Grammy-award-winning music trendsetter and icon SZA is the next artist to take the stage for Apple Music Live — the live performance series that gives the biggest stars in music a platform to connect with audiences around the world.
The “S.O.S. Tour” marks SZA’s first-ever arena tour and earned the superstar endless praise. The Apple Music Live performance at the Barclay’s Center in Brooklyn, New York will debut Wednesday, January, 31 at 7:00pm PST / 10:00pm EST exclusively on Apple Music at http://apple.co/SZA-AML and Apple TV+. Fans can also stream the Apple Music Live performance anytime on demand on both Apple Music and Apple TV+.
During the performance, SZA showcases her biggest hits and fan favorites including, “Kill Bill”, “Snooze”, “Seek & Destroy”, and “Nobody Gets Me”, plus selections from the critically acclaimed Ctrl: “Drew Barrymore”, “Broken Clocks”, “Love Galore” and more.
In an extensive career spanning conversation airing tomorrow on Apple Music 1, SZA sits down with Zane Lowe to reflect on the Apple Music Live performance and her record-breaking year, telling Zane, “I love connecting with people in the crowd when I feel like it’s really me and you right now. And I go eye to eye with so many people during this show, and it’s something about tour that it makes the love real, and tangible.” During the candid conversation, SZA also touches on navigating fame, her spiritual hygiene, overcoming anxiety, taking creative risks, and more. The full interview is available on Apple Music 1 now at https://youtu.be/zc0vRDh1ECA.
“SZA was one the most streamed artists of 2023 with only her second full length album, we are elated to finally bring her S.O.S Tour to Apple Music Live,” said Apple Music’s Global Head of Hip Hop and R&B Ebro Darden. “The show is, of course, incredible just like her music, her songwriting and her desire to give us, the fans, so much amazing content. Here’s to an even more successful 2024 for her. Thank You SZA!”
Over the past year, streams for SZA’s music has nearly quadrupled on Apple Music worldwide increasing 280% as she smashed a number of all-time records with her sophomore album SOS. Upon the release of the album, SZA broke the record for the R&B artist with the most simultaneous entries on the Global Daily Top 100, with 26 songs reaching the chart in one day. Breakout single, ”Kill Bill” spent 28 days at No. 1 on the Global Daily Top 100, her longest run at No. 1 in the chart’s history. All told the song reached No. 1 in 37 countries worldwide. Additionally, “Kill Bill” finished at No. 3 on Apple Music’s Top 100 2023: Global chart. With single “Snooze” at No. 5, she became the first R&B artist in the year-end chart history to have two songs in the top five of the year-end global songs chart. SOS was the second biggest album of 2023 on Apple Music worldwide, and the No. 1 R&B album of the year.
Over the past two years, “SZA Essentials” has been one of the fastest-growing R&B playlists on Apple Music, with a 203% increase in streams worldwide. SZA has launched 12 songs to the top 10 of Apple Music’s Global Daily Top 100. She is among the top 50 artists of all time on Apple Music worldwide.
Music’s biggest night is nearly here. As the industry’s heavyweights prepare for the 2024 Grammys, fans eagerly await more details about the ceremony. On January 29, the Recording Academy revealed that the evening’s performers list has grown yet again.
Via a post on X (formerly Twitter), it’s been revealed that “Kill Bill” singer SZA will perform. “You don’t want to snooze and miss this moment!” wrote the organization. “Watch SZA at the 66th Grammys on February 4 at 8 p.m. Eastern / 5 p.m. Pacific on CBS.”
You don’t want to snooze and miss this moment! Watch @SZA at the 66th #GRAMMYs on February 4th at 8 PM ET / 5 PM PT on @CBS.
As SZA is the evening’s most nominated act, her participation makes sense. Appearing at the Grammys carries significant meaning for SZA. During an interview with Rolling Stone, her manager and label head, Terrence “Punch” Henderson, reportedly pulled her scheduled performance at the 2023 MTV VMAs over feeling underappreciated.
Over the weekend, the news was shared that Joni Mitchell would make her Grammy performance debut at this year’s ceremony. Other musicians set to take the stage at the 2024 Grammys include Olivia Rodrigo, Billie Eilish, Dua Lipa, Travis Scott, Luke Combs, and Burna Boy.
The 2024 Grammys will broadcast live on February 4 via CBS at 8 p.m. Eastern. Find more information here.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
The 2024 Grammy Awards are just around the corner, and much like previous iterations of the annual ceremony, there likely won’t be a shortage of show-stopping performances. But above all, fans are hoping to see if their favorite artists’ hard work will pay off with a win, and the chance to take home their own golden gramophone trophies as they secure their spot in music history.
When it comes to the Grammys in particular, half of the fun is trying to understand the voting criteria, which remains elusive from year to year. While music journalists are just as in the dark as average music fans about who gets to win a Grammy, nerding out over this stuff is what we do best. (Though we’re aware that we may end up dropping some potentially controversial viewpoints, thus testing the pressure cooker that is the internet in the process.)
In anticipation of the big night, this music journalist is taking a look at 10 stacked nomination pools, and will distinguish which artists probably will win, and who probably should win that coveted Grammy gold. (But please, go easy on me if you don’t agree!)
Best Pop Dance Recording
“Baby Don’t Hurt Me,” David Guetta, Anne-Marie and Coi Leray
“Miracle,” Calvin Harris featuring Ellie Goulding
“Padam Padam,” Kylie Minogue
“One in a Million,” Bebe Rexha & David Guetta
“Rush,” Troye Sivan
Will win: “Padam Padam” Should Win: “Padam Padam”
“Padam Padam” is Kylie Minogue’s first single in two years, and with its infectious dance-pop sound, energetic synths, and sweet, sticky chorus, it was almost guaranteed to be a hit. To create a song that penetrates the pop landscape, social media, and the LGBTQ+ community this deep into her decades-long career proves Minogue’s affinity for hit-making. A win in this inaugural category would be justified and incredibly appropriate.
Best African Music Performance
“Amapiano,” Asake and Olamide
“City Boys,” Burna Boy
“Unavailable,” Davido featuring Musa Keys
“Rush,” Ayra Starr
“Water,” Tyla
Will Win: “Water” Should Win: “Unavailable”
A win by any of these artists would be a win for the culture, Africa, and Afrobeats, which continues to be overlooked by the Recording Academy in all-genre categories despite its influence. This is the first time this award will be presented, though few can deny the impact this style has made to the sonic landscape of modern-day music as a whole.
“Unavailable” in particular became the first song by a Nigerian act to hit 100 million streams on Spotify in 2023. This achievement is merely a footnote for Davido when observing the larger picture of his success and musical contributions, achieved through his artistic and cultural integrity. A Davido win would be incredibly overdue, but Afrobeats’ oft-omitted importance places all nominated acts in a deserving light.
Best Rap Song
“Attention,” Doja Cat
“Barbie World,” Nicki Minaj & Ice Spice ft. Aqua
“Just Wanna Rock,” Lil Uzi Vert
“Rich Flex,” Drake & 21 Savage
“Scientists & Engineers,” Killer Mike and André 3000 feat. Future and Eryn Allen Kane
Will win: “Barbie World” Should win: “Scientists & Engineers”
Women have (rightfully) been running the hip-hop game for the better part of the last few years. A win by either the Queen of Rap and the new pop-rap princess—or even rap’s resident chameleon Doja Cat—would be a welcome, tide-shifting moment for the macho genre.
However, in “Scientists & Engineers,” one of rap’s most respected voices Killer Mike shines through conscientious bars, while Future’s undeniable flow showcases why he’s one of the biggest names in contemporary music. Elsewhere in this link-up for the ages, fellow ‘Dungeon Family’ member André 3000 provides what very well could be his final rap verse on wax. “Scientists & Engineers” carries attributes that continue to stand the test of time in hip-hop: authentic rhymes, rhythm, and collaboration.
Best R&B Song
“ICU,” Coco Jones
“Angel,” Halle
“Back to Love,” Robert Glasper ft. SiR & Alex Isley
“Snooze,” SZA
“On My Mama,” Victoria Monét
Will win: “Snooze” Should win: “ICU”
As one of the highlights on an album full of highlights, the smoothness and soothing vibes found in SZA’s “Snooze” would cap off an incredible year for the Jersey girl.
Though in her breakout single “ICU,” Coco Jones’ lower register and unbelievably velvety vocals display that the hallmarks of R&B live on in our newest stars. A win in this category for Jones would solidify her place among one of the brightest lights in the genre today, and would bring a happy ending the former Disney darling’s Cinderella story.
Alternative Music Album
The Car, Arctic Monkeys The Record, Boygenius Did You Know That There’s a Tunnel Under Ocean Blvd, Lana Del Rey Cracker Island, Gorillaz I Inside the Old Year Dying, PJ Harvey
Who will win: The Record Who should win: The Record
The debut studio LP from the supergroup (comprised of Julien Baker, Lucy Dacus, and Phoebe Bridgers) is crafted in a way that showcases each member’s individual strengths, but also proves the power of collaboration and teamwork. Their long-awaited link-up remains modern while still evoking the sounds and styles that inspire them, from rock to folk. Christened the best album of 2023 in UPROXX’s Music Critics Poll, this is virtually a no-brainer.
Record of the Year (awarded to the song itself)
“Worship,” Jon Batiste
“Not Strong Enough,” Boygenius
“Flowers,” Miley Cyrus
“What Was I Made For?” from “Barbie,” Billie Eilish
“On My Mama,” Victoria Monét
“Vampire,” Olivia Rodrigo
“Anti-Hero,” Taylor Swift
“Kill Bill,” SZA
Who will win: “Kill Bill” Who should win: “Flowers”
“Kill Bill” spins the idea of breakup anthems on its head through thematics and sonics that slay. However, what gives “Flowers” the edge is the commercial and personal triumphs on top of its thematics. The funky, rockin’ self-love anthem feels like a cathartic return to form for the musical shapeshifter, whose personal life has undergone as many changes as her sonic identity.
Unlike her previous pop efforts like “Malibu” and “Prisoner,” which felt forced in some respects, “Flowers” found the superstar and the audience meeting at the right place and time. The song brings a sophisticated, confident maturity, and for the first time in a long time, it truly felt like Miley was just being Miley.
Song of the Year (awarded to the songwriter/songwriters)
“A&W” — Jack Antonoff, Lana Del Rey & Sam Dew, songwriters (Lana Del Rey)
“Anti-Hero” — Jack Antonoff & Taylor Swift, songwriters (Taylor Swift)
“Butterfly” — Jon Batiste & Dan Wilson, songwriters (Jon Batiste)
“Dance the Night” (From “Barbie the Album”) — Caroline Ailin, Dua Lipa, Mark Ronson & Andrew Wyatt, songwriters (Dua Lipa)
“Flowers” — Miley Cyrus, Gregory Aldae Hein & Michael Pollack, songwriters (Miley Cyrus)
“Kill Bill” — Rob Bisel, Carter Lang & Solána Rowe, songwriters (SZA)
“Vampire” — Daniel Nigro & Olivia Rodrigo, songwriters (Oliva Rodrigo)
“What Was I Made For?” [From the Motion Picture “Barbie”] — Billie Eilish O’Connell & Finneas O’Connell, songwriters (Billie Eilish)
Who will win: “Anti-Hero” Who should win: “What Was I Made For?”
“Anti-Hero” marks the seventh time Taylor Swift has been nominated in this category, now a Grammy record. The single serves as the pulse of her LP, has been virtually inescapable for over a year, and shows the depth of her pen and personal glossary. A T.S. win in this category would amplify the Grammy’s love of “making moments” at the ceremony.
However, the perfect, tear-jerking placement of “What Was I Made For?” in Barbie solidifies the power of Billie Eilish and brother Finneas’ lyrical simplicity. The (future Oscar-winning) song showcases what we love about Billie’s more subdued tracks: the palpable optimism underneath surface-level melancholia — which is befitting of the film’s underlying theme — as well as the general feelings of modern-day womanhood.
Best New Artist
Gracie Abrams
Fred Again..
Ice Spice
Jelly Roll
Coco Jones
Noah Kahan
Victoria Monét
Who will win: Ice Spice Who should win: Victoria Monét
High-profile friendships, a masterful social media pull, and even a Chia Pet made in her likeness — it would seem as though Ice Spice would be the clear-cut favorite to win. High honors here would crown the Bronx artist as the third woman rapper in history to win Best New Artist, which could be a controversial bestowment amongst rap purists who deem Ice to be “too pop.”
But when was the last time we had a true blue triple threat in our midst? Victoria Monét has been under our noses the entire time. Her incredible stage presence, deeply quotable lyrics, and overall star power make her the full package, and a win of this magnitude would be worth the wait. Noah Kahan would also be a great choice, as his musicianship has steadily earned a following amongst both fans and artists alike.
Album of the Year
World Music Radio, Jon Batiste The Record, Boygenius Endless Summer Vacation, Miley Cyrus Did You Know That There’s a Tunnel Under Ocean Blvd, Lana Del Rey The Age of Pleasure, Janelle Monáe Guts, Olivia Rodrigo Midnights, Taylor Swift SOS, SZA
Who will win:Midnights Who should:SOS
As mentioned earlier, the Grammys love “making moments.” Taylor Swift is far and away the biggest name in contemporary music, and a win in this category will provide the moment. If honored with the biggest award of the night, Taylor could surpass Stevie Wonder, Paul Simon, and Frank Sinatra for the most Album of the Year wins by any artist in history. However, some could argue that — though thematically sound — Midnights is not a career high. Although a win would be the cherry on top of her banner year, star power and fanfare don’t always warrant an automatic win.
SOS on the other hand, is a true career high for SZA, solidifying her status as thee reigning R&B superstar. It was her first No. 1 album, it nabbed the biggest streaming figures for an R&B album in U.S. history, and it’s the longest-running No. 1 album by a woman in this decade. A much-deserved win in this category would also create a “moment”: SZA would be the first Black woman since Lauryn Hill in 1999 to win Album of the Year, and only the fourth ever after Natalie Cole, Whitney Houston, and Hill. The personal triumphs, coupled with the album’s successes, will feel like a win for all.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Valentine’s Day is right around the corner. With this holiday comes a season of love, affection, and romance. Further, R&B is the perfect genre for Valentine’s Day, whether you are single or in a committed relationship—or anywhere in between. There is a lane of the genre for everyone, including wholesome declarations of love and toxic soundtracks to pain.
Many legendary singers have dabbled in both ends of the R&B spectrum. Some, however, specialize in toxicity, penning some wild lyrics that become irresistible classics. In this modern era, toxic R&B has taken over. During times of heartbreak, listeners turn to toxic R&B, no matter how jarring the content may be. For this year’s Valentine’s Day, we are exploring toxic love by providing a list of essential wild R&B songs. Listed in no particular order, take a look at the selections below.
dvsn-if-i-get-caught”>dvsn – “If I Get Caught”
Canadian R&B duo dvsn make some of the best moody R&B. The lead single from their latest release, 2022’s Working on My Karma, basks in the group’s toxicity. Daniel Daley begins “If I Get Caught” by telling a girl “[she] wouldn’t want [him] if you thought [he] never had hoes” in response to her going through his phone. “Now you’re trippin’, girl, it’s not fair,” he sings. The JAY-Z-sampling song embraces its own toxicity with its catchy chorus. The choir chants, “If I get caught cheating, that don’t mean I don’t love you.” It is a song about cheating and trust that channels classic ’90s R&B records. The wild premise of “If I Get Caught” makes for the perfect toxic R&B for Valentine’s Day.
Undoubtedly, Ty Dolla $ign’s most toxic song is “Horses In the Stable.” He brags about having women in different area codes, likening his full roster to having horses “that [he] can ride anytime.” After listing off each girl’s name and city in the verses, he admits that “the way that [he’s] living ain’t right” but still says, “You just another girl, and this is just another night.” The song’s soulful swing and impeccable vocal performance make the lyrics seem very emotional, but the song is quite the opposite. Ty sings, “She said she lookin’ for a real one / I told her that she found a real one / Said she looking for relationships / I said, ‘Girl, who you playin’ with?’” The overwhelmingly toxic metaphor of horses in the stable combined with the instrumentation is overtly degrading but makes for a painfully honest song.
Jazmine Sullivan – “Roster”
Like Ty Dolla $ign, Jazmine Sullivan “keeps it honest” by telling someone about her “long list” on “Roster.” From start to finish, she is blunt in her approach and self-aware of how her habits may seem. “Toxic, call me toxic but you’ll never call me stupid,” she begins. “I’ve been told before, I’m ruthless ’cause I’m a player by nature / But I’ll always keep it honest / So for you, there’s one more spot left in my roster,” she continues. Jazmine Sullivan is enjoying herself, singing, “I’m not stopping in my prime / This the best time of my life.” She is interested in the person she’s speaking to but tells him, “Don’t catch feelings” and “You just gotta fall in line.” “Roster” explores having options, appealing to those disinterested in committed relationships around Valentine’s Day.
As both a rapper and a singer, Drake has a plethora of toxic tracks. Within the R&B realm of his catalog, many songs stick out as heartfelt expressions of heartbreak despite having a petty and toxic edge. On the Ty Dolla $ign-assisted “Get Along Better,” Drake ruminates on a past relationship and how it ended. He sings, “You had the nеrve to defend mistakes that you made at the end / You said I was too invested and that’s what had forced you to go and pretend.” Drake even doubles down, passionately singing, “I swear you crazy.” Promising pure intentions and that “this ain’t ‘bout revenge,” he still says, “now I get along better with your friend.” Despite not wanting to seek revenge on his ex, Drake remains frustrated with the way things ended between them but has finally moved on with her friend.
PARTYNEXTDOOR – “Savage Anthem”
“Savage Anthem” is appropriately titled as PARTYNEXTDOOR tells his girl that he will not change for her, sticking to his savage ways. “Don’t hold your breath, don’t wait on my love,” he tells her in the chorus before delivering some ruthless lines in the verses. PND tells the girl that she should not count on him to commit as he sings, “Don’t trust me to capture the moment / Forgive me, it just was a moment.” He is also clearly not open to hearing her side. He sings, “You see, I don’t give no f*cks now / Is it somethin’ we discussed now? / The truth got you in disgust now ’cause I’d rather we just f*ck now.”
Party is self-aware of his toxicity, saying that he puts “the dirt into dirtbag.” He knows “that’s f*cked up” but “that’s what pimpin’ do.” Overall, “Savage Anthem” certainly lives up to its title and is the essential song for those feeling toxic on Valentine’s Day.
SZA’s “Kill Bill” is another anthem for those feeling salty about how their last relationship ended. The Grammy-nominated single starts with SZA hating to see her ex happy with a new girl. She uses the metaphor of the famous Tarantino film to sing about being so hung up on her ex that she starts plotting to kill him and his new girl. Singing that she still loves him despite wanting to kill him, she says that she would rather be in jail and hell “than alone.” SZA clarifies that drugs do not influence her thinking, but she doesn’t want her ex to move on without her. The sentiments of “Kill Bill” resonate with listeners who hate to see their old flames move on without them. For that reason, it is the right kind of toxic R&B song for Valentine’s Day.
It really does not get more toxic than The Weeknd when it comes to R&B. Dark tales of pain, numbness, and cold-blooded lyrics riddle his discography. Throughout his career, he has enticed listeners with an intoxicated reality, bringing them into conceptual worlds of toxic relationships. Before returning to his “heartless” ways, The Weeknd declared himself “Shameless.” In this song, he details a no-strings-attached relationship with a girl who “lives for the pain” and begs him to come over.
The Weeknd recognizes her emotional baggage, singing, “That’s why you always call me ‘cause you’re scared to be loved.” Understanding the damage created by this relationship, he makes an empty promise to be there for her. Despite not wanting to hurt her, he admits he has no shame and continues staying in the relationship. With its “Shameless” lyrics, The Weeknd highlights toxic love in this song. It is the ultimate soundtrack to those feeling shameless around Valentine’s Day.
The women of R&B don’t seem to have quite as much drama as those over in the world of hip-hop, but still, that doesn’t mean they don’t go through their issues. Most recently, it was comments made by Charlamagne Tha God and DJ Envy on The Breakfast Club that have music lovers talking about SZA and Mary J. Blige, and whether they’re as comparable as the radio hosts made them sound on a recent episode. “Do we appreciate SZA as an artist the way we should?” the former asked the latter. “Yes, absolutely,” Envy said without hesitation.
“Do we really?” the Brilliant Idiots host inquired again.”I mean, she gets all the radio play and all of that — I feel she can get more awards, which I’m sure she will. You know, the Grammys are next month, so she’ll get those accolades, but do we really appreciate the once-in-a-generation talent she is?” Charlamagne pondered. At this point, Envy reconsidered his initial response, agreeing that though SZA gets radio play, her artistry is overlooked. “[She’s] this generation’s Mary [J. Blige],” he boldly asserted.
Tha God commended SZA for “[doing] things the right way” and maintaining an “air of mystery around her” due to lack of press. While some can see why the two legends would come up in the same conversation (along with names like Beyonce and Rihanna), many others are growing tired of expecting one woman to live up to another’s totally unique legacy.
“They have nothing to do with one another. Like comparing apples to oranges, both good but completely different,” one user pointed out in @theshaderoom’s comments. “Just let people be themselvessssss. Pleaaaaseeeee,” another begged of anyone trying to pit two baddies against each other. Keep scrolling to read more reactions to TBC hosts’ comments about SZA and Mary J. Blige, and tell us your thoughts on the debate below.
The world of hip-hop collaborations is about to get a sizzling upgrade! Flo Milli and SZA drop hints of an upcoming remix that’s set to take the music scene by storm. Fans were treated to an exclusive sneak peek into the dynamic duo’s collaboration. Flo Milli shared a series of text messages from none other than SZA herself. In a text exchange that’s making waves across social media, SZA seemingly offered her vocals on Flo Milli’s track “Never Lose Me.” Declaring, “At ur service bookiiieeee.” The revelation sent shockwaves through the fanbase. With imaginations running wild at the prospect of these two powerhouse artists joining forces on a remix that promises to be nothing short of spectacular.
Building up the anticipation, SZA took to her Instagram story to share Flo Milli’s song. Accompanied by a snapshot from the studio where Pro Tools was wide open – a telltale sign that something magical is in the works. The image sparked a frenzy among fans who eagerly await the drop of this highly anticipated remix. Furthermore, the excitement reached its peak as fans flooded the comments section with words of encouragement and enthusiasm.
Furthermore, one fan expressed their appreciation for SZA’s support, noting, “S/o to SZA because Beyoncé doesn’t get on no R&B girls’ music at all!” The sentiment underscores the significance of this collaboration and the star power that both Flo Milli and SZA bring to the table. Moreover, another fan highlighted Flo Milli’s individuality in the rap game. Applauding her for forging her own path without seeking endorsement from established artists. “I love that Flo Milli is finding her own way and not looking for a piggyback from Nicki and pandering to the Barbz. This is so rare in female rap today. I love this for her!” The sentiment resonates with those who appreciate authenticity in an industry often marked by collaboration for validation.
Moreover, “Never Lose Me” has already seen one remix from Bryson Tiller. The song has been well received. As the buzz continues to build, one fan succinctly captured the collective sentiment. Declaring, “This is about to be too sexy.” With such high expectations and the chemistry brewing between Flo Milli and SZA, it’s safe to say that this remix is poised to set the airwaves ablaze and leave an indelible mark on the hip-hop landscape. However, stay tuned for what promises to be an unforgettable musical journey with these two formidable talents at the helm. Moreover, let us know if you’re looking forward to the collab on HNHH!
The iHeartRadio Music Awards unveiled their 2024 nominations today, January 18. Taylor Swift is leading the way this year, with a total of nine awards that she’s up for, including the coveted Artist Of The Year. Close behind her with eight nominations are SZA, Jelly Roll, and 21 Savage.
Basically, the categories are stacked, and it truly is anyone’s game. The awards show will take place on Monday, April 1 at 8 p.m. ET, and will air live on FOX.
Continue scrolling to see a complete list of this year’s nominees (via Billboard).
Song Of The Year
“Calm Down” – Rema and Selena Gomez
“Creepin’” – Metro Boomin with The Weeknd and 21 Savage
“Cruel Summer” – Taylor Swift
“Dance The Night” – Dua Lipa
“Fast Car” – Luke Combs
“Flowers”- Miley Cyrus
“Kill Bill” – SZA
“Last Night”- Morgan Wallen
“Paint The Town Red” – Doja Cat
“Vampire” – Olivia Rodrigo
Artist Of The Year
Drake
Jelly Roll
Luke Combs
Miley Cyrus
Morgan Wallen
Olivia Rodrigo
Shakira
SZA
Taylor Swift
Usher
Duo/Group Of The Year
(G)I-DLE
Blink-182
Dan + Shay
Fall Out Boy
Foo Fighters
Jonas Brothers
Måneskin
OneRepublic
Paramore
Parmalee
Best Collaboration
“All My Life” – Lil Durk ft. J. Cole
“Barbie World (with Aqua)” – Nicki Minaj and Ice Spice
“Boy’s a liar Pt.2” – PinkPantheress and Ice Spice
“Calm Down”- Rema and Selena Gomez
“Creepin’” – Metro Boomin with The Weeknd and 21 Savage
“Good Good” – Usher, Summer Walker and 21 Savage
“Rich Flex” – Drake and 21 Savage
“Thank God” – Kane Brown and Katelyn Brown
“Tomorrow 2” – GloRilla with Cardi B
“TQG” – Karol G and Shakira
Producer Of The Year
Carter Lang
Dan Nigro
Jack Antonoff
Kid Harpoon
Rob Bisel
Songwriter Of The Year
Aldae
Ashley Gorley
J Kash
Jack Antonoff
Michael Ross Pollack
Pop Song Of The Year
“Calm Down” – Rema and Selena Gomez
“Cruel Summer” – Taylor Swift
“Flowers”- Miley Cyrus
“Kill Bill” – SZA
“Vampire” – Olivia Rodrigo
Pop Artist Of The Year
Doja Cat
Miley Cyrus
Olivia Rodrigo
SZA
Taylor Swift
Best New Artist (Pop)
David Kushner
Doechii
Jelly Roll
Rema
Stephen Sanchez
Country Song Of The Year
“Fast Car” – Luke Combs
“Heart Like a Truck” – Lainey Wilson
“Last Night” – Morgan Wallen
“Rock and a Hard Place” – Bailey Zimmerman
“Thank God” – Kane Brown and Katelyn Brown
Country Artist Of The Year
Jason Aldean
Jelly Roll
Lainey Wilson
Luke Combs
Morgan Wallen
Best New Artist (Country)
Corey Kent
Jackson Dean
Jelly Roll
Megan Moroney
Nate Smith
Hip-Hop Song Of The Year
“All My Life”- Lil Durk ft. J. Cole
“Fukumean”- Gunna
“Just Wanna Rock” – Lil Uzi Vert
“Rich Flex” – Drake and 21 Savage
“Tomorrow 2”- GloRilla with Cardi B
Hip-Hop Artist Of The Year
21 Savage
Drake
Future
Gunna
Lil Durk
Best New Artist (Hip-Hop)
Doechii
Ice Spice
Lola Brooke
Sexyy Red
Young Nudy
R&B Song Of The Year
“Creepin’”- Metro Boomin with The Weeknd and 21 Savage
“CUFF IT”- Beyoncé
“Good Good” – Usher, Summer Walker and 21 Savage
“On My Mama” – Victoria Monét
“Snooze”- SZA
R&B Artist Of The Year
Beyoncé
Brent Faiyaz
Chris Brown
SZA
Usher
Best New Artist (R&B)
Coco Jones
Fridayy
Kenya Vaun
October London
Victoria Monét
Alternative Song Of The Year
“Lost” – Linkin Park
“Love From the Other Side” – Fall Out Boy
“One More Time”- Blink-182
“Rescued”- Foo Fighters
“This Is Why”- Paramore
Alternative Artist Of The Year
Blink-182
Fall Out Boy
Foo Fighters
Green Day
Paramore
Best New Artist (Alt/Rock)
Bad Omens
HARDY
Jelly Roll
Lovejoy
Noah Kahan
Rock Song Of The Year
“72 Seasons” – Metallica
“Dead Don’t Die”- Shinedown
“Lost” – Linkin Park
“Need A Favor” – Jelly Roll
“Rescued” – Foo Fighters
Rock Artist Of The Year
Disturbed
Foo Fighters
Jelly Roll
Metallica
Shinedown
Dance Song Of The Year
“10:35”- Tiësto ft. Tate McRae
“Baby Don’t Hurt Me” – David Guetta, Anne-Marie and Coi Leray
“Padam Padam” – Kylie Minogue
“Praising You” – Rita Ora ft. Fatboy Slim
“Strangers” – Kenya Grace
Dance Artist Of The Year
Anabel Englund
David Guetta
Illenium
Kylie Minogue
Tiësto
Latin Pop / Urban Song Of The Year
“La Bachata” – Manuel Turizo
“La Bebe (remix)” – Yng Lvcas and Peso Pluma
“Lala”- Myke Towers
“Shakira: Bzrp Music Sessions, Vol. 53”- Shakira and Bizarrap
“TQG”- Karol G and Shakira
Latin Pop / Urban Artist Of The Year
Bad Bunny
Feid
Karol G
Manuel Turizo
Shakira
Best New Artist (Latin Pop / Urban)
Bad Gyal
GALE
Mora
Yng Lvcas
Young Miko
Regional Mexican Song Of The Year
“Bebe Dame”- Fuerza Regida and Grupo Frontera
“Ella Baila Sola” – Eslabon Armado and Peso Pluma
“Indispensable” – Carin León
“Qué Onda Perdida” – Grupo Firme ft. Gerardo Coronel
“Qué Vuelvas”- Carin León and Grupo Frontera
Regional Mexican Artist Of The Year
Calibre 50
Carin León
El Fantasma
Grupo Frontera
Peso Pluma
Best New Artist (Regional Mexican)
Gabito Ballesteros
Gerardo Coronel
Grupo Frontera
Junior H
Peso Pluma
“Dial Drunk”- Noah Kahan
“Flowers”- Miley Cyrus
“Greedy”- Tate McRae
“Houdini”- Dua Lipa
“Is It Over Now? (Taylor’s Version)”- Taylor Swift
“Last Night”- Morgan Wallen
“Lovin On Me”- Jack Harlow
“Nonsense”- Sabrina Carpenter
“Paint The Town Red”- Doja Cat
“Vampire”- Olivia Rodrigo
“Water”- Tyla
“What Was I Made For?”- Billie Eilish
Best Music Video
“3D”- Jung Kook ft. Jack Harlow
“Dance The Night”- Dua Lipa
“FLOWER”- JISOO
“Flowers”- Miley Cyrus
“I’m Good (Blue)” – Bebe Rexha and David Guetta
“Kill Bill”- SZA
“La Bebe (Remix)”- Yng Lvcas and Peso Pluma
“Paint The Town Red”- Doja Cat
“Seven”- Jung Kook ft. Latto
“TQG”- Karol G and Shakira
“Vampire”- Olivia Rodrigo
“What Was I Made For?”- Billie Eilish
Alex Warren
David Kushner
Flyana Boss
Gracie Abrams
Jessie Murph
Megan Moroney
Natalie Jane
Noah Kahan
Favorite Tour Photographer
Alfredo Flores – Sabrina Carpenter
Anna Lee – Coldplay
Carianne Older – Charlie Puth
Catherine Powell – Kelsea Ballerini
Cynthia Parkhurst – Jonas Brothers
David Lehr – Morgan Wallen
Joshua Halling – Louis Tomlinson
Mason Poole – Beyoncé
Matty Vogel – Misterwives
Ravie B – Adele
Ryan Fleming – 5 Seconds of Summer
Sanjay Parikh – Shinedown
TikTok Bop Of The Year
“Boy’s a liar Pt. 2”- PinkPantheress and Ice Spice
“Collide (Sped Up Remix)”- Justine Skye
“Cruel Summer”- Taylor Swift
“Cupid (Twin Version)”- FIFTY FIFTY
“Daylight”- David Kushner
“Her Way (Sped Up)”- Party Next Door
“If We Ever Broke Up”- Mae Stephens
“Paint The Town Red”- Doja Cat
“Water”- Tyla
“What It Is (Solo Version)”- Doechii
“What Was I Made For?”- Billie Eilish
Favorite On Screen
J-hope IN THE BOX
Love To Love You, Donna Summer
Louis Tomlinson, “All of Those Voices” Prince: The Final Secret Renaissance: A Film by Beyoncé
Jelly Roll, “Save Me” Taylor Swift: The Eras Tour
TLC Forever
Favorite Tour Style
Beyoncé
Carrie Underwood
Doja Cat
Elton John
Harry Styles
Jonas Brothers
Madonna
Måneskin
Sabrina Carpenter
Shania Twain
SZA
Taylor Swift
Favorite Debut Album
Jung Kook, GOLDEN
Chlöe, In Pieces
V, Layover
Megan Moroney, Lucky
Lauren Spencer Smith, Mirror
Raye, My 21st Century Blues
Bailey Zimmerman, Religiously
Reneé Rapp, Snow Angel
Tyler Hubbard, Tyler Hubbard
Some of the artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Summer plans for music-loving New Yorkers (and those interested in making the trip to The Big Apple) are starting to crystallize: Today (January 16), Governors Ball organizers announced the festival’s 2024 lineup.
The fest goes down from June 7 to 9 at NYC’s Flushing Meadows Corona Park. Leading the first day will be Post Malone and Rauw Alejandro, The Killers and 21 Savage are headlining the second day, while wrapping up the final day will be SZA and Peso Pluma.
Also on the lineup are Dominic Fike, Labrinth, Alex G, Carly Rae Jepsen, Sabrina Carpenter, Sexyy Red, Doechii, Tyla, Reneé Rapp, Don Toliver, Victoria Monét, Faye Webster, Kevin Abstract, and many others.
Presale tickets are set to be available on Thursday, January 18 from 11 a.m. to 1 p.m. ET, and you can sign up for a presale passcode here. The public on-sale is set to begin on the 18th at 1 p.m. ET. Visit the festival website for more information about tickets.
Check out the full day-by-day lineup and poster below.
Governors Ball 2024 lineup for Friday, June 7
Post Malone
Rauw Alejandro
Dominic Fike
Labrinth
Farruko
Alex G
Goth Babe
Yung Gravy
Teezo Touchdown
Qveen Herby
Flo
Ryan Beatty
Mimi Webb
Arcy Drive
Blondshell
Durry
underscores
Donna Missal
Lauran Hibberd
Alex Chapman
School of Rock Queens
Governors Ball 2024 lineup for Saturday, June 8
The Killers
21 Savage
Carly Rae Jepsen
Sabrina Carpenter
Sexyy Red
TV Girl
Jessie Murph
Doechii
Hippo Campus
Tyla
P1Harmony
d4vd
Bakar
Quarters of Change
Claire Rosinkranz
Riovaz
Skizzy Mars
Telescreens
The Thing
Little Stranger
Maz & Kidd Revel
Governors Ball 2024 lineup for Sunday, June 9
SZA
Peso Pluma
Reneé Rapp
Don Toliver
Victoria Monét
Faye Webster
Kevin Abstract
Cannons
Chappell Roan
Stephen Sanchez
Beach Fossils
Saint Levant
Elyanna
Geese
G Flip
Baby Queen
Husbands
Fcukers
Hotline TNT
The Hails
School of Rock Brooklyn
Governors Ball 2024 lineup poster
Governors Ball
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Considering the three will be joined by a full range of equally incredible artists, many fans will be heading to see them this summer at the festival.
Here’s what to know about buying tickets.
How To Buy Tickets For The 2024 Governors Ball Festival
Since the slate of performers for Gov Ball 2024 has just been unveiled, the ticket sales are following close behind. Those interested in attending can sign up for a presale passcode here, ahead of the early sale opening this Thursday, January 18 at 11 a.m. ET. The presale will then close at 1 p.m. ET, so be sure not to miss the time window to purchase your passes.
At that time, the public sale will begin and prices will increase. According to a press release, the prices are all-inclusive with no hidden fees. Gov Ball is also offering two new options this year.
The first is a 2-day bundle, that allows attendees to choose their favorite days to attend throughout the weekend, rather than committing to all three.
The other new ticket option is an Ultimate Ticket. This includes access to the ultimate cabana, with all-day snacks, an open bar, a dinner buffet, front-of-stage viewing at all of the stages, golf cart transportation, and more exclusive perks.
For more information on the tickets for Governors Ball, visit their official website.
Check out the full day-by-day lineup and poster below.
Governors Ball 2024 lineup for Friday, June 7
Post Malone
Rauw Alejandro
Dominic Fike
Labrinth
Farruko
Alex G
Goth Babe
Yung Gravy
Teezo Touchdown
Qveen Herby
Flo
Ryan Beatty
Mimi Webb
Arcy Drive
Blondshell
Durry
underscores
Donna Missal
Lauran Hibberd
Alex Chapman
School of Rock Queens
Governors Ball 2024 lineup for Saturday, June 8
The Killers
21 Savage
Carly Rae Jepsen
Sabrina Carpenter
Sexyy Red
TV Girl
Jessie Murph
Doechii
Hippo Campus
Tyla
P1Harmony
d4vd
Bakar
Quarters of Change
Claire Rosinkranz
Riovaz
Skizzy Mars
Telescreens
The Thing
Little Stranger
Maz & Kidd Revel
Governors Ball 2024 lineup for Sunday, June 9
SZA
Peso Pluma
Reneé Rapp
Don Toliver
Victoria Monét
Faye Webster
Kevin Abstract
Cannons
Chappell Roan
Stephen Sanchez
Beach Fossils
Saint Levant
Elyanna
Geese
G Flip
Baby Queen
Husbands
Fcukers
Hotline TNT
The Hails
School of Rock Brooklyn
Governors Ball 2024 lineup poster
Governors Ball
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
New York and the surrounding regions have been forced indoors due to inclement weather. To help brighten their mood and give residents something to look forward to, Governors Ball organizers are unveiling their jammed-pack lineup for June’s festivities. Between Friday, June 7, and Sunday, June 9, thousands of music fans descend on Queens’ Flushing Meadows Corona Park to attend the beloved music festival.
When Do Governors Ball 2024 Festival Tickets Go On Sale?
Given the star power on this year’s lineup, folks hoping to attend Governors Ball 2024 must act fast. The password-protected presale for Governors Ball 2024 will kick off on Thursday, January 18, at 11 a.m. ET. The presale will run until 1 p.m. ET on the same day. You must sign up for Governor Ball’s official text message alert system to receive the password. Find more information here. Multi-day passes, single-day admission, and VIP packages will be up for grabs during the presale, each with layaway options. The public on-sale is set to begin on the 18th at 1 p.m. ET.
Check out the full day-by-day lineup and poster below.
Governors Ball 2024 lineup for Friday, June 7
Post Malone
Rauw Alejandro
Dominic Fike
Labrinth
Farruko
Alex G
Goth Babe
Yung Gravy
Teezo Touchdown
Qveen Herby
Flo
Ryan Beatty
Mimi Webb
Arcy Drive
Blondshell
Durry
underscores
Donna Missal
Lauran Hibberd
Alex Chapman
School of Rock Queens
Governors Ball 2024 lineup for Saturday, June 8
The Killers
21 Savage
Carly Rae Jepsen
Sabrina Carpenter
Sexyy Red
TV Girl
Jessie Murph
Doechii
Hippo Campus
Tyla
P1Harmony
d4vd
Bakar
Quarters of Change
Claire Rosinkranz
Riovaz
Skizzy Mars
Telescreens
The Thing
Little Stranger
Maz & Kidd Revel
Governors Ball 2024 lineup for Sunday, June 9
SZA
Peso Pluma
Reneé Rapp
Don Toliver
Victoria Monét
Faye Webster
Kevin Abstract
Cannons
Chappell Roan
Stephen Sanchez
Beach Fossils
Saint Levant
Elyanna
Geese
G Flip
Baby Queen
Husbands
Fcukers
Hotline TNT
The Hails
School of Rock Brooklyn
Governors Ball 2024 lineup poster
Governors Ball
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
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