Lizzo Didn’t Think ‘About Damn Time’ Would Be A Good Lead Single At First

About Damn Time” could end up being the biggest song of Lizzo’s career. Currently, it’s at least in the conversation, as it recently became her second No. 1 single (after “Truth Hurts”) and it now has two weeks on top (to the seven of “Truth Hurts”). Whatever the case, what can be confirmed is that it was clearly an excellent choice for lead single from Lizzo’s album Special. There was a time, though, when Lizzo didn’t think that would be the case.

Lizzo is the guest on today’s new episode of Hot Ones and at 8:52 into the video, Sean Evans asks how Lizzo chooses her lead singles. Lizzo responded with the “About Damn Time” backstory, saying:

“‘About Damn Time’ was the last song I wrote for the album. I was turning in my masters in March. I wrote ‘About Damn Time’ in February, and I was like, ‘This one? [I don’t know] about this one.’ ‘Cause the hook wasn’t done, the verses wasn’t, ‘In a minute, I’ma need a….’ It wasn’t there yet. So I was like, ‘Uh-uh’ [shakes head].

And when I finished it, I was like, ‘Oh f*ck, this song needs to come out right motherf*ckin’ now. ‘I been so down and under pressure? I’m way too fine to be this stressed?’ It’s like, hello, we needed that right then when I dropped that motherf*cker. She I’m so bad at picking singles for myself because I think everything I do is incredible. I really do.”

Elsewhere in the episode, Lizzo talks about the Minneapolis music scene, her best older rap song, and more, so check it out above.

Lizzo is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

Lizzo Was Moved To Tears Watching A Young Fan Dance To ‘About Damn Time’ In A Viral Video

A young Lizzo fan got some viral attention recently, as a video shared by her mother of her dancing to “About Damn Time” has racked up over 360,000 views on TikTok, with a second featuring more dancing attracting over 420,000 plays. The moves even caught the attention of Lizzo herself, who was moved to tears by them.

Lizzo stitched that first video on TikTok, showing herself smiling and covering her mouth as she’s seemingly on the verge of getting emotional.

In a follow-up video, Lizzo has tears coming from her eyes as she explains, “I’m like… still processing that feeling of, like… you never think when you’re making music, you have an effect on people or you have an impact on people’s lives, and… it’s like, this is literally why I do it. I’m so grateful that people take my music and do good things with it. It makes them move, it makes them dance, it makes them happy, it makes them feel confidence in themselves. I don’t care about all the other sh*t. The numbers: I don’t give a sh*t. That video is my Grammy right there. That is my award and I’m so grateful.”

@lizzo

#duet with @dcromwelldc50 im crying cus this is EXACTLY why i do what I do 😭😭😭😭 i love you! Keep that confidence and beauty— no one can stop you!

♬ About Damn Time – Lizzo

@lizzo

#stitch with @lizzo I LOVE YALL

♬ About Damn Time – Lizzo

After Lizzo’s reaction, the girl’s mother shared a video of her and her daughter thanking fans for the support. The mom also noted how emotional the video made Lizzo and asked her daughter why she thinks that happened. The mom explained, “Because all she wants to do is be an inspiration to little girls like you. Right? And we love watching her videos, right?”

Check out all of the heartwarming clips above.

Lizzo is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

Beyoncé Appears To Be Updating ‘Renaissance’ To Remove The Contested Kelis Sample On ‘Energy’

Life comes at you fast. And Kelis might be getting what she wanted.

Last week, when Beyoncé’s Renaissance came out and immediately became the most talked-about album in the world, Kelis made it abundantly clear that she did not grant permission for samples — albeit very brief ones — from her songs to be used in Beyoncé’s “Energy.” Kelis’s anger was directed mostly at Pharrell and Chad Hugo, who as The Neptunes, wrote and produced the two Kelis songs in question, “Milkshake,” and “Get Along With You,” and hence, owned the publishing rights holders who could clear the use of those samples for “Energy” (which they also co-wrote.)

“My mind is blown too because the level of disrespect and utter ignorance of all 3 parties involved is astounding,” Kelis said on Instagram, later adding in a video that, “Chad really is like an amoeba, he’s spineless. It’s a miracle he can keep his neck up, but Pharrell knows better. This is a direct hit at me, he does this stuff all the time. It’s very petty — very, very, very — and the reality is that it’s frustrating.”

Well, the issue looks to be coming to a head, as the Kelis samples seem to be getting slowly removed from “Energy” across streaming platforms from “Energy.” At press time, the end of “Energy” on Tidal was playing just Kelis’ isolated sample. Spotify was having intermittent loading issues both Beyoncé’s Renaissance tracks, as well as Kelis’ discography. Users online are claiming that Kelis’ writing credits are missing, although only Pharrell and Hugo would have had their included to begin with.

This story is being updated

Lollapalooza Is A Big City Music Festival Done Right

After effectively riling up the audience with nostalgic hits, Green Day‘s Billie Joe Armstrong took a moment during the band’s headlining Lollapalooza set to reflect on how much the festival has meant to him over the years. To a sea of tens of thousands of screaming fans spanning generations, Armstrong said attending an early iteration of the then-traveling festival gave small-town kids like him a chance to see all their favorite bands in one place. It affirmed his decision to start Green Day, who got their first chance to play the festival only a few years later in 1994.

Lollapalooza has changed a lot since its early, traveling days. Now a massive event that beckons nearly 400,000 people through its gates every year, Lollapalooza has found a permanent home in Chicago’s downtown Grant Park. With a 360-degree view of the dazzling city skyline, eight stages with minimal sound bleed, and thoughtful amenities, Lollapalooza is an example of a big city festival done right.

Lollapalooza’s lineup has also evolved a lot since the ’90s, but this year’s bill paid tribute to its early days by inviting bands like Metallica and Green Day to headline. Billy Corgan, who headlined with the Smashing Pumpkins in 1994, even made a guest appearance on stage with festival founder Perry Ferrell’s band Porno For Pyros. But the four-day event’s eclectic bill had something for everyone to enjoy. One stage was dedicated to EDM fans raging all day long to artists like Kaskade and Rezz. Hip-hop heads found a home at the festival too, getting a chance to see J. Cole, Big Sean, BLXST, and Lil Durk. Pop artists big and small like Dua Lipa, Charli XCX, and The Regrettes, took the stage and K-pop icons like Tomorrow x Together and BTS’ J-Hope were greeted by thousands of screaming fans. Even the kiddos weren’t left out at Lollapalooza, with a stage dedicated solely to interactive sets for children and parents to find respite from the massive crowds.

The giant crowds are definitely something Lollapalooza has earned a bit of a reputation for, though huge signs reading “fence jumpers will be prosecuted” may have deterred anyone thinking of sneaking in without a wristband. Due to Lollapalooza’s sheer size, the festival effectively takes over the entire city of Chicago each year. It’s located on a one-mile stretch in Chicago’s downtown Grant Park, but the festival manages to set the whole city in motion. Public transportation is jam-packed with excitable festivalgoers sometimes ignorant of the disruption they cause to the average commuter. Main streets like Michigan Ave are shut down and cars get re-routed to account for the hundreds of thousands of people flocking to the park. While Lollapalooza brings many out-of-towners, many who actually live in Chicago are used to avoiding the weekend like the plague. Even those who forget about it are subject to its aftermath, left to wonder things like: “Why are the trains so delayed?” and “Why does everyone downtown look like they were downloaded directly from the Shein website?”

And while the yearly festival may cause a headache for those not in attendance, it’s more than clear why Lollapalooza is one of the most-talked-about music festivals in the country. For one, every performer continually brings their A-game. Dua Lipa put her refined dance moves on full display and Charli XCX transformed an entire field of people into a euphoric, daytime club. It also wasn’t uncommon for artists to surprise guests on stage. During his Saturday set, Big Sean brought out his very pregnant partner Jhené Aiko for a few songs. The two shared some very tender moments on stage, like when Sean lovingly kissed Aiko’s belly before leaning in for an intimate embrace. But that wasn’t the only surprise appearance: J-Cole invited Bas and J.I.D to the stage during his headlining performance, Still Woozy was joined by Remi Wolf to sing their collab, and Sunday closer J-Hope had Becky G make a surprise appearance during his penultimate song.

Speaking of J-Hope, the BTS member’s performance was history in the making. Not only was the K-pop star’s set reportedly the highest ticket selling event in Lollapalooza’s history, but it also marked the first time a South Korean solo artist has headlined a US festival. The momentous occasion was more than tangible, as the entire festival was seemingly flooded by the BTS fandom. From the grounds, J-Hope’s performance would at times be washed out by the ear-piercing screams of the crowd.

Along with bigger artists going all-out, Lollapalooza also offered a space for up-and-coming musicians to shine. Gen Z favorite PinkPantheress managed to start a mosh pit when performing the short-but-sweet hit “Just For Me.” Newcomer GAYLE, who has gained a notable following thanks to an uber-viral TikTok song “Abcdefu,” showed off her rock-star status on stage. She had the crowd on their feet before ripping through an electrifying cover of Joan Jett & The Blackhearts’ “Bad Reputation.” Indie pop trio MUNA also fired off a fun cover during their set, getting the entire audience to shout along to a rendition of The Killers’ “Mr. Brightside.” Meanwhile, pop singer Fletcher played a main stage set for her first time ever and took the opportunity to lead the crowd through a cover of Billie Eilish’s popular song “Happier Than Ever.”

Most of Lollapalooza’s four days were accompanied by awe-inspiring sets and appreciative artists. But like any festival of its ilk, there were a few drawbacks. For one, many of the on-site amenities felt like corporate cash grabs in disguise; an intriguing art installation tent turned out to be an NFT gallery that implored you to sign up for an NFT minting service. Another installation designed to look like a haunted house ended up being a scheme to get your email address in exchange for a free can of water. Thankfully though, none of the drawbacks had anything to do with safety measures, other than an unforeseeable accident Lil Durk had involving pyrotechnics during his set. Efficient water stations were conveniently located near every stage and EMT volunteers were constantly on the lookout for anyone in need of help. After one attendee fainted just a few feet away, two medical professionals were on-site within seconds, handing them water and carrying them safely out of the crowd.

Overall, Lollapalooza 2022 lived up to its reputation in nearly every way. Yes, there were massive crowds and lots of rowdy teenagers, but there were also outstanding performances accompanied by breathtaking city skyline views. And after four days of music, dancing, and meeting new friends, I was left with a sense of gratitude for the festival, a camera full of unforgettable memories, and very sore feet.

Some of the artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Anitta Shares A Preview Of A New Missy Elliott Collaboration, ‘Lobby’

Anitta’s big 2022 is far from over. The Brazilian pop star who wowed at Coachella with Snoop Dogg and Saweetie joining her on stage, has stayed firmly on the radar following the April release of her album Versions Of Me. She was recently named one of PETA’s two “Most Beautiful Vegan Celebrities Of 2022,” and appeared on “No Mas” by her boyfriend Murda Beatz along with J Balvin, Quavo, and Pharrell. Pretty soon, you’ll be able to add Missy Elliott to that growing list of Anitta’s collaborators when their new track, “Lobby” comes out on the upcoming deluxe edition of Versions Of Me.

“Versions Of Me Deluxe coming soon,” Anitta tweeted this past weekend. This was just the first teaser from the “Envolver” singer.

The trilingual Anitta put out a short PSA type clip, saying she has three music videos on deck from the deluxe album. In Portuguese, Spanish, and Portuguese, she explained that she’ll be dropping one each week until the extended album drop.

Then, after posting a photo with Missy Elliott to her Instagram Stories saying, “I honestly can’t believe what’s happening right now,” she let Missy do the rest of the talking for her. “Anitta one of the sweetest artist & had me laughing so hard yesterday,” Missy said in a tweet along with the photo. “You a Star! And I am truly GRATEFUL to you & your Team you all treated me with so much LOVE & KINDNESS. Let’s go #Lobby”

Along with “Lobby,” Anitta also confirmed a song called “El Que Espera” featuring Colombian singer Maluma. But she shared a clip of “Lobby” on her TikTok saying “Lobby featuring Missy Elliot is coming, are you ready?”:

@anitta

Lobby feat @Missy Elliott is coming, are you ready?

♬ Lobby feat Missy Elliot – Anitta