Travis Scott Does “Drugs You Should Try It” Justice With Equally Trippy Music Video

Travis Scott has successfully brought his fan-favorite mixtape to streaming services in DAYS BEFORE RODEO. This 2014 project holds a special place in the hearts of La Flame’s fans for a lot of reasons. It’s got some of his best-ever songs it, it shows the growth and development of the dark, psychedelic sound that they know him for. Additionally, the tape sees Travis at arguably his hungriest and most untamed state yet. When you combine all of the aspects together, you are getting a nostalgic version of the Houston artist that we probably won’t get ever again, given where he is creatively and in hip-hop overall. While that might be sad for some, it makes songs by Travis Scott like “Drugs You Should Try It” all the more special.

When we said DBR has some of his highest creative genius on it, “Drugs You Should Try It” is one of the tracks. Compared to the rest of nocturnal Southern trap you are getting on this project; this song sticks out in a good way. The guitar is such an iconic part of it, as well as the trippy, rapid-fire hi-hats. Furthermore, Scott is at his most vulnerable as he talks about loving someone, as well as all of their druggy escapades together. Ask most hardcore Scott fans and they will have this song in their top five or top 10 all-time for all these reasons listed. Adding to the cult-like aspect of the record, Travis has decided to release a music video for “DYSTI”. Like the content of the song, the visuals are equally woozy and spacey, including shots of La Flame falling down in slow-mo.

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“Drugs You Should Try It” Music Video – Travis Scott

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ASAP Rocky Drops One Of His Best Music Videos Yet With “HIGHJACK”

ASAP Rocky’s comeback season is upon us. Fans have been waiting since 2018 for new Rocky music, and the rapper is finally poised to deliver. Don’t Be Dumb is slated for released on August 30. Now, we have a music video for ASAP Rocky’s new single, “HIGHJACK.” The song didn’t scale the charts when it dropped on August 2. It was, however, proof that the Harlem rapper still had what it took to make a slick, cloudy bop. The music video for “HIGHJACK,” which dropped August 21, enhances the song tenfold. It showcases ASAP Rocky in a mold that fans haven’t gotten to see in over a decade.

ASAP Rocky broke out with a singular, black-and-white aesthetic. ASAP Mob was dangerous when they first started out, but Rocky gave them a stylish flair. These strengths are on display in the “HIGHJACK” music video. It starts off minimally, but quickly descends into a beautiful, surreal collection of images. Rocky raps in different corners of the camera frame, while the perspective of the rooms around him shift. At one point, he’s seen tossing bars off in a frame reminiscent of an M.C. Escher painting. It’s all very trippy, which perfectly segues into the “HIGHJACK” chorus sung by Jessica Pratt.

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ASAP Rocky Builds On His Original Aesthetic

“HIGHJACK” saves its most startling visuals for the second half of the song, though. While it’s cool to see ASAP Rocky posted up in a series of black-and-white settings, the Jessica Pratt chorus unlocks a kaleidoscope of wild imagery. Members of the ASAP Mob seemingly celebrate in slow motion, while a camera pans through various tableaus of Rocky in different outfits. A pair of hands rock rings that have the album’s title, Don’t Be Dumb, written on them. A funhouse face rocks a silver grill in the background. Most curiously, a be-speckled Rocky gets up from a bed and puts on a suit.

The music video culminates with two contrasting images. One of Rocky standing above a tall building, and other of the rapper facing the wall in a mysterious room. Neither narrative is resolved, which leads us to believe there will be more to come in future Don’t Be Dumb music videos. “HIGHJACK” may not be a smash hit, but in drumming up interest for what Rocky has next, the song and video could not have done a better job.

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Eminem & Jelly Roll Drop Tear-Jerking Music Video For “Somebody Save Me”

Eminem is now just over a month removed from his latest album, The Death of Slim Shady. Overall, the record has received lukewarm reviews from critics, although his Stans seem to be enjoying it. Since its July 12 release and debut at number one on the Billboard Hot 200, it has slowly tapered off. It’s now sitting at number 16, and only one track is on the Hot 100. That is the lead single “Houdini”, and it is also beginning to fall down the ranks with it being at 24 as opposed to 20 last week. Regardless, though, Eminem achieving quite a bit of success at this stage of his career is highly impressive. Furthermore, there are still some other tracks to pull from it, including “Somebody Save Me”, the collaborative closer between Eminem and Jelly Roll.

The emotional weight is what makes this song so special, as both respective megastars divulge into the previous battles with addiction. In the case of Eminem, he raps about an alternate reality where he wasn’t able to be there for his kids’ biggest accomplishments. In a cool but gut-wrenching way, Eminem pieces various clips from his and children’s lives together in the new visuals for “Somebody Save Me”. Perhaps the saddest part of the video is at the beginning where a younger Marshall Mathers is on the couch in a slumber (due to his drug intake) and one his daughters imploring him to get up and eat. Instead, she sends her away and tells her to “shut the door”. Thankfully, Eminem was able to fight off his demons and his vices, and it goes to show how he strong he is and how much he cares about his family.

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“Somebody Save Me” Music Video – Eminem & Jelly Roll

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Big Sean Drops Grim Visuals For “Yes” Single

If things check out, we should be receiving Big Sean’s brand-new album Better Me Than You on August 31. Of course, fans were supposed to have their hands on the tape back on August 9. However, thanks to the good old leaking community, Sean decided to make some minor adjustments beforehand. That’s we and a lot of other believe, however the Detroit MC pushed it back due to wanting to plan out concerts and such. That very well may be true, but with leaks ruining so many things from dropping on schedule or at all, we feel that’s what is going on here. Depending on how you look at it, Sean was able to drop another single this past weekend with The Alchemist.

Currently, we are up to four teaser tracks, which also include “Yes”, “Precision”, and “On Up”. Out of all the ones we have heard so far, we feel that Big Sean did his best work on “Yes”, which is single number two. So far, it seems this will be the album’s biggest banger. If that’s the case, we should be in for a solid album from Sean Don. The epic and dark instrumental suits his aggressive and “no f***s given” attitude on the track. His flows and deliveries are also engaging as he hits you with his familiar cool, calm, and collected voice. Additionally, he gets a little more animated and zanier to jolt some extra energy into his already thrilling performance. To give fans more to chew over, Sean teamed up with Lyrical Lemonade to deliver some equally gloomy visuals for “Yes”. They accentuate what the song sets out to be and we encourage you to check out the creative production below.

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“Yes” Music Video – Big Sean

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Future & Metro Boomin Take A Victory Lap In Visuals For “Streets Made Me A King”

Future and Metro Boomin continue to prove that they are one of the most inseparable duos in hip-hop. After assisting Mr. Hendrix on his R&B-flavored sister album HNDRXX, the superstar beat craft from St. Louis, MO took some time away from his Atlanta brother. In fact, the hiatus went from 2018 to the very end of 2022. Even on Metro’s projects NOT ALL HEROES WEAR CAPES and SAVAGE MODE II did Pluto appear. But when “Superhero (Heroes & Villains)”dropped at midnight, December 2, all was right with the world. The two trap icons were reunited and that would be the start to their rekindling. Since then, they have gone on to release a tandem of projects this year, both of which figure to be in rotation for many beyond 2024.

The most recent is WE STILL DON’T TRUST YOU, the April sequel to the March LP, WE DON’T TRUST YOU. Quite a bit of fans are coming around to the former, after a lot of them were quite let down initially. It makes sense considering the fact that the first of the two albums was more hype and dark. Of course, it’s also got tracks such as “Like That”, the title track, “Type S***”, “WTFYM”, and more. WSDTY sees more R&B and melodic cuts like the ones we got on HNDRXX seven years ago. However, to appease the masses Future and Metro gave us more aggressive cuts on disc two, such as the closing song, “Streets Made Me A King”.

The braggadocious anthem about street life making Hendrix a star is a classic theme that fans eat up every time. It may not be one of the most popular cuts, but the track is a certified banger. For these albums, the Wonder Twins have put out a handful of music videos, and WSDTY is receiving its third. You can check them out taking a victory lap over the successes with the link below.

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“Streets Made Me A King”- Future & Metro Boomin

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Kanye West And Ty Dolla Sign Drop Moody Music Video For “SLIDE”

Kanye West can’t go more than 48 hours without a controversy it seems. The rapper was already been criticized for the messy rollout of VULTURES 2. A rollout that was months and multiple album versions in the making, mind you. Then it was suggested that West was addicted to nitrous gas, which is a story that has effectively drowned out anything that was on VULTURES 2. Despite the seemingly constant barrage of problems, Kanye West and Ty Dolla Sign are forging ahead. The duo have decided to drop a music video for the first VULTURES 2 single that was released: “SLIDE.”

Let’s get the obvious points out of the way. Kanye West and Ty Dolla Sign do not appear in the video for “SLIDE.” There is no performance element to the song, or famous faces scattered throughout. Instead, the video presents a single, unbroken shot of a camera moving down a city street. We see a woman in lingerie, we see homeless people in tents. We also see a vulture at one point, which, sure, why not. It’s suggested that the street in question is in a red light district, but other aspects of the video, like cars on fire, don’t exactly vibe with the theory. Overall, it feels very much cut from the concept of “No Church In the Wild,” which is to say, societal chaos.

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Kanye West And Ty Dolla Capture Societal Collapse

It’s a cool video, even if it doesn’t align with Kanye West or Ty Dolla Sign’s lyrics. “SLIDE” sees West rap about impossibly wealthy parties and sexual conquests during his first verse. “Headed to the high-rise. Cruisin’ like Eyes Wide Shut (Get up),” he spits. But I slide in it like a drive-by. The industry don’t like me, tell them p**sy n**gas likewise (Get up). They tried to hit me with the cyanide.” Ty Dolla Sign’s hook is more of the same. Kanye West hasn’t provided much context about the inspiration for the song, either. When he played it during a November DJ set, he merely said: “This is madness for me, I made this with my brother Ty a few months ago.”

It’s difficult to imagine the music video for “SLIDE” will do much to boost VULTURES 2 album sales. The album pulled in 107K album equivalent sales first week, which marks the lowest first week numbers for a Kanye West album ever. The reviews have been even worse. Fans have chastised West for dropping the album despite it not being close to finished. Several tweaks have been made to the final mix, but rather than intrigue listeners, the way it did when West tweaked The Life of Pablo, it has irritated.

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Gunna’s “Today I Did Good” Music Video Is A Reminder To Just Live Your Life

One thing fans have learned about Gunna is that he loves to make a music video. Every album cycle of his comes with several visuals. a Gift & a Curse came with six videos for the album’s fifteen tracks. His latest album, One of Wun, is no different. After releasing videos for “whatsapp (wassam),” “back in the a” and “Prada Dem” with Offset, Gunna is back with the fourth video of this album cycle. “today i did good,” a more understated cut than the high-energy tracks Gunna is most known for, is the latest from the album to receive a video.

“today i did good” is Gunna celebrating himself. He applauds himself for getting on a diet (“I ain’t been eating no bullsh*t”). His fitness journey is one he’s documented himself for the last few years. He thanks God that he’s still rich, and talks about his bachelor life. The beat is mellower than one may expect from a Gunna track, and overall, it’s pleasant to listen to. The video, directed by Spike Jordan, is as impressive.

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Gunna – “today i did good”: Watch:

The video itself is Gunna going through several days in his life. The video is also shot on a GoPro-like camera. It gives viewers his point of view in a way that would be similar to how Gunna himself goes through the day. He also time stamps every major point in the day. The video begins with him working out in Rome at 4:45 AM. From there, he eats breakfast, gets dressed, and leaves his hotel at 9:38 AM. He goes clothes shopping and then goes to a fashion show. Gunna leaves Rome at almost 7PM, and heads to South Africa to shoot the video for Tyla’s “Jump,” a track he features on. The scenes in South Africa follow a similar format. After his day in South Africa, he briefly heads to Los Angeles. He then goes to Ohio State University’s Schottenstein Center, the location of the first show of his Bittersweet Tour.

The video’s ending scene is from a photoshoot for P, Gunna’s clothing brand. Following the shoot, they return a room to in a scene that suggests a deluxe version of One of Wun is on the way. There are two pieces of art. One is the album’s standard art. Instead of the standard’s blue and white flowers, the other piece of art shows his head covered with orange and yellow flowers. The video’s last message is essentially telling viewers to make the most of their day. Gunna also wants his fans to not listen to what other people think of them. It’s a nice message to end a very well-crafted music video for one of the more underrated tracks on One of Wun. Watch the video above.

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JPEGMAFIA And Denzel Curry Team Up For Grimey Music Video “JPEGULTRA!”

JPEGMAFIA and Denzel Curry is a match made in rap heaven. The two artists were elite on their first collab, “VENGEANCE I VENGEANCE,” but their latest song, “JPEGULTRA,” managed to top it. Both are in their absolute element, dropping clever bars over one of Peggy’s coolest productions. Unsurprisingly, the music video is just as good. JPEGMAFIA and Curry take to the streets with handheld cameras and deliver a visual that’s every bit as gritty and stylish as the song that accompanies it.

There’s some fun editing right off the bat. Denzel Curry raps the same bars in three different settings, and the clips are then overlapped in the frame so we can see them all simultaneously. It’s a jarring effect at first but it adds to the otherworldly aesthetic of the beat. The music video also plays with different film stock. There’s old VHS footage, grainy black-and-white stock, and footage obtained with a fish eye lens. They are interchanged about as frequently as JPEGMAFIA and Curry trade verses, which is to say: often. JPEGMAFIA’s last verse is electric. “On my knees for a God who can hear. I can’t pray to no God I can’t fear,” he spits. “I think I should have ran me a cult. Quarterback that ho like I’m Peyton on Colts.”

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JPEGMAFIA’s New Video Uses Different Filters

“JPEGULTRA!” samples “Get Up!” by the Japanese band Akira Ishikawa And His Count Buffalos. Peggy has spoken at length about the time he lived in Japan, and the impact Japanese music has on his own. He cited the Cowboy Bebop soundtrack, in particular, during a 2018 interview with Vice. “It was one of the first ones I heard but all of them have been influential in their own way,” he explained. “The thing I took the most from them was the strange rhythms and just the weird things they do. So sometimes they’ll pull these crazy melodies out, they probably don’t even care. It’s a melody for a scene, but it makes me cry.”

JPEGMAFIA recently made headlines for throwing shots at Drake. He went at the Toronto rapper not once, but twice on the album I LAY DOWN MY LIFE FOR YOU. Peggy has gone at Drake for most of his career, but the aggression of his bars caught a lot more attention this time around. He even addressed the controversy on social media. “If anybody got a problem with what i said on this album, my tour dates in bio,” he tweeted out. “Y’all cant even pay your rent but defending Drake for free, go outside and be somebody.”

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Megan Thee Stallion Is A Venomous Vixen In Music Video For “Mamushi”

Megan Thee Stallion’s comeback has been one of much success. Her self-titled third studio album MEGAN performed very well in its first week, selling a respectable 64,000 copies. That was good enough for a number three debut on the Billboard Hot 200 and it’s currently sitting at number 40. A lot of tracks have been garnering a lot of love from fans and one of them is Megan Thee Stallion and Yuki Chiba’s “Mamushi”. The track is an ode to her adoration for Japan and its culture, and her being able pay respect to it on her biggest album has to have felt good. Since it landed on the Hot 100 five weeks ago, the track has not left and right now it’s in at the 36th slot.

It makes sense why it remains pretty high too. “Mamushi” is one of the slickest and catchiest songs on the record thanks to Megan’s melody on the chorus. Additionally, her rapping in Japanese alongside Yuki Chiba was a fun addition. At some point, a music video was bound to come to fruition and that day is today, according to Uproxx. There were some hints of this being in the works in late July, as she announced the filming of the video in Japan was getting underway on her IG. The video is a creative one, as there appears to be a fun callback to Rush Hour 2. A man walks into spa and selects Megan to be his masseuse. However, she transforms into Japan’s deadliest snake, the Mamushi, and kills him. In fact, anytime a man leers at her, she turns into this venomous reptile. It’s another way of alluding to Megan shedding her past and the men she deems no good.

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“Mamushi” Music Video- Megan Thee Stallion & Yuki Chiba

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Kanye West & Ty Dolla Sign Unleash “Fried” Music Video

This weekend Kanye West and Ty Dolla Sign unleashed their new album Vultures 2, which has since managed to spark some controversy. While many are enjoying the project so far, others are unimpressed. Many raised issues with the mixing in particular. Luckily, Ye promised updated versions of the tracks, which he delivered several of this week.

Now, the duo has unveiled a new visual for their track “Fried.” As expected, it’s also earned mixed reactions from viewers. It features a pack of masked individuals running through seemingly endless hallways, with no clear goal in sight. While some think it’s interesting and pairs well with the song, others think it left a lot to be desired.

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Kanye West & Ty Dolla Sign Deliver New Vultures 2 Visuals

“Ye what am I watching,” one YouTube commenter wonders. “The visuals got my brain fried,” another jokes. Of course, it’s still up for debate whether or not this is a worthy visual, and the same can be said for the rest of the project. Despite some ongoing criticism, however, the duo are expected to have a successful first week in terms of first-week sales. According to Chart Data, Vultures 2 is on track to move 68K units in its first week. While this is certainly no small feat, it would be only the third time in Ye’s career he hasn’t topped the Billboard 200 chart the week of a release.

The other two times this has happened were in 2008 when he dropped his debut The College Dropout, and in 2018 when he unveiled Kids See Ghosts with Kid Cudi. What do you think of Kanye West and Ty Dolla Sign’s new “Fried” music video? What about social media users’ criticism? Are you a fan of it or not? What’s your favorite track from Vultures 2 so far? Share your thoughts in the comments section down below, and keep an eye on HNHH for more updates.

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