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Lizzo’s Best Bars About Self-Acceptance

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Lizzo has been a champion for body positivity and self-acceptance for a long time. The singer and rapper has risen through the ranks to become a prominent force in mainstream music. Although the haters are still present, Lizzo’s known for brushing them off, especially in her music. With her lyrics, she’s gained a slew of fans who are constantly learning to love themselves.

While she’s become a staple in the conversation of loving oneself, Lizzo has been in hot water recently. Some of her former dancers have sued the singer for workplace mistreatment, sexual harassment, and much more, shocking the singer’s fans. Lizzo addressed the allegations on social media, tagging them as “sensationalized stories.” These allegations prove quite alarming after creating a brand centered around acceptance and positivity. Nonetheless, her lyrics have soothed a host of listeners over the years. 

“Fitness” (2018)

“Booty vicious, mind yo business. I been working, working on my fitness / I been lifting heavy metal, see this ass? Ain’t no rental.”

In this 2018 anthem from the pop star, she makes it blatantly clear that her body is a temple, and she regularly takes care of it. “Fitness” is accompanied by minimal production driven by punchy 808s and a playful, repetitive melody. Lizzo confidently declares her independence and celebrates her body on the track. “Fitness” is also as sensual as it is uplifting, but the song is undeniably a big-up from Lizzo to her body. 

“Let ‘Em Say” with Caroline Smith (2014)

“I’m just as thick as my skin is. I feel the water rolling down my back.”

Released in 2014, this is one of Lizzo’s earliest tracks, and a deep cut in her discography. This pop offering features artist Caroline Smith and is one of Lizzo’s most underrated songs about body positivity. The bright, upbeat tune is a feel-good song with a catchy melody and features lyrics that encourage listeners to let go. It also urges them to live their lives and disregard the words and actions of people who try to shame them.

“Truth Hurts” (2019)

“I just took a DNA test, turns out I’m a 100% that b*tch, even when I’m crying crazy.”

“Truth Hurts” is Lizzo’s breakout single and arguably her biggest song to date. The song is equal parts a heartbreak song and also a self-love anthem. Here, she cries unashamedly as she mourns another love gone wrong but simultaneously uses those tears as ammo, firing shots at the subject of her tears. “Truth Hurts” is relatable, empowering, and has left many women feeling fearless because they are indeed 100 percent “that b*tch.”

“Everybody’s Gay” (2022)

“B*tch, say less, express yourself / B*tch, get dressed, un-stress yourself.”

This disco-pop track off her 2022 album, Special, will inspire you to get off your feet, put your hands in the air, and dance. It is also a genuinely happy song, encouraging listeners to forget their worries. In addition, it tells listeners to find their happy place and dance the night away. This is another underrated body positivity anthem from the artist, but it clearly preaches that message, of self-love and zero judgment.

“My Skin” (2015)

“I woke up in this, I woke up in this. In my skin / I can’t wash it away, so you can’t take it away from me.”

On “My Skin,” a standout track from her sophomore album, Big GRRRL Small World, Lizzo lets the world know that she wears her skin with pride and encourages everyone to do so. The song opens with a 20-second monologue from Lizzo about body positivity. Here, she speaks about self-love, after which she delivers heartfelt lyrics. The track is also accompanied by a mild production and background choral vocals. “My Skin” promotes unity and self-love, and also encourages people to embrace themselves, flaws and all.

“Juice” (2019)

“I was born like this, don’t even gotta try / I’m like Chardonnay, get better over time.”

Lizzo oozes so much confidence and body positivity on this track, it is no wonder why it’s a fan favorite. When someone opens a song with the line, “Mirror, mirror on the wall, don’t say it, ‘cause I know I’m cute,” you should know they have a staggering amount of confidence. “Juice” is an upbeat number and is also another of the star’s breakout singles. It has some of her most catchy melodies and boisterous lyrics. 

“Special” (2022)

“I’m so glad that you’re still with us / Broken, but damn, you’re still perfect.”

The titular song of Lizzo’s most recent album, Special, is a truly beautiful and heartfelt rendition from the artist. With some of her most powerful lyrics to date, this song preaches an unflinching message of self-love and appreciation for oneself. Furthermore, it’s dedicated to anyone who rarely gets to hear that they are special. Lizzo speaks directly to every person listening and reminds them that they are valid, they are valued, and that she is glad they are alive. It is a much-needed message of love that people need to hear, and although it’s not one of the biggest songs in her discography, it is certainly one of Lizzo’s most essential about self-acceptance.

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The post Lizzo’s Best Bars About Self-Acceptance appeared first on HotNewHipHop.

Gucci Mane Shades Wack 100 On “Bluffin” Collab With Lil Baby

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Gucci Mane has been coming at us with nothing short of consistency so far in 2023 when it comes to his music. He previously began the year with “King Snipe” alongside Kodak Black. Next, he appeared on Big Scarr’s posthumous project with “Trappin N Rappin.” Since then we’ve also heard the southern superstar team up with BigWalkDog and Lil Zay before returning to his roots on “06 Gucci” featuring 21 Sav and DaBaby. That joint effort was met with an abundance of praise from hip-hop heads. Thankfully, it’s since been followed by more heat from Mane.

Back in May, he tapped both Roddy Ricch and Nardo Wick for “Pissy.“ Now, Gucci is notably kicking off the summer season with “Bluffin.” The nearly two-and-a-half minute-long track finds him working alongside Lil Baby, and notably dropping bars that diss Wack 100. “I want my M’s up to one, two, three, four, five one-hundred / I ain’t arguin’ on the internet, I’m not Wack 100,” the 43-year-old rhymes.

Read More: YK Osiris’ Treatment Of Sukihana Gets Slammed By Wack 100

Gucci Mane Calls on Lil Baby for “Bluffin” Single

Of course, the embattled industry executive has long been known for involving himself in other people’s business. Most recently he condemned YK Osiris for his behaviour toward Sukihana which sparked a massive debate on social media. Elsewhere this year we’ve seen Wack 100 dissing J. Prince, getting into a screaming match with Maino, and making an appearance on Blueface and Chrisean Rock’s controversial reality show. Needless to say, the industry executive knows a thing or two about speaking on other people’s problems.

Wack doesn’t appear to have responded to Gucci’s bars at this yet, but if he has thoughts, it likely won’t be long before we hear them. Are you feeling Gucci Mane and Lil Baby’s New Music Friday arrival? Check the song and accompanying visual out on YouTube above, then share your thoughts in the comments. Make sure to come back later this weekend for more HNHH release recommendations on our Fire Emoji and R&B Season playlist updates.

Read More: Gucci Mane Net Worth 2023: What Is The Rapper Worth?

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The post Gucci Mane Shades Wack 100 On “Bluffin” Collab With Lil Baby appeared first on HotNewHipHop.

Lloyd Banks Reacts After Murda Mook Accuses Him Of Biting His Bars

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Biting bars is a faux pas but it happens to the best of ‘em. Lloyd Banks, unfortunately, is the latest rapper to face accusations of stealing lyrics. Murda Mook appeared on The Danza Project podcast last month where detailed his grievances with established rappers in the music industry, who watch the battles without showing love. “Battle rap, in the beginning, was taboo to mention,” he explained. “N***as used to watch – like, it wasn’t cool to mention it. It used to be those, ‘Oh, them battle rapping ass n***as,’ but n***as used to watch it.”

That’s when he turned his attention to Lloyd Banks, who he believes is a perfect example of this issues “Lloyd Banks is my guy, but he took two of my bars,” he said. “I told him. He know, he know it. But, nevertheless, y’all can find it later. Find the bars later.” He then suggested that Banks likely didn’t think anyone would catch on. “Blue is just nice regardless, though. I’m not saying it’s like that. He probably thought, ‘Nobody gon’ see this battle rap shit, right?’” 

Read More: Murda Mook Wasn’t Feeling Drake’s Presence At URL This Weekend

Lloyd Banks Responds To Murda Mook

Although Mook wasn’t being entirely serious with his claims, Lloyd Banks clearly wasn’t too fond of his name being brought up in that light. In response to Murda Mook’s podcast appearance, Banks slid into the comment section of @hiphopwolf where he commented with a cap emoji. Even if Banks kept his response brief, we could imagine that he might have a few bars in the chamber in case Mook escalates this situation. However, it should be noted that Banks has praised Mook’s skillset in the past.

Banks’ recent response comes shortly after another famed battle rapper, Cassidy, cleared up allegations of dissing the Course Of The Inevitable rapper. During an interview with Cam Capone, Cassidy explained his “Punchline King” bar from his Bars On I-95 Freestyle. “I been talking that and just because I used that I’m around the Punchline King. It was like, ‘I done battled all around my city banks’ or whatever I said. It’s a play on the city bank, like the bank, but I done really battled all around my city. I  never really seen no battles with Banks. He get busy, he lyrical, he punch and all that but I never seen no battles or heard about him being outside just battling all day like how I was in my city.”

Read More: Lloyd Banks Reveals He Nearly Signed With G.O.O.D Music

NBA YoungBoy Explains “F*ck The Industry Pt. 2” Diss To Lil Yachty

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Lil Yachty seems to be feeling some confusion after being dissed by 23-year-old NBA YoungBoy on the former’s new Richest Opp project. Thankfully he’s in good company, seeing as Drake and J. Cole were also targeted within the lyrics of “F*ck The Industry Pt. 2,” with bars like “Play with me, Lil Yachty mad about JT, f*ggot / Bitch, play with me, half of y’all ain’t got more money than me.” Elsewhere, YB claims that Champagne Papi refused to work with him because of his ties to Durk, a topic that’s also making headlines.

After hearing the track late last night, Yachty turned to Twitter to share his reaction. Rather than type out a tweet, the Georgia native used a meme of 50 Cent to get his feelings across. “I mean, why he say f*ck me for?” the Power producer asks in the clip, prompting another user to reply with a video of the Lousiana native’s response. “This n*gga Yachty crazier than a muthaf*cka, son,” YoungBoy told the camera with a smile on his face. “Aye bitch, you got me laughing over here, boy. Bitch, you know why I said that, man.”

Read More: NBA YoungBoy Drops 17-Track Mixtape, “Richest Opp”

Lil Yachty Reacts to NBA YoungBoy’s “F*ck The Industry Pt. 2”

According to the “WTF” hitmaker, Lil Boat previously called him about the City Girl, who previously collaborated with him on “Act Up” in the earlier days of the female rap group’s come-up. “Mama, that bitch really check me ’bout that girl. That bitch checked the gangsta man,” YB continued to rant in response to Yachty. “If I ain’t mistaken, bro, you say you asked me about trying to talk to your bitch. And I was confused ’cause you a hoe and you was coming at me, like, I ain’t really do that. Bitch, I got a mental problem over here and I got too much money.”

“You n*ggas might as well stay the f*ck out my way,” he further advised. Apart from throwing shade at Yachty, the record-breaking rapper also didn’t hold back on publicly celebrating when Lil Durk confirmed that his highly anticipated project is delayed by a few weeks. What’s your favourite bar from NBA YoungBoy’s “F*ck The Industry Pt. 2” track? Let us know in the comments, and tap back in later for more hip-hop/pop culture news updates.

Read More: NBA YoungBoy Celebrates Lil Durk’s Album Pushback

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Mac Miller Trends On Twitter After Jack Harlow Makes Eminem Comparison On “Jackman”

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Of the new albums that have arrived so far this weekend, arguably one of the most talked about so far is Jack Harlow’s Jackman. The 10-track, featureless effort chiefly shows off the Kentucky native’s pen game after a lukewarm reaction to his sophomore LP, Come Home The Kids Miss You. Of the titles on the tracklist, one that’s earned a significant amount of attention so far is the second, “They Don’t Love It,” on which he cleverly compares himself to Eminem – an artist he’s looked up to for most of his life.

“Ya boy’s strivin’ to be the most dominant ever / The hardest white boy since the one who rapped about vomit and sweaters,” Harlow rhymes on his latest release. While his biggest fans would obviously agree with that statement, so many were ready to argue with the “WHAT’S POPPIN” hitmaker that one of his contemporaries’ names began trending on Twitter today (April 29). According to many, the late Mac Miller is undeniably the one who deserves that moniker, not him.

Jack Harlow Calls Himself “The Hardest White Boy” Since Eminem

“Until Jack Harlow drop a verse like Paul Wall on ‘Sitting Sideways,’ or give us albums like Mac Miller he can respectfully shut the f*ck up,” one certainly upset user wrote. Another chimed in with, “Mac Miller was better than both of y’all if we being honest,” not-so-subtly dissing both Harleezy and Slim Shady. Elsewhere, others markedly begged fans to leave the fallen Circles artist’s name out of the conversation. They’ve previously done this during other online discourse, involving names like Pete Davidson, Ariana Grande, and Kanye West.

Thus far, other fan favourites from Jackman appear to be “Gang Gang Gang” and the project’s longest effort, “Blame On Me.” This is the first full-length work we’ve heard from the 25-year-old since last year’s album. Of course, he did come together with DJ Drama on “Mockingbird Valley” at the very end of March. Scroll further to read more Twitter reactions to Jack Harlow’s braggadocious bars on his new surprise project. Afterward, tell us who your personal favourite of the three white lyricists is in the comments below.

Twitter Defends Mac Miller’s Legacy

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“Jackman”: Jack Harlow Is The “Hardest White Boy” Since Eminem, He Says On New Album

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Jack Harlow’s sophomore effort, Come Home The Kids Miss You arrived in 2022 to mixed reviews. Thankfully, he seems to have remedied that with his latest work, which landed today (April 28) in the form of a 10-track album called Jackman. While he worked with names like Pharrell Williams, Drake, and Justin Timberlake on his second project, this time around the Kentucky native opted to go the featureless route, though he did include one particularly noteworthy comparison to Eminem.

As Complex notes, the White Men Can’t Jump actor has previously cited Slim Shady as a major influence of his. “I grew up listening to Eminem,” he told GQ in a 2020 interview. “I idolized Eminem, big influence of mine while growing up. I mean he’s so dope. But also obviously… I remember when I was ten or eleven, I would wear like a toboggan, and hoodie and headphones around my neck. Cause I wanted to feel like him.” Clearly, Harlow now does feel like the 8 Mile star, as he let us know on “They Don’t Love It.”

Jack Harlow Compares Himself to Eminem on “They Don’t Love It”

“Ya boy’s strivin’ to be the most dominant ever / The hardest white boy since the one who rapped about vomit and sweaters,” the 25-year-old spits on his new album’s second title. “And hold the comments ’cause I promise you I’m honestly better than whoever came to your head right then, ” his braggadocious bars continue. “They ain’t cut from the same thread like him / They don’t study, doin’ work to get ahead like him / They don’t toss and turn in the f*ckin’ bed like him.”

In 2021, Jack Harlow connected with Eminem on the “Killer” remix with Cordae. Though they didn’t get to meet, the younger lyricist said that they shared a phone call which “meant the world to [him].” He added, “He gave me a lot of props that any artist would love to get. Sometimes, the best gem is just somebody you admire, letting you know who you think you are,” while speaking with Billboard at the 2021 MTV VMAs. What’s your favourite track from Jackman? Stream the album here if you haven’t already, and leave your answer in the comments below.

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Black Thought Verses: The Roots Icon’s Best Bars

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Black Thought is fresh off the release of Glorious Game, his latest collaborative album with American soul band El Michels Affair. The album is yet another quality release in his prolific career, which includes eleven studio albums with The Roots and his Streams of Thought series. He also has arguably the greatest freestyles in hip hop history and also released an album with Danger Mouse in 2022. With all the music he has shared throughout the years, Black Thought is also known for delivering some incredible guest verses. He is widely considered one of the best rappers, and his features are legendary. Black Thought’s best guest verses are known for their show-stealing bars, no matter who is on the track. 

This list looks at the best Black Thought features he has contributed throughout his career. Each verse is selected considering the quality of bars, flows, and delivery in comparison to the other rappers on the song. The songs are listed in chronological order. 

Big Pun – “Super Lyrical” (1998)

Black Thought is known for always having the best verse when he gets on a song. On Big Pun’s “Super Lyrical,” the debate on who has the best verse is closer than one might think. Throughout the song, Big Pun and Black Thought continue to out rap each other, much like “Brooklyn’s Finest,” where they continue to raise the bar throughout the song. Big Pun’s verse impresses with complex rhyme schemes, while Black Thought’s flow is more simplistic yet equally effective. The contrast between rhyme styles on this song makes for one of hip hop’s greatest collaborations. This song was also one of the early examples of when Black Thought’s guest verses would encourage other rappers to step their game up.

Ghostface Killah – “In Tha Park” (2010)

Ghostface Killah’s 2010 song “In Tha Park” is a nostalgic song about what made the origins of hip hop in New York so special. Ghostface kicks off the track by rapping about when he started falling in love with hip hop. He cites his first time seeing a DJ scratching with the MC rocking the crowd, along with the fashion. Black Thought continues with this concept, but his verse centers around the early days of hip hop’s scene in Philadelphia. His verse is also noticeably more energetic, with a flow that matches the ruggedness of the beat’s distorted guitar loop. He makes specific references to different parts of Philadelphia’s neighborhoods, putting his unique spin on the song, matching Ghostface’s verse.

Talib Kweli – “Art Imitates Life” (2013)

The best Black Thought guest verses usually start at the end of a song, saving the best verse for last. However, he starts things off on “Art Imitates Life,” setting the bar extremely high for the verses from Talib Kweli and Rah Digga. What makes this song so unique is how unorthodox the beat is. Despite how off-kilter the instrumental may be, all three rappers deliver incredible verses. His flow and ability to cut through the beat effortlessly set Black Thought’s verse apart from the rest.

Statik Selektah – “Bird’s Eye View” (2013)

“Bird’s Eye View” is one of Black Thought’s most legendary guest verses. Raekwon and Joey Bada$$ set the bar high with phenomenal verses over a soulful beat produced by Statik Selektah. Even with those great verses, Black Thought completely eclipses them by rapping for two minutes straight. His rhyming on the song is incredible, and he spits quotable bars, such as when he raps, “My sonogram was an image of a gun in the womb / That was soon to be doper than heroin in a spoon.” The verse is even more impressive when you learn that he did it in one take.  

Statik Selektah – “The Imperial” (2015)

Much like “Bird’s Eye View,” Statik Selektah allows Black Thought the majority of the song to showcase his lyrical skills on “The Imperial.” Action Bronson and Royce Da 5’9” deliver fantastic verses, lending their unique styles to the song. Much like Raekwon and Joey Bada$$ on “Bird’s Eye View,” it is very difficult to out-rap Action and Royce on a song. However, it is not for Black Thought as he raps for nearly three minutes, resulting in an earth-shattering verse that came close to the same acclaim as his Funk Flex freestyle. He raps at the highest level on this song with complex rhyme schemes and killer one-liners. 

Freddie Gibbs – “Extradite” (2015)

Rappers have struggled to keep up with one Black Thought verse, but Freddie Gibbs does a pretty good job keeping up on “Extradite.” It takes from “Nautilus,” Bob James’s 1974 song, one of the most sampled tracks in hip hop history. Freddie Gibbs is on point the entire time and can keep up with Black Thought most of the song. The amazing thing about the collaboration is that the beat goes through many different phases throughout. Black Thought spits two killer verses and can match Freddie’s tough rapping style with his clean, concise delivery.

PRhyme – “Wishin’ II” (2015)

Much like “Extradite,” the beat on PRhyme’s “Wishin” changes throughout the song, forcing the rappers to keep up with the instrumental. The original version featured Common and was already impressive enough. “Wishin’ II” takes things to another level as Black Thought kicks one of his best verses. He starts over the slower portion of the beat with the same conviction as when it speeds up. He gets into his groove when the production speeds up. As mentioned, it is tough to out-rap Royce Da 5’9”, but Black Thought set the bar too high on this song. 

Roc Marciano – “Diamond Cutters” (2018)

During this later part of his career, Black Thought rapped over more experimental beats. These new and refreshing stylistic choices have helped him push musical boundaries. His appearance on Roc Marciano’s “Diamond Cutters” is a prime example of how unique production choices helped Black Thought approach songs differently. His sharp delivery and impressive rhyme schemes cut through the eerie flute sound in the beat. It contrasts well with Roc’s off-kilter flow. 

Benny The Butcher – “Crowns For Kings” (2019)

“Crowns For Kings” starts with one of Benny The Butcher’s best verses ever. He raps about his humble beginnings over the triumphant horns in the beat. It was a magnificent way to start a song and an EP. Black Thought’s verse, on the other hand, is last for a good reason. Not only is it one of his best guest verses, but it’s the best verse on Benny’s EP. Black Thought matches Benny’s content in his bars as he paints a picture of being a kid surrounded by poverty and turning it into a success story. He raps, “We was crooks, tryna cop more rides than Great Adventure / Any image we took, not a father was in the picture.” It is easily one of the best Black Thought verses.

Eminem – “Yah Yah” (2020)

Like “In Tha Park,” Eminem’s “Yah Yah” is a song that pays homage to the earlier eras of hip hop. The song is chaotic, consisting of a bombastic instrumental with energetic verses from Eminem, Royce Da 5’9”, and Black Thought. Black Thought sticks to the topics, referencing Slick Rick and J Dilla. He keeps listeners on their toes, constantly switching his rhyme schemes and keeping up with the rapid tempo of the beat.

Overall, Black Thought tends to have the best guest verse when he hops on a track. He has spit so many legendary guest verses that it is difficult to narrow the list down to ten. In addition to his latest release, Black Thought also recently announced two new albums.

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Drake & The Weeknd’s Artificial Intelligence Collab Includes Bars About Selena Gomez

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Usually, rappers only have their contemporaries to worry about as competition. Now, they’re facing the threat of artificial intelligence more fiercely than ever before. In recent weeks, a slew of videos have surfaced online, unveiling what our favourite artists would sound like singing songs from other people’s discographies thanks to the power of computer technology. Some programs are even penning new lyrics and putting vocals from artists like Drake and The Weeknd behind them to generate authentic-sounding fake singles that have been generating plenty of buzz online.

As HipHopDX notes, Friday (April 14), saw a YouTube account called ghostwriter upload a track called “heart on my sleeve.” They described it as a “Drake AI song featuring The Weeknd.” Over the beat, we hear a voice eerily similar to Drizzy’s name-dropping a fellow Canadian and his beauty guru ex-girlfriend. “I came in with my ex like Selena to flex / Bumping Justin Bieber the fever ain’t left / She know all she need, I need her she blessed, giving her my best,” the lyrics begin. “I got my heart on my sleeve with a knife in my back what’s with that? / (Aye) 21, I love him that my brother that’s my slatt,” Drake’s verse continues.

The Weeknd and Drake Come Together via AI

For The Weeknd’s part, he also sings about Selena Gomez, who he previously dated. “Got these pearls on my neck, got these girls on my check like Selena baby / Oh my genie maybe yeah, she taking the Lambo for a drive using the fancy door,” The Idol star’s AI voice rings out. “When she went out the store, I throw my heart on my sleeve.” For many artists, hearing their source of revenue recreated so effortlessly online is certainly jarring, to say the least.

The Scorpion hitmaker experienced it earlier this week as well. At the time, he heard himself rapping Ice Spice’s “Munch (Feelin’ U)” thanks to modern technology. Champagne Papi shared it on his Instagram Story, giving many of his millions of followers a laugh. If hearing The Weeknd and Drake on a song together has you feeling nostalgic for their past collaborations, revisit fan favourites like “The Zone” or “Crew Love” below.

Revisit the Canadian Artists’ Real Collaborative Efforts Below

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Ice Spice’s “Princess Diana (Remix)” With Nicki Minaj Has Twitter Singing The Rap Divas’ Praise

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It’s Ice Spice season. Since blowing up with “Munch (Feelin’ U)” last summer, the 23-year-old drill artist has been achieving one major career milestone after another. She earned a co-sign from Drake early on and now, she’s collaborating with one of the biggest names in hip-hop. Spice likely never saw this sort of success coming her way so quickly, though she’s obviously taking advantage of it. This New Music Friday (April 14), the famous redhead was joined by Nicki Minaj on the remix of “Princess Diana.” The song originally comes from her Like..? EP, which arrived earlier this year to great reviews.

The song begins with Isis Gaston reciting her famous bars from the chorus over production by RIOTUSA. “They be chattin’, I don’t give a damn and I’m still gettin’ money, I know who I am,” the Bronx-born lyricist reminds listeners. “And I just fell in love with a gangsta / So he put my name in a tat’,” she flirtatiously rhymes while beginning the first verse. “But I don’t let him come to the crib / So we get it on where we at.” Following that the Queen of Rap comes through with some heat, leaving the Barbz applauding her wit and flow.

Nicki Minaj Slides on the “Princess Diana (Remix)”

“Like grrah, keep it a stack / Bitches is ass if we keepin’ it crack,” she hilariously rhymes near the end of the remix’s second verse. “Bad little redhead, she ’bout to black / We come out, it’s a movie, but we don’t do BAP.” Since arriving at midnight, the song has garnered plenty of strong reactions from social media users. For the most part, they’ve been incredibly positive. “Twitter was praying that Nicki would start some kind of beef with Ice Spice only for Nicki to hop on the ‘Princess Diana’ remix and sign her under her new record label on a partnership deal,” one person proudly pointed out.

Another chimed in with, “The way Nicki bodied her ‘Princess Diana’ verse is insane, like the bars the metaphors, the energy. Mother slid! I’m not over this serve literally fkn still gagged.” Keep scrolling for more Twitter reactions to Nicki Minaj and Ice Spice’s “Princess Diana (Remix).” After reading be sure to tell us your thoughts on the hot new collaboration in the comments.

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Eminem Expertly Crafts Rhyme For “Orange” In Resurfaced “60 Minutes” Interview: Watch

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He’s gone through countless musical and personal evolutions throughout his career. Still, Eminem remains one of the greatest lyricists in hip-hop history. From his 1999 debut album, The Slim Shady LP, to 2022’s Curtain Call 2, the Detroit native has consistently delivered heat for over two decades. He’s best known for crafting rhymes that his contemporaries could never conceive. In fact, this past weekend, one of the recording artist’s most iconic moments resurfaced on social media in the form of a 60 Minutes interview with Anderson Cooper.

“I’ve heard you say that you bend the word,” the journalist says to Eminem during their chat. “Yeah, it’s just in the enunciation of it,” Slim Shady replies. “Like, people say that the word ‘orange’ doesn’t rhyme with anything. That kinda pisses me off. I can think about a lot of things that rhyme with ‘orange.’” At this point, the interview almost feels like a skit, as it’s hard to tell how serious the rapper is being. However, he quickly proves that he meant every word, giving Cooper prime examples of his lyrical wit.

Eminem’s Rhyming Skills are Unmatched

“If you’re taking the word at face value, and you just say ‘orange,’ nothing is gonna rhyme with it exactly,” the “Mockingbird” hitmaker admits. “If you enunciate it, and you make it like, more than one syllable, ‘or-ange,’ you can say like… I put my or-ange, four-inch, door hinge in storage / And ate porridge, with Ge-orge.” As Eminem recites the bars, Cooper lets out a giggle, admiring the 8 Mile actor’s obvious dedication to his craft. “You just have to figure out the science of breaking down words,” the former noted.

Elsewhere in the news, Eminem’s incredible influence on the industry was proven once again this past weekend. Following the arrival of their Sremm4Life album on Friday (April 7), Slim Jxmmi of Rae Sremmurd admitted that he used to try to rap like Marshall Mathers in the earlier days of learning his craft. Read more about that here. Additionally, let us know if you think the 50-year-old did a good job of rhyming in the comments below.

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