In the latest WTF news, Miami police recently unveiled their new Black History Month-themed police cruiser. The unveiling was attended by Miami mayor Francis Suarez and Miami Police Chief Manuel Morales.
According to WSVN, the unveiling took place in front of the Black Police Precinct and Courthouse Museum in Miami’s Overtown neighborhood. The car is wrapped in red, black, and yellow with Black power images and kente patterns. On the back window of the cruiser were the words “Miami Police Supports Black History Month.”
“This is a beautiful collaboration to commemorate Black history and Black History Month and the history of African Americans and our police department and our city,” said Suarez. “This is Black history.”
The Miami police department said that the event was attended by some of Miami PD’s Black officers.
Social media was appalled at the move by Miami PD and let their opinions be known.
During all February games at Barclays Center, the Brooklyn Nets will salute the worldwide collection of communities that comprise the African Diaspora. Each game will have a distinct theme and will contain fan activations, enhanced gaming entertainment, and other features. The Black History Month games are part of the Nets Unite platform, an annual project that aims to encourage unity, celebrate culture, and foster equity by magnifying our diverse community’s rich traditions.
The festivities begin this Saturday, Feb. 4, when the Nets face the Washington Wizards. The national anthem and “Lift, Every Voice & Sing” will be performed by James Hall and the gospel choir Worship & Praise. The Hampton University Marching Force will perform with the Brooklyn Nets Beats drumline during halftime. Several members of the Hampton University Marching Force are Brooklyn natives and Nets Beats drumline grads.
The Nets will honor Caribbean culture and heritage on Monday, Feb. 6, by spotlighting the important work being done by Caribbean pioneers today. Carnival dancers and stilt walkers from The West Indian American Day Carnival Association will entertain supporters on the main concourse before to tipoff. Mia Taylor, a Brooklyn resident, will perform the national anthem, while HoodCelebrityy, a Jamaican singer, will perform during halftime. The first of the Nets’ Black History Month apparel collaborations will also be unveiled at the game on February 6. Visionary Society, a lifestyle brand founded by Diosdado Sima, created the goods collection. Visionary Life, with community at its heart, is inspired by ordinary society and Sima’s personal philosophy: “We Can All Relate.” Sima, who was born in Equatorial Guinea, founded Visionary Society as an extension of himself and his life experiences. The collection will only be sold at Brooklyn Fanatics, the Nets’ team store at Barclays Center.
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On Tuesday, February 7, the team will celebrate African culture and its significant history and cultural influence with cuisine, music, and dance. Wula Drum members will perform at halftime using djembes, a rope-tuned goblet drum played with bare hands that originated in West Africa. The Djembe drum is used to bring people together in West Africa for a variety of reasons, including communication, celebration, and motivation. Kente Cones, a Brooklyn-based African ice cream company, will provide free samples to fans on the main concourse.
The Nets will bring together students and graduates from Historically Black Colleges and Universities (HBCUs) on Thursday, Feb. 9, to commemorate the significant role these institutions have played in influencing generations past, present, and future. During the day, the Nets will conduct an HBCU fair and admissions panel at Barclays Center with representatives from more than 20 HBCUs for local high school students, as well as a pregame HBCU alumni networking event in the arena’s 40/40 Club. Students who want to attend the HBCU expo can find out more at HBCUnight.org. The national anthem will be performed by Kimani Jackson, a Florida A&M alumnus and part of the NY Liberty entertainment team, and halftime will feature a step performance by members of the Divine Nine, a group of historically Black fraternities and sororities. The Nets’ second Black History Month product line, a partnership with HBCU Yearbook, will also make its premiere at this game and will be available exclusively at Brooklyn Fanatics. Caitlyn Davis, an alumna of Florida A&M University, founded HBCU Yearbook.
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On Saturday, February 11, black culture and hip-50th hop’s anniversary will be commemorated. Fans will be able to watch an interactive picture installation from the “Hip-Hop: Conscious, Unconscious” exhibition, which is now on show at Fotografiska New York, throughout the night. Wes Jackson, founder of the Brooklyn Hip-Hop Festival, will deliver the game ball for the night, while musician Coi Leray will perform during halftime.
The Nets will pay tribute to persons from Latin America and the Caribbean with African ancestors on Wednesday, Feb. 15, as part of their ongoing celebration of the African Diaspora. Modelo is sponsoring the event, and fans 21 and above will receive a free gift with purchase at concession stands throughout the arena, while supplies last. Fans will be greeted by the sounds of Tabor y Caa, Afro-Venezuelan drummers, as they enter Barclays Center, while rapper, singer, and songwriter Melii will perform at halftime.
To conclude Black History Month, the Nets will salute Black voices and their musical contributions to Broadway on Tuesday, Feb. 28, with a pop-up activation from the Museum of Broadway showing the history and influence of theatre on the main concourse. Darius Wright, a Broadway performer and artist, will sing the national anthem. At halftime, the Brooklynettes, Team Hype, and Brooklyn Nets Kids will perform a special dance performance.
In addition, the Nets have joined with RISE, a recognized organization whose aim is to create a nation unified through sports, to offer an interactive exhibit during select home games in February as part of their Black History Month celebration. Fans can visit the room on the main concourse to learn about pivotal moments in sports and social justice, as well as significant Black figures in Nets and New York Liberty history.
Fans who want to attend any of the Black History Month games can do so online at brooklynnets.com. Visit netsunite.com for more information about the United Games.
February 2, 1862 Congress abolished slavery in the District of Columbia, an important step on the road to freedom for all Black Americans
1862 was a pivotal year toward ending slavery in America. The bill, S. 108, was referred to the Committee on the District of Columbia which reported it with amendments in February 1862. During the Civil War Charles Sumner, the senior senator from Massachusetts, informed President Lincoln that he was the largest slaveholder. The abolitionist, asked President Lincoln:
Do you know who is at this moment the largest slaveholder in the United States….holds all the slaves of the District of Columbia?
In his question Charles Sumner was referring to the fact that the federal government was empowered in the US Constitution to “exercise exclusive legislation” over the federal district. Abolitionists used what’s known as The DC Compensated Emancipation Act, as a way to end slavery in the nation’s capital.
In December 1861, Henry Wilson, the junior Massachusetts senator, introduced a similar bill in Congress to end slavery in Washington, DC. despite opposition from slaveholders, and the bill passed. The Senate approved the bill on April 3, 1862 by a vote of 29 to 14, and the House of Representatives on April 12, 1862. President Lincoln signed the legislation on April 16, 1862.
The legislation was titled,“An Act for the Release of Certain Persons Held to Service or Labor in the District of Columbia”; it freed the 3,100 men, women, and children who were still enslaved in 1862. The act also allowed for slaveowners to be compensated up to $300 for each individual they had legally owned. In addition, newly-freed African Americans could receive up to $100 if they chose to emigrate to another country.
As we reflect on Black History this month, let us remember the great steps that have been taken toward the freedom of Black Americans today.
These days, music nostalgia is showing up in more ways than one. As recording stars like Lady Gaga have older songs finding success in the present day, others like Gwen Stefani are considering reuniting with her former bandmates after years of being on a hiatus. But, between the sheer force that is TikTok sounds and the professional pressures recording artists feel to obtain commercial success, when monitoring the Billboard Hot 100 charts, it is hard not to come across a few dozen songs that aren’t flooded with easily recognizable samples.
Many music purists argue that sampling is a creative cop-out, but when intentionally done, sampling is one of the easiest ways to reintroduce legacy acts into music’s forever-changing ecosystem. For some artists (or their estates), it can prove lucrative.
The world of music theory and overall music production is vast, so a few terms need to be defined to add context to this list. “Sample” as a term is often thrown around loosely, but to clarify in terms of this list: Generally put, there are two things people mean when they use the term. A true “sample” is using part of an original recording, whether it’s clipped, slowed, sped up, or played in reverse. Meanwhile, interpolation is the reproduction of an element of the original recording, such as quoting lyrics or having musicians replay melodic elements of the underlying instrumental. For a breakdown, check out Uproxx’s interview with Naima Cochrane.
With tens of thousands of songs to choose from, the songs selected for this list adhered to a strict set of qualifying factors. First, all samples that appear on the songs listed below must be billed to a Black recording artist’s discography (across the diaspora). Next, the newer song, which includes the older sample, must have been released in the last 20 years (2003 and beyond). Next, cover songs were not considered. Finally, the songs on this list were screened for quality control metrics, including the creative way the sample was used, how prominent the featured sample is integrated into the newer song, and the overall quality of the newer song. These samples were verified by WhoSampled.com’s online database.
So, without further ado, here are the best uses of samples (over the last 20 years) in alphabetical order according to the artist.
50 Cent – “21 Questions” feat. Nate Dogg
Before 50 Cent (real name Curtis Jackson) became a dominant force behind some of today’s popular television programming, he ran the rap music charts. His debut studio album, Get Rich Or Die Tryin’ is considered by many rap critics to be one of the most impactful hip-hop debut projects of all time. Jackson is no stranger to sampling or being sampled, but his song “21 Questions” stands head and shoulders above all others. On “21 Questions,” Jackson’s use of the instrumentation of Barry White’s 1978 song “It’s Only Love Doing Its Thing” is thoroughly blended across the song, serving as the ideal backdrop to the gangster love song.
A Boogie Wit Da Hoodie – “Look Back At It”
Bronx rapper A Boogie Wit Da Hoodie is one of the leaders of New York’s music scene within the new school. A Boogie acknowledges his heightened status by lending his platform to his home state’s rising acts, including Lola Brooke. The rapper has a string of popular songs, including “Drowning” and “Jungle,” but none stand out quite like “Look Back At It.” What makes the song so irresistible? Michael Jackson. Both Michael Jackson’s 1991 song “Remember The Time” and 2001’s “You Rock My World” were sampled in this track.
Beyoncé – “Naughty Girl”
Beyoncé, affectionately referred to by super fans as Queen Bey, is a music veteran (as she reminds us in the lyric, “since 15 in my stilettos, been struttin’ in this game” heard on “Diva”). The Houston native serves as an inspiration to many of today’s musicians. However, as seen on her latest album, Renaissance, she also finds inspiration in other musicians. In “Summer Renaissance,” she samples Donna Summer’s 1977 song “I Feel Love,” but this wasn’t the first time the Ivy Park boss pulled in music for Summer.
On her debut solo album, Dangerously In Love, she also sampled the late pop superstar on the single “Naughty Girl.” The sensual song pulls from Summer’s 1975 song “Love to Love You Baby,” a masterclass on how to reuse and remix a wildly popular song while respecting the original artist’s work. Honorable mention to Beyoncé’s song “Church Girl,” which samples The Clark Sisters’ 1981 song “The Center of Thy Will.”
Burna Boy – “Last Last”
Last year, international acts dominated the American music market. One of those acts near the front of the pack was none other than Burna Boy. The self-proclaimed African Giant has a strong hold on the West African music space as a native of Nigeria. The musician did see success in countries outside of the continent, but with the release of his single, “Last Last,” his international fame was cemented. The song samples Toni Braxton’s 200o song “He Wasn’t Man Enough.” With just a few vocal adlibs from Toni and under 30 seconds of Rodney “Darkchild” Jerkins’ original production, Burna and his frequent collaborator Chopstix reimagined the beloved R&B track with a fresh Afrobeat perspective.
Cardi B – “Bickenhead”
On her debut album Invasion Of Privacy, Cardi brings in quite of few iconic samples. Her strongest display of sampling is heard on the smash single “I Like It,” featuring Bad Bunny and J Balvin. However, because the sample used is Pete Rodríguez’s 1966 song “I Like It Like That (A Mi Me Gusta Asi),” it won’t make this list as Rodríguez does not identify as Afro-Latino. But her song “Bickenhead,” also on the album, is certainly a close second. The song samples Oscar Award-winning rapper Project Pat (of Three 6 Mafia). Pat’s 2001 song “Chickenhead” featuring La Chat served as the inspiration behind Cardi B’s track.
Childish Gambino – “Redbone”
A prime example of Donald Glover’s (also professionally known as Childish Gambino) homage to past artists is his 2016 song “Redbone.” The song has been featured in nearly every industry adjunct to music, including television, film, and video games. But what do you expect when funk legend Bootsy Collins is involved? The track interpolates elements of the 1976 song “I’d Rather Be With You” by Bootsy’s Rubber Band.
Chris Brown – “She Ain’t You”
On “She Ain’t You,” Chris Brown walked a creative tightrope, showing love to Michael Jackson, one of his biggest inspirations, while making the track his own. The song samples SWV’s 1992 song “Right Here (Human Nature Remix),” which is also a sample of Michael Jackson’s 1982 song “Human Nature.” While the harmonies and instrumentation remained the same, Brown took the right creative liberties to make it his own.
City Girls – “Twerk” feat. Cardi B
Quality Control’s dynamic duo City Girls entered the rap scene like a bull in a china shop, wrecking sh*t. Thanks to some brilliant music choices, the group has carved a lane for themselves. As proud Liberty City representatives, they’ve paid homage to Florida greats like Luke and Trina in their music. But their strongest sample to date is undisputedly heard in their song, “Twerk,” featuring Cardi B. Pulling in samples from both James Brown’s 1976 song “Get Up Offa That Thing” and Choppa’s 2003 song “Choppa Style,” no dance floor has been safe since its release. Their 2018 song “Take Yo Man,” which samples Salt-N-Pepa’s 1986 song “I’ll Take Your Man,” and Jacki-O’s 2004 song “Fine,” deserves an honorable mention.
Coi Leray – “Players”
Coi’s latest single, “Players,” highlights her knowledge of hip-hop’s roots. The track samples Grandmaster Flash and The Furious Five’s 1982 song “The Message.” With assistance from TikTok’s flourishing mashup culture, Coi’s song has gained a life of its own. The strongest of those remixes comes from DJ Smallz 732. DJ Smallz 732’s Jersey club mashup showcases just how tapped in Coi is, as she quickly embraced the TikTok, going back to her home state to film an accompanying music video.
Drake – “Nice For What”
Drake is the king of embracing new artists and sounds. So much so, that critics consider his acceptance of every new trend serves as a detriment. But when it works, it works. Drizzy pulls inspiration from all around the globe into his music, but his best use of a sample to this day features American recording artists. Lauryn Hill’s 1998 song “Ex-Factor” serves as the sample foundation for Drake’s “Nice For What,” while the Big Tymers’ 2000 song “Get Your Roll On” is the cherry on top.
Fat Joe, DJ Khaled, and Amorphous – “Sunshine (The Light)”
Before he found a passion for media commentating or ever thought to write a book, Fat Joe was one of the Bronx’s biggest rappers. Over his decorated career, the Terror Squad head honcho had the pick of the liter when it came to guest features. However, sometimes instead of the artist picking a well-known collaborator, it’s important to work with newer acts. When DJ and producer Amorphous’ mashup of Rihanna’s 2016 song “Kiss It Better” and Luther Vandross’ 1981 song “Never Too Much” became a viral smash, Fat Joe knew he had to act. Bringing in DJ Khaled, the trio pumped out Fat Joe’s song “Sunshine (The Light),” his best incorporation of a sample in his music to date.
French Montana – “Pop That” feat. Lil Wayne, Drake, and Rick Ross
The Moroccan-American rapper has a string of smash songs, but the crown may have to go to his song “Pop That,” featuring Lil Wayne, Drake, and Rick Ross. The song was everywhere, which made it difficult to escape, but why would you want to? The remixes to the track also hit, especially the Jersey Club version. The song samples Luke’s 1992 song “I Wanna Rock” and Tyga’s 2011 song “Lap Dance,” which made it the ultimate strip club anthem.
Future – “Mask Off”
Atlanta native Future is a strange case when it comes to sampling. Although his 2018 guest verse on Jay Rock’s song “King’s Dead” featuring Kendrick Lamar and James Blake became a running joke across social media due to his quote from Juicy J’s 1993 song “Slob On My Knob,” in his song “Mask Off,” his use of Carlton Williams’ 1976 song “Prison Song” is without a doubt great.
Kanye West – “Through The Wire”
In recent times, Kanye West has been as cuddly as a porcupine. But before he was viewed as public enemy number one, West was a highly sought-after producer even before he had a smash single to his name. With his unique ear for music, West has almost always incorporated samples of all varieties into his own solo music as well as the work he’s produced for others. Of those multiple dozen uses of samples, his debut single, “Through The Wire,” which samples Chaka Khan’s 1984 song “Through The Fire” and OutKast’s 1993 song “Player’s Ball,” edges out all others by a thin margin.
Kehlani – “In My Feelings”
Singer Kehlani is another example of a singer that often pulls in vibrant blasts from R&B’s past in their work. Before Kehlani had several studio albums to their name, their mixtape releases made a huge impact not only in R&B music but rap as well. However, speaking of their studio albums, Kehlani will often seek out guest verses from more veteran singers, but on “In My Feelings,” they stuck to good ole classic sampling. The breakout single samples one of R&B music’s most celebrated groups New Edition. The track samples their 1988 song “If It Isn’t Love.”
Kendrick Lamar – “King Kunta”
Then there’s Kendrick Lamar. The Compton native’s usage of samples has earned him not only multiple Grammy Awards but a Pulitzer Prize. As a mentee of Dr. Dre, the king of sampling in hip-hop, Kendrick has laser focus when it comes to finding the perfect song to complement his art. His intricate blending of these researched references displays his deep knowledge of music across genres. There are several honorable mentions you could make, but let’s just stick with his 2018 song “King Kunta,” which contains six samples (most notable being Curtis Mayfield’s 1974 song “Kung Fu,” James Brown’s 1973 song “The Payback,” and Ahmad’s 1994 song “We Want The Funk”).
J. Cole – “G.O.M.D.”
Across his decade-plus career, J. Cole has experimented with several sounds all while paying homage to some of music’s heavyweights. So, Cole has quite a few great sample honorable mentions, including his use of Hubert Laws’ 1972 song “No More” on Cole’s 2013 song “Power Trip” featuring Miguel. Also, his use of Fela Kuti and the Afrika ’70s’ 1973 song “Gentleman” and Nas’ 1999 song “Nas Is Like” in his 2013 song “Let Nas Down” can’t go ignored. But his strongest sample use can be heard in his song “G.O.M.D.,” which samples Branford Marsalis’ 1992 song “Berta, Berta.”
Jennifer Lopez – “All I Have” feat. LL Cool J
At this point in time, Jennifer Lopez is probably more known for her filmography than her music, but initially entering the acting world playing the late Selena Quintanilla Pérez, Lopez is no stranger to using art to pay homage to another musician. Her song “All I Have” featuring LL Cool J may not be her most popular song, but is certainly her best use of a sample. The track samples Debra Laws’ 1981 song “Very Special.”
Lucky Daye – “Over”
Although his discography is still growing, the singer does have a few standout uses of samples. The best of those showings hands down is heard in his song “Over.” Sampling Musiq Soulchild’s 2002 song “Halfcrazy,” Daye pours his all into the track, and it certainly paid off. Honorable mention to his 2020 song “Shoulda” featuring Babyface. The track samples Toni Braxton’s 1992 song “Love Should Brought You Home,” also produced by Babyface.
Nelly – “Dilemma” feat. Kelly Rowland
Featuring Kelly Rowland, “Dilemma” was inescapable in the early 2000s, and that hasn’t changed in all these years. Thanks to Gen Z’s obsession with the song, Nelly found himself occupying the top trending sounds on the application for quite a while. The song samples legendary vocalist Patti LaBelle’s 1983 song “Love, Need and Want You” as well as D-Train’s 1986 song “Misunderstanding.”
Nicki Minaj – “Super Freaky Girl”
Nicki earned her first solo No. 1 with “Super Freaky Girl.” The song samples the late Rick James’ 1981 song “Super Freak.” Throughout the track, James’ vocals are weaved in and out as Minaj does what she does best. The song also features James’ addictive funk instrumentation. This isn’t the first time Minaj has used a sample in this way; her 2014 song “Anaconda,” which samples Sir Mix-a-Lot’s 1992 song “Baby Got Back,” follows the same format.
Saweetie – “Tap In”
In just a few short years, Bay Area representative Saweetie rose to prominence. Her keen marketing skills and vibrant personality online quickly earned her a dedicated social media following. Known as to go-to musician influencer, Saweetie has become the face of several brand deals and advertisements. But the face of her town area belongs to rappers Too Short and E-40. As a way to pay homage to her standing grounds and Too Short, in her song “Tap In” she samples Short’s 2006 song “Blow The Whistle.”
Summer Walker – “Come Thru” feat. Usher
Summer Walker is one of R&B music’s most impactful acts. Although she feels that she is often overlooked by award shows, that hasn’t stopped R&B lovers from running her streaming numbers through the roof, landing on the Billboard Hot 100 charts for weeks at a time. On her debut studio album, Over It, the single “Come Thru” featuring Usher, Walker, and producer London On Da Track created magic. The song shows how to blend legacy acts with rookie talent with integrity. “Come Thru” samples Usher’s 1997 song “You Make Me Wanna.”
Wale – “Break Up Song”
Wale is the uncrowned king of sampling in rap music. The DMV-representer has found a way to incorporate some of his favorite artists into his music beyond guest features. From his meteoric mixtape run to his studio releases, Wale never passes up on the opportunity to incorporate a sample of some sort in his music. His 2010 song “Break Up Song,” samples Stevie Wonder’s 1980 song “All I Do.”
Usher – “Throwback” feat. Jadakiss
Casual music fans without knowledge of R&B may only recognize the singer Usher from his viral “watch this” gif pulled from his appearance on NPR’s Tiny Desk Concert series. But for avid lovers of the genre, the Atlanta native is one of the sound’s leading voices. Usher has already appeared on this list as a featured artist on Summer Walker’s song “Come Thru,” as the track sampled his 1997 song “You Make Me Wanna.” But, Mr. Raymond has a few notable samples sprinkled throughout his discography. His 2004 song “Throwback” featuring Jadakiss, however, is arguably the most creative use of one. On the song, Dionne Warwick’s 1973 song “You’re Gonna Need Me” serves as the track’s anchor.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Throughout Black history, Black people have fought back against constant oppression. Those moments include acts of police brutality, most evident recently by the killing of Tyre Nichols at the hands of the Memphis Police department.
Five Memphis police officers have been fired and charged with the murder of Nichols. Nichols was pulled over by officers on Jan. 7 and died shortly after the encounter.
The fired officers are Tadarrius Bean, Demetrius Haley, Emmitt Martin III, Desmond Mills Jr., and Justin Smith. They are all in Shelby County Jail for participating in the incident leading to Nichols’ death, charged with a variety of crimes ranging from official misconduct to second-degree murder.
The incident occurred ahead of and continues into Black History Month 2023, eliciting statements from civil rights figures the likes of civil rights attorney Ben Crump, who is representing the families, and African American Mayors Association.
With another case of police brutality facing our community, reacting with the desire to enact change, the Association for the Study of African American life and History has announced the theme for this 2023 Black History Month.
Below is an excerpt from the ASALH below on the theme, Black Resistance.
African Americans have resisted historic and ongoing oppression, in all forms, especially the racial terrorism of lynching, racial pogroms, and police killings since our arrival upon these shores. These efforts have been to advocate for a dignified self-determined life in a just democratic society in the United States and beyond the United States political jurisdiction. The 1950s and 1970s in the United States was defined by actions such as sit-ins, boycotts, walk outs, strikes by Black people and white allies in the fight for justice against discrimination in all sectors of society from employment to education to housing. Black people have had to consistently push the United States to live up to its ideals of freedom, liberty, and justice for all. Systematic oppression has sought to negate much of the dreams of our griots, like Langston Hughes and Zora Neale Hurston, and our freedom fighters, like the Rev. Dr. Martin Luther King, Jr., Septima Clark, and Fannie Lou Hamer fought to realize. Black people have sought ways to nurture and protect Black lives, and for autonomy of their physical and intellectual bodies through armed resistance, voluntary emigration, nonviolence, education, literature, sports, media, and legislation/politics. Black led institutions and affiliations have lobbied, litigated, legislated, protested, and achieved success.
In an effort to live, and maintain and protect economic success Black people have organized/planned violent insurrections against those who enslaved them, such as in Haiti,, and armed themselves against murderous white mobs as seen in Memphis, TN (1892), Rosewood, FL (1923), and New Orleans, LA (1900). Additionally, some Black people thought that the best way to resist was to self-liberate as seen by the actions those who left the plantation system, of Henry Adams and Benjamin “Pap” Singleton, when they led a mass exodus westward in 1879 and Bishop Henry McNeal Turner of the African Methodist Episcopal Church, who organized emigration to Liberia.
Black faith institutions were spaces where Black communities met to organize resistance efforts, inspired folk to participate in the movements, and offered sanctuary during times of crisis. To promote awareness of the myriad of issues and activities media outlets were developed including radio shows, podcasts, newspapers (i.e. Chicago Defender, Chicago Bee, the Afro, The California Eagle, Omaha Star, the Crisis, etc.). Ida B. Wells used publications to contest the scourge of lynching. These outlets were pivotal in sharing the successes and challenges of resistance movements.
You can read the full Resistance theme introduction here.
Today marks the start of the 46th year of celebrating Black History Month. This tradition originally began as “Negro History Week.” Dr. Carter G. Woodson felt that African Americans were not being educated enough about their ancestors’ achievements and history, so he started the historical celebration in 1926.
For assistance in spreading the word about “Negro History Week,” which took place in February 1926, Woodson went to his fraternity, Omega Psi Phi. Given that both Abraham Lincoln and Fredrick Douglass share a birthdate in February, Woodson decided for that month over all others in the calendar year.
The Woodson idea was adopted by institutions and groups all around the country. Woodson, however, had trouble locating course materials and creating a curriculum. Woodson came to the conclusion that a week of festivities was insufficient to adequately recognize the accomplishments of the past. Woodson starts to push for the expansion of Negro History Week in the early 1940s.
Dr. Woodson was born to former slaves James and Eliza Riddle Woodson in Dec. 1875. Early in his life, he worked on the family farm and in the Kentucky coal mines, beginning his education at 20 and graduating high school in less than two years. Woodson would earn a Bachelor of Arts and Master’s Degrees from the University of Chicago in 1908. He would later achieve his Ph.D. from Harvard University in 1912. He would go on to teach at Howard University in Washington, D.C., and the city’s branch of the NAACP. After a disagreement with their policies, Woodson moved on to found the Association for the Study of Negro Life and History, which published The Journal of Negro History in 1916, leading to Negro History Week.
Dr. Carter G. Woodson passed away from a heart attack on April 3, 1950. More individuals started to support the idea that Black History Month should be extended as Black history continued to be important in the community, and issues like civil rights and The Black Panthers came to light in the 1960s. The Association for the Study of African American History decided to officially change the week-long celebration to a month on the occasion of the 50th anniversary of the week in question, naming February Black History Month.
Last year on the first day of Black History month, at least a dozen Historically Black Colleges and Universities received bomb threats, causing the schools to either evacuate or dismiss classes for that day altogether, showing the relentless commitment to racism in this country, especially towards its specialized, secondary learning institutions.
**From the report dated Feb 1, 2022**
The FBI is actively investigating bomb threats at the following schools: Mississippi Valley State University, Morgan State University, Alcorn State University, Tougaloo College, Jackson State University, Kentucky State University, Fort Valley State University, Howard University, Xavier University, The University of the District of Columbia, Spelman College, and Edward Waters University.
According to the report, Morgan State closed their campus for the day(February 1) due to the alleged threat.
The FBI released a statement via USA Today about the bomb threats which read, “The FBI is aware of the series of bomb threats around the country and we are working with our law enforcement partners to address any potential threats. As always, we would like to remind members of the public that if they observe anything suspicious to report it to law enforcement immediately.”
Having a Barbie Doll has become a staple in almost all of our lives. So when we saw that Harlem Fashion Row and Barbie partnered to launch doll-sized replicas of the designs from renowned Black fashion creatives. The Collaboration puts a spotlight on The Black Designers: Hanifa, Rich Fresh, and Kimberly Goldson. making the Barbie brand one of the most diverse doll companies in the world. HFR made the announcement and showed pics of the dolls wearing the must-have looks for the season on social with a caption that reads: HFR’s mission from the very start (15 years ago), has been to introduce and support multicultural designers. We are SO thrilled to partner with brands like @barbiestyle who believe in our mission. “I’m excited that Harlem’s Fashion Row gets to play a part in widely diversifying their style too. With this Black History Month collaboration, Black designers Hanifa, Rich Fresh, and Kimberly Goldson give Barbie fresh-off-the-runway appeal with their unique style aesthetics.” Says HFR’s CEO Brandice Daniel.
These one-of-a-kind designer dolls will be auctioned off to benefit @HarlemsFashionRow’s non-profit organization #ICON360 which provides financial resources and professional development to Black designers and HBCU fashion programs. For more info visit hfricon360.com
Join us in celebrating the work of these three designers in the comments!