“Queen Latifah is amazing,” Meg tells Glamour‘s Zandria Robinson. “She is all around someone I look up to because she took it further than music. She’s an all-around businesswoman who lets me know I can like more than one thing, and I can pursue more than one thing.”
Among the things Meg is currently pursuing is a degree in health administration from Texas Southern after switching from nursing and business. She recently completed all the coursework for her graduation this year and previously showed off her graduation cap on social media.“I’m making A’s now; I’m focused,” she says.
Meg also explains why she’s become such an outspoken advocate for women’s rights — especially Black women — to the point of using her 2020 SNL performance to call to “protect Black women” despite backlash from both fans and politicians. “The bigger I get, the bigger my platform gets, I start realizing that I’m not the only woman that goes through what I go through, and it doesn’t matter what scale it’s on,” she says. “Mine is just public because I’m a public figure. I want to bring things to light so other women don’t feel like they have to continue to be silent.”
Saweetie’s brand continues to grow, adding another new partnership to her ever-expanding compilation of them. Her latest big-money team-up is with Beats By Dre; Saweetie appears in the latest campaign for the noise-canceling Beats Fit Pro headphones arriving this Friday, November 5. In addition, she contributes a new song, “Get It Girl,” which plays over the ad. She struts the streets of LA with the headphones on, tuning out the world with the noise-canceling turned all the way up.
Hopefully, Saweetie’s extracurricular activities won’t cause any further delays to her debut album, though. She says it’s finished and teased that something will “unfold during the holidays,” so perhaps we’ll be hearing more new music from Saweetie very soon — no commercial needed.
Watch Saweetie’s Beats By Dre ad above.
Saweetie is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.
Over the years Cardi B has become as well-known for her boisterous personality as her club-friendly music. According to Billboard, she’ll soon apply that personality to the task of hosting the upcoming American Music Awards. The show, which will air live on Sunday, November 21 from the Microsoft Theater in Los Angeles, has been kind to Cardi since her 2017 breakthrough with “Bodak Yellow,” giving her five wins at previous shows along with three nominations this year. She also performed “I Like It” with Bad Bunny and J Balvin at the 2018 AMAs.
In a statement, Cardi said, “When I received the invite to host the AMAs, I was so excited. I’m ready to bring my personality to the AMAs stage! Thank you to Jesse Collins, ABC, and MRC for making this happen.” Cardi’s selection makes her the fourth Black woman to host the AMAs in five consecutive years. In 2017-18, the show was hosted by Tracee Ellis Ross; in 2019, Ciara took over hosting duties; and last year’s show was MC’d by none other than Taraji P. Henson.
The nominees, which were announced last Thursday, include Ariana Grande, BTS, Drake, Olivia Rodrigo, Taylor Swift, and The Weeknd, who are all nominated for Artist Of The Year, while the show’s host Cardi B is nominated for Favorite Female Hip-Hop Artist alongside Coi Leray, Erica Banks, Megan Thee Stallion, and Saweetie.
The 2021 American Music Awards will air live at 8:00 pm ET on ABC and stream the next day on Hulu. You can still vote for various awards here.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Janet Jackson’s Super Bowl scandal has become the subject of a new documentary coming soon to Hulu and FX, according to Deadline. After the success of the New York Times documentary Framing Britney Spears, the streamer is taking on the backlash against Jackson in Malfunction: The Dressing Down Of Janet Jackson, launching on November 19 (incidentally, both docs prominently feature Justin Timberlake for his role in both women’s respective downfalls. I don’t know what it says about JT that he was so closely involved in both but it feels a little like he’s gone through his own version of what they went through over the last few years, falling out of public favor as social media became more prevalent.).
For those who don’t remember, during the 2004 Super Bowl halftime show, Janet Jackson joined Justin Timberlake on stage during a performance of his song “Rock Your Body,” ending with Timberlake pulling part of Jackson’s costume off, baring her breast and touching off a national controversy that led to Janet essentially being blackballed by the entertainment industry. The incident coined the infamous term “wardrobe malfunction” and a content crackdown by government and network regulators.
According to Deadline, the film will “examine the racial and cultural currents that collided on the Super Bowl stage, and explores how the incident impacted one of the most successful pop musicians in history.” It will include interviews with some of the producers of the 2004 Super Bowl halftime show, as well as “music industry insiders,” cultural critics, and members of Janet’s famous family.
After competing against Adult Swim’s very strong stable of animated voice talent, Tracy Morgan has emerged as the new voice of Early Cuyler in the final season of Squidbillies. The role was originally voiced by Stuart D. Baker, who essentially detonated his career last summer by launching a parade of offensive posts on Facebook, including one where he referred to country music superstar Dolly Parton as a “freak-titted, old Southern bimbo” because she voiced her support for the Black Lives Matter protests.
After being fired from the role, Baker lashed out at Cartoon Network and the makers of Squidbillies while continuing to make some not great remarks about Americans “forsaking your own race.” Via The Wrap:
“I just hope you a-holes are happy you took a good Man and talent down. You succeeded. Be proud that you ruined a person’s life all because of [the] Freak Show called ‘Dolly Parton and BLM.’ Thanks a lot. I gave my best to you assholes for over 30 years. I guess you just love to kick someone when they’re down. That’s so twisted and perverted. Again, thanks! I’m [sic] remember you bastards!”
Clearly, nothing of value was lost as Morgan steps into the role, which was revealed via a video of other voice actors auditioning for the part. When he won, Morgan celebrated the moment by announcing, “I’m Tracy Morgan, and I’m the new voice of Superman.” (He’ll eventually get it right. It’ll be cool.)
The Squidbillies final season premieres November 7 on Adult Swim.
Straight up, streetwear wouldn’t exist if it wasn’t for hip-hop. The two entities go hand-in-hand, pushing up against and off of one another in their steady quest to take over the world. That’s not hyperbole, streetwear and hip-hop have taken over the world. Hip-hop went from a niche genre that was written off as a fad in the late ’70s and early ’80s and blossomed into a phenomenon that has since influenced every other genre of American music (see autotune country) and become the dominant musical genre of cultural expression in America. Streetwear similarly went from being a niche fashion aesthetic to a world-dominating force in modern fashion. Whether you’re a small fashion label just getting started, or an iconic luxury house like Gucci or Louis Vuitton, if you’re not designing streetwear, you’re not connecting with the people.
Streetwear and hip-hop haven’t just been growing parallel to one another, they feed off of one another. Hip-hop provides the face, streetwear provides the look, and the two entities rely on one another to move product. So it shouldn’t come as a surprise that some of the best sneakers (arguably the emblem of streetwear itself) have a rapper’s name attached. In a celebration of hip-hop and streetwear, we’re running through the most important hip-hop sneaker collaborations of all time, starting with…
Adidas Superstar, 1986
Adidas
The Adidas Superstar is not technically a hip-hop sneaker collaboration, but because of Run-DMC’s hit single “My Adidas,” it felt wrong to start this list anywhere else. Make no mistake, a fresh white pair of Adidas Superstars with contrasting stark black stripes is a look wholly owned by Run-DMC Streetwear fans treat this sneaker silhouette and colorway as a stone-cold classic, and Adidas has “My Adidas” to thank for that.
The song’s video gave the world its first glimpse of hip-hop’s new look and from “My Adidas” on, the two entities have been in lock-step. The sneaker features a leather base with a shell toe cap, it’s one of Adidas’ oldest and best-selling sneaker silhouettes. Adidas would go on to let Run-DMC design their own version of the silhouette, but nothing beats the OG.
Nike Dunk High Wu-Tang, 1999
Nike
No other rap group quite understood the synergy between streetwear and hip-hop like the Wu-Tang Clan, who went off and started their very own successful streetwear label, Wu-Wear. In 1999 Nike tapped them with a special Friends And Family Only release of the high-top Nike Dunk.
The colorway was lifted from a set of sneakers celebrating different university sports teams, this black and gold iteration was meant to represent Iowa University, but since it shared a color scheme with the Wu-Tang logo, Nike slapped a W on the heel and tongue, and with that simple move created one of the most sought after sneakers of all time.
ICECREAM Dollars & Diamonds, 2003
Getty/Uproxx
Pharrell Williams doesn’t get enough credit for being lightyears ahead on seeing the linkage between not just hip-hop and streetwear, but the importance of Japanese designers to the medium. Streetwear wouldn’t be what it is today without the influence of Japan, and it was Pharrell who was smart enough to link up with cutting-edge designers like BAPE figurehead NIGO before anyone else. The result was his very own label, Billionaire Boys Club, and the brand sneaker brand ICECREAM.
Pharrell was the first rapper turned sneaker designer, and this pair Diamonds and Dollars silhouette was his attempt at fusing streetwear and skatewear into a single entity. It was a success, it signified a turning point in streetwear that would see the aesthetic completely absorb the world of skateboarding.
Air Jordan 4 Encore, 2004
Getty/Uproxx
When “My Adidas” and the Wu-Tang Dunks dropped, streetwear was still pretty niche, but by the mid-00s the fashion aesthetic started to hit the mainstream. When Eminem linked up with Nike for the Air Jordan Encore, named after Eminem’s album of the same name, people lost their minds. This shoe single-handedly created the modern sneakerhead.
It remains one of the most popular sneaker colorways of all time, fetching bids exceeding $20,000 on aftermarket sites like StockX and eBay. Nike will occasionally drop a refresh of this sneaker in very limited runs, so it’s still possible to own a pair without paying a fortune for it. Good luck.
BAPE Kanye West Bapesta College Dropout, 2007
Bapesta
Long before Kanye West had his own sneaker brand, and even before he started calling himself “Yeezy,” West linked up with Japanese streetwear label BAPE for the College Dropout version of the brand’s Bapesta sneaker silhouette. The sneaker features a tan and brown leather upper with red accents and a cartoon graphic of Kanye’s Dropout Bear character.
It’s been a while since we’ve seen the Dropout Bear, Ye ditched the mascot after the “Graduation Album” which was released the same year. It’s a reminder of a younger more playful Kanye and still to this day, a pretty dope design, even if it’s a far cry from what Kanye would design with his own Yeezy brand.
Odd Future x Vans Syndicate Old Skool Pro S Golf Wang Pack, 2013
Vans Syndicate
Pharrell combined the worlds of street skating and hip-hop, and out of that came Tyler The Creator’s Odd Future collective. Inspired by the sort of bright color palettes you’d expect out of a Wes Anderson movie and not what you’d find in a typical hip-hop music video (at the time) Tyler The Creator presented his dark strain of hip-hop with a juxtaposing visual aesthetic that forever changed the look of modern rap music.
Before Tyler The Creator, the idea of a rapper wearing a sneaker with a pink sole is something only Kanye West would do, but he didn’t. Tyler did, and this early collaboration with Vans eventually caught the eye of Converse, who swooped up Tyler and gave him his own sneaker line by the name of Golf Le Fleur.
Air Yeezy 2 SP Red October, 2014
Getty/Uproxx
Another Kanye West sneaker? Yes. If you can’t talk hip-hop without mentioning streetwear, you can’t talk about either without mentioning Kanye West. His presence will weigh heavily throughout this roundup. While his cultural status is not quite at the heights it was just seven years ago you can’t deny that the name Kanye West still holds a lot of weight amongst hip-hop fans and sneakerheads alike.
But before Kanye West put his stamp on the world of footwear with his Yeezy Brand, he tried things out with Nike. Ultimately, it didn’t work out (Nike didn’t want to give Ye as much creative control as he wanted) but 2014’s Air Yeezy Red Octobers were the first indication that people needed to take West the sneaker designer as seriously as they took West the hip-hop producer and rapper.
Even today, it’s impossible not to fall in love with this all-over scarlet red colorway. Just look at the thing! Tell us you don’t want a pair.
Air Jordan 12 White OVO, 2016
Jordan Brand
Drake hasn’t had quite the same level of success attaching his name to sneakers as his contemporaries, but the Jordan 12 White OVOs is one of the finest colorways the sneaker has ever seen in its entire run, and it has Drake to thank for that. There is nothing special about this sneaker, Drake didn’t offer up any radical suggestions for a re-design, but what it presents is a highly effective colorway that exudes luxury and class thanks to its mix of white leather and gold accent work.
You can hardly tell Drake has anything to do with the sneaker, and that’s kind of its strength.
Adidas Yeezy BOOST 700 Wave Runner, 2017
Yeezy Brand
We can’t overstate just how important Kanye West’s name is to the world of sneakers. It’s arguably just as big as Michael Jordan’s, so we couldn’t finish this list without talking about West’s label with Adidas, Yeezy Brand. By 2017 Kanye West and Adidas had already been making sneakers together for five years, but West wasn’t really taken seriously as a footwear designer. That all changed with 2017’s Wave Runner.
When the Wave Runner dropped, which is still the 700’s best colorway, Kanye West singlehandedly made the ‘90s influenced “dad shoe” the hot footwear item everyone had to have. The world of sneakers changed once this shoe dropped, brands like New Balance, Nike, and Adidas started to bring out more of their ‘90s designs and Adidas was able to slash the price of these shoes from the usual $300 to the more affordable (but still expensive) $240.
After the success of the Wave Runner, Adidas themselves started to put more faith in Kanye, increasing the sneaker release runs of all of his future shoes in an effort to make them more accessible amongst the public.
Jordan 1 High OG SP Fragment x Travis Scott, 2021
Nike
If Kanye West dominated footwear in the 2010s, it’s looking more and more like Travis Scott will inherit that crown for this current decade. This year saw the release of Travis Scott’s 13th Nike collaboration, the Jordan 1 High OG SP Fragment x Travis Scott, a partnership with streetwear label Fragment Design. It’s not the first sneaker people would associate with Travis Scott — that would be the Jordan 1 Mocha — but, and brace yourself for this one, it is the best.
No, it’s not quite as iconic as the coffee-toned Mocha that it’s meant to be a sequel of, but give it time, that combination of University Blue, white leather, off-white midsole, and a black oversized backwards swoosh will no doubt go down as not only one of Travis Scott’s best sneakers but one of hip-hop’s best sneaker collaborations of all time.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
While some rappers have taken to posting anti-vaccine conspiracy theories and spoken out against mask mandates over the past several months, others have been taking the COVID-19 pandemic more seriously… especially those who’ve actually felt the virus’ effects. During his recent visit to The Breakfast Club in New York, DC rapper Wale detailed his own scary experience with the virus — and its lasting effects on his health, even after he was sufficiently recovered to go home from the hospital.
“That sh*t feel like you don’t got no control over nothing,” he recalled. “I remember when I was in denial, I was like, ‘Yeah, I got COVID but I’m just gonna stay in the house’ and then it’s getting worse. I remember taking an Uber to the hospital ’cause I ain’t want to be dramatic. I’m like, ‘I can’t breathe’… I remember they was taking my blood, and the lady couldn’t find my veins and all this other stuff. I just remember I passed out from just that alone. I was like ‘Wow, I was really just like, regular, three days ago,’ and I realized how serious it is.”
After he recovered, he said, he had to “beg them n****s to let me go home” because the isolation began to get to him. “Just being in there dolo, nobody can come in,” he explained. He also addressed the aftermath, saying, “One thing that people don’t talk enough about COVID is the after-effects. The main thing with me is the COVID fog. That sh*t is real … It feels like you smoked too much. For me, because I have legitimate issues with anxiety and stuff, everything was heightened.”
You can watch Wale’s full interview with The Breakfast Club above.
Over the weekend, Megan Thee Stallion released her new mixtape, Something For Thee Hotties, rejuvenating her musical image somewhat among longtime fans who were disappointed by the stylistic departures on her debut album Good News. Rapping over bass-heavy, club-friendly beats produced by the likes of Buddah Bless, Juicy J, Murda Beatz, and OG Parker, Megan got back to basics, reviving her Tina Snow persona with a selection of freestyles and unreleased tracks hearkening back to her early days on the come-up.
One unexpected fan, though, turned out to be Weird Al Yankovic, who jumped into the Twitter discussion about the tape this morning with a funny, tongue-in-cheek critique about one of the project’s 20 songs, “Eat It.” You may remember that Weird Al has a song with the same title, a parody of Michael Jackson’s 1982 hard rock hit “Beat It” from Al’s 1984 album “Weird Al” Yankovic In 3-D. Apparently, upon listening to Megan’s song, Al was surprised to learn that it was not, in fact a homage to his own parody work, responding with a winking assessment that it was “Not a very faithful cover version, if you ask me.”
Afro Nation, the biggest afrobeats festival in the world, is returning in 2022 after a two-year hiatus with a star-studded lineup including Burna Boy, Megan Thee Stallion, and Wizkid. Taking place in Portugal on July 1-3, the festival took two years off as a result of the global COVID-19 population but is returning next year with what the organizers call a “landmark” iteration.
In addition to the above headliners, the festival is bringing more big names from multiple genres across the diaspora, including Beenie Man, Ckay, Diamond Platnumz, Koffee, Naira Marley, Rema, Tekno, Tems, Wande Coal, and more. While most of the names are obviously big in the afrobeats world, Megan Thee Stallion’s presence expands the purview of the festival to include an even broader perspective of the diaspora.
These are just the first wave, though, with more names to be announced in the future, so expect to see some more surprises down the line. With the festival taking place on the sand at Praia De Rocha Beach, there will certainly be more artists excited to join the fun. Pre-sale tickets will go on sale starting at 9 am on Friday, November 5, with general release tickets going on sale starting at noon.
Musicians are creative folks who have costume budgets that let them go beyond Spirit Halloween’s offerings, so they tend to really show up with killer looks during spooky season. This year was more of the same on that front, as a lot of the world’s favorite artists delivered some Halloween costume excellence in 2021.
The Weeknd is no stranger to prosthetic make-up, as he proved in his “Save Your Tears” video, and he was at it again this weekend with an impressive Don Corleone from The Godfather look.
Meanwhile, Rihanna absolutely nailed her Gunna outfit by emulating a classic fit.
The newly engaged Travis Barker and Kourtney Kardashian also came through with a couple of couples looks. Over the weekend, they paid tribute to the movie True Romance and a few days ago, they dressed up as Sid Vicious and Nancy Spungen.
Anderson .Paak went hard, too, sharing photos of himself as Silk Sonic cohort Bruno Mars, Prince, and Stevie Wonder.
Meanwhile, Taylor Swift has puts Cats behind her and has moved on to being a squirrel.
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