Janet Jackson’sself-titled documentary aired this weekend, and one of the issues addressed was her notorious 2004 Super Bowl Halftime Show with Justin Timberlake. During their performance, a wardrobe malfunction caused Janet’s breast to be exposed, sparking backlash as well as an FCC investigation. Janet specifically addressed how Justin, who’s often been criticized for how he handled the incident, responded to the controversy.
“We talked once, and he said, ‘I don’t know if I should come out and make a statement,’” Janet recalled. “I said, ‘Listen, I don’t want any drama for you. They’re aiming all of this at me.’ So I just said if I were you, I wouldn’t say anything.” She also took a moment to deny rumors that suggested there’s been tension between her and Justin since the Super Bowl incident.
“Honestly, this whole thing was blown way out of proportion,” she says. “Of course, it was an accident. That should not have happened, but everyone is looking for someone to blame, and that’s got to stop.” Janet added, “Justin and I are very good friends, and we will always be very good friends. We spoke just a few days ago, and he and I have moved on, and it’s time for everyone else to do the same.”
Elsewhere in the documentary, Janet reveals that she turned down an offer from Justin’s team to perform with him during his 2018 Super Bowl Halftime Show. “When I think about it, would it be nice to be able to perform? Yes,” Janet said. “Our family, we love entertaining. But on the flip side of it, it’s stretching out the past, reliving something that happened over 10 years ago.”
The Super Bowl Halftime Show has become one of the biggest events in music. Last year, The Weeknd cited his booking at the big game as something that possibly drove The Grammys to snub him for his most successful album to date, After Hours, that’s how important it’s become. This year, the NFL has assembled an all-star crew, tapping Dr. Dre to lead Snoop Dogg, Eminem, Kendrick Lamar and Mary J. Blige. And even though all those veterans on one stage together — or rather, one football field together — is a huge deal, it’s inevitably still Kendrick that’s going to steal the spotlight.
Why? Because fans are starving for new music from the sometimes dubbed “greatest rapper alive,” who hasn’t released much of anything since his electric Damn back in 2017. That’s three years deep into a pandemic with no new bars from Kung Fu Kenny to help us get by. At this point, fans are grabbing onto any hints at all that the SUper Bowl will be a runway ramp for Kendrick’s new album release, and Billboard has got those straws, no matter how flimsy they might be.
Asking fans to vote in an R&B/hip-hop poll about anticipated music yesterday, they dropped these lines in about Kendrick: “sources tell Billboard a Lamar single may arrive on Feb 4. or Feb. 11 before he plays the Super Bowl halftime show.”
I’ll take it! Okay Kendrick, after months of teasing that the new album is done, it’s time to release it.
Last week, Megan Thee Stallion appeared in a Super Bowl ad teaser for Flamin’ Hot Cheetos. It’s the latest brand that she’s partnered with, adding to a list that already included Fashion Nova and Revlon. The full commercial with Megan and Flamin’ Hot Cheetos will debut during the Super Bowl on February 13, but in the first ad teaser, Megan arrives at a video shoot where she is greeted with questions like if she has any pet allergies to cats or dogs. The list of animals grows to include deer, foxes, bears, water buffalo, and more, which signals that this video shoot will be anything but normal.
The weird events continue for Megan in the newly-released second ad teaser for Flamin’ Hot Cheetos. It begins with the rapper walking and enjoying a bag of Flamin’ Hot Cheetos when she arrives at her video shoot trailer. When she attempts to open the door, she realizes it’s locked — which is odd since it’s her own trailer. A mysterious claw then appears to remove Megan’s name from the door before they close and lock the door, leaving Megan absolutely confused at what just happened. However, it doesn’t stop there.
In another video, Charlie Puth is revealed as Megan’s co-star for the Flamin’ Hot Cheetos ad and he has his own peculiar events to deal with while on set at the video shoot. Puth returns to his own trailer to find Cheetos-stained paw prints all over the interior of the trailer. After a brief investigation, Puth discovers an orange feather inside the trailer which serves as helpful evidence towards who the suspect might be.
You can watch Megan and Charlie’s Flamin’ Hot Cheetos teaser ads in the videos above.
Megan Thee Stallion is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.
“The Call,” a near-4-minute video helmed by Straight Outta Compton director F. Gary Gray, features each artist getting an important call, prompting them all to head to SoFi Stadium in Inglewood, California for the big game. Through the cinematic clip, snippets of the legends’ iconic songs set the stage for the show, as the ad features “Rap God,” “The Next Episode,” “Family Affair,” “Humble,” “Still D.R.E.,” and “California Love.”
Gray says of the video in a statement (via The New York Post), “Each time I collaborate with Dre, it seems to mark an important moment in entertainment history, from projects like Friday, Set It Off, Straight Outta Compton, to now the Pepsi Super Bowl LVI Halftime Show. As a super fan, I consider it an honor and privilege to authentically build and create this moment with five of the most legendary artists in music history.”
Todd Kaplan, VP of Marketing at Pepsi, also said in a statement, “Now that we are just weeks away from the most anticipated Pepsi Super Bowl Halftime Show performance of all time, we’re bringing fans closer to the magic of what will certainly be a colossal moment in pop culture history.”
Megan shared a short preview of the commercial, noting that the full ad will drop during the Super Bowl on February 13. The teaser shows her pulling up to a video shoot and checking in while munching on a bag of Flamin’ Hot Cheetos. The person working there asks her some questions before they get started, like if she has any pet allergies to cats or dogs. Megan answers “no,” but the list of animals gets progressively weirder. She finds out she’ll apparently be working with deer, foxes, bears, water buffalo, and even a sloth — which will surely make for an interesting video. But seeing as Megan has been able to keep a straight face while real-life snakes are wrapped around her body like in her and Cardi B’s “WAP” video, she’s not doubt up for the challenge.
Sharing the teaser clip of Instagram, Megan wrote, “it was only right that after all these years of eating hot chips Thee mf hot girl coach linked up with hot Cheetos.”
Watch Megan’s Flamin’ Hot Cheetos Super Bowl commercial teaser above.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Although it seems strange that 2022 is almost upon us, at least the new year is bringing some good tidings along with it. First and foremost is the stacked lineup for the Super Bowl halftime show, which includes Dr. Dre, Kendrick Lamar, Eminem, Mary J. Blige and the one and only Snoop Dogg. Since Snoop is also on the cusp of releasing his new album, Algorithm, he’s been doing a bit of press. And of course, fans and industry insiders alike want to hear whatever details might be available about the epic show these hip-hop legends have planned.
So during an appearance on SiriusXM’s “New Music & Motivation” special with Roxanne Shante, he got into some details around the Super Bowl that will definitely have some fashionable listeners interested. “What would I want to know about the 2022 halftime show,” he began. “Whatever outfit I’m wearing, I’m gonna be selling online at, at my clothing store the same night. So if ya’ll like, what I wear ya’ll can buy that sh*t the same night… See, I wear a fashion, you know, fashion statements. It’s like, even this suit I got on right now, you can’t find it nowhere. You can only find it here on me.”
Keep an eye out for that Super Bowl offering in early January then!
Janet Jackson’s Super Bowl scandal has become the subject of a new documentary coming soon to Hulu and FX, according to Deadline. After the success of the New York Times documentary Framing Britney Spears, the streamer is taking on the backlash against Jackson in Malfunction: The Dressing Down Of Janet Jackson, launching on November 19 (incidentally, both docs prominently feature Justin Timberlake for his role in both women’s respective downfalls. I don’t know what it says about JT that he was so closely involved in both but it feels a little like he’s gone through his own version of what they went through over the last few years, falling out of public favor as social media became more prevalent.).
For those who don’t remember, during the 2004 Super Bowl halftime show, Janet Jackson joined Justin Timberlake on stage during a performance of his song “Rock Your Body,” ending with Timberlake pulling part of Jackson’s costume off, baring her breast and touching off a national controversy that led to Janet essentially being blackballed by the entertainment industry. The incident coined the infamous term “wardrobe malfunction” and a content crackdown by government and network regulators.
According to Deadline, the film will “examine the racial and cultural currents that collided on the Super Bowl stage, and explores how the incident impacted one of the most successful pop musicians in history.” It will include interviews with some of the producers of the 2004 Super Bowl halftime show, as well as “music industry insiders,” cultural critics, and members of Janet’s famous family.
As the Super Bowl returns to Los Angeles in 2022, some of the city’s brightest stars (and few out-of-town friends) will join forces for a hometown blowout. Dr. Dre has been announced as the performer for the Super Bowl LVI Pepsi Halftime Show — and he’s bringing a squad of his best-known buddies along, including Eminem, Kendrick Lamar, Mary J. Blige, and Snoop Dogg. So far, there’s no word on 50 Cent, but you can probably bet that where Dre and Em are, 50 is likely to come strolling out to the propulsive beat of “In Da Club.”
Securing Dr. Dre as halftime performer is a coup for the NFL, which has caught flak in the past over its musical choices. There were even some grumbles about the 2021 selection of The Weeknd despite his near-universal popularity and the incredible show he eventually put on. Two years before, the NFL was criticized for not including iconic Atlanta performers rather than Maroon 5, so it’s nice that the NFL is acknowledging that Dr. Dre basically is LA. It’s also incredible that he’s doing the show just a year after suffering a brain aneurysm.
Pepsi apparently knew as much, as Todd Kaplan, VP of Marketing, said in the press release. “Artists like Dr. Dre and Snoop Dogg were at the forefront of the West Coast hip hop revolution, so to be able to bring them back to LA, where it all began alongside Eminem, Mary J. Blige and Kendrick Lamar will prove to be an epic, unforgettable celebration of the impact hip-hop has today,” he said. “The Pepsi Super Bowl Halftime Show has become a landmark cultural moment, bringing about some of the most iconic performances over the years – from JLo and Shakira to Lady Gaga to The Weeknd – and we are thrilled to bring together such an incredible array of talented, record-breaking musicians to put on a performance for the ages.”
Super Bowl LVI will take place on February 13, 2022 at SoFi Stadium in Inglewood.
When the documentary series Framing Britney Spears bowed on HBO back in February, it caused an avalanche of support to come the singer’s way. Long a target of condescending press coverage — not to mention still legally under the control of her domineering father — Spears found the public finally rallying to her side, hoping to correct years of unfair coverage. Now the team behind the doc look to be trying to do for Janet Jackson what they did for Britney.
According to US Weekly, Left/Right TV, who produced the Spears doc, are at work on a movie about the infamous halftime show at Super Bowl XXXVIII, in 2004. That’s the one where a performance by Jackson and Justin Timberlake resulted in a “wardrobe malfunction,” in which the latter ripped off part of her costume, exposing one of her breasts for half a second. The incident led to a massive fallout. The FCC tried, and failed, to fine CBS for over half a billion dollars, while some accused the two of staging it, with Jackson receiving more vitriol than Timberlake.
Neither Jackson nor Timberlake are involved in the movie, though the former is working on a documentary about her own career to coincide with the forthcoming 40th anniversary of her debut album, Janet Jackson. Timberlake, meanwhile, has come under fire over the last couple years, as the public has begun viewing his treatment of both Jackson and Spears, who he once dated, with a more critical eye. Indeed, after Framing Britney Spears debuted, he issued a formal apology to both parties.
“I specifically want to apologize to Britney Spears and Janet Jackson both individually, because I care for and respect these women and I know I failed,” he wrote in an Instagram post. “Because of my ignorance, I didn’t recognize it for all that it was while it was happening in my own life but I do not want to ever benefit from others being pulled down again.”
Charm La’Donna is a woman of many talents and she’s ready to let them all unleash. She’s an all-in-one creative outfit who can write a good song and a choreographed routine to go with it. Looking for visual creative direction? Charm can handle that too.
In fact, some of the biggest names in the industry have put their faith in her abilities such as Selena Gomez, Rosalía, Madonna, and even once opened up for fellow Compton native Kendrick Lamar. The greatness only gets greater, though. More recently, Charm choreographed Dua Lipa’s electrifying Grammy performance with DaBaby and she also was the woman behind The Weeknd’s prodigious half-time performance at this year’s Super Bowl.
In between all of that, somehow she also has found time to create for herself in the midst of the pandemic. Her track “So & So” is one of the first songs she’s released and the video features cameos from some of her closest friends including Selena Gomez (of course), Meghan Trainor, and Fulani, among others, lip-syncing the words to the catchy number.
Following the release of her track “Queen” and its captivating video, Charm talks to Uproxx about her barrier-breaking music career and what it was like once being a dancer during a Super Bowl half-time show with Black Eyed Peas to choreographing The Weeknd’s for this year’s performance.
Philip Cosores
Tell me about the single and the creativity behind your video for “Queen.”
“Queen” stems from me wanting to have a song that felt empowering, that embodied strength and everything of where I’m from. The visuals as well. It’s literally being taken a journey through all of my endeavors, everything that I love. I threw it all in “Queen.” The culture, my culture, where I’m from, how I feel now, how I felt growing up, it’s all in there.
What are some things to you that maybe you included in the video that represents being a queen? What’s a queen to you?
A queen is someone who is powerful in their own right, who is strong, who is also vulnerable, who exudes greatness and follows whatever that is for themselves. One thing for me, I could even say in the video, I love gold. I’ve always loved gold and I love bamboo. So I decided to do something and play with that in the visual and the video. It’s how I rock my bamboos in a way. You see the gold on the dresses and the bamboo and how I rock them and just me being in a swap meet top type of situation. It shows where I’m from and how I grew up, to how I live now. Also, getting my hair braided is very important.
How would you say a queen moves in life and in this industry?
A queen… It’s about being yourself. Being yourself and not compromising your morale and who you are and going after everything you want. Going out to everything you want and people say wearing many hats, I just say wearing many crowns.
That’s kind of my next question because you do so many things. I know you did the Super Bowl choreography for The Weeknd. You’ve done choreography for so many people. You’ve opened up for Kendrick Lamar and all of that. I noticed this industry is dominated by men. It’s so much testosterone. How do you maintain your crown in a room full of men?
Myself, knowing where I come from, knowing who I am as a woman and not compromising that and believing that I can do anything that anyone else can do.
Do you ever feel intimidated or were there ever times where you did feel intimidated and had to make yourself come out of that or evolve out of that?
I don’t think I’ve ever felt intimidated. I felt more-so nervous. When you embark on something new or you try something that people are not known, they don’t know you for trying. You get a sense of maybe nervousness. There was never any form of intimidation though because I come through. I feel like I’m a strong woman and I’m raised by a bunch of women. I don’t think I’ve ever felt intimidated.
How involved are you with your visuals and the creative?
I’m heavily involved in my business. I do my creative. I do my choreography. I’m hands-on with styling. I’m hands-on.
How do you find time? How do you balance it all?
Oh, with a great team. Very great. To be honest, as I am now putting out music I’m still choreographing, I’m still creative directing for different artists as well as myself. It’s just balance; it’s just balance and structure in the best way, but my team has been amazing in helping me do that.
Now, how many more singles do you have coming before you drop a full-length project?
I think I have one more single coming and then I’m going to drop a project.
Philip Cosores
During this journey of you creating your project, creating the visuals for it, and also in between doing choreography for other people, how has that been while making it a priority because I’m pretty sure you have had to do some readjusting, right?
It organically happened for me in the past year. Due to staying at home and with COVID, I kind of took a pause with the world as well. Then when I took that fall, I had my music. It was a time for me to continue being creative and put my stuff out. To not be nervous, not be afraid, even in a time of the unsure, put my stuff out. That was the beginning of the push. As of right now, I have a great balance. I’m able to help others when I can, and there hasn’t been any controversy or any stipulations with it. It’s been cool.
What artists did you grow up listening to that inspire you?
My inspiration of course are a lot of the artists I work with and I’ve been able to collaborate with. I also find inspiration like my mom and my family, friends. I’m inspired… It sounds super cliche to say but I’m inspired by literally just… I intake a lot of energy from different places. I’m inspired by multiple things.
You said that you were raised by mostly women. Who were those women?
My mom, my god-mom my aunt, my grandma, women, all my past teachers, my mentor Fatima Robinson. All these women have played a role in my life.
What could you say is something that… In what way do they support you? Maybe when you need encouragement or if you need somebody to talk to. In what way and how do they support you?
My mom has encouraged me always to follow and follow my dreams. Hard work, push yourself and you’ll be able to conquer whatever it is that you want. Each woman, I think, played a different role. I’ve learned in the industry from Fatima Robinson. My aunt has always been there to encourage me to continue on because I’ve missed growing up, so many family things.
They never made me feel as if though one thing was more important than the other. They were always supportive of me and my dreams and what I wanted. I think that’s important because my grandma is just always been my rock, always been my rock. Even hearing stories of how she grew up and my grandmother’s 95. Those stories have also inspired me and pushed me to be the best I can be.
Is anybody in your family into music, that you looked up to as well?
My brother, he was a writer and a rapper back in the day. That’s where I kind of got my music. That’s where I got the itch to start rapping and getting in the studio with him when I was younger.
What was that like? Were you like little sister following big brother around or just watching him?
Yeah, it really was. Exactly. He would pick me up from school because my mom was working and I would go to the studio with him before dance class or after dance class until it was time for me to go home. It started off just me doing my homework in the studio and then me getting in the booth and rapping. Now here we are.
I did kind of want to talk about just Super Bowl a little bit, because that’s huge. You choreographed The Weeknd’s half-time performance.
Well, that, from that experience, if you want me to be honest, what I don’t think people know is that we did this literally in the middle of the pandemic. I don’t think people know that. So I say this to say, it’s like the journey, and what it took for us to get this was beyond. I was having Zoom rehearsals because safety is always a priority. I’m trying to keep people away for as long as possible, but the overall experience, I wouldn’t change for anything. I got to choreograph the Super Bowl with amazing people.
It’s crazy, because for me, I danced at a Super Bowl. Fatima choreographed it and I was a dancer, so then you fast forward now I’m choreographing.
Wow, that’s huge. Which Super Bowl was that?
I danced with the Black Eyed Peas at their Super Bowl. I danced at that Super Bowl and then I choreographed this one. It was just a surreal situation. Even with everything going on, all the preparation we had to do. It still is an amazing accomplishment, I think for everybody. I think we delivered a great show in the time and the space that we were allowed to.
Then also I want to talk about the “So & So” video. I thought it was so cute. I know you had some of your friends in there. Tell me how you put that video together.
I dropped something, actually on my birthday last year and at the beginning of a pandemic. They’re trying to figure out what was going on. What I did was I’m calling all my friends asking can you guys sing some of the lyrics to my song, I want to put it in a video. I thought about doing it with my friends because of the songs, a lot of them… actually everybody in the video had already heard it and they loved it anyway.
It was such a girl-empowering kind of a song. It just made sense. Everyone was still everywhere and was trying to adjust to what’s happening in the world. I was very grateful that they, still came through and did it for me because it just was such a difficult time for everyone.
What is it that you love the most about being a music artist?
I think what I love the most is the different form of expression. Me being able to tell my story with words. Me being able to create visuals to go along with my story. Me being… I basically perform this music. I think that’s what means the most to me.
