Sorry, BeyHive, but if you’re going to catch a screening of Beyoncé’s new movie Renaissance: A Film By Beyoncé, there are some rules you’re going to have to follow. Knowing how the singer’s fans went all-out to see the actual tour concerts on which the film is based, AMC Theaters wants to keep screenings enjoyable for those who just want to see a movie without the extras (those party poopers).
On its website, AMC has posted a “What To Know Before The Show” page encouraging theater attendees to dress up and show their Renaissance spirit, but also requested some decorum.
Obviously, the theater chain doesn’t want viewers taking photos or recording during the movie (which will undoubtedly happen anyway), but also notes that if parts of your outfit might block the screen, such as headwear, angel wings, or other accessories, you should take them off. Also, because it is a musical film, AMC appears to be okay with singing and dancing along, so long as the exits remain clear and other guests aren’t being prevented from seeing the screen.
The film is almost as long as Avengers: Endgame with a runtime of two hours and 48 minutes, so AMC recommends planning those bathroom breaks accordingly (and, it should go without saying, rationing the extra large soda). To see the full list check out AMC’s guidelines here.
Beyoncé’s new movie Renaissance: A Film By Beyoncé is out and with it, came a new song, “My House,” which appears in the credits. “My House” finds Beyoncé in “full rap mogul” mode, barking aggressive, boastful rhymes asserting her dominance. While it’s a bit of a departure from many of the dance-centric cuts that appear on her latest album Renaissance, it’s not the first time Beyoncé has shown off some impressive rap skills in addition to her always awesome singing abilities.
Here are 10 more of Beyoncé’s best rapping songs.
“No, No, No Part 2” With Destiny’s Child (1998)
While there are some who wouldn’t consider Beyoncé’s early work with Destiny’s Child to exemplify traditional rap structure, Beyoncé’s playful blending of R&B vocals with hip-hop delivery could be seen even then. It also turned out to be prescient; these days, the line between rap and R&B is blurrier than ever thanks to artists like Drake and those he’s inspired. Just look at SZA’s “Kill Bill” and “Snooze” — without Beyoncé, who’s to say there’d have been space for that style to flourish on the charts the way it has this year?
“Temptation” With Destiny’s Child (1999)
Although “Say My Name” is often considered the moment when Beyoncé perfected her rap-like, staccato singing style, another song from the same album, The Writing’s On The Wall, features a much more direct rapping delivery. hip-hop history has a proud tradition of storytelling tracks running through it, and with a bit of contextualization, “Temptations” fits right in.
“If Looks Could Kill You’d Be Dead”
Okay, go with me here. In 2001, MTV launched a made-for-TV film called Carmen: A Hip Hopera. It is exactly what it sounds like: a rap-ified version of the 1875 opera Carmen (or at least of Carmen Jones a 1954 musical loosely based on it). As the titular character, Beyoncé has two jobs: Looking gorgeous enough to prompt half the male cast to try to kill each other (check), and keep up with Mos Def, which she does admirably on her introductory number.
“Diva” (2008)
In 2008, producer Bangladesh had two of the biggest bangers of the year: “A Milli” by Lil Wayne and “Diva” by Beyoncé. While they employ a similar production style, the two performers used completely different rap approaches. Rather than using one to discount the other, the correct way to read this is acknowledging
just how versatile rap can be at its best.
“Partition” (2013)
On this standout from Beyoncé’s self-titled album, she leans fully into a swaggy rapper persona — the one she’ll end up using right to today. Her signature Houston drawl elongates the rhymes, harkening back to one of her home state’s most iconic bar-spitters, Pimp C.
“7/11” (2014)
“But she’s just repeating the same words over and over!” you may protest.
Ahem… No one questioned this when Lil Uzi Vert did it on “Do What I Want” (sure, some folks hated it but no one tried to take the rapper title away from him). If you think about it this way, Beyoncé kind of opened the door for Playboi Cart. He should send her a note.
“Feeling Myself” Nicki Minaj Feat. Beyoncé (2014)
On one of the first songs where Beyoncé went bar-for-bar with an actual rap peer, she not only kept up with Ms. Minaj — she darn near stole the whole show.
“Top Off” DJ Khaled Feat. Jay-Z, Future & Beyoncé (2018)
Beyoncé had collaborated with her husband Jay-Z a number of times in the prior decade but on DJ Khaled’s Father Of Asahd, for the first time, she endeavored to actually out-rap him. Whether or not she accomplished that mission is up to the listener’s taste but it wouldn’t be too hard to argue that that’s exactly what she did.
“Apesh*t” As The Carters With Jay-Z(2018)
Apparently, Bey and Jay had so much fun trading bars on “Top Off,” they decided to do it for a whole project on their group album Everything Is Love as The Carters. Once again, she arguably gets the best of him on the lead single, rattling off some of the most memorable punchlines on track.
“Savage (Remix)” With Megan Thee Stallion (2020)
In 2020, at the height of the pandemic, Beyoncé almost single-handedly gave fans the blueprint for survival, making OnlyFans a household name in the process.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Are you ready for the renaissance? If you’re not, you will want to steer clear of all AMC theatres. Today (December 1), Renaissance: A Film by Beyoncé hit the cineplex in all its glory, and the Beyhive will surely attend in droves.
From the massive final setlist of songs, breakouts showcasing Beyoncé’sRenaissance World Tourrobust featured dancers, the Mute Challenge spotlight, and plenty of cameos of Blue Ivy Carter (a.k.a. her mother’s unofficial manager), you’re going to want to make sure your commemorative popcorn bucket is filled to the brim. The Renaissance: A Film by Beyoncé’s runtime is a doozy. According to the details listed on the AMC Theatres webpage, dedicated to the concert movie, the official runtime is 2 hours and 48 minutes.
Before you rethink getting a ticket to the film, Oscar-nominated director Ava DuVernay took to Instagram to praise the visual. “The woman is a director in every sense of the word and beyond,” she wrote. “In the film, the performances are spectacular for their entertainment value but also as a gorgeous spectacle of craft – from the art direction to the costumes to the editing and lighting design. It’s stunning.”
Michael Blackson has an opinion on Beyoncé’s new look. TMZ caught the comedian at LAX and he spoke about the social media reaction, stating Queen Bey was just trying to give JAY-Z something different.
“Beyoncé is one of the most proud to be Black woman on Earth,” Blackson said. “JAY-Z probably wanted to see something else in bed. He can’t cheat no more. So now she like ‘listen, I’ll give you another woman.’ She doing this for JAY-Z.”
But Mike better hope Ms. Tina don’t hear about his comments.
Tina Knowles, Beyoncé’s mom, is coming to the singer’s defense after haters were critical of her complexion in a picture from the Renaissance film premiere.
Beyoncé was photographed in a stunning head-to-toe silver look, which Versace created. Some pockets of the Internet questioned Queen Bey’s skin tone, accusing her of skin bleaching and attempting to be lighter in complexion or white.
“How sad is it that some of her own people continue the stupid narrative with hate and jealousy. Duh, she wore silver hair to match her silver dress as a fashion statement clown,” Knowles wrote. “ALIEN Superstar duh! What’s really sad is that a white woman had the audacity to reach out to Neal Beyonces hairstylist she was from TMZ to say that the fans are saying that she wants to be white and she wanted to get a statement about it from Neal. Well that made, my blood boil , that this white woman felt so entitled to discuss her blackness.”
Beyoncé continued the silver trend of the Renaissance tour at the premiere of her movie, Renaissance: A Film by Beyonce. Hitting the Academy of Motion Picture Arts and Sciences’ Samuel Goldwyn Theater in Beverly Hills, California, Mrs. Carter had silver hair.
According to Billboard, Beyoncé didn’t walk the red carpet but attended the screening with her family.
Beyoncé’s publicist, Yvette Noel-Schure, shared a photo of the stunning singer on Instagram. Beyoncé was then celebrated for Donatella Versace for the picture in which she wore a Versace dress.
“@beyonce, you are a vision in Versace. You are unique,” Versace wrote. “One of one, the number one, the only one!!! I can’t wait to see the Renaissance tour movie”
At the 2023 Grammys, Beyoncé became the most awarded musician in the ceremony’s history. One of those coveted wins was historic all on its own. The “My House” singer’s latest album, Renaissance, got a win for Dance/Electronica Album, making her the first Black woman and second Black person to take home the gramophone.
The supporting Renaissance World Tour also contributed to another award win for Beyoncé during the 2023 Billboard Music Awards. Now, the complimentary concert film is set to break box office records. According to Pitchfork, live renditions of songs from Beyoncé’s Dangerously In Love, B’Day Deluxe, I Am… Sasha Fierce, Homecoming, The Lion King: The Gift soundtrack, and, of course, Renaissance made it into the final motion picture. View the songs featured in Beyoncé’s new Renaissance concert Movie below.
Renaissance: A Film by Beyoncé Setlist
1. “Dangerously in Love 2”
2. “Flaws and All”
3. “I’m That Girl”
4. “Cozy”
5. “Alien Superstar”
6. “Lift Off”
7. “Cuff It”
8. “Energy”
9. “Break My Soul” (original and “The Queens” remix)
10. “Formation”
11. “Diva”
12. “Run the World (Girls)”
13. “My Power”
14. “Black Parade”
15. “Savage” Feat. Megan Thee Stallion
16. “Partition”
17. “Church Girl”
18. “Get Me Bodied”
19. “Before I Let Go” (Maze cover)
20. “Crazy in Love”
21. “River Deep, Mountain High” (Tina Turner tribute)
22. “Love Hangover” (Diana Ross Intermission)
23. “Plastic Off the Sofa”
24. “Virgo’s Groove”
25. “Naughty Girl” (“Love To Love You Baby” by Donna Summer medley)
26. “Move”
27. “Heated”
28. “Kitty Kat”
29. “Thique”
30. “All Up in Your Mind”
31. “Drunk in Love”
32. “America Has a Problem” Feat. Kendrick Lamar
33. “Pure/Honey”
34. “Summer Renaissance”
Renaissance: A Film By Beyoncé is in theaters now. Find more information here.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
The Beyhive is losing it over Beyoncé‘s new concert film and documentary Renaissance: A Film By Beyoncé. Many fans have already gone out to early screenings of the film, which offers a look at her creative process in addition to her incredible performances throughout the Renaissance World Tour. And as she is known to do, Beyoncé included another surprise for the fans at the end of the movie.
During the end credits, fans can hear “My House,” a new song from Queen Bey, which features her going into full rap mode. Driven by triumphant horns, “My House” shows a new side of Beyoncé, as she turns up the heat by way of scorching bars.
“Me and my thug bae gon’ slide tonight / Paparazzi ain’t got clips to hide tonight / Cash out this plane jet, call Lorraine / And take the Tiffany, I want forty-four karats on my fangs / I want pink diamonds on my belly chains and my nipple rings,” Bey raps on the song’s opening verse.
At the time of writing, it is unknown if “My House” will appear on an upcoming Beyoncé album, if it is a standalone single, or a leftover track from the Renaissance sessions.
Fresh off the cinematic triumph of her latest film, Renaissance: A Film by Beyoncé, the Queen Bey herself is back with a surprise for her fans. A brand new track titled “My House.” This release marks Beyoncé’s first release in music since the drop of her groundbreaking album, Renaissance, last year. And she’s not just testing the waters; she’s diving in headfirst, showcasing her bars. The melody is driven by horns and a relentless beat. “My House” throws listeners into uncharted territory as Beyoncé boldly embraces rap with scorching bars that set the track ablaze. While fans have witnessed her versatility across genres, this unexpected dive into full-on rap mode is a testament to her willingness to push boundaries and defy expectations.
The track’s release comes as no coincidence, seamlessly tied to the debut of Renaissance: A Film by Beyoncé in theaters. Serving as the cinematic backdrop, “My House” adds an extra layer of intensity and anticipation to the film. Beyoncé’s journey into rap isn’t just a sonic experiment; it’s a declaration of artistic evolution. The songstress, known for her powerful vocals and commanding presence, showcases a different dimension of her musicality. “My House” is more than just a track; it’s a statement that Beyoncé continues to reinvent herself, refusing to be confined by the expectations set by her previous works.
In a year that has seen Beyoncé break records as the artist with the most Grammy wins of all time, “My House” reinforces her status as an unstoppable force. The surprise release follows the album’s initial single, “Break My Soul,” and adds another layer to the enigma of Renaissance.
As fans eagerly dive into “My House,” they are met with a Beyoncé who is not only unafraid to embrace rap. But does so with a level of finesse that solidifies her standing as a true icon. With no accompanying music videos for any of the album tracks prior to its release, Beyoncé continues to keep fans on the edge of their seats. Proving that her ability to captivate extends far beyond the confines of conventional music releases. “My House” is not just a song; it’s an experience, a sonic adventure that showcases Beyoncé’s ever-expanding artistry.
Quotable Lyrics:
Me and my thug bae gon’ slide tonight (Slide tonight) Call the paparazzi, ain’t got clips to hide tonight (Boom, pow) Cash out this plane jet, call Lorraine (Swipe) Then take me to Tiffany, I want forty-four karats on my fangs (Bling, ah) I want pink diamonds on my belly chain and my nipple rings (Grrah) I’m grabbin’ grain, sippin’ sideways on this
Taylor Swift and Beyoncé have been pitted against each other this year, since their respective tours, The Eras Tour and Renaissance, have been the biggest concert events of 2023. It doesn’t feel like Swift and Beyoncé themselves see each other as adversaries, though. In October, Beyoncé made a surprise appearance at Swift’s premiere for her Eras Tour concert movie.
Now, the shoe is on the other foot: Beyoncé’s own film chronicling her own massive tour (dubbed Renaissance: A Film By Beyoncé) is premiering in London today (November 30), and it has been rumored that Swift was planning to show up. TMZ reported earlier today that Swift hopped on a private jet bound for London, and it appears that’s the truth: The UK premiere is getting underway, as photos and videos of Swift on the red carpet are starting to surface on social media.
Swift posed for photos and videos with fans in attendance while rocking an outfit featuring a sparkling silver Balmain gown, jewelry via Anita Ko, and shoes from Giuseppe Zanotti.
Tina Knowles, mother of Beyoncé and Solange Knowles, took to Instagram to defend her daughter against the backlash she received for her appearance at her Renaissance: A Film By Beyoncé premiere. Fans flooded social media with comments, accusing Queen Bey of bleaching her skin. This prompts the question: Why do Black prominent figures face constant scrutiny regarding their Blackness?
Ms. Tina Fires Back At Haters
On Nov. 25, the premiere of Queen Bey’s Renaissance: A Film By Beyoncé occurred, marking the upcoming release of the “CUFF IT” singer’s highly anticipated film on December 1. During the premiere, Beyoncé was donned in silver and chrome Versace attire with platinum silver hair, leading some social media users to accuse her of bleaching her skin and being “whitewashed.”
“Beyoncé, you are a vision in Versace. You are unique. One of one, the number one, the only one!!! I can’t wait to see the Renaissance tour movie.” Donatella. pic.twitter.com/bF1NOGDkxl
“She does a film, called the renaissance, where the whole theme is silver with silver hair, a silver carpet, and suggested silver attire and you bozos decide that she’s trying to be a white woman and is bleaching her skin? How sad is it that some of her own people continue the stupid narrative with hate and jealousy. Duh, she wore silver hair to match her silver dress as a fashion statement clown. ALIEN Superstar duh! What’s really sad is that a white woman had the audacity to reach out to Neal Beyonces hairstylist she was from TMZ to say that the fans are saying that she wants to be white and she wanted to get a statement about it from Neal.. lWell that made, my blood boil, that this white woman felt so entitled to discuss her blackness. What’s really most disappointing is that the some Black people yes you bozos that’s on social media. Lying and faking and acting like you’re so ignorant that you don’t understand That black women have worn platinum hair since the Etta James days. I just went and looked at all the beautiful talented black celebrities who have worn platinum hair and it has been just about everyone of them at one time or another. Are they all trying to be white? I am sick and tired of people attacking her.”
Following Tina calling out those diminishing her daughter, users had much to say regarding her recent comments.
One user named @MJFINESSELOVER wrote, “I’m glad Mama Trina DRAGGED all of the bozos and losers, who were accusing Beyonce of bleaching her skin, and also TMZ for having the audacity to even reach out to Beyonce’s stylist for comment on this nonsense. She has had enough of ya’ll attacking her daughter. Smh.”
Fellow Celebs Offer Outpouring Support
As Tina vouched for her daughter, the Knowles matriarch was met with an outpour of support from many including actress KeKe Palmer, LaTavia Roberson, Octavia Spencer, and more.
Keke wrote:
“I love you so much Ms. Tina! She deserves to be protected in this way!”
Former Destiny’s Child member LaTavia chimed in and wrote:
“Educate them, they always try to break the Black Woman especially one they feel intimidated by. The true definition of a protector.” Lastly, Octavia Spencer wrote, “You have raised beautiful, intelligent black, PROUD TO BE BLACK women. Period. Anyone who says otherwise has their own issues to deal with. I’m sorry you’ve come across the negative comments that people don’t realize is a reflection of how they feel about themselves.”
‘Not Black Enough?
This narrative has sparked conversations about the challenges Black artists face, where the most prominent figures are often questioned about their “Blackness.”
For numerous years, Queen Bey has constantly emphasized and celebrated her Black identity, utilizing the powerful platform she has garnered. From her early solo career to the present, Beyoncé has consistently been a prominent advocate for the Black community.
One notable instance is her 2016 Super Bowl performance, where she paid homage to the late Michael Jackson and the Black PantherParty while delivering a powerful rendition of her single, “Formation.” During this time, she faced scrutiny, even being questioned about whether she was “Black enough” to undertake such a performance.
Queen Bey Has Always Embraced Her Blackness
Beyoncé’s creation of Lemonade further exemplified her commitment to portraying and honoring Black culture in the critically acclaimed film.
Additionally, the iconic 2018 Coachella performance, famously known as “Beychella,” stands as another testament to the iconic singer’s dedication to pushing Historically Black Colleges and Universities (HBCU) culture to the forefront, celebrating the richness of Black tradition.
Showing consistency in her craft, Bey’s album The Gift and the accompanying film,Black Is King, emerged as a spinoff from the live-action adaptation of The Lion King, where it not only featured numerous Black and African artists but also highlighted the essence of African Traditional Religions.
Then, in her latest project, Renaissance, the “Run The World” singer continues to cast a spotlight on the Black community, specifically the Black queer community, celebrating the depth in both her album and the accompanying film, Renaissance: A Film by Beyoncé.
Michael Jackson Too?
Similarly, the late great Michael Jackson was no stranger to scrutiny regarding his Blackness.
Despite his physical Black appearance, Jackson’s skin underwent transformation due to the skin disorder called Vitiligo, leaving him to become lighter than he was. However many believed Michael “bleached” his skin because he wanted to appear as White and that he “hated” his racial identity.
He addressed these speculations during a 1994 interview with Oprah Winfrey, expressing his frustration with the spread of false narratives. The King Of Pop stated:
“I have a skin disorder the pigmentation of my skin. It is something I cannot help. When people make up stories that I don’t want to be who I am, it hurts me. It’s a problem for me. I can’t control it.”
Dr. Umar Calls Out Rappers
While some individuals question the Blackness of prominent figures like Beyoncé, others within the black community have taken a different stance. Dr. Umar Johnson, for example, criticized certain rappers for promoting philanthropy while still rapping about violence, highlighting the hypocrisy within the hip-hop industry.
Beyonce is causing a lot of buzz right now as usual, this time for the premiere of her RENAISSANCE concert film. However, this occasion also prompted some heated discussion and accusations to fly around the Internet concerning her look for the event. Moreover, many fans speculated that the superstar singer whitened her skin for the pictures, contributing to unrealistic or warped beauty standards that many saw as a bite of Kim Kardashian’s style. It’s quite the difficult situation to navigate, albeit one based purely off gossip and interpretation. Regardless, while she didn’t directly address this, she did post some new pictures on Thursday (November 30) to seemingly combat these claims.
Furthermore, the Houston native included various close-up snaps of herself in her latest Instagram post, including some with her husband Jay-Z. As always, she looks gorgeous, and is definitely leaning into fits that compliment her new platinum blonde look. Despite this narrative becoming part of the conversation, it seems like it won’t stop Beyonce’s movie from attaining massive box office success. After all, why wouldn’t one of the most sought-after live experiences of the year become a hit for audiences who can get close to it from the comfort of a theater?
What’s more is that Tina Lawson, the Destiny’s Child alum’s mother, fought back against these accusations. “Came across this today and decided to post it after seeing all of the stup*d ignorant self hating racist statements about her, lightening her skin, and wearing platinum hair wanting to be white,” Beyonce’s mom wrote on Instagram. “She does a film, called the renaissance, where the whole theme is silver with silver hair, a silver carpet, and suggested silver attire and you bozos decide that she’s trying to be a white woman and is bleaching her skin?
“I am sick and tired of people attacking her,” she went on. “Every time she does something that she works her a** off for and is a statement of her work ethic, talent and resilience. Here you sad little haters come out the woodwork. Jealousy and racism, sexism, double standards, you perpetuate those things. Instead of celebrating a sister or just ignoring if you don’t like her. I am sick of you losers. I know that she is going to be pissed at me for doing this, but I am fed up ! This girl minds her own business. She helps people whenever she can. She lifts up & promotes black women and underdogs at all times.” For more news and updates on Beyonce, come back to HNHH.
