The upcoming release of the “Perfect Pink” edition adds a dynamic and trendsetting choice to the lineup, perfect for those who want to make a statement with their footwear. As the release date approaches, fans and collectors alike are eagerly anticipating the chance to add the Air Jordan 1 Low in “Perfect Pink” to their collection. With its blend of iconic design and lively color, this edition promises to be a standout choice for sneaker enthusiasts seeking a perfect balance of style and comfort.
The sneakers feature a pink rubber sole and matching pink midsole. Also, pink leather constructs the base of the uppers, with even more pink leather overlays and some interesting stitching. Next, the sneakers feature a gold Nike Swoosh on the side and gold accents on the tongue and heels.
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Sneaker News reports that the Air Jordan 1 Low “Perfect Pink” will be released at some point in the summer. Also, the retail price of the sneakers will be $135 when they drop. Further, make sure to let us know what you think about these kicks in the comments below. Additionally, stay tuned to HNHH for the most recent updates and news from the sneaker community. We’ll make sure to offer you the newest products from the most notable brands.
At the end of January, Logic dropped a new trailer for his eagerly anticipated upcoming album, Ultra 85. While an exact timeline for the project’s release remains unclear, it’s safe to say that listeners can’t wait. Fans have been hoping for Ultra 85 for some time now, and finally expect it to arrive sometime in the next couple of months.
Alongside the trailer, Logic unveiled the release date of the project’s lead single, “Fear.” The track and accompanying music video arrived today, and so far, fans haven’t been disappointed. The track touches on themes of identity and encourages listeners to be themselves unapologetically, despite what critics have to say about it.
To help him send his message, Logic recruited none other than Portland-based drag queen and makeup artist Tajh “Flawless Shade” Jordan to star in the video. Both Logic and Flawless Jade are receiving a tremendous amount of praise for the powerful visual, which embodies the song’s themes of freedom and creativity. “Absolutely love this and the video! Thank you Logic for being you and continuing to spread your message of Peace, Love and Positivity!” one fan writes. “Your growth and authenticity over the years have really solidified you,” another says. “Rather than playing safe, you challenge yourself and you speak a REAL message.”
Of course, there are also plenty of critics who aren’t feeling the music video. “Why this gotta be the vid dawg come on,” one wonders. “No problem with the song. The music video though is another story. Wth logic,” another says. Either way, the song and video have managed to get most fans excited for what else is to come on Ultra 85. What do you think of Logic featuring Tajh “Flawless Shade” Jordan in his new “Fear” music video? What do you think of the new track? Are you looking forward to hearing the rest of Ultra 85? Share your thoughts in the comments section down below, and keep an eye on HNHH for more updates.
After seeing Kyrie Irving and Luka Dončić sit out the Dallas Mavericks’ 2022/23 regular-season finale with the playoffs still attainable for the team, the NBA decided to do something about load management. Baked into the new CBA ratified during the offseason was a revision to the player participation policy. These clauses were designed to keep the league’s best players on the court for as much of the season as possible. These rules revolved around the use of “star players” (defined as an All-Star or All-NBAer from the past three seasons).
Teams can only rest one “star player” per game.
Teams cannot rest any “star player” for nationally televised games or in-season tournament games.
Players must play at least 20 minutes in at least 65 games to be eligible for postseason awards such as MVP and All-NBA teams.
However, the NBA’s plan to create a better TV product has created a worse basketball product. The players are unhappy, the fans are unhappy. And when the biggest players in the league, such as presumptive MVP Joel Embiid and rising star Tyrese Haliburton, are openly criticizing league policies, it might be a sign to re-evaluate said policies.
If asked, most players will say they that don’t prioritize postseason awards over their long-term health and season-long contributions to their team. However, the league has now forced them into a situation where those awards, nice bonuses to a season well-played, are dependent on an arbitrary participation percentage. Joel Embiid is having one of the greatest seasons in NBA history. But if he will be ruled ineligible for the MVP award if he misses six more games this season. What meaning does the MVP award actually have if the league’s best player is ineligible because he played 64 games and not 65?
Furthermore, the rule can have major financial impacts for players. Tyrese Haliburton is having the best season of his young career. However, the Rest Rule means that the Pacers star could lose out on $40 million if he is ruled ineligible for All-NBA team selection. Earning an All-NBA selection would see him fulfill a rookie contract clause that would raise the ceiling of his max contract extension by the aforementioned $40 million. However, Haliburton has struggled with a spate of midseason injuries. As a result, Haliburton will need to play in 30 of the Pacers’ remaining 34 games to be eligible. Haliburton has been particularly vocal about the rule, calling it “stupid” and “something that the owners want”.
The end result is further disincentivizing players from pursuing postseason awards. If the eligibility criteria are this strict, why would any player play with the awards in mind over prioritizing their career longevity? It’s a sentiment that Embiid himself has already acknowledged. “The goal is to be ready for the playoffs. If I can’t meet the criteria of 65 games … as long as I’m ready to be dominant in that time in April, that’s all I care about,” Embiid told reporters in January.
Meanwhile, the rule ignores a crucial reality about professional sport – player rotation is vital to long-term success. The NBA season is 82 games long with multiple games for each team in a given week. And given the ebbs and floes of a typical season, every game is not made equal. Take Embiid’s Sixers – between February 23 and March 3, four of their five games are nationally televised. According to the NBA’s Rest Rule, that means that Embiid must played all of four of those games for at least 20 minutes. Howeer, he could be rested for the one non-televised game against Charlotte. Sounds reasonable right? But things immediately fall apart when a team has more than one “star player”. The Timberwolves only have two televised games over that same span but they have 4 “star players” as well as four games against playoff teams.
What this leads to is 82-game seasons becoming a war of attrition. The end of the season should be the most exciting time of the year. Games often decide divisional battles and playoff seedings. But if players are being forced to play as much as they can physically handle, fans get treated to season-ending slogfests between guys trying to fill league-mandated quotas while also trying to converse something for the playoffs. While not a 1:1 comparison – no one bats an eye at rotation in a sport like soccer. This is despite soccer teams playing vastily shorter seasons. Manchester City won three trophies across five competitions last season and still only played 61 games.
As a result of the Rest Rule, the NBA is attempting to turn every player into an ironman. Furthermore, this is done for no other reason than the owners wanting players to “earn” every cent of their contract.
Barring an U-turn from the league, the Rest Rule is likely here to stay. But that doesn’t mean it has to remain the same. A more lenient eligibility cap would go a long way to reduce the ironman mentality that many players are currently facing. A more drastic solution would be to expand the size of NBA rosters to reduce the level of attrition imposed on squads.
But do you think – are you a fan of the rest rule? Are you siding with the players and want it gone next season? Let us know in the comments.
Whenever two huge rappers start beef, it’s always tough for other artists and collaborators to work with one without dismissing the other. However, in the case of Nicki Minaj versus Megan Thee Stallion, this might put many more female rappers against each other based on their perceived allegiance, which is a sad reality. For example, the former recently played JT’s new song “Sideways” on Stationhead, and she thanked Nicki for her support. Under coverage of this co-sign on Instagram, many fans called out how the City Girl has worked a lot with Megan in the past, with the Houston MC even advocating for her freedom at one point. Now, though, the Florida rapper is more closely aligned with her former collaborator’s current rival.
Of course, this doesn’t really mean anything in the grand scheme of things. JT can easily work with both Nicki Minaj and Megan Thee Stallion and maintain a personal bond with them. No rap beef should limit artists from making the art they want to make with who they want to make it with. Still, many fans believe this is a public switch-up with some more damning context behind it. “All I’ll ever think of is when she called JT out on that live and made her rap that diss track she made,” one fan claimed in a comment on the post below. “girl y’all aren’t friends she just needs a lapdog to do as she says.”
Furthermore, this also pertains to previous instances of the City Girls dissing Nicki Minaj and other big femcees during their come-up. JT even addressed this with the Trinidadian hitmaker during an Instagram Live session, and some fans think that she just submitted to being in an inferior position. On one hand, it’s heartening to see past feuds wash away, but on the other, the timeline is inconsistent to follow, especially when compared to the 31-year-old’s relationship with Megan Thee Stallion. It’s all very unclear and hazy, but that didn’t stop the criticism from flowing in.
Meanwhile, with the Traumanize lyricist acting relatively unscathed on social media about this beef, it’s unlikely she has legitimate ill will toward her former collaborator. Well, Nicki’s also a former collaborator, so perhaps only time will tell. Nevertheless, hopefully more artists and fans can advocate for an easing of tensions given everyone involved’s talent. On that note, keep checking in with HNHH for the latest on Nicki Minaj, JT, and Megan Thee Stallion.
Bobby Tarantino, aka Young Sinatra, aka Sir Robert Bryson Hall II, aka Logic, is back. The prolific Maryland MC, producer, and singer is delivering the first track from his heavily teased albumUltra 85. This will be his ninth studio album among the bevy of mixtapes he has released over the years. Logic does not hesitate to drop albums, but for some reason, this one has been on the back burner. But, we are getting it sometime this year, so at least it is happening.
Fans got a special treat just four days ago when the 34-year-old announced the LP on his social media accounts. Logic included the covert art, as well as a short trailer revealing the lead single release date. The name of the track is “Fear” and is his first solo drop since July 5. His closest collaborator/producer 6ix helped him produce the song.
“Fear” begins differently than some may expect. It has this fast-paced dance-like instrumental in the first leg. At this point, Logic is showing off his technical rapping abilities. But, the beat transitions about halfway through to a more familiar East Coast boom-bap vibe that Logic is known for. It slows down, allowing Logic to sing instead of rap at a blistering pace. He brings a solid message about being one with yourself and not allowing other people to dictate how you will live your life. This is a solid first look at what is to come on Ultra 85.
What are your thoughts on this brand-new single, “Fear,” by Logic? Do you think he waited too long to drop the album or are you still excited? Will the lead single be the song from the project? Is this one of his better tracks in recent memory? Who should be featured on the record? We would like to hear what you have to say about all of this. With that in mind, be sure to leave all of your hottest takes in the comments section below. Additionally, always keep it locked in with HNHH for all of the latest news surrounding Logic. Finally, stay with us for the most informative song posts throughout the week.
Quotable Lyrics:
Take a minute and think about what you’re doing And why you’re doing it, why you pursuing it Is you really happy? I been all around the world and back again I rap it in a microphone and let ’em know that if you’re coming at me I’ma never give up Give a damn if I gotta live up to every single one of your expectations
Quentin Tarantino, the cinematic maestro known for his distinctive storytelling and bold narratives, has left an indelible mark on the film industry. As of 2024, his net worth stands at an impressive $120 million, according to Celebrity Net Worth. Let’s delve into the trajectory of Tarantino’s career, from his early days to the pinnacle of success, exploring the milestones that have contributed to his substantial wealth.
CANADA – SEPTEMBER 15: Quentin Tarantino: Brains behind festival’s primo gangster flick. (Photo by Rick Eglinton/Toronto Star via Getty Images)
Tarantino’s journey in the film world began with an unwavering passion for storytelling and an innate love for cinema. Born on March 27, 1963, in Knoxville, Tennessee, he grew up in Los Angeles, where his fascination with movies blossomed. Working at a video rental store, he immersed himself in a diverse range of films, nurturing a keen understanding of various genres. This early exposure laid the foundation for his unique cinematic style, blending elements of pop culture, dialogue-driven narratives, and a penchant for nonlinear storytelling.
Breakout Moment With Reservoir Dogs
PARK CITY, UT – JANUARY 27: Quentin Tarantino speaks at the “Reservoir Dogs” 25th Anniversary Screening during the 2017 Sundance Film Festival at Eccles Center Theatre on January 27, 2017 in Park City, Utah. (Photo by George Pimentel/Getty Images for Sundance Film Festival)
The turning point in Tarantino’s career came with the release of his debut film, Reservoir Dogs, in 1992. This crime thriller, with its non-linear narrative and sharp dialogue, showcased Tarantino’s distinct directorial voice. While the film faced controversies for its violence, it received critical acclaim for its bold storytelling and unconventional approach. Reservoir Dogs not only put Tarantino on the map as a visionary director but also established him as a force to be reckoned with in Hollywood.
A Life in Pictures with Quentin Tarantino.Date: Wednesday 13 November 2019 .Venue: ODEON Luxe Leicester Square, 22-24, Leicester Square, London.Host: Francine Stock.-.Area: Reportage (Photo by Agne Bekeraityte/BAFTA via Getty Images)
Following the success of Reservoir Dogs, Tarantino continued to make waves with a string of critically acclaimed and commercially successful films. Pulp Fiction (1994), a groundbreaking masterpiece, won the Palme d’Or at the Cannes Film Festival and garnered seven Academy Award nominations, including Best Picture. Moreover, the film’s innovative narrative structure and memorable dialogue solidified Tarantino’s status as a cinematic trailblazer.
Subsequent projects like Kill BillVol. 1 & 2 (2003-2004), Inglourious Basterds (2009), and Django Unchained (2012) further showcased Tarantino’s ability to weave intricate plots with compelling characters. His films often feature a mix of genres, combining elements of crime, western, and martial arts, creating a signature Tarantino style that resonates with audiences worldwide. Each release added not only critical acclaim but also substantial box office returns to Tarantino’s growing net worth.
Diversification Of Ventures & Continued Success
ROME, ITALY – OCTOBER 19: Quentin Tarantino attends the photocall during the 16th Rome Film Fest 2021 on October 19, 2021 in Rome, Italy. (Photo by Elisabetta Villa/Getty Images for RFF)
Beyond filmmaking, Tarantino expanded his horizons by venturing into various projects that contributed to his net worth. He penned novels based on his films, allowing fans to delve deeper into the worlds he created on-screen. Additionally, Tarantino explored the realm of theater, directing a stage adaptation of his film The Hateful Eightin 2015. His involvement in television includes directing episodes of the critically acclaimed series CSI and ER. These ventures not only showcased his versatility as a storyteller but also added to his financial success.
Tarantino’s collaboration with major brands and merchandise associated with his films further bolstered his income. The enduring popularity of his movies has translated into a consistent stream of revenue from licensing deals, merchandise sales, and ongoing royalties.
Conclusion
Quentin Tarantino’s net worth of $120 million in 2024 stands as a testament to his enduring impact on the film industry. From his humble beginnings fueled by a passion for cinema to his groundbreaking directorial work, Tarantino has carved out a niche that is uniquely his own. The evolution of his career, marked by iconic films and diverse ventures, reflects a commitment to artistic innovation and storytelling that resonates with audiences globally. As we continue to witness the legendary director’s influence in various mediums, one thing remains certain – Quentin Tarantino’s legacy is not just written in the annals of Hollywood history but also reflected in his substantial net worth.
Trey Songz is currently facing a variety of pretty serious allegations. That includes a variety of sexual assault and even rape allegations. Earlier this week, Jacquees took to social medial with a now-deleted post. In the post he didn’t hold anything back. During a profanity-laced rant he called Songz a rapist directly. “I want the world to know this b*tch ass n**** Trey Songz is a b*tch. This n**** came in the club talking ‘bout rape. F*ck you talking ‘bout rape for b*tch ass n****? Then you come outside the club and swing on your little brother. You’s a b*tch,” he said in the video. At the end of the post he banned Songz from coming to Atlanta at all.
Now in a newly shared video he’s doubling down on his claims. In a much more reserved statement, he brings religious values into the mix. While proclaiming his own path as righteous he makes that claim that Trey Songz is guilty of everything he’s being accused of. The post got a variety of responses from fans processing just how sweeping the accusations really are. Check out the new video of Jacquees’ most recent claims below.
Though the allegations against Trey Songz are pretty extensive he did just score a recent win in the courts. A lawsuit filed over a groping incident in 2013 was dismissed after the accuser and her legal team failed to respond to a motion from Trey. It’s hardly a clear path for the singer going forward through the legal system though.
Throughout last year Trey Songz legal team fought against all the lawsuits against him. They filed numerous requests to get suits thrown out, though they didn’t do much to clear his legal troubles. What do you think of Jacquees’ claim that Trey Songz is guilty of everything he’s been accused of. Do you think the claim makes you more likely to believe the accusations made against Trey? Let us know in the comment section below.
In a glittering kickoff to GRAMMY week, the Black Music Action Coalition (BMAC) hosted an exclusive Music Maker Dinner in collaboration with producers Jimmy Jam & Terry Lewis at Delilah in Los Angeles. The star-studded evening brought together industry leaders and celebrated artists, including Jermaine Dupri, Babyface, Flavor Flav, and Victoria Monét.
BMAC Co-Founder and CEO Willie “Prophet” Stiggers set the tone by emphasizing the importance of paying it forward and guiding the next generation. The event also announced the winners of the 2024 BMAC x ASCAP x Jimmy Jam & Terry Lewis Music Maker Grant, empowering aspiring Black producers and songwriters with funding and mentorship.
Singer-songwriter Victoria Monét introduced the BMAC x Victoria Monét Music Maker Grant, offering economic empowerment and mentorship opportunities to an emerging Black artist.
The night featured musical surprises, including a quartet performance by Babyface, Flavor Flav, Tank, and Kenny Burns, a sing-along led by Tank, and a tribute to Jimmy Jam and Terry Lewis. BMAC’s GRAMMY Week events will continue with a Black Media Mixer and conclude with an Economic Justice Summit.
For more information on the Black Music Action Coalition, visit here.
In a dazzling display of glitz and glamour, D’USSÉ Cognac held its inaugural Opulence Ball at The Spotlight in Los Angeles, the city’s newest and most vibrant Hollywood venue. The exclusive event, held last night, attracted a constellation of A-list attendees, setting the stage for music’s grandest night.
Among the luminaries present were renowned figures like Jermaine Dupri, Busta Rhymes, Allen Iverson, YK Osiris, Young Guru, Jozzy, and Roc Nation labelmates Kalan.FrFr, Reuben Vincent, and Maeta. The Opulence Ball, a prelude to music’s biggest celebration, showcased the perfect blend of opulence and entertainment, creating an unforgettable evening that will undoubtedly linger in the memories of those lucky enough to attend. D’USSÉ Cognac once again proved its status as a purveyor of luxury, hosting a night where stars aligned in celebration of music and elegance.
The NBA has announced that AT&T will once again be the presenting partner for the NBA HBCU Classic, marking their third consecutive year of collaboration. In this ongoing commitment to Historically Black Colleges and Universities (HBCUs), participating schools Virginia Union University (VUU) and Winston-Salem State University (WSSU) from the CIAA will each receive $100,000 from the NBA and AT&T.
Associate partners for the HBCU Classic include Foot Locker, Google Pixel, STARRY, and Under Armour. The event, scheduled for Saturday, Feb. 17, will be broadcast on TNT, NBA TV, and ESPN2, featuring an on-air team led by Grant Hill, Chris Haynes, and Brian Custer. Notable ESPN hosts and HBCU alumni Stephen A. Smith and Shannon Sharpe will join the telecast to share their HBCU experiences.
As part of the festivities during NBA All-Star 2024, HBCU students will have opportunities for professional development, including an AT&T HBCU Career Development Session featuring NBA and AT&T executives, corporate partners, and NBA staff. Under Armour will also outfit both universities in custom HBCU jerseys and sneakers from its Black History Month collection.
You can learn about the HBCU Classic’s events here.
