Omg please accept my humble apology lmao whenever ur ready is fine just dying of thirst it’s the best show ever! ur a madman THANK U mr stiller king sir ! https://t.co/wacadLN6aJ
SZA is one of the defining R&B artists of our time. If you ask SZA, though, she wants to be more than that, and she thinks that it’s because she’s Black that some people put her in that R&B box.
“The only reason I’m defined as an R&B artist is because I’m Black. It’s almost a little reductive because it doesn’t allow space to be anything else or try anything else. Justin Bieber is not considered an R&B artist; he is a pop artist who makes R&B, folk music, or whatever his heart desires. I simply just want to be allowed the same opportunity to make whatever I want without a label, [without it being] based on the color of my skin, or the crew that I run with, or the beats that I choose. I want ‘F2F’ to be seen as what it is. I want ‘Nobody Gets Me’ to be seen as what it is. I want ‘Kill Bill’ to be seen as what it is.
At the same time, it’s nothing to get bent out of shape about, because it’s just how people are processing you. As long as I don’t process myself that way. I don’t necessarily box myself into anything. I’m just trying to make music, trying to vibe out and enjoy the experience.”
She added, “Once we’re dead and gone, there will still be work to do in terms of how we’re seen in the world as Black women, and who we are allowed to be seen as — the multifacetedness and all our spectrums of expression. I think humanity will be constantly unfolding itself, and we will be showing each other who we are beyond the reductive labels our brains are regurgitating, from whatever we saw on the internet or learned in college or at home through socialization. We’ll get beyond that, and that’s just part of being human. I’m down to be human.”
In a new interview with Dazed published Wednesday (May 1), SZA spoke on only being considered an R&B artist because she’s Black. It’s a mistake that we and many others have committed in the past, not just as outlets and publications in white-dominant and often exploitative media spaces, but as non-Black audiences comparing Black art to the white-dominant spaces of pop music at large. It’s an issue that many Black artists like Tyler, The Creator have addressed to varying degrees.
Most importantly, it’s not meant to detach the St. Louis native from R&B, which she’s made a lot of, but rather to accurately assess the full range of musical styles that she employs as a pop artist, whose only defining characteristic is… well, being a popular artist that writes with pop song structures, which are not at all exclusive to the typical music genre expectations we associate with “pop.” “The only reason I’m defined as an R&B artist is because I’m Black,” SZA remarked. “It’s almost a little reductive because it doesn’t allow space to be anything else or try anything else. Justin Bieber is not considered an R&B artist. He is a pop artist who makes R&B, folk music, or whatever his heart desires.
SZA performs during the 2024 Dreamville Music Festival at Dorothea Dix Park on April 06, 2024 in Raleigh, North Carolina. (Photo by Astrida Valigorsky/WireImage/Getty Images)
“I simply just want to be allowed the same opportunity to make whatever I want without a label. [Without it being] based on the color of my skin, or the crew that I run with, or the beats that I choose,” SZA continued. “I want ‘F2F’ to be seen as what it is. I want ‘Nobody Gets Me’ to be seen as what it is, I want ‘Kill Bill’ to be seen as what it is.
“At the same time, it’s nothing to get bent out of shape about. Because it’s just how people are processing you,” SZA concluded. “As long as I don’t process myself that way. I don’t necessarily box myself into anything. I’m just trying to make music, trying to vibe out and enjoy the experience.”
The NFL offseason is not really an offseason at all. While February through August is slower than when NFL games are played during the fall and winter months, the NFL never sleeps. The NFL churns out storylines year-round, and the offseason is an incubator for the wildest narratives because all of it is based upon hope and projection rather than results.
To recap, I assigned a theme song to each NFL team to accentuate the need-to-know offseason happenings so far.
Arizona Cardinals
Kendrick Lamar Feat. Rihanna — “LOYALTY.”
Once upon a time, in 2019, the Arizona Cardinals then-head coach Kliff Kingsbury said, “Josh is our guy,” and, thankfully, the irony is preserved in this tweet. He was speaking of Arizona’s 2018 first-round pick Josh Rosen. By April 2019, the Cardinals used the No. 1 overall pick to draft his replacement, Kyler Murray. Rosen was traded to Miami, and that was that.
The Cardinals found themselves in eerily familiar territory this offseason. Again, they publicly declared their commitment to Murray, but questions remained because they had the No. 4 overall pick, and this quarterback-heavy class presented the opportunity to reset the quarterback contract clock. But Arizona’s promise wasn’t empty this time, and they bolstered their loyalty to Murray by using the No. 4 overall pick on Marvin “Maserati Marv” Harrison Jr., who should immediately help to optimize the flashes Murray has shown up to this point.
Atlanta Falcons
Usher — “You Make Me Wanna…”
Unlike the Cardinals, the Atlanta Falcons remained loyal to Kirk Cousins for approximately 45 days before Michael Penix Jr. made them wanna start a new relationship with him. Atlanta signed Cousins — a 35-year-old rehabbing a torn Achilles — to a four-year, $180 million contract with $100 million guaranteed. All evidence pointed toward Atlanta settling down with Cousins and using the No. 8 overall pick to get an immediate impact player to help the team maximize this Cousins window. But while Cousins was parading around to Atlanta United FC and Braves games, the Falcons were flying across the country to Washington to get to know Penix. Head coach Raheem Morris and general manager Terry Fontenot insist that Cousins “is our quarterback,” but using the No. 8 overall pick on Penix as Cousins’ successor left an unsuspecting Cousins reportedly “a bit stunned.”
Baltimore Ravens
Dionne Warwick — “Déjà Vu”
The Baltimore Ravens ace every offseason. In 2023, it was extending two-time MVP quarterback Lamar Jackson when it seemed their relationship was irrevocable. This spring, despite losing 15 players in free agency (and defensive coordinator Mike Macdonald to the Seahawks), Baltimore remained true to who they’ve always been — signing Derrick Henry, retaining Justin Madubuike, and drafting cornerback Nate Wiggins. But every season, the Baltimore Ravens come up short. Last season was the closest the Ravens have come to returning to the Super Bowl since winning Super Bowl XLVII to cap the 2012 season, but their league-best 13-4 run came to a sputtering end with an uninspired performance against the Chiefs in the AFC Championship Game. How long will this cycle continue?
Buffalo Bills
Ryan Gosling — “I’m Just Ken”
The Buffalo Bills have an alien at quarterback, and it doesn’t matter. Josh Allen is No. 2 to Patrick Mahomes. The Bills threw everything at the wall, and it doesn’t matter what they do because they are No. 2 — or closer to third or fourth, if the Bengals and Ravens have a say — to the Chiefs. At any other time, perhaps the Bills would be a ten. But the past three years, Buffalo’s season ended in the Divisional Round, twice to the Chiefs. This offseason was the Bills’ reckoning. The first iteration of the Allen-led, Super Bowl-contending Bills perished, as Stefon Diggs was shipped out to Houston, and other core players like Tre’Davious White, Jordan Poyer, and Micah Hyde left. The Bills will be viable as long as Allen is under center, but the Bills’ short-term Super Bowl chances took a hit in 2024.
Carolina Panthers
Paramore — “Ain’t It Fun”
This time last year, Bryce Young was presumably riding the euphoria of having just been drafted as a Heisman-winning quarterback prospect out of Alabama after Carolina moved heaven and earth to trade into the No. 1 overall spot. Hope, however faint, surrounded a new Panthers regime. Then, head coach Frank Reich was fired 11 games into a heinous 2-15 campaign in 2023. This offseason, Young is firmly acclimated to the realities of the NFL, where quarterbacks have approximately five minutes to prove worthy before teams give up on them, especially a franchise owned by David Tepper. The Panthers attempted to support Young by adding wide receiver Diontae Johnson and offensive guard Robert Hunt in free agency, and then drafting wide receiver Xavier Legette (No. 32 overall) and running back Jonathan Brooks (No. 46). But the weight of the world remains on Young’s shoulders.
Chicago Bears
Prince — “Controversy”
Ahead of last week’s NFL Draft, sportswriter Dave Fleming appeared on Pablo Torre Finds Out and said, “I will tell you, he scares the sh*t out of a lot of NFL teams, too. The book on him is he’s just kind of a weird kid. One GM told me it’s like if Prince played quarterback.” The anonymous GM probably intended for that to be an insult, but it is unequivocally the coolest compliment imaginable.
Like Prince, Williams challenges stale convention. His uninhibited self-expression makes people uncomfortable. His personality is perceived as controversial. Before the Bears shipped Justin Fields to Pittsburgh, there was controversy within Chicago’s fandom as to whether the Bears should keep Fields or start over with Williams. Predictably, the Bears drafted Williams No. 1 overall, and Williams is set up for success — surrounded by talented skill players like D.J. Moore, Keenan Allen, Rome Odunze, D’Andre Swift, and Cole Kmet. The Bears have done everything right this offseason — really, the past two offseasons. But people will manufacture controversies around Williams, even when he surely becomes the first quarterback in Bears history to throw for 4,000 yards and 30 touchdowns.
.@FlemFile on what a former NFL scout told him about Caleb Williams:
“Raw emotion is great, but Caleb’s thing? That was ridiculous to me. That threw up major red flags. … I will tell you, he scares the sh*t out of a lot of NFL teams too. The book on him is he’s just kind of a… pic.twitter.com/0XQXYvuZUd
The sky is threatening to fall in Cincinnati. Wide receiver Tee Higgins reportedly demanded a trade but will likely play 2024 on the franchise tag. Defensive end Trey Hendrickson also reportedly demanded a trade. The Bengals traded running back Joe Mixon to Houston and lost defensive tackle D.J. Reader to Detroit in free agency. Such is life after signing star quarterback Joe Burrow to a five-year, $275 million and preparing to make Ja’Marr Chase a top-paid receiver. The first phase of the Burrow-led Bengals is over, but if the sky is falling, nobody told Burrow, who said during a live New Heights event that the Bengals are “built to beat” the Chiefs.
Cleveland Browns
Olivia Rodrigo — “get him back!”
Publicly, the Browns will likely gush about how excited they are to get quarterback Deshaun Watson back after his season-ending shoulder surgery in 2023. Privately, I’m willing to bet there’s a group text full of Browns-adjacent people wishing they could plot revenge against everyone involved in 1) trading for and 2) shelling out a fully guaranteed five-year, $230 million contract to an embattled Watson in 2022. Watson’s time in Cleveland has been defined by an 11-game suspension, injuries, and putrid quarterback play. Watson is holding back an otherwise solid Browns roster, and the Browns can’t get him back for it until 2026.
Dallas Cowboys
The Weekend, Playboi Carti, and Madonna — “Popular”
Jerry Jones desperately wants to be popular. If presented with the choice between winning next year’s Super Bowl or securing eternal popularity, I’m convinced Jones, in his most honest moment, would choose the latter. Jones swore the Cowboys would be “all-in” with their approach to this offseason, but they have objectively been anything but. Dallas made six moves in free agency. Dallas does not appear close to extending quarterback Dak Prescott, pass-rusher Micah Parsons, or wide receiver CeeDee Lamb — setting Prescott up to be an unrestricted (in every sense of the word) free agent next year. But why handle any football business when Jones and, by extension, the Cowboys are in the relevancy business? For Jones, any offseason in which the media is regularly discussing the Cowboys is a successful offseason.
Denver Broncos
Alexander 23 — “Crash”
The Denver Broncos dumped Russell Wilson. And they didn’t just dump him. They decided it was worth $85 million in dead money just to get him to go away. In 2023, first-year Broncos head coach Sean Payton marginally improved Wilson’s performance. Payton developed a reputation as a quarterback guru as the head coach with the New Orleans Saints, and Wilson used to be a great quarterback before inexplicably becoming unrecognizable in the pocket. As Alexander 23 sings, “Apart we’re great, but together we suck / I’m sorry for the way it ended, but ending it, baby, not so much / ‘Cause me and you weren’t built to last / We were two fast cars on our way to crash.” And so, Bo Nix is set to be the 14th Broncos starting quarterback since Peyton Manning’s 2016 retirement.
Detroit Lions
Eminem — “Lose Yourself”
The Lions are in Eminem’s second verse of “Lose Yourself”: “This world is mine for the taking, make me king / As we move toward a new world order.” The lowly Lions are dead after winning their first playoff game in 32 years and narrowly missing a Super Bowl LVIII appearance. A well-earned target is affixed to the Lions’ back, and they aren’t going anywhere. They extended general manager Brad Holmes and head coach Dan Campbell, and they continued bolstering the roster, including an extension for Amon-Ra St. Brown. Detroit football fans are losing themselves in this long-awaited culmination, breaking the all-time attendance record at the 2024 NFL Draft.
Green Bay Packers
Lil Wayne — “Let The Beat Build”
One day, the terms of the Packers’ deal with the devil will be disclosed. It is the only explanation for 30 consecutive years of great (or solid, at least) quarterback play in Green Bay — Brett Favre funneling directly into Aaron Rodgers, funneling directly into Jordan Love. As Lil Wayne rapped, “They diminish, I replenish.” Green Bay epitomizes steady construction — letting the beat build, if you will — and the 2023 season was a microcosm of that identity.
In his first full season as a starter, Love, 25, started out shaky but slowly came into his own and showed as much promise as anyone while leading the Packers to a surprising playoff run. With an average age of 25.7 years, the Packers are the NFL’s youngest team and ahead of schedule yet right on time. Green Bay additionally prioritized youth this offseason by releasing running back Aaron Jones, 29, and in favor of signing Josh Jacobs, 26, as well as 24-year-old safety Xavier McKinney, in free agency. All-Pro offensive tackle David Bakhtiari, 32, was also released, and the Packers used the 25th overall pick on offensive lineman Jordan Morgan.
Houston Texans
SZA — “Snooze”
The Texans can’t snooze and miss this moment while emerging worldly quarterback C.J. Stroud is relatively cheap on his rookie contract. And they know it. Houston traded for Pro Bowl running back Joe Mixon and All-Pro receiver Stefon Diggs, and then bolstered the defense by signing Danielle Hunter and Denico Autry in free agency. After impressive rookie campaigns from Stroud and head coach DeMeco Ryans, Houston is positioned as a potent threat in the AFC.
Indianapolis Colts
Nine Days — “Absolutely (Story Of A Girl)”
This song is about one girl, but it applies to the Colts when divvied up between owner Jim Irsay and second-year quarterback Anthony Richardson. Irsay is a boisterous figure who seems to always be the subject of a headline that could have been generated by MadLibs. Presumably, Irsay’s presence places a strain on the franchise. It’s probably really stressful for general manager Chris Ballard or head coach Shane Steichen, but one smile from Richardson after an absurdly athletic touchdown, and everything feels better. The Colts’ 2024 and beyond depends on Richardson’s rehab from season-ending shoulder surgery, but you have to absolutely love the potential of this young core.
Jacksonville Jaguars
21 Savage — “a lot”
Credit where credit is due, Jacksonville was aggressive in response to fumbling away the AFC South and missing the playoffs entirely last season. The Jags signed the likes of defensive tackle Arik Armstead, wide receiver Gabe Davis, and center Mitch Morse in free agency, and then they extended Pro Bowl pass-rusher Josh Allen before drafting LSU receiver Brian Thomas Jr. at No. 23 overall. But…
How much money did the Jags spend in free agency? A lot. How many question marks remain in Jacksonville? A lot. How many people are doubting 2021 No. 1 overall pick Trevor Lawrence as a paradigm-shifting quarterback of the future? A lot.
Kansas City Chiefs
Taylor Swift — “Look What You Made Me Do”
Taylor Swift’s historically prolific discography is more or less exclusively licensed to the Chiefs due to her ongoing romance with Travis Kelce, so it would be negligent not to use it.
The league let the Chiefs become the first back-to-back Super Bowl champions in two decades despite rostering an oft-ridiculed wide receiver corps in a “down year.” (Or, quarterback Patrick Mahomes and a nasty defense snatched it, depending on your perspective.) The Chiefs had to go on the road during the playoffs for the first time in Mahomes’ career, and they internalized every ounce of doubt — real or perceived — and plowed to their third Super Bowl in five years (“I got smarter, I got harder in the nick of time / Honey, I rose up from the dead, I do it all the time”). Had the Chiefs not won Super Bowl LVIII, perhaps they let Chris Jones walk in free agency, but because an unprecedented three-peat and football immortality is now on the table, the Chiefs uncharacteristically made Jones the highest-paid defensive tackle with a five-year extension. And as if Kelce wasn’t already living the most charmed life imaginable, the Chiefs went ahead and made him the highest-paid tight end.
Las Vegas Raiders
Charli XCX — “Von Dutch”
In the week leading up to Super Bowl LVIII, Raiders star pass-rusher Maxx Crosby told Colin Cowherd that he was actually pulling for his in-division rival Chiefs to become the back-to-back champions because, even though he “hate[s] all the teams equally,” he wants the Raiders “to be the ones that take ’em down.” The following week, newly hired head coach Antonio Pierce joined Crosby’s podcast, The Rush, and repeatedly proclaimed his “hatred” for the Chiefs. Pierce shared his plan to institute “Patrick Mahomes rules” — a callback to the Detroit Pistons’ “Jordan Rules” — “as long as I’m here.” I imagine Mahomes and the Chiefs hearing all of this, hitting play on “Von Dutch,” and knowingly nodding along as Charli XCX sings, “It’s okay to just admit that you’re jealous of me / Yeah, I heard you talk about me, that’s the word on the street / You’re obsessin’, just confess it, put your hands up / It’s obvious, I’m your No. 1.”
Los Angeles Chargers
Tyler The Creator Feat. Playboi Carti & Charlie Wilson — “EARFQUAKE”
Tyler The Creator’s “EARFQUAKE” is about being “for real this time” because he “cannot fall short” again. It’s probably not far off from Justin Herbert’s inner monologue. Herbert has been put in positions to fail since he became their starter in 2020 — four head coaches, four offensive coordinators — but the Chargers hiring Jim Harbaugh is supposed to be different. For the past three-ish years, L.A. has been an offseason and preseason darling, but Harbaugh legitimizes Herbert and the Chargers as being for real this time.
To be fair, this song also suits the Cowboys, given the ambiguous contract situations with Dak Prescott, CeeDee Lamb, and Micah Parsons, but as is always the case when discussing the Cowboys, I couldn’t overlook Jerry Jones’ ego. Anyway, Miami is in a similar hell. This offseason, Miami felt the financial ramifications of spending big after acquiring Tyreek Hill in March 2022 to try and win within Tua Tagovailoa’s rookie contract window. Christian Wilkins, Robert Hunt, and Xavien Howard are among the starters they lost. Honestly, as a recovering commitment phobe, the Dolphins trigger me. Do you want to commit to Tua, or do you want to let him go? Are you going to live up to the hype before Hill’s contract expires, or are you going to continue to reinvent underachieving?
Minnesota Vikings
Beyoncé Feat. Miley Cyrus — “II Most Wanted”
At February’s NFL Combine, head coach Kevin O’Connell expressed there was a mutual interest in Cousins remaining the Vikings quarterback. But then, Cousins left for Atlanta in free agency, and the Vikings acquired an additional first-round draft pick — intending to trade up and get their future franchise quarterback. Cousins was grandfathered in as O’Connell’s quarterback when he took over as head coach in 2022, and it has been written all over O’Connell’s face how delighted he is to hand-pick his own ride-or-die (“Been a while since I haven’t tried to pull away / But it’s time for somethin’ new”). That is 21-year-old now-former Michigan quarterback J.J. McCarthy, whom Minnesota drafted at No. 10 overall. In Minnesota’s most idyllic projection, McCarthy and O’Connell (and Justin Jefferson) will ride together ’til the day they retire.
New England Patriots
Reneé Rapp — “I Hate Boston”
The end of a dynasty is always ugly. If reports are true, Patriots owner Robert Kraft has been doing the most to make Bill Belichick hate New England after they “mutually agreed” to end Belichick’s 24-year tenure as head coach. First, the Apple TV+ docuseries The Dynasty portrayed Kraft in a much more positive light than Belichick. Then, ESPN’s Don Van Natta Jr., Seth Wickersham, and Jeremy Fowler reported that Kraft actively dissuaded the Falcons from hiring Belichick as their next head coach. (Atlanta went with Raheem Morris, and Belichick did not get an NFL coaching job for 2024.) If that weren’t enough, Patriots safety Jabrill Peppers shared that Belichick-themed signs seem to have been removed from the team’s facility by the new regime led by rookie head coach Jerod Mayo. If the Patriots struggle as much as is projected in the coming years, Mayo and No. 3 overall pick Drake Maye might hate Boston, too.
New Orleans Saints
Destiny’s Child — “Bills, Bills, Bills”
The New Orleans Saints always owe someone money. No NFL team more frequently has chronically due bills because the Saints are constantly borrowing from the future and ignoring the concept of a salary cap. As such, the Saints remain in cap hell while hurtling toward oblivion.
New York Giants
Post Malone — “Circles”
The Giants are in a self-inflicted loop with quarterback Daniel Jones. Last March, they made the baffling and indefensible decision to give Jones a wholly unnecessary four-year, $160 million ($92 million guaranteed) contract. Jones only played six games last season for the dismal Giants, but the Giants can’t move on from him because of that contract. General manager Joe Schoen has expressed pretty lukewarm faith in Jones moving forward, but NFL Network’s Ian Rapoport reported that New York “made one last-ditch effort” to trade into the Patriots’ No. 3 overall pick in an effort to select Jones’ replacement.
New York Jets
Daniel Caesar — “Pain Is Inevitable”
Jets fans know that pain is inevitable. Jets fans know their beloved football team has needed “a lesson in mishap prevention” for the better part of 50 years. Aaron Rodgers was supposed to be the savior last offseason, but he lasted four snaps before rupturing his Achilles and missing the entire season. Forty-year-old Rodgers will return for 2024 — conspiracy theories, distracting rhetoric, and vice presidential rumors in tow — but the Jets’ solution to fix an older, injury-prone roster was to sign older, injury-prone free agents, such as wide receiver Mike Williams and offensive tackle Tyron Smith. The Jets had a surprisingly prudent draft, but it won’t matter. Because the Jets are the Jets, and Rodgers is preoccupied.
Philadelphia Eagles
The Kid Laroi — “What Just Happened”
The Philadelphia Eagles suffered a confounding unraveling to end the 2023 season, losing five of six to finish the regular season only to get embarrassed 32-9 by Tampa Bay in the Wild Card Round. All-Pro center Jason Kelce and All-Pro defensive tackle Fletcher Cox retired. Philadelphia began triage by choosing to forgo flirting with Bill Belichick and retaining Nick Sirianni as head coach. Sirianni hired new coordinators (Kellen Moore, Vic Fangio), and general manager Howie Roseman demonstrated his annual wizardry with big-time signings, such as running back Saquon Barkley, safety C.J. Gardner-Johnson, wide receiver DeVonta Smith, and wide receiver A.J. Brown. Then, Philly’s draft was targeted to address the defensive secondary, their most glaring weakness last season. It’s been a lot to process, and I don’t know if the Eagles crossed the line because I don’t even know what just happened.
Pittsburgh Steelers
Billie Eilish — “What Was I Made For?”
Russell Wilson is a shell of his Super Bowl-winning self. Wilson left the Seattle Seahawks for Denver in 2022 and proceeded to play himself out of the Hall Of Fame. He used to float, now he just falls down. Signing a one-year deal with Pittsburgh is probably Wilson’s final chance at resurrecting what’s left of his ability, and he will share the quarterback room with former Bears No. 1 pick Justin Fields, who is also trying to redirect his NFL trajectory. And looming over them will be the Steelers’ overarching identity crisis.
San Francisco 49ers
Justin Bieber — “At Least For Now”
At least for now, the 49ers are still Super Bowl favorites, despite losing to the Chiefs in the Super Bowl twice in the past five years. At least for now, head coach Kyle Shanahan gets the benefit of the doubt. At least for now, the 49ers don’t have to allocate substantial long-term money to “Mr. Irrelevant”-turned-MVP candidate Brock Purdy. At least for now, Deebo Samuel and Brandon Aiyuk are still in San Francisco, and the 49ers can avoid the disappointment of having to make tough decisions about their aging and expensive core in 2025. The only thing that could alleviate that disappointment would be absolving the persistent disappointment of not having won a Super Bowl in 30 years.
Seattle Seahawks
Tori Kelly Feat. Jon Bellion — “Young Gun”
This song goes out to Pete Carroll. At 72 years old, Carroll was the oldest head coach in the NFL. In January, he told the press that he planned to continue coaching the team. Shortly thereafter, Seattle swapped him out for “a young gun from another town,” the Ravens’ 36-year-old defensive coordinator Mike Macdonald, who is now the NFL’s youngest head coach. In a meager attempt to soften the blow, Seattle kept Carroll around as “an advisor.”
Tampa Bay Buccaneers
Migos Feat. Drake — “Walk It Talk It”
Tampa committed to 2018 No. 1 overall pick-turned-journeyman Baker Mayfield with a three-year, $100 million contract. Mayfield was known as a talker before arriving in Tampa last year, but he revived his career (and recaptured his swagger) through mature leadership. Meanwhile, nobody would have blamed superstar wide receiver Mike Evans if he wanted to explore free agency and sign with a team primed to contend for a Super Bowl, but he proved his commitment to spend his entire career with the Bucs by re-signing on a two-year deal. The Bucs have expertly maneuvered these bridge years post-Tom Brady — remaining in the mix rather than totally bottoming out.
lmaoooo I don’t know why it took this long for me to see this video of Baker Mayfield dancing to Migos but it is LEGENDARY pic.twitter.com/d1C9Eciclg
Titans fans are going to need patience. Yes, Tennessee made free-agency splashes with L’Jarius Sneed, Calvin Ridley, and Tony Pollard, but first-year head coach Brian Callahan will need time to build out his program in the wake of Mike Vrabel. The Titans have been in “slow burn” territory regarding quarterback for quite awhile. Heading into 2024, it’s far from guaranteed that Will Levis is the guy at quarterback.
Washington Commanders
Liz Phair — “Why Can’t I?”
Washington took 20-plus prospects on a group date to Topgolf, but, as NFL reporter Tom Pelissero relayed on The Rich Eisen Show, “One of those four quarterbacks who visited for the Topgolf trip got picked up by [head coach] Dan Quinn, and the other ones took a shuttle bus to the hotel.” I enjoy envisioning an awkward group date during which reigning Heisman-winning LSU quarterback Jaden Daniels and Commanders brass locked eyes intermittently with an unspoken anticipation for their inevitable partnership, beginning with the No. 2 pick in the 2024 NFL Draft. Washington has butterflies for Daniels, who symbolizes the dawn of a hopeful future after finally breaking free from a toxic 24-year relationship with former owner Dan Snyder.
SZA bucked the curse of the sophomore slump and then some. The R&B superstar took a long time to follow up her debut album, Ctrl, but SOS proved to be an even bigger success on the charts. A lot of this success was due to the single “Snooze,” which peaked at number two on the Billboard Hot 100 and won a Grammy for Best R&B Song. It’s become one of SZA biggest hits, which is why she decided to share a funny anecdote about the song on X (formerly Twitter). The singer admitted that was not really a fan of “Snooze” when she first recorded it.
SZA broke the news to fans on April 24. “I’m not gon lie snooze wasn’t my favorite when I made the album,” she told her followers. Fortunately, the song grew on the singer as the sessions wore on, and it’s since become her favorite. “Now it’s my favorite hands down,” she added. “Played it at the beach and it was noiiiiiiceeeee. I’m late but thank y’all for riding til I got some sense.” It’s easy to see why SZA came back around on it. In addition to the Hot 100 placement and the Grammy, “Snooze” broke the record for most weeks atop the US R&B/Hip-Hop Airplay chart with 30 weeks. It’s safe to assume she’s going to be playing it for the rest of her career.
SZA Says “Snooze” Has Become Her Favorite SOS Song
I’m not gon lie snooze wasn’t my favorite when I made the album but now it’s my favorite hands down .. played it at the beach and it was noiiiiiiceeeee . I’m late but thank y’all for riding til I got some sense
Miraculously, “Snooze” almost missed the cut for SOS. During an interview with Revolt, producer Leon Thomas revealed that the song was originally intended for a Babyface album. “Snooze” came about as SZA and Babyface were riffing in the studio. “It was a collaboration for Babyface’s new album, Girls Night Out,” Thomas revealed. “We were just getting creative and having Babyface walk in and out of the room and lay parts. We did the beat that same day, and she recorded the song on the same day.”
This spontaneity extended to the “Snooze” music video. SZA told WSJ Magazine that Hailey Baldwin and Justin Bieber FaceTimed her when she was planning the video, and she asked if Bieber wanted to be in it. The pop star obliged, and an iconic video resulted. “[Bieber] showed up and he was down as f*ck for the whole day,” SZA recalled. “and “[He] didn’t trip about nothing.” SZA is currently working on her follow up album, Lana, which was born out of unused songs from the SOS sessions.
Governors Ball 2024 is taking place at Flushing Meadows Corona Park in New York City on June 7-9 and today they reveal this year’s schedule. Gates open daily at 11:45 AM with music starting at noon.
Now in its 14th year and second iteration at their new location, Gov Ball will ring in summer in the city with over 60 bands on 3 stages for 3 days including headliners Post Malone, The Killers, SZA, Peso Pluma, Rauw Alejandro and 21 Savage.
Screenshot 2024 04 25 at 6.15.58 PM
The festival recently announced the food and beverage lineup which will include some of the best purveyors New York City’s culinary scene has to offer all weekend long. Full details can be found HERE.
Making its debut in 2011 as a one-day festival, Gov Ball quickly expanded to a three-day multi-stage and multi-genre event featuring world-class artists and local NYC culinary offerings. In 2023, Gov Ball took place at the historic green space, Flushing Meadows Corona Park and is proud to call the lush tree-lined park home. Deemed New York City’s “premier outdoor pop event” by The New York Times, and “New York City’s best music festival” by New York magazine, Governors Ball is routinely heralded as one of the top live music events in North America and the world at large.
As one of the biggest superstars in music right now, it’s fair to say that SZA’s dealt with an unfair amount of hate online for a sadly large variety of reasons. People aren’t just content with hating on one’s art anymore: they have to speak on their looks, their words, their moves, their friends… it’s a lot to handle, but surely something that stardom, passion, and moolah can alleviate. Still, the St. Louis singer -– who’s yet to drop LANA thanks to leaks -– thinks that some folks aren’t genuine in their negativity, or at least, that they hate for the wrong reasons.
“Pretending someone is wack Or untalented cause you don’t like them personally is so lame to me lmao,” SZA wrote on Twitter on Wednesday night (April 24). “U gotta Get that hater s**t up out cha spirit.” Funnily enough, this also kind of relates to a recent instance in which her manager, TDE’s Punch, had to defend her amid some hate she received from Brian “B.Dot” Miller. He called a Spotify billboard proclaiming “Snooze” as the best R&B song of the streaming era “propaganda,” causing Punch to clap back and say that he can’t be a hater for his whole career. At least this seemed in good spirits and merely a disagreement over a single song, but maybe they just had to play it off for social media.
Elsewhere, SZA is also not afraid to speak up on issues much larger than music that will definitely earn her a lot of hate due to the difficult and divisive nature of them. For example, she recently said “Free Palestine” at a New Zealand concert, referring to the current abhorrent conflict between Israel and Palestine that, despite its roots tracing back centuries, particularly escalated recently in a way that is causing a lot of death and destruction. While it is a firm stance, perhaps the most important takeaway from artists doing things like this is how it brings attention to the issue and encourages folks to do their research and understand the issue for themselves. It shouldn’t merely result in blind following for either cause.
Meanwhile, this year’s Hal David Starlight Award recipient, an honor from the Songwriters Hall of Fame, is poised to continue her massive success and streak of astonishments all throughout 2024. Hopefully less haters flood her social media on this journey, but we know she can handle them. Regardless, and speaking of which, what do you think about this advice? Let us know in the comments section down below, and keep checking in with HNHH for the latest updates on SZA.
SZA is easily one of hip-hop/R&B’s most adored and celebrated artists in the space. Her incredible number of hit songs and standout records have placed in the upper echelon of singers in the modern era. Of course, when you consistently put quality material and feature appearances, fans are always going to ask for more. That has certainly been the case for the St. Louis, Missouri native ever since she dropped her critically acclaimed 2022 album SOS. The TDE label and its signees have been known to take a lot of time in between releases, so who knows when we are getting something new. Questions surrounding LANA in particular were plentiful underneath a recent Instagram dump from SZA.
In this latest and greatest collection of photos, we see the global R&B star’s trip across the country of New Zealand. Pop star Lorde gave us that tidbit of information in her comment underneath the post. “U being in NZ without me there,” she wrote. In the collage, SZA has sprinkled in her patented thirst traps as well, teasing her figure and backside with a skimpy butterfly under garment.
Furthermore, it appears she went on a hike at some park as she poses in front of a stunning waterfall. Later down the line, SZA looks to have gone to the inner city. She gleefully jumps in the air and spreads her arms with joy as she is standing on a balcony overlooking that gorgeous skyline. Additionally, she got a new shoulder tattoo with tons of detail. However, even with the fans loving the trip post, questions surrounding LANA arose again. “Where is the f***ing album,” one fan demanded. “Where that deluxe at maam,” another adds.
What are your thoughts on this latest photo dump from SZA on Instagram? How much longer do you think fans will have to wait for LANA to drop? Does she post the pics on the social media app? We would like to hear what you have to say, so be sure to leave your takes in the comments section. Additionally, always keep it locked in with HNHH for all of the latest news surrounding SZA. Finally, stay with us for everything else going on around the music world.
New music festival alert: The inaugural Sudden Little Thrills Music Festival is going down on September 7 and 8 at Hazelwood Green in Pittsburgh, Pennsylvania.
The lineup is bringing the heat, too: The Killers and SZA are headlining, and also performing across the fest’s two days and three stages are Melanie Martinez, Wiz Khalifa, St. Vincent, Fletcher, Omar Apollo, Yung Gravy, Girl Talk, Crowded House, Ethel Cain, Del Water Gap, Hoppi Campus, Juvenile, The Frive Era, Lupe Fiasco, Kenny Mason, Royel Otis, and more. The fest is also putting an emphasis on local performers, including Pittsburgh artists Feeble Little Horse, Corook, Fedd The God, and Krunk And The Center Of Life Band.
Your 2024 Lineup has dropped Sign up now for a presale passcode at https://t.co/2uKzly4zQO to guarantee access to 2-Day GA Tickets at the lowest price. Presale begins Thursday, 4/18 from 10am-11am ET. Prices increase at 11am when the public on-sale begins pic.twitter.com/nKHRVBaTCu
— Sudden Little Thrills Music Festival (@SLT_Fest) April 16, 2024
Regarding tickets, the pre-sale runs on April 18 from 10 a.m. to 11 a.m. ET. After the pre-sale, prices will increase for the public on-sale, which starts immediately after the pre-sale. Those interested can sign up now to receive a pre-sale passcode, via the festival website.
As for the name of the festival, a press release explains, “Inspired by Pittsburgh’s arts and culture legacy, the name Sudden Little Thrills embodies the ethos of the festival — to be present and open to sudden moments of fun, joy, and inspiration, and selecting Hazelwood Green as the festival’s home expands on that philosophy.”
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LMAO. Whenever you’re ready is fine 
. [I’m] just dying of thirst. It’s the best show ever! You’re a madman 
. Thank you, Mr. Stiller, king sir!”
(@AronYohannes) 
