How A Shared Love For Music Between Justin Bieber And His A&R DJ Tay James Keeps The Hits Coming

Justin Bieber has a new album on the way and there are very few details out there on when fans can expect it or even an album title. It’s been a year since the release of his Grammy-nominated album Justice and now he’s gearing up for his newest era with his trusted DJ and A&R Taylor James, aka DJ Tay James, by his side.

“He’s really a musician,” Tay told me over the phone from Austin. “He likes tapping in with musicians. He’s really into writing right now. I love this space that he’s in. We’re in the middle of a tour and he’s focused on this in the middle of us doing this tour.”

Just as he did with the eclectic array of sounds living on Justice, Tay is currently helping Justin maintain his vision for what will be the award-winning artist’s seventh studio album, while handling DJ duties as he’s always done.

In fact, Tay has been by Justin’s side since the global pop star’s second show when he was appointed as his official DJ. That was over a decade ago. Today, the pair is still going strong as a musical unit. Most of the collaborations Justin has done were because he was a fan of the song or the artist first, or from the result of casual music banter between him and Tay.

Justin is a certified music maven who loves to dive deep into new sounds and talent, which is how the “Honest” feature with Don Toliver came to be.

“Justin is a mastermind when it comes to this stuff,” Tay said. “He might want to be featured on the project already and he might just reach out himself and just connect with the person and we’ll start sending them records.”

Easy peasy when your name is Justin Bieber. For example, it was JB who was hyped about Wizkid’s 2021 hit “Essence” with Tems, after Tay introduced him to the song. He loved it so much, that he ended up doing a remix to it after enjoying it on repeat during his manager’s birthday weekend. With Omah Lay’s “Attention,” it was Justin who was a fan of him first. He then brought the rising afrobeats artist to Tay’s attention during rehearsals. The natural exchange of new music like trading cards among friends is partly how Tay ended up becoming his official A&R right before the pandemic in March.

“I put him on The Kid Laroi. My cousin Q put me on to Kid Laroi and then I sent his profile off to Justin. The song is still on the charts,” Tay said of the 2021 mega track “Stay,” which has spent over 40 weeks on the top of the Billboard Hot 100 chart and currently sits at No. 13.

“I feel like at this point, for Justin, it is whatever he feels comfortable with or whoever he wants to collab [with] to help bring the music to a certain light,” he said. “If you notice he likes working with new artists, he likes working with up-and-coming artists.”

And the same is true for Tay, so it made sense for Scooter Braun and JB to make that call.

“I like looking at new and upcoming artists to see who’s dope, who’s moving the culture,” he told me. “That’s kind of why I’m here, to just give suggestions but it’s still his vision. Whatever he needs me to do to help his vision come true. I’m here to help.”

That vision also includes knowing exactly when Justin is in love with a sound that he hears or a vibe that moves him. If that happens, he may hop on a piano or start playing an acoustic guitar.

“He’s been really writing a lot himself, but just like anyone, if you hear something you really like, you keep playing it back to back,” he revealed of Justin’s in-studio process. “If I’m going through beats and we get stuck on a beat and we’re listening to that beat for more than five minutes, most likely it’s going to get recorded on. I just try to pick the best sounds, something that I know that’s really melodic, something I know he can sing over. He loves chords, he loves gospel music. You know Justin, his first love is R&B, he really loves R&B. Anything that has melodic chords will always attract him. He has a great ear.”

“Justin has always been an artist to experiment with new sounds,” he added. “We always like to do new stuff.” I mean, just listen to “I Feel Funny.”

As for the sonic direction of Justin’s new collection of songs, “You should expect to hear some great things,” Tay assured me — including a tune with John Mayer. “I’m excited about what we’ve been working on. It’s Justin, and Justin is a vessel for so many different fans and his music touches so many different people. Always expect him to have music for everybody.”

As for DJ Tay James, you can catch him behind the DJ booth during one of Bieber’s Justice World Tour stops while also pushing a few other endeavors like the partnership he has with Purple Denim and conscious jewelry brand Polite Worldwide. Music from the Biebs is allegedly coming soon.

Kehlani’s Lifelong Search For Serenity Is Complete On The Fulfilling ‘Blue Water Road’

The RX is Uproxx Music’s stamp of approval for the best albums, songs, and music stories throughout the year. Inclusion in this category is the highest distinction we can bestow, and signals the most important music being released throughout the year. The RX is the music you need, right now.

Kehlani’s sophomore album, It Was Good Until It Wasn’t, focused on absorbing the destruction that failures in love and life caused against her while disallowing it from throwing her off her journey. This theme of navigating through the presence of an unwanted being was fitting at the time as the world was forced under the glass dome of a global pandemic. For Kehlani, everything else was good until it wasn’t, and for the rest of us, by that same token, the once-normal world that we previously took for granted was good until it was deemed otherwise. With that, it leaves us with two options: wait for things to work themselves out or acknowledge the circumstances as a sign to make changes in your life. With her third album Blue Water Road, Kehlani opts for the latter.

Recreating happiness is what Kehlani strives for on Blue Water Road. In its best form, it’s as pure and euphoric as the ocean waters that sat across from the Malibu stretch of road that her third album is named after. Luckily for Kehlani, happiness is not uncharted territory for her. The singer’s 2015 debut album SweetSexySavage is probably the giddiest and most spirited we’ve heard her be so far. But it came with a heavy dose of naivety and overflowing charisma that, together, asked “what could go wrong?” Well, a lot did and that’s what brought us to It Was Good Until It Wasn’t. However, time heals and it did for Kehlani as it placed her on an upward trek that returned her to her better days. Kehlani succeeds at recreating happiness on Blue Water Road while her old naivety is replaced with the gratitude to be here again. It also comes with the understanding that she’s not only experienced the worst, but a permanent residency at the top of the world goes unguaranteed.

By the end of Blue Water Road, Kehlani’s lifelong search for serenity is complete, and it’s quite fulfilling. In an Apple Music interview, she revealed that her initial intention on Blue Water Road was to make music for a deluxe release of It Was Good Until It Wasn’t. What Kehlani didn’t know at first is that the growth she needed was already in progress, and thus the music that came out of those sessions was no longer connected to her sophomore album. We waste no time learning about these changes as Kehlani yearns to “throw a paper tantrum” at a strip club for a dancer she’s grown very fond of. Just two years ago, she forced herself to be in the middle of loud music and erratically flashing lights while noting, “Damn, you know I hate the club.” Where It Was Good Until It Wasn’t begins with a chilling anecdote about a “Toxic” love, Blue Water Road sets off with accountability and the recognition of her faults in love through “Little Story.”

Kehlani progress on this journey comes with its missteps and unsuccessful moments. It’d be wrong to assume that the ever-growing 27-year-old singer suddenly figured out how to perfectly and flawlessly approach life. She enters a new relationship only to leave with regrets on the Slick Rick-sampling “Wish I Never,” she’s gaslit on “Get Me Started” with Syd, and she attempts in a very Issa Rae way to justify her infidelity on “More Than I Should” with Jessie Reyez. It’s all honest and relatable and it’s what makes Kehlani’s music so indulgent. She never approaches it from a holier than thou perspective, and she never throws stones from her glasshouse. We understand Kehlani cause we’ve been there before and we all aim to fit life’s complicated puzzle pieces together to solve some problem that we have.

With that, Kehlani successfully achieves serenity through her ability to establish it within her. You can’t fall in love without knowing and accepting what you love, and you will never find peace without dealing with the chaos that lies within. A perfect example of that comes on “Altar,” where Kehlani grapples with grief and achieves the initially impossible feat of accepting that a loved one is no longer physically present. “Soon, I’ll see your face,” she sings with undeterred optimism. “Don’t know why I ever thought you were far away / I shoulda known better.”

So what does serenity look like for Kehlani? It could be finding a love so perfect and united that she confuses her hair, reflection, and her skin for her lover’s on “Melt.” It could also be enjoying the fruits of her labor towards a healthy love on the nearly-NSFW “Tangerine” where she sings, “So don’t tell nobody what’s done in the garden / The fruits you can harvest, they grow where you water.” However, it’s best captured on “Everything” as the arrival of a new lover who checks off her physical, verbal, and compatibility boxes leaves her to praise the heavens for this gift she’s waited so long for. As a result, her excitement for it can’t be bottled. “That was before me, it’s childish, you done with your wildin,’” she sings. “Now you can be wild with me, run that mile with me / Catch some flights out with me.”

Simply put: Kehlani won. She found new love and accepted her natural identity – both sexual and physical – all while managing to keep the thunderous clouds and unsettling fires that shook her world on It Was Good Until It Wasn’t out of her present-day life. Nowadays, things are better than good, they’re great, and it’s all thanks to Blue Water Road.

Blue Water Road is out now via TSNMI/Atlantic. You can stream it here.

Kehlani is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

Kehlani’s Newfound Romance Altars Her Sleep In The Dreamy Video For ‘Up At Night’

Kehlani has never been one to make her fans wait too long for a new project from her. That’s evident through her latest project Blue Water Road, which arrives just two years after her sophomore effort It Was Good Until Wasn’t was released. Blue Water Road dropped with 13 songs and features from Blxst, Syd, Justin Bieber, Jessie Reyez, Ambre, and Thundercat. So far, Kehlani has shared videos for “Altar” and “Everything” from the project, with the latter coming when the project was released. Now, she adds a third one to the mix with a visual for “Up At Night.”

The new video kicks off with Kehlani asking her Google-powered speaker to play her sleep playlist. “Up At Night” soon roars in the background and Kehlani hops into bed to fall asleep. With that, we enter the singer’s mind which is filled with vibrant colors, elegant dance moves, sparkly diamonds, and more, which are all brought forth by her feelings towards a newfound romance.

During a recent Apple Music interview, Kehlani revealed that many of the songs on Blue Water Road were initially records for a deluxe version of It Was Good Until Wasn’t. However, she says she mentally “wasn’t in the deluxe of my last album” due to a unique experience at the location of where the music was recorded, and thus, Blue Water Road was born.

You can check out the visual for “Up At Night” in the video above.

Blue Water Road is out now via TSNMI/Atlantic Records. You can stream it here.

Kehlani is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

Justin Bieber to Bring Final North American Tour of Justice World Tour to Kia Forum in LA

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Justin Bieber has announced the final North American date of his sold-out Justice World Tour, which will be held on July 3rd at the KIA Forum in Los Angeles. Ticketmaster will begin selling tickets for the Forum event on July 3rd at 10 a.m. PT on Friday, May 6th.

Justin linked up with director Cole Bennett for his new song +video “Honest,” which features Don Toliver, which was released last week. “Honest” is Justin’s first official single since “Ghost,” the anthemic conclusion to the multi-platinum, Grammy-nominated Justice, hit #1 at pop radio in January, giving him the most #1 hits by a male solo artist in US radio history and making him the only fifth artist to reach twenty Top 5 hits on the Billboard Hot 100. Justin’s eighth professional Hot 100 #1 single, “Stay” with Kid Laroi, made him the youngest solo artist ever to surpass 100 Hot 100 hits. Justin became the first male solo artist to start at #1 on both the Billboard 200 album chart and the Billboard Hot 100 singles list with his triple-platinum blockbuster “Peaches.”

The Justice World Tour kicks off in Mexico this month, then heads to Scandinavia for festival appearances in August; South America, South Africa, and the Middle East in September and October; and Australia and New Zealand in November and December, before heading to the United Kingdom and Europe in early 2023.

Justin’s Justice World Tour, presented by AEG Presents, is his first international tour since the ‘Purpose World Tour’ in 2016/2017. Bieber played to 2.7 million fans during the duration of his 2016-2017 tour, with 65,000 spectators attending the finale at London’s British Summer Time Hyde Park festival, according to The Times of London.

The Justice World Tour kicks off in Mexico this month, then heads to Scandinavia for festival appearances in August; South America, South Africa, and the Middle East in September and October; and Australia and New Zealand in November and December, before heading to the United Kingdom and Europe in early 2023.

Justin’s Justice World Tour, presented by AEG Presents, is his first international tour since the ‘Purpose World Tour’ in 2016/2017. Bieber played to 2.7 million fans during the duration of his 2016-2017 tour, with 65,000 spectators attending the finale at London’s British Summer Time Hyde Park festival, according to The Times of London.

The post Justin Bieber to Bring Final North American Tour of Justice World Tour to Kia Forum in LA appeared first on The Source.

Best New Music This Week: Future, Lil Baby, Giveon, and More

Image via Complex Original

  • Future f/ Drake, “I’m On One”


  • Lil Baby, “Frozen”


  • Giveon, “Lie Again”


  • Kehlani, “Everything” 


  • Internet Money f/ Yeat, “No Handoutz”


  • Justin Bieber f/ Don Toliver, “Honest”


  • Action Bronson, “Ninety One”


  • Toro Y Moi, “Goes By So Fast”


  • Bobby Shmurda, “They Don’t Know” 


  • Lil Tjay, “Going Up”


  • IDK f/ Denzel Curry, “Dog Food” 


  • Reuben Vincent, “Butterfly Doors” 


  • Tanna Leone, “Fatal Attraction”