Fashion brand Tommy Jeans announced its new collaboration with GloRilla for its latest advertising campaign. The new partnership aims for a positive message, however, the brand has had a complicated past with the hip-hop community. After sparking dating rumors with Kodak Black, Memphis artist GloRilla has teamed up with Tommy Hilfiger by becoming the new […]
The post GloRilla Becomes The New Face For Tommy Jeans + Rumored Racist History appeared first on SOHH.com.
Snoop Dogg has proven time and time again that he can do it all. The 51-year-old has his eyes set on making a cameo on Coronation Street. Coronation Street is a United Kingdom soap opera that has been running since the 1960s. It is the world’s longest-running TV soap opera.
The “Gin & Juice” rapper spoke with The Sun about his love for the show. “Coronation Street, I love it. If they call me, I’ll do it. I’ll play whenever they need,” Snoop said.
He went on to say he enjoys everything about the show.
“I love the cinematography, acting, the storylines, and just the reality.”
One actress on the show would undoubtedly love to have him on board. Elle Mulvaney, who plays Amy Barlow in the soap, tells ITV studios how she feels about a Snoop Dogg cameo. “We really want that like, imagine. Get him in the Barlow’s or the Rovers,” she said.
Snoop has always loved the UK culture and the royal family. While accused of murder in 1993, the Long Beach rapper was banned from touring in the UK. Fortunately, Queen Elizabeth’s grandchildren were big fans of Snoop and allowed him to perform there. She felt that he did nothing wrong in Britain. Snoop Dogg has always remembered this and even offered to perform at King Charles III’s coronation.
A-list celebrities such as Elton John, Adele, Harry Styles, and the Spice Girls have all been asked to perform at the prestigious event. Unfortunately, all artists were busy, so Snoop offered to step in.
The “Nuthin’ But A “G” Thang” rapper has also done a deal with London-based company, Roobet. Roobet is a crypto casino they have partnered with Snoop Dogg for a new game titled, Hotbox.
The post Snoop Dogg Reveals He Wants To Act in UK Soap Opera appeared first on The Source.
The campaign for a local TV anchor and meteorologist just grew by two. After news of Mississippi on-air talent Barbie Bassett might have been fired for using rapper Snoop Dogg’s lyric and signature catchphrase, “For sizzle, my nizzle,” social media was filled with debates. Following a segment discussing the mogul’s new wine venture, Bassett used the slang to close out the segment.
After hearing about the supposed firing through social media, Charlamagne Tha God and Whoopi Goldberg took to their respective platforms to vocalize their support for the fellow TV professional.
During Monday’s The Breakfast Club broadcast, the shock jock posed the question, “She can’t say ‘Fo shizzle, my nizzle?’” After thinking about the line further, he added, “Oh, I guess because it’s a derivative of n****,” before exclaiming, “She might not even know what nizzle means.”
The mogul said, “That’s the thing with hip-hop; hip-hop is so big and mainstream. Who can consume it, and who can’t? Who can repeat slang, and who can’t?”
Charlamagne has been in the hot seat several times for his remarks on-air and online. Pulling from his experience surrounded by controversy, he was sure to close the discussion with, “That’s not a fireable offense.”
Charlamagne Tha God defends the anchor who was fired for quoting Snoop Dogg lyrics on air “Fo Shizzle My Nizzle”pic.twitter.com/l9Nmb8SjhX
— No Jumper (@nojumper) March 28, 2023
Moved by the story, Goldberg, who was recently suspended for making “insensitive remarks” on air, also came to the anchor’s defense. As the headline was discussed amongst The View’s panelists, Goldberg passionately declared, “There has to be a book of stuff that nobody could ever say, ever, ever, ever. Include everything,” she said. “The things that change, ‘You can say this, but you can’t say that, but next week you might not be able to say this,’ it’s hard to keep up. It’s hard to keep up. And if you’re a person of a certain age, there’s stuff we do, and we say.”
Goldberg took it even further, adding, “Just because we’re on television doesn’t mean we know everything. We don’t know everything you’re not supposed to do. And if there is something someone says if you’re not going to give them the opportunity to explain why they said it, at least give them the grace of saying, ‘You know what? I’ve just been informed that I should not of done that,’ as opposed to, ‘You’re out.’”
Although the network has not released a formal statement, Bassett is no longer listed under the news team on its website. In addition, Bassett’s professional biography has also been scrubbed from the website.
Dr. Dre is one of the most prominent artists in hip-hop history. Though he is known for his signature deep voice, he is most known for producing some of hip hop’s most legendary songs. He has been heavily involved in shaping the careers of Snoop Dogg, Eminem, and 50 Cent, producing many of their first hits. We have previously compiled lists of Dr. Dre’s productions, focusing on his most haunting beats and his greatest productions from the Death Row era. This list looks at the entire span of Dr. Dre’s career and the best beats he has produced.
Dre has collaborated with many artists over the years, and some of his work also features co-producers. This list prioritizes those solely produced by Dr. Dre but includes songs that additional producers worked on that deserve mentioning. This list is in chronological order to emphasize the legendary production discography of Dr. Dre over his 30+ year career.
Because “F**k Tha Police” is such an iconic statement in hip hop history, the sequel to the song from N.W.A. ‘s EP 100 Miles and Runnin’ often goes unnoticed. It’s argued the production Is arguably better than the first. The tempo and percussion are mostly the same. However, the bassline and melody breathe new life into the song. The verses sound even more powerful, specifically Dr. Dre’s show-stealing verse that sets the bar very high for the rest of the song.
Before The Chronic and Doggystyle, Dr. Dre reinvented his sound and introduced Snoop Dogg on “Deep Cover.” The track has one of the meanest basslines in hip hop history. The rugged drum break allows Dre and Snoop to showcase their chemistry. It is a classic instrumental that has also been repurposed by the likes of Big Pun and Tyga.
The instrumental for “Let Me Ride” provides the perfect amount of smoothness and funky. Dre’s rap voice still cuts deep but also carries the infectiously catchy chorus. The song samples Parliament’s “Mothership Connection,” “Kissing My Love” by Bill Withers, and James Brown’s “Funky Drummer.” The three classics are among the most sampled songs ever. The squeaky melody and groovy bassline on this song is a prime example of why The Chronic is so significant to hip hop.
The instrumental of Snoop Dogg’s G Funk Intro sounds almost identical to Dr. Dre’s “F**k Wit Dre Day.” It’s a more upbeat instrumental, along with a different melody. That’s what makes “G Funk Intro” among one of Dr. Dre’s best productions. It is quintessential G Funk, which is what made Doggystyle such a classic album.
It is impossible to discuss Dr. Dre’s best beats without mentioning “Gin and Juice.” It is one of the most legendary songs in the history of west coast hip hop. Dr. Dre provides a bouncy yet lowkey sound for Snoop’s rhymes and one of the catchiest hip hop songs of the ’90s. It’s no wonder this is a classic staple in rap, encompassing the genre’s popular Golden Era.
“Tha Shiznit” is one of Snoop’s best lyrical moments on Doggystyle. However, it would arguably not be one of the highlights of Doggystyle without the incredible instrumental. The pulsing bassline, along with the classic flute and organ, allow for Snoop Dogg to freestyle some of his greatest rhymes so casually.
Snoop Dogg’s Dre-produced debut single is arguably as funky as the songs it sampled. “Who Am ?” takes from George Clinton’s “Atomic Dog,” Funkadelic’s “(Not Just) Knee Deep,” and Parliament’s “Give Up the Funk.” Dr. Dre used parts of these songs from Clinton’s extensive catalog to create the ultimate single. Snoop’s introduction as a rap superstar exemplifies Dre’s talent as a producer.
A highlight from Doggystyle, “Gz and Hustlas” is one of Snoop Dogg’s greatest songs. The instrumental is easily one of Dr. Dre’s best. The music box sound perfectly transitions from the “Class Room Intro” to the most complex beat on the entire album. The deep bass, along with the high-pitched synthesizers, are one of the finest moments on Doggystyle.
2Pac’s “California Love” is an anthem for the entire state for a good reason. The classic verses from Dr. Dre, 2Pac, and vocals from Roger Troutman are backed by an instrumental that is quintessentially Dr. Dre. The piano provides the main backing for the song with the additional horns, bass, and Troutman’s use of the talk box. It also has a remix on 2Pac’s All Eyez on Me that has an instrumental equally as good.
Dr. Dre’s production contains a lot of intricacies, whether it comes to instrumentation or a sample. The beat on “The Watcher” is simple yet effective, as it only comprises a few sounds. The space in the beat allows for Dre’s verse to stand out, and the rest of the song comes together with the whispers of the title in the actual beat. The space in the beat on “The Watcher” is similar to 50 Cent’s “If I Can’t,” which Dre produced four years later.
“Still D.R.E.” is such a classic song that it is almost larger than life 24 years after its release. The piano melody is known by hip hop fans of all ages and transcends the late-’90s era. It is also a simple but potent instrumental by Dr. Dre and Mel-Man. “Still D.R.E.” makes for the perfect soundtrack for bouncing lowriders, precisely what the song’s music video is.
Dr. Dre’s hip hop production is consistently mid-tempo, making the “Xxplosive” instrumental so amazing. It is slower yet still funky. The high-pitched guitar sound, complimented by bass and xylophone, makes for a smooth listening experience. It perfectly contrasts the jarringly explicit lyrics from Hittman, Kurupt, Nate Dogg, and Six-Two.
“Forgot About Dre” has a unique bounce that very few Dr. Dre instrumentals had before its release. The beat was shaped around Eminem’s syllable-heavy hook. It allowed for both Dre and Eminem to rap double-time. Not many Dr. Dre beats were known at the time for featuring a double-time tempo. This instrumental likely paved the way for Busta Rhymes’s “Break Ya Neck,” which is even faster and also produced by Dr. Dre.
“The Next Episode” is another one of those songs that is an essential hip hop classic. It is vital for Snoop Dogg and Dr. Dre, as well as west coast hip hop. Dr. Dre’s production of songs like this one encapsulates the period in which it was released but also stands the test of time.
The greatness of 50 Cent’s iconic hit single “In Da Club” is that the instrumental shines equally on the song as 50 does. Though the rapping and the beat shine as co-stars, they do not depend on each other. One is just as great without the other. Each component of the beat is balanced and comes together to make one of the greatest hip hop songs of all time.
The closing track on Dr. Dre’s third album, Compton, co-produced by DJ Silk and Mista Choc, could not be a more fitting send-off. It is the only song on the album where Dr. Dre raps independently, and the beat is just as challenging as it is reflective. It is the ultimate soundtrack for Dr. Dre to look at the success that he has reached while also reminiscing about his beginnings. The song’s end features a two-minute trumpet solo from Dontae Winslow, making the song even more cinematic. Overall, Dr. Dre’s catalog as a producer is hard to beat, and there are so many iconic instrumentals to choose from. Here are the honorable mentions of the best beats that Dr. Dre has produced that did not quite make the list:
Celebrities such as Mase, The Game, Michelle Williams, and many others were looking for a spiritual connection with GOD and pursued a spiritual path to make up for life’s mistakes. Here are 12 celebrities who changed their lives and turned to their Christian faith. Celebrities Who Turned To Christianity Mase The 90s sensation first retired from […]
The post The Game, Mase, Michelle Williams & Other Celebrities Who Found GOD And Turned Their Lives Around appeared first on SOHH.com.
Snoop Dogg just gifted Gillie Da Kid and Wallo two Death Row Records chains, and the former seemed quite excited about it. Moreover, he shared the occasion on social media, recording his jubilant reaction to getting the cosign. “I’m a part of the Row, baby!” he screamed while laughing with his crew. “Oh s**t! I did not know you sent us no f***ing Death Row pieces, man. I love you! I’m on Death Row, b***h! I ain’t even giving Lo his s**t, I’m doubling up. Two Death Row chains!” Furthermore, the two Million Dollaz Worth Of Game cohosts likely appreciate the gesture a lot.
Also, hopefully it makes them feel a bit better about the recent backlash they received on social media. Such criticism came after they had J. Prince on the podcast, who went on to instigate beef with Offset over Takeoff’s death.”This Offset dude,” the Rap-A-Lot Records mogul began, insinuating that ‘Set and Take fell out before. “I ain’t gon’ leave him out because I’m real like this, you now? N***as be throwin’ rocks and hidin’ their hand.
“I don’t like them type of individuals,” he continued. “And the truth of the matter is, one can dance and different things in front of different cameras and all kinds of shit… In reality, the truth of the matter is you wasn’t really right there with Takeoff when he was alive, you know what I mean? So for you to be taking these positions that you’ve taken—and I’ve got people everywhere, so I hear all kinds of things—I’mma just say this to you. Don’t ever put me in no position where I have to defend myself. That wouldn’t be healthy for you. I have to say that.”
Despite that controversy, their show is still going strong, with their most recent guests being Jermaine Dupri and Curren$y as of writing this article. Also, given that Snoop’s appeared on the show often, it’s great to see that connection remain despite it being a while since his last appearance. Still, maybe this mega another conversation is due soon on the popular podcast. Regardless, stick around on HNHH for the latest on Snoop Dogg, Gillie Da Kid, and Wallo.
Suge Knight, The D.O.C., Dr. Dre, and Dick Griffey founded the hip-hop record label, Death Row Records. The label became massively successful in the ’90s with the release of classic albums like Dr. Dre’s The Chronic, Snoop Dogg’s Doggystyle and The Doggfather, and two albums from the late Tupac Shakur’s discography. Reports estimate that Death Row was making about $100 million a year at the peak of its success. The label was instrumental in the commercial success of gangsta rap and its eventual recognition by mainstream media.
Cracks on the massive music empire began to show when the then CEO, Suge Knight, was sentenced to nine years in prison for probation violations. This was the beginning of Suge’s tumultuous relationship with law enforcement. He was arrested for alleged acts of violence and affiliations with gang members on more than one occasion. Suge’s troubles were compounded when Tupac, who had released his triple-platinum album, All Eyez on Me, was fatally shot and killed after an alleged retaliatory attack in Las Vegas. Suge was also in the vehicle during the shooting and sustained non-threatening injuries. Dr. Dre left the label shortly before Tupac’s death, and Snoop Dogg exited two years later.
Suge filed for bankruptcy in 2006, officially marking the end of the West Coast label. Death Row Records was auctioned in a bankruptcy court in 2008. WIDEawake Entertainment eventually bought the catalog. It would change hands a few times, and former artist, Snoop Dogg, purchased the label in 2022 with aspirations of reviving it. Artists who had been signed to the label include:
Late rapper Tupac joined Death Row Records in a three-album deal after Suge Knight posted his $1.4 million bond and secured his freedom. Suge also gave Pac’s mother $15,000 to help her with house payments when the rapper was in prison. Death Row released All Eyez on Me from the deal, hip hop’s second double album, (Master P’s Down South Hustlers – Bouncin & Swingin was the first). This technically meant that Pac had submitted two of the three albums he had committed to at Death Row.
The album was released in February 1996 and by April of that year, had been certified 5x platinum by the RIAA. The album was later certified diamond (10 million records sold) in 2014. All Eyez on Me won R&B/Soul or Rap Album of the Year at the 1997 Soul Train Music Awards and Favorite Rap/Hip-Hop Artist at the American Music Awards the same year.
In 1996, Tupac was shot and killed in Las Vegas. Reports have further suggested that the drive-by shooting was retaliatory and premeditated. He had, however, finished recording the recording of his third album at Death Row. The Don Killuminati: The 7 Day Theory, popularly shorted to Makaveli, was Pac’s first posthumous album and the last released with his creative input. The album was further certified 4x platinum in 1999 after its debut in August 1996.
There have been five other solo posthumous albums from the Tupac estate and one collaborative album with his rap group, Outlawz. Themes in Pac’s music primarily revolved around social injustices in African American communities. His discography has also influenced other hip-hop artists like Nas and T.I. Pac has sold 75 million records worldwide.
Andre “Dr. Dre” Young has continuously been touted as the most significant hip-hop producer ever. Many people forget that he is also a rapper. Dr. Dre left Ruthless Records with The D.O.C. and joined Suge Knight to establish Death Row Records. He released the cultural juggernaut album, The Chronic, in 1992. The project gave us classic singles like “Fuck Wit Dre Day,” “Let Me Ride,” and “Nuthin’ but a ‘G’ Thang.”
The Chronic peaked at number three on the Billboard album chart. It also went on to receive a 3x platinum certification from the RIAA. Dr. Dre had left Death Row Records just before the murder of Tupac and went on to establish Aftermath Records. All his solo pursuits have been released under Aftermath ever since. The doctor has three solo albums, two soundtrack albums, and six collaborative albums—two with World Class Wreckin’ Cru and four with N.W.A.
Daz Dillinger, or Daz, is a rapper and producer who signed with Death Row Records at 19. He is one half of the rap group, The Dogg Pound, together with label-mate Kurupt. Daz made production contributions to The Chronic and was featured in Doggystyle. The Dogg Pound would later release their debut, Dog Food, which received positive reviews and achieved platinum status.
Tupac’s murder led to the exodus of most artists from Death Row. The label released Daz’s debut solo album, Retaliation, Revenge and Get Back, years after he left the label. Retaliation, Revenge and Get Back peaked at No. 2 on the Billboard Top R&B/Hip-Hop Albums chart and No. 8 on the 200 Albums chart. Dillinger has gone on to carve out a successful rapper/producer career. He released the A.T.L.A. project with Big Gripp in 2020. Daz also has a Grammy nomination with Kurupt for Best Rap Performance by a Duo or Group for the song “What Would You Do.”
Kurupt, real name Ricardo Emmanuel Brown, would begin a third stint at Death Row Records after it was purchased by longtime friend Snoop Dogg in 2022. Kurupt first joined the label in 1992 when he was 19 years old. He left the label after the murder of Tupac, like many others. He released the Dog Food album as a part of the rap group, The Dogg Pound, with Daz Dillinger. This was under his first commitment with Death Row. Kurupt returned to the label in 2002, briefly becoming the vice president. He would release his oft-delayed Against The Grain album and leave the label again in 2005. Kurupt re-signed with Death Row Records in 2022 as part of Snoop’s plan to revamp the label.
The D.O.C., born Tracy Lynn Curry, was regarded as the “master of the pen” during the rise and reign of gangsta rap in the ’90s. He was initially at Ruthless Records before departing to join the newly formed Death Row with Dr. Dre. The D.O.C. is credited to have co-written Eazy E’s classic album Eazy-Duz-It and Dr. Dre’s The Chronic. His debut album, No One Can Do It Better, was released in 1989. The album was a critical and commercial success. It spawned two number-one records and went on to achieve platinum status in 1994.
The D.O.C. was also involved in a serious car crash just months after the release of his debut. He has confessed in interviews that he was under the influence of alcohol and marijuana. The accident left him with serious facial injuries that required plastic surgery. It also permanently changed his voice. He continued to work at Death Row Records as a ghostwriter contributing to Dr. Dre’s and Snoop Dogg’s albums. He would later leave Death Row after a short feud over payments with Dr. Dre. The D.O.C. founded his own label, Silverback Records, in 1997.
Robin Yvette Allen, The Lady of Rage, is known for her feature contributions in Snopp Dogg’s Doggystyle and Dr. Dre’s The Chronic albums. Dr. Dre is credited for discovering the talented MC after hearing the vocals she recorded for the L.A. Posse’s album, They Come in All Colors, released in 1991. She released her solo debut, Necessary Roughness, in 1997 after several pushbacks. The record served as her only album on the label. Necessary Roughness peaked at No. 7 on the Billboard R&B Album chart and 32 on the Billboard 200 Albums chart. She would sign with Boss Lady Entertainment in 2007.
Sam signed with Death Row Records in 1993, releasing one single, Dr. Dre assisted “U Better Recognize.” He is also a producer. Sam co-produced the singles “Keep Their Heads Ringin” and “Natural Born Killaz” with Dr. Dre. Sneed’s brain tumor diagnosis in 1999 effectively halted his career. He, however, recovered and has had production credits on songs for G-Unit, Jay-Z, and Scarface.
Snoop, or Uncle Snoop, as he is also known these days, is officially the new owner of Death Row Records. Snoop’s history with the label started in 1992. He appeared on The Chronic and his performance fueled the anticipation for his debut, Doggystyle, which was released in 1993. The album shot up the charts to occupy the No. 1 spot with over 800,000 copies sold in the first week. The debut project has also been certified 11x platinum by the RIAA for 11 million copies sold worldwide.
Snoop first left Death Row Records amidst the murder of friend and label-mate Tupac, and the alleged involvement of the then CEO, Suge Knight. The “Drop It Like Its Hot” rapper has repeatedly criticized Suge for the untimely death of Tupac. Snoop now has ownership and executive control of the label after purchasing it from MNRK Music Group.
It may not be any fun if the homies can’t have none, but one Mississippi news anchor learned the hard way that sometimes it’s for your good to avoid temptation. WLBT journalist and meteorologist Barbie Bassett’s on-air use of rapper Snoop Dogg’s lyric and signature slang catchphrase was the reason why she might be out of a job.
During a broadcast, as Bassett and her co-anchors discussed the entrepreneur’s latest collaboration with the wine company, 19 Crimes, she closed with a line that the musician popularized in the early 2000s, “Fo shizzle, my nizzle.”
Mississippi news anchor Barbie Basset fired for saying “Fo Shizzle My Nizzle” live on air when discussing Snoop Dog new wine collection. She has been a news anchor at the company for over 20 years.
pic.twitter.com/zWBAOlvHyk— Daily Loud (@DailyLoud) March 25, 2023
On the surface, the phrase that has appeared in several of Snoop’s songs as a throwaway lyric, may seem innocent enough. However, when translated from AAVE (African-American Vernacular English), it means, “for sure, my n****.”
Although the network has not released a formal statement, Bassett is no longer listed under the news team on its website. Bassett’s professional biography has also been scrubbed from the website.
When the clip went viral on social media, people called for Bassett to be rehired as it was a simple mistake. However, in another clip Bassett used the term “Grandmammy” to refer to her coworker of color’s grandmother. “Mammy” is a negative stereotype of Black women seen in earlier films where Black women were domestic servants to white families. Users now feel that Bassett’s use of the term “nizzle” was intentional.
To be clear, Basset did apologize for using the term “grandmammy.” But she hasn’t issued one for using the term “nizzle.” This isn’t the first time an anchor used Snoop Dogg’s lyrics on air.
As King Charles III’s long-awaited coronation quickly approaches, Snoop Dogg is throwing his hat in the ring to perform at the royal ceremony. The gig was previously offered to names like Elton John, Adele, and Harry Styles, though none of them were particularly eager to take on the responsibility. Seeing as the late Queen Elizabeth allowed the rapper to stay in the UK back in the ’90s as haters made an attempt to ban him, however, the Doggfather would be happy to pay his respects to the monarchy and its new leader.
“When they tried to kick me out of England, the Queen made a comment that her grandbabies loved Snoop Doggy Dogg, and he had done no wrong in Britain,” the Death Row Records owner recalled in a 2015 interview. “Those grandbabies grew up to be Prince William and Harry, so I had influence on them, and they had influence on their grandmother, which enabled me to get into this beautiful country. They love my music, and it is what it is.” In a more recent chat with The Sun, he confirmed, “I’m down to perform at the coronation. Make it happen.”
Nothing has been confirmed as of now, but seeing as the Palace appears to be having a tough time booking its headliner, Snoop Dogg may become their only option, which would certainly be a show to remember. Elsewhere in the news, the “Gin N Juice” hitmaker is shutting down rumours of any beef between him and Chris Rock following the comedian’s Selective Outrage Netflix special. The stand-up show has markedly earned him backlash for his comments on Meghan Markle and Jada Pinkett-Smith, and it seems some were also upset by his comments about the recording artist too.
While poking fun at Snoop, Rock compared his friend to Morgan Freeman, who’s appeared in ads for products like Mountain Dew and the Professional Golf Association. As of late, the California native has also been heavily in his bag, lending his personality to various campaigns, which the Madasgcar couldn’t help but joke about earlier this month. While chatting with MailOnline, the 51-year-old confirmed that he didn’t take the comments to heart.
“Chris Rock is my friend,” Snoop Dogg explained. “He was basically saying how did I go from being America’s Most Wanted, to America’s most loveable? It’s all about transformation, growth, development and being willing to accept change.” The industry icon went on to confirm that he “says no” to a lot of opportunities that come his way. “If I feel like your family and I believe what you believe in there’s no problem. You stand behind your brand, but there are some things in life that don’t mix with me and I can’t promote everything, so sometimes I do have to say no,” he shared. Do you want to see the Doggystyle hitmaker perform at the coronation in May? Let us know in the comments, and check back later for more pop culture news.
Snoop Dogg is once again proclaiming his love for a UK television soap opera, Coronation Street, after speaking to The Sun. The rapper loves it so much that he wants to be on the series — and has been trying for a while.
“Coronation Street, I love it,” he said. “If they call me I’ll do it. I’ll play whenever they need. I love the cinematography, acting, the storylines and just the reality.
“I’d like to be a part of it because they’ve been a part of my culture,” Snoop added.
Back in 2010, he also revealed to BBC that he was trying — but is still waiting for a cameo over a decade later.
“I had my agent reach out to them to see if they could try to get me on and they said they were interested so hopefully it might happen,” Snoop said (via the BBC). “It would be perfect for me to be on the show.”
Speaking of coronations, Snoop also said that he’d be around to perform at King Charles’ ceremony in May, after a number of major artists have reportedly passed. “I’m down to perform at the coronation. Make it happen.”
His reasoning includes the fact that the late Queen Elizabeth accepted him back in the mid-90s. “When they tried to kick me out of England, the Queen made a comment that her grandbabies loved Snoop Doggy Dogg, and he had done no wrong in Britain, so she gave me permission to be here,” he added.
