Adam22 is furious with Joe Budden and thinks that No Jumper, VladTV, and DJ Akademiks are the three biggest hip-hop outlets. In a video on No Jumper’s social media pages, he compared the views for both his pages and Budden’s.
Adam began by claiming that someone sent him a clip of Budden remarking that No Jumper is in bad shape. “Let’s do the science,” he responded. “Joe Budden’s channel has gotten 12 million views in the past month. No Jumper’s main channel plus our clips channel has done about 26 or 27 million views for the past month. So, we are two times, by far, what you have going on. And on top of that, we kill it on Facebook. We kill it on Snapchat. We have 3 million followers on Instagram and we make a huge amount of money on there.”
LONG BEACH, CALIFORNIA – OCTOBER 30: Adam22 (L) and Drake speak during Drake’s Till Death Do Us Part rap battle on October 30, 2021 in Long Beach, California. (Photo by Amy Sussman/Getty Images)
From there, Adam added: “Joe Budden, I don’t wanna hear sh*t. You’re running a chop shop. You might have the whole hip-hop media gassed into thinking that you’re really killing it like that but trust me, when you wanna talk about who’s really doing business out here, it’s not you. There’s a big three and you’re not in it. It’s me, Vlad, and that fat motherf*cker you were sitting with.” Despite posting it on No Jumper, many of the fans in the comments section disagreed with Adam. “No jumper had potential to be the top but y’all cover more LA gang bangin and p**n than hiphop,” one top comment reads. Another argued: “It’s Akademiks, Say Cheese & The shade room Tbh.”
Sukihana is no stranger to backlash and criticism. Moreover, this happens in the fast-paced world of social media. Every post has the potential to go viral and every comment can spark controversy. Furthermore, clashes between public figures are not uncommon. Recently, a heated exchange between rapper Sukihana and RHOA TV star Peter Thomas has captured the attention of fans and media outlets alike. It all began when Peter Thomas took to Instagram to share a reposted video of Sukihana. In the video, she was engaging in a provocative dance with a man who has one leg. In his caption, Thomas didn’t hold back. He expressed his disgust and questioning the societal implications of such content.
“Like I said, let’s just bring in the one-legged man to show how disgusting we are, we all going to hell for shit like this,” he wrote. “I wonder what that little girl looking at this video is gonna think?” Thomas’s commentary immediately sparked a reaction from Sukihana. Moreover, she wasted no time in firing back. In a response posted on her own social media channels, Sukihana addressed Thomas directly. Moreover, she expressed confusion as to why he had chosen to involve her in his critique. “I’m not sure why this man decided to put my name in his mouth,” she wrote. “But they should have told you a little bit more about me because I will get on your old a**.”
The exchange between Sukihana and Thomas highlights a broader conversation about the role of social media in shaping public discourse. Sukihana is known for her bold and unapologetic persona. Moreover, she represents a new generation of artists who have leveraged social media platforms to build their brands and connect with fans directly. In contrast, Thomas, a veteran of reality television, comes from an era where fame was often more closely tied to traditional media outlets and celebrity endorsements. Furthermore, Thomas’s criticism of Sukihana’s video may have been rooted in genuine concern for societal values and the welfare of young viewers. However, Sukihana’s response highlights her commitment to defending her artistic vision and free will as an artist.
As the drama between Sukihana and Thomas continues to unfold, it serves as a reminder of the power dynamics at play in the digital age. Social media platforms have become battlegrounds for public opinion. And where the lines between entertainment, activism, and personal expression are increasingly blurred. What are your thoughts? Stay tuned to HNHH for more stories.
As far back as the 90s up until as recently as the 2020s, Illuminati conspiracies in the music industry ran amok. Specifically, it was said that several prominent musicians were signed to a secret society. It was also believed by many around the world that this society greatly controlled the entertainment industry at large. Therefore, in order to achieve great levels of fame, one would have to strike a deal with the powers that be.
Today, much of that hype has died down. Although there are still rumors here and there, peak seasons for Illuminati conspiracies are long gone. Many artists have been alleged to be a part of the Illuminati, but nothing has ever been confirmed. Even some big names have come out to refute the claims that they signed away their lives. However, the majority of the artists accused of earning a membership hardly ever responded. Nonetheless, the rumors still lurk and surface now and then. These days though, it’s become more a joke than anything else.
HOV is no stranger to Illuminati conspiracy theories, and was one of the names most linked to the bizarre hype of the 2000s. While his raps were mostly braggadocious and filled with wordplay, his use of imagery in his music videos was the cause of the allegations. Not only that, he was hailed as one of the forerunners of the movement and the Roc hand symbol was subject to plenty of rumors of his association to the secret society. The music video for “On To The Next One” was laced with imagery that sparked a heap of controversy. Jay-Z has never been one to give into public criticism though, so he paid the absurd claims dust.
Kanye West
Long before his polarizing statements and actions, Ye was at the center of controversy for alleged ties to the Illuminati. Always known to speak his mind, in 2010 he went on Twitter to not only debunk the claims, but laugh at them. Moreover, when questioned by MTV News about claiming he sold his soul to the devil on “Runaway,” he clarified his stance. “There’s this line where I say, ‘I sold my soul to the devil, that’s a crappy deal,’ and all these people said, ‘What you mean you sold your soul to the devil?’ But when I say it, I’m saying, when I allow other people’s ideals to interfere with what I know is true to myself, that’s the devil,” he said.
Beyoncé remains one of the most prominent figures to be tied to the Illuminati. While she always brushed off these claims, she did address them once on the track, “Formation.” Moreover, and in true Bey style, she never brought it up again. The opening line of the song famously went: “y’all haters corny with that Illuminati mess.” As aforementioned, most people aren’t taking these claims seriously anymore, and Beyoncé continues to humorously poke fun at the haters who have famously refused to acknowledge her success as a result of dedication, commitment to her artistry, and a lot of hard work.
Ludcaris’ Illuminati allegations didn’t really receive much attention back in the day. However, following Katt Williams’ jaw-dropping session on Club Shay Shay, things took a bit of a turn. Williams claimed that he and Luda were invited to Illuminati events at some point in time. He alleged that Luda’s successful film career is a result of his allegiance to the secret society. Evidently, Ludacris didn’t take the allegations lightly.
In a freestyle video, the rapper made it known why he remains a rap legend despite his pivot into film. He rapped over a beat in a studio, and while he mentioned no names, it was pretty clear who he was referencing. “Never been Illuminati, only Ill-Luda-nati,” he rapped. “And I only left with b—–s when coming from any party / Now I’m married with kids, the evolution of life / Never been a clout chaser, never say s–t for likes / RIP John Singleton, you never have to flex when you earned every one of your Fast and Furious checks / Afro with the sideburns, yeah that’s my signature / Addiction’s on the rise, comedians check your temperature.”
Rihanna’s famously infamous Good Girl Gone Bad era brought in a slew of Illuminati allegations. Ditching her summery, girl-next-door aesthetic for a dark and edgy look brought a great amount of success for Rih. In the same vein, it also welcomed whispers about her membership into the secret society. Particularly, onlookers believed that the music video for her smash hit “Umbrella” served as an initiation. However, Rihanna’s never been bothered with these rumors, and is still living her best life to this day.
He may not be at the forefront of the music scene anymore, but Soulja Boy’s impact is still felt today. His relevancy continues to grow, which has led some to wonder why he’s still swimming in success. In April 2023, the rapper and mogul finally addressed the claims while on an Instagram Live session. Soulja Boy not only refuted the claims, but awarded all his success to God.
“When I first got in the rap game, a lot of people like, ‘Soulja Boy [is in the] Illuminati,” he began. “Soulja Boy joined the Illuminati, that’s how he got his money, that’s how he got famous, that’s how he got rich. But guess what? All I ever did was pray to God, and stayed in the studio and stayed down until I made it, until I got on.”
Lil Nas X is one of the newer crop of artists that have been tied to the Illuminati by the public. However, the happy-go-lucky artist has poked fun at the claims on numerous occasions. With satanic symbolism, targeted jokes about the religious, and claiming he would quit the Illuminati if he didn’t win a Grammy, it seems he doesn’t mind igniting a few flames. Nonetheless, his musical breakthrough came at a time when Illuminati claims were met with mostly shrugs from the general public. Therefore, his imagery and commentary are more often than not, linked to his personality.
Future and Metro Boomin are still reeling the success of their project We Don’t Trust You, and one song in particular is continuing to make history. The Kendrick Lamar-assisted track “Like That,” earned a number one spot on the Billboard Hot 100 once again. This week marks week three on the chart. Not only have fans been loving the project, but Future and Metro returned with a brand new follow up project just last Friday. “Like That” immediately made waves in the music and hip-hop community. The track’s continued success is further highlighted by its impressive streaming numbers. With 40 million streams in the past week alone, “Like That” maintains its record as the most streamed song in the country. This achievement marks a significant milestone, as it becomes the first song in recent memory to surpass 40 million streams within its first three weeks of release.
Moreover, the song garnered significant attention and stirred headlines with Lamar’s verse on the track. Furthermore, he notably dissed both J. Cole and Drake. This one lyric sparked a handful of reactions and beefs across the hip-hop community. In fact, a lot has transpired over the weekend including an alleged leaked Drake diss response. Rick Ross, who was dissed on the alleged Drake track, took a swift response to it and claimed Drake got a nose job, for example.
Future and Metro’s “Like That” Spends Third Consecutive Week On Charts
ATLANTA, GA – JANUARY 14: (EDITOR NOTE: A lens filter was used in this image.)Future and Metro Boomin perform during Future & Friends “One Big Party Tour” at State Farm Arena on January 14, 2023 in Atlanta, Georgia.(photo by Prince Williams/Wireimage)
However, the success of “Like That” goes beyond mere numbers and statistics. At its core, the song serves as a platform for artists to express themselves. Moreover, the impact of “Like That” extends beyond its own merits. It has been sparking discussions across the board. Moreover, J. Cole’s latest offering, “7 Minute Drill,” debuted at an impressive No. 6 on the Hot 100 charts. This was a direct response to Lamar’s apparent disses directed at himself and Drake in “Like That.” He apologized for it, however.
Moreover, it’s clear to see that there’s a lot going on in the rap community right now. As “Like That” continues to dominate the charts, it serves as a testament to the power of collaboration and creativity in the music industry. In the weeks to come, it remains to be seen if “Like That” will maintain its spot on the Billboard Hot 100. For now, fans are awaiting responses from hip-hop heavywaits to see if the beef can be settled or not. Regardless of its future trajectory, one thing remains certain: Future, Metro Boomin, and Kendrick Lamar’s “Like That” has made it’s mark.
Tyler, The Creator addressed his appearance on Jerrod Carmichael’s new reality series during his performance at Coachella over the weekend. In the episode, the comedian revealed that he had romantic feelings for Tyler, but that he rejected him. On stage at the iconic festival, Tyler addressed the incident and described it as “terrible.”
“Probably seen my homie tried to f**k me on camera, it was terrible,” he remarked. “I told the n***a ‘no’ and he said, ‘But what about if we filmed it?’ Terrible!” During the premiere of The Jerrod Carmichael Reality Show, Carmichael revealed that Tyler previously called him a “stupid b*tch” when he first revealed his feelings. Despite that rejection, Carmichael invited Tyler on the show to discuss the matter at length.
US Rapper Tyler Gregory Okonma, aka ‘Tyler, the Creator’ performs on stage during the Coachella Valley Music and Arts Festival at the Empire Polo Club in Indio, California, on April 13, 2024. (Photo by VALERIE MACON / AFP) (Photo by VALERIE MACON/AFP via Getty Images)
Sitting down with Tyler, Carmichael said: “It’s because I told you I had feelings for you, and we didn’t talk about it, ever. That was, like, weird. I don’t know if it was just too awkward to talk about or just too… I don’t know. I feel like you left me hanging out there a little bit.” Tyler responded: “I did,” while laughing. “Yeah. I did. And I think I just, like, brushed it off. Getting news like that and then avoiding it is a way to avoid change.” He added that he views Carmichael as a “brother.”
Check out Tyler’s latest comments on the situation from Coachella above. Be on the lookout for further updates on Tyler The Creator and Jerrod Carmichael on HotNewHipHop.
The numbers game could only work among a certain crowd of rappers, specifically those who rely on popularity to disguise their wealth or lack thereof. However, when it comes to the core of rap’s competitive side, the underdog never has as much to lose in the first place. But there’s an equal battleground between Drake and Kendrick Lamar who’ve both achieved great commercial success while asserting their dominance in the field for a decade-plus. Sure, for Drake, it’s more of an anomaly when he decides to really rap his ass off but as Complex’s Jordan Rose once pointed out, the Canadian star needs formidable opponents for his bars to stick. Fortunately, the tentatively titled “Push Ups (Drop & Give Me 50)” sounds exactly like the “old Drake” we’ve longed for.
What first began surfacing as a speculative “AI response” was later confirmed to be a reference track by Akademiks. It was muddied, and distorted and the production sounded flat. But its rawness added a sense of urgency and nostalgia for those who recall digging for music in the prehistoric days before streaming services and social media’s accessibility. The supposed official version landed on Akademiks’ desk before circulating through the DJ circuit on Saturday. Fans unpacked the lyrics – some more nuanced than others – before deliberating the winner of round one.
In terms of the main card event between Drake and Kendrick, “Push Ups” tied things up. “Like That” undoubtedly packed enough punch to ripple across the airwaves for weeks and affirm its position at #1 for a third week in a row now. The fact that a diss track toward Drake debuted at the top spot must have struck a nerve with Billboard’s Artist of the Decade recipient. It proved that he couldn’t just craft a hit song to win this beef nor would the court of public opinion simply lean in his favor with the help of some memeworthy responses. The stakes were high and the Boy needed to roll up his sleeves. Unlike J. Cole’s “7 Minute Drill,” Drake knew that he couldn’t just deliver a one-size-fits-all diss track to put his detractors on notice. If calling Kendrick short began weighing on J. Cole’s soul so heavily, imagine how the escalation of this feud would’ve made him feel in the long run. That said, “Push Ups” was a measured response to feed into a beef of this magnitude.
So, years after “The Story Of Adidon” cemented itself in the pantheon of hip-hop diss records, it became clear that it would take much more than lyrical warfare to take Drake down. Unfortunately, when ranking Drake’s current list of opponents, only a few of them have the potential to cause damage. Kendrick, of course, became target numero uno on “Push Ups,” though Drake admittedly kept his response PG. He pointed out their comparative feature streaks; Kendrick having worked alongside Maroon 5 and Taylor Swift at the early stages of his career in an attempt for more commercial success that, in some sense, slightly dilutes an otherwise flawless catalog. The short jokes, though expected, were hilarious. The possible mention of Kendrick’s wife (“I be with some bodyguards like Whitney”) might warrant a response akin to Pusha’s (the Clipse rapper stated that this was what triggered his infamous response to “Duppy Freestyle) but perhaps the most shocking aspect of the feud surrounded Kendrick and Top Dawg’s relationship and the allusion to publishing splits. Many have speculated that there had been a strain between TDE’s flagship artist and its founder over the years, causing Kendrick and Dave Free to launch pgLang, but for Drake to suggest that it may have been a result of bad business sheds an interesting light on the overarching narrative surrounding the California-based label, in which some have believed they’ve been holding back their artists from releasing music. The fact that SZA even got a shout-out on the record might indicate something is brewing behind the scenes at TDE that we might only find out about down the line. Still, these aspects of “Push Ups,” paired with “They make excuses for you ’cause they hate to see me lit,” feel mildly contradictory, considering that similar claims could be leveled against him in both the speculations surrounding his contractual obligations to Cash Money and the fact that his rabid fanbase has been jumping through hoops and moving the goal post over the past few weeks to defend his spot.
But beyond the speculation of Drake’s claims towards his main target, “Push Ups” sufficiently mentioned every one of his foes who have aligned themselves with Future and Metro Boomin, safe for ASAP Rocky. Though the former faces Drake’s wrath within the first bars of the song, it’s Metro Boomin who will now be the victim of Drizzy’s infectious songwriting. As the producer urged everyone to “pick a side” in the past few months, Drake shuts him down immediately with one bar: “Metro, shut yo hoe ass up and make some drums.” It’s unclear why a producer who has never released a song as a rapper decided to pick up a rap feud but Drake’s energy toward Metro was on par with the petty Twitter/X jabs.
While the issues with Rick Ross ultimately surround French Montana (though it might be a little bit more deep-rooted, considering Tia Kemp previously detailed animosity between Ross and Drake), it’s the tension between Drake and The Weeknd’s XO camp that could be the centerpiece of this feud. The Weeknd’s co-managers, Salxco founder Wassim Slaiby and XO co-founder Amir “Cash” Esmailian, have reportedly been at odds with Drake since the After Hours singer turned down a deal with OVO. However, Drake’s shot at his fellow Torontonian paints a broader picture of the feud that potentially traces back to Slaiby and Esmailian.
“Claim the 6ix, and you boys ain’t even come from it/ And when you boys got rich, you had to run from it,” Drake raps before he accuses Cash of “spendin’ Abel’s bread, out here trickin’” on rappers such as Future. If you didn’t know, Slaiby and Esmailian got their start in Ottawa, ON where they established CP – the label that initially propelled the careers of Belly and Massari. The two later relocated to Toronto where they met The Weeknd and built an empire rooted in the local scene. Unlike OVO, which has spent the better part of the 2010s developing Toronto talent, Salxco has garnered a wide roster of artists outside of Canada including Metro Boomin. Meanwhile, Cash’s alliance with Future became more noticeable in recent years. After Drake’s song dropped, Cash shared a photo of himself with Future on Instagram in what seemed to be a reaction. It appears that The Weeknd and Metro Boomin inherited a feud that has little to do with them in the grand scheme of things. They might have personal vendettas against Drake but it’s the ones that Metro and The Weeknd answer to in the metaphorical food chain who seemingly share some responsibility in the fallout.
In the immediate aftermath of the song’s leak, the showdown that we’re all waiting on is Drake vs. Kendrick. As of now, the ball is in Kendrick’s court. While Metro Boomin and Future will likely continue to leverage this feud to push the sales behind their second studio album, We Still Don’t Trust You, the two rappers, along with The Weeknd, do not have the credentials to engage in a rap beef. As for Rick Ross, his feud with Drake will likely be forgotten by the end of the week. “Champagne Moments” largely relied on salacious rumors to rattle the Internet. The online taunts, though entertaining, won’t be enough to keep up the momentum, especially as the beef between Drake and Kendrick Lamar heats up. Everyone else inserting themselves into this situation will fade into background noise.
Ultimately, “Push Ups” is an adequate response for the moment but surely, it doesn’t have enough “bark with the bite,” as Drake stated, to make Kendrick Lamar stand down in any capacity. Though a snippet of a rumored response track to “Push Ups” surfaced this morning, which Daylyt (along with other sources) stated was AI, the brief preview sounded underwhelming compared to the bomb Drake dropped on “Push Ups.” Sure, the snippet addressed the J Cole situation as suitably as Drake did. However, Drizzy isn’t J. Cole – he’s a whole other beast in this particular realm. After all, Drake told everyone they needed to cut his head off if they wanted the crown.
Charlamagne Tha God says that the clock is ticking for Kendrick Lamar to respond to Drake and that “Push Ups” was an impressive counter to Lamar’s “Like That” verse. Speaking about the beef on The Breakfast Club on Monday, Charlamagne argued that Drake did something Kendrick never had with his song.
“First of all, I was highly, highly impressed by ‘Push Ups.’ Drake delivered a top-tier response to everything that was going on and this is coming from an OG veteran Drake hater,” Charlamagne admitted. “I love the record. He delivered. He did what he was supposed to do and he went further than Kendrick has ever gone. Because Kendrick has been throwing shots at Drake for years with very blatant subliminals, but Drake aimed right at Kendrick and said, ‘Okay, if this is what you want, then you got it.’”
Charlamagne, DJ Envy, & Angela Yee Attend iHeartRadio Podcast Awards
BURBANK, CALIFORNIA – JANUARY 17: (FOR EDITORIAL USE ONLY) (L-R) Charlamagne tha God, Angela Yee, and DJ Envy, winners of the Best Pop Culture Podcast award for ‘The Breakfast Club,’ attend the 2020 iHeartRadio Podcast Awards at the iHeartRadio Theater on January 17, 2020 in Burbank, California. (Photo by Tommaso Boddi/Getty Images for iHeartMedia)
Charlamagne concluded: “So right now, Kendrick’s on the clock. Kendrick is all the way on the clock. Drake gave Kendrick his ‘Takeover’ and now Kendrick has to deliver his ‘Ether’ if he got it.” Drake waited several weeks to respond to Lamar’s verse; however, numerous other artists came forward to shade him throughout that time. He addressed The Weeknd, Rick Ross, Metro Boomin, and more on “Push Ups” as well.
Charlamagne Discusses Drake’s “Push Ups”
If Charlemagne can give Drake the credit he deserves then we know the niggas talking shit on here are just miserable af and the ones that’s really doing the dickridinpic.twitter.com/2iUiKfJXFq
While Kendrick Lamar has yet to respond to Drake’s new leak, Rick Ross fired back within hours. He dropped, “Champagne Moments,” accusing Drake of getting a nose job and labeling him a “white boy.” Be on the lookout for further updates on Drake and Kendrick Lamar’s feud on HotNewHipHop.
The Grammy-winning and Oscar-nominated Nigerian artist announced the album with a trailer. The 56-second video is soundtracked by Tems singing, “Born in the wild, born in the wild / I grew up in the wilderness.” Presumably, it’s the album’s title track.
The news comes less than 24 hours after Tems’ Coachella debut on Sunday, April 14. Her set featured surprise guests Justin Bieber and Wizkid. The trio performed Wizkid’s “Essence” featuring Bieber and Tems, which peaked at No. 9 on the Billboard Hot 100 in October 2021. According to setlist.fm, Tems also performed “Me & U” during her set.
Every week, Billboard unveils the top 10 songs on the latest Hot 100 chart. The most recent rankings, for the chart dated April 20, are out now, so let’s run down who had this week’s biggest hits.
10. Noah Kahan — “Stick Season”
Kahan’s hit just had one of its best weeks, returning to the top 10 and matching its previous peak at No. 10.
9. Future, Metro Boomin, Travis Scott, and Playboi Carti — “Type Sh*t”
Future and Metro have been dominating the music landscape lately, and their Travis and Carti collab is one of their two top-10 songs this week.
8. Ariana Grande — “We Can’t Be Friends (Wait For Your Love)”
Grande’s former No. 1 single still has some life left, jumping up a spot to No. 8 on the latest chart.
7. Jack Harlow — “Lovin On Me”
Speaking of former No. 1 hits, “Lovin On Me” has been in the top 10 for seemingly forever and it doesn’t appear to be in danger of departing the region any time soon.
6. J. Cole — “7 Minute Drill”
J. Cole actually regrets this song, so much so that he took it off of streaming services, but it did well enough to debut at No. 6 on the new Hot 100. As Billboard notes, the song was removed from streaming on April 12, a day after the end of the new chart’s tracking week. So, the song’s removal didn’t have any impact on the its commercial activity during its debut week.
5. Beyoncé — “Texas Hold ‘Em”
Beyoncé’s country favorite had a noteworthy slide this week, falling from No. 2 to No. 5.
4. Teddy Swims — “Lose Control”
“Lose Control” became Swims’ first chart-topper a few weeks ago and it’s still doing well now, hanging onto a top-5 spot at No. 4.
3. Benson Boone — “Beautiful Things”
For the third consecutive week, Boone’s breakout hit has earned the chart’s top Airplay Gainer award, thanks to 57.4 million plays, an increase 14 percent.
2. Hozier — “Too Sweet”
Hozier has returned to “Take Me To Church” territory: His early-career hit previously peaked at No. 2, a feat the “Too Sweet,” his first song to debut in the top 10, has now matched.
1. Future, Metro Boomin, and Kendrick Lamar — “Like That”
For the third consecutive/total week, Future, Metro, and Lamar’s Drake- and J. Cole-dissing hit “Like That” hangs onto the No. 1 spot on the Hot 100. It’s the first song to spend its first three weeks at No. 1 since Miley Cyrus’ “Flowers” was on top for its first six weeks in January and March 2023.
This week’s #Hot100 top 10 (chart dated April 20, 2024).
Drake and ASAP Rocky have a long history that dates all the way back to the early 2010s. At the start of their relationship, they were friends. As a matter of fact, some consider Drake to be a significant contributor to ASAP’s subsequent success in the music industry. Many fans believe that the tale of ASAP Rocky’s rise to stardom cannot be told without mentioning Drake.
Yet, over the years, the relationship between the two has turned sour. Since ASAP Rocky began dating Rihanna, his relationship with Drake has slowly deteriorated. So much so that the two have now fired shots at each other via diss tracks. The most recent jab was from ASAP and is featured on “Show of Hands,” a track from Future and Metro Boomin’s latest collab project, We Still Don’t Trust You. It remains to be seen if the two rappers will ever reconcile and become friends again. However, the chances of that ever happening seem to get smaller by the day.
ASAP Rocky Disses Drake On “Show Of Hands”
This has been an interesting year for Hip Hop so far, with a number of prominent acts taking shots at Drake. It began with Kendrick Lamar on “Like That” with Future and Metro Boomin. Now, ASAP Rocky has also dissed Drake on another Future and Metro Boomin track. The song, “Show of Hands,” is featured on the duo’s latest project, WE STILL DON’T TRUST YOU. On the track, ASAP spits some venomous bars supposedly aimed at Drake. “Ni**as swear they bi**h the baddest, I just bagged the worst one / Ni**as in they feelings over women, what, you hurt or somethin’? / I smash before you birthed, son, Flacko hit it first, son / Still don’ trust you, it’s always us, never them / Heard you dropped your latest sh*t / Funny how it just came and went,” Rocky raps on the track. As things get more heated, fans eagerly wait to see if Drake will respond to ASAP Rocky more directly in the future.
Drake & ASAP Rocky’s Early Relationship
After ASAP Rocky released “Purple Swag” and “Peso” in 2011, he got the attention of many in the music industry, one of whom was Drake. Following the release of his critically acclaimed mixtape Live. Love. ASAP (2011), Rocky garnered even more public attention. Sometime within that period, he linked up with Drake, and the two began working together. Subsequently, in 2012, ASAP Rocky served as an opening act for Drake on his Club Paradise Tour. It was the highest-grossing Hip Hop tour of 2012, introducing many new listeners to ASAP Rocky. Later, on October 24, 2012, the rapper released “F**kin’ Problems,” which features Drake, Kendrick Lamar, and 2 Chainz. That track remains the only one featuring both rappers. However, they stayed on good terms for several years afterward. The tension between the two started much later, in 2020, when ASAP Rocky got into a romantic relationship with Rihanna, Drake’s ex.
2022: Drake Expresses Displeasure At ASAP Rocky & Rihanna’s Relationship
When news of Rihanna and ASAP Rocky dating came out in 2021, many wondered how Drake took it. While we can’t say for sure, chances are the “Take Care” rapper didn’t take the news very well. However, throughout 2021, he ignored the topic and did not address either ASAP or Rihanna. Subsequently, in January 2022, the couple announced they were expecting their first child together. Soon after this revelation, X news account @PopTingzz reported that Drake had unfollowed both ASAP Rocky and Rihanna. While he still hadn’t directly addressed the topic, according to fans, his actions said more than enough.
2023: Drake Allegedly Disses Rihanna On For All the Dogs
On February 12, 2023, Rihanna headlined the Super Bowl LVII halftime show. At the end of her performance, she revealed that she was pregnant for ASAP Rocky once again and was expecting the child soon. Following the news, Drake was trolled on the internet for “losing the girl” and watching ASAP Rocky live his dreams. However, the rapper still did not address the topic. Subsequently, on October 6, 2023, Drake released his eighth studio album, For All the Dogs. On the track “Fear of Heights,” he finally seemed to speak about Rihanna, albeit indirectly.
“Why they make it sound like I’m still hung up on you?/ That could never be/ Gyal can’t run me / Better him than me / Better it’s not me,” he raps in the opening lines of the track. “I’m anti, I’m anti / Yeah, and the sex was average with you / Yeah, I’m anti ’cause I had it with you,” Drake continues, not so subtly. Later in October, when a reporter from TMZ caught up with ASAP and asked if he would respond to Drake, he ignored the question. Well, we certainly got our answer in 2024.
(@nojumper)
