Oy vey. We may be three weeks into a new year, but it looks like hip-hop fans are dead set on arguing about the same ol’ bullsh*t. Over the weekend, a clip of Yasiin Bey offering some… regressive takes about Drake surfaced online and the discourse rapidly spiraled into a very tired but seemingly immortal debate about whether or not Drake counts as hip-hop. Bey, who said “Me, you, everybody, we are hip-hop,” on “Fear Not Of Man,” the literal intro of his pivotal debut Black On Both Sides, called Drake “pop,” sparking the whole debate anew, like a Hollywood producer deciding Dracula needs another remake.
Well, Drake — who, it must be said, was a huge fan of backpack rappers like Bey (formerly known as Mos Def) at the outset of his career — addressed the comments with about as poignant a response as one could under the circumstances. Instead of throwing a shot at his one-time hero, he showed just how in tune he is with hip-hop culture, quoting two titans of the culture: Method Man and Bey himself. On his Instagram Story, Drake reposted a clip of Method Man defining hip-hop as such in an old interview:
“Hip-hop is a culture. It’s a way of life, the way you dress, the way you talk, the way you walk. It’s the breakdancing, rhymes, stage show, DJ, mixing and scratching, the wordplay. That’s hip-hop.”
Drake also wondered, “What umi say again?” referencing Bey’s Black On Both Sides hit “Umi Says.” “Lemme shine my light king don’t change up now.”
For what it’s worth, Bey’s comments seem to stem from a common complaint about materialism in rap music that goes back to… well… the ’80s. However, the philosophical schism reached a boiling point in the mid-’90s, leading to the so-called “backpack rap” movement and the emergence of Mos Def and similar acts like Talib Kweli, the Spitkickers crew, and labels like Rawkus, Def Jux, and Rhymesayers gaining prominence among rap heads dissatisfied with the “jiggy” disposition being embraced by hitmakers like Tupac, The Notorious B.I.G., Jay-Z, and Nas (who, let me remind you, are now all touted as about the “realest hip-hop” you can get).
Whether it’s just old head sour grapes or a legitimate concern about the direction of mainstream rap music (which… come on, man, you been banging that drum for 25 years), let’s all just hope this goes away quickly because there is absolutely no reason to still be pretending liking Yasiin Bey and Drake both is mutually exclusive in 2024.
Earlier this month, model Jayden Steele made a post on TikTok sharing a personal story of a time she was physically attacked. The post was an attempt to shed light on why it often takes so long for instances of abuse done by powerful figures to finally come out. While she didn’t initially name who she was talking about somebody in the comments guessed it correctly and she confirmed. The post was made about Wu-Tang Clan rapper Method Man.
Since then fans have had a full day to think about the circumstances and she their opinions on it. Some of those didn’t sit particularly well with Steele. She posted a new video clapping back against some of the “stupid comments” she’s received. First she discusses the victim blaming she’s experiencing being the exact reason that stories like this take so long to emerge. She went on to speak about the structure in place to keep powerful people protected against accountability for the things they’re accused of doing. In the process she also claimed that she was only telling part of the full story. Check out her response videos below.
In the comments of an Instagram repost of the video, fans have a variety of reactions. “I just know the innanet gon eat her up about Meth.. because they already be ready to tussle and shuffle with his wife,” one fan comments. It’s an attempt to explain why so many fans online are coming to the rapper’s defense so hard. Other comments seem to misunderstand the situation and claim that she should be going to the police. “I get it and not blaming you but it cost nothing to call the police,” and “I’m confused if you were assaulted don’t you go to the police you go to the record company?,” two comments read. They’re just some of the confused bunch occupying the comment section.
Method Man himself is yet to respond to the allegations. Just a few days before the claims were made, Wu-Tang Clan made a major announcement. They will be taking to Las Vegas early next year for a four show residency. What do you think about Jayden Steele’s response to various fans reacting to her claims of abuse against Method Man? Let us know in the comment section below.
On this day in Hip-Hop history, Method Man released his debut solo LP Tical. Sticking to RZA’s plan on industry domination, Method was the first to roll out his solo LP after the ridiculous success group debut Enter the Wu-Tang (36 Chambers). In the early years of the Wu, Method Man had grown become the public face of the group. His larger than life persona and a multitude of styles won over the hearts and ears of fans after the groups first single “Protect Ya Neck” had “Method Man” on it’s B-side.
Tical delves deeper into the sinister villainous style previewed on 36 Chambers. Method Man creates a dark anti-hero on this album who hungers for the career of wack rappers and perpetrators. It was truly a violent introduction to one of the most outrageous members of the Wu, second only to ODB in theatrical personality.
Considered a “two-man show” by critics, the album was almost entirely produced by RZA. As the Wu’s architect, RZA created specific sounds for each member. Method unique sonic was the most film inspired. Meth continued to build a character likened to the many crime bosses and master villains that starred in his beloved Kung-Fu flicks. Aside from the image, lyrically the album is on another level. Method Man flawlessly juggles synonyms and metaphors with a flow that weaves in and out of the beat to create a hardcore symphony of Shaolin style.
Commercially, the album was a hit and only added on to the cipher of success revolving around the Wu-Tang Clan. The album peaked at #4 on the Billboard 200 and #1 on the Top R&B/Hip-Hop chart selling a million copies within a year of its release. It kick-started a wave of successful solo albums and keep afloat RZA’s five-year plan to becoming the greatest rap group in history.
Legendary rap posseWu-Tang Clan is back with a brand-new single for the first time in a long time. In fact, it has technically been three years since their last single, “Hi.” It did receive a remix in 2021 with UNKLE. Other than that though, the New York group has stood silent. Sadly, it does not feature a ton of the members, but Method Man and Ghostface Killah do make appearances.
On the Wu-Tang Clan’s Instagram account, they began teasing a comeback of sorts. It began a little over a day ago with them sharing the cover art of the track. “Claudine coming Friday.. the saga continues..” This message confused some fans. One person said, “Is this a song, a whole album, or a movie?” Another shared the same sentiment, “Is this a f*****g record?” The cover was uploaded in black and white.
Listen To “Claudine” Wu-Tang Clan, Nicole Bus, And Mathematics
Shortly after, it donned a yellow and black color palette. Finally, on the day of its release, Wu-Tang shared the official artwork. “Claudine” also features some nice guest singing from Nicole Bus. Additionally, Mathematics brings soulful production into the mix. It is more of an emotionally charged track that talks about wishing you could spend more time with the people you care about. Those lyrics are very prevalent in Ghostface and Nicole’s sections.
What are your initial thoughts on this brand-new Method Man and Ghostface Killah track, “Claudine,” featuring Nicole Bus and Mathematics? Who had the best performance on this song? Do you think we will get more singles from Wu-Tang Clan soon? We would like to hear what you have to say about all of this. With that in mind, be sure to leave all of your thoughts and opinions in the comments section below. Additionally, always keep it locked in with HNHH for all of the latest breaking news around the Wu-Tang Clan, as well as all of the hottest song drops.
Quotable Lyrics:
You ever feel that pain, when you lose someone So much dear in your heart Knowing that you never get those moments back Wishin’ you could bring’em back Just to hug’em and just hold’em And kiss’em one time
It’s understandable for fans to freak out whenever they meet a superstar, even if they’re famous to begin with. Moreover, comedy legend Luenell recently met Method Man backstage at a stand-up show, and took to Instagram to share some pictures of the occasion. In them, she hilariously puts her face up against his infamous abs, which are looking pretty rock-solid even by youthful standards, proving that you can’t crack greatness. The New York MC laughs on as the Soul Beat TV alum cherishes the moment, and all in all, they seemed to have a great time together. In fact, she even made sure to shout out his decades-long partner to make sure that no one got the wrong idea.
“YES!! It’s M-E-T-H-O-D MAN,” Luenell began her message for Method Man and their meet-up. “No lashes, no, make up. No reason to not rub my face all over his extremely hard abdomen.. RESPECTFULLY of course. He smelled Amazing! He sweats beautifully. Lucky Mrs. Man. But I’m sure he’s a pretty lucky guy as well. it takes a true Queen to lock down, support, and represent a King like this. @methodmanofficial THANK you for all the Wonderful things u said to me. I’ll never forget. Photos by: @candytman.”
Earlier this year, the Wu-Tang Clan legend spoke to Men’s Health about his daily routine and being considered a sex symbol in hip-hop. “I started my journey working out at 4AM in the morning,” Method Man expressed. “I would go to the gym. This had went on for like three months straight. But what I attribute it to is strong discipline and mental capacity to know what I want, and to fight for it every day.
“Put the words together: sex and symbol,” he continued, admitting he loves “every freaking minute” of girls falling head over heels for him, but pushing back on the idea. “What’s the symbol? I’m not doing anything. So what’s the symbol? I don’t want to be that guy. You get to a certain age where you just stop caring, and I think that’s the sexiest thing in the world right there.” For more news and the latest updates on Method Man and Luenell, stick around on HNHH.
The legendary Method Man of the Wu-Tang Clan is an amazing storyteller, both on wax and on air. Moreover, he recently say down with N.O.R.E., DJ EFN, and the rest of the Drink Champs for a comprehensive and entertaining-as-ever interview. During their conversation, Johnny Blaze recalled a wild story about being high on mushrooms for the 1996 Soul Train Awards afterparty in Los Angeles. This was at the height of East Coast and West Coast tensions, and what’s hilarious is that he met its executive leaders in the same night- and everything went super well. Of course, he was on shrooms, so that’s part of it, but we’re glad nothing ruined his high.
“I’m on mushrooms like a motherf***er,” Method Man began. “It didn’t hit me while I’m in the club ’til I saw Puff. I see Puffy with like six bodyguards- and then it hit me. It was like, ‘Wait a minute.’ Mind you, Puff don’t speak to me. No, he speaks to me, but he never speaks to me like this. Embraces me, ‘Meth, what’s up, n***a!’ So now it’s like, ‘Oh s**t.’ I’m looking around to see if anyone saw me speak to this motherf***er,” referring to the East and West clash. “I just don’t wanna be on anybody’s f***ing radar at this point- the shrooms. I’m in my head like cr*zy like, ‘Did that just happen?’ ‘Cause Puff’s never that nice to me. I mean, he’s nice, but never that nice to me. I’m f***ed up off these shrooms. Now I’m at the peak of shroom high.
“And I hear, ‘Mef!’” Method Man continued. “I look and it’s [Queen] Latifah. She was like, ‘What the f**k are you doing up in that corner? Come here!’ And I snapped out of that s**t. I was good the rest of the night after that! Shout out to you, Dana, I love you.” Then, the New York MC met Tupac and Suge Knight for the first time. “He’s telling me about some incident that happened with RZA in Vegas,” referring to the Wu leader allegedly getting his chain snatched there. “If he was there it definitely wouldn’t have happened, blah blah blah. Basically, he was saying if there was anybody we would f**k with on the East Coast, it’d be Wu-Tang. This is letting us know- and anybody that was in the know- that it wasn’t an East Coast-West Coast thing; it was a Bad Boy-Death Row thing.
“He started saying something else but I’m not really listening because I’m looking at the Death Row piece on his chain,” he went on. “This my first time meeting ‘Pac so I’m like, ‘Oh s**t, this is f***ing Tupac! Look at that f***ing chain!’ I remember looking at Suge and he got the cigar like this and he’s like… nothing. No expression, just stoic. Cameras is on, n***a! He in Suge mode. So I’m like, ‘Yeah…’ Walk out, get out front, and no lie, I remember being in the back of Pink Dot in that alley way, and we sat there and we discussing that whole night of how that s**t was so f***ing weird […] It was definitely the mushrooms.” For more news and updates on Method Man, log back into HNHH.
On his most recent interview on Drink Champs, Wu Tang Clan swordsman Method Man revealed that he used to cop angel dust fro the late Diggin In The Crates rapper Big L.
Meth made the news known when DJ EFN ask him to choose between Biggie and Big L to which the rapper/actor reminisced about his personal, fond memories with Big L.
Meth also revealed that he used PCP for the recording of most of his debut LP Tical, which debuted in 1994.
When the eerie October winds begin to howl, and shadows dance menacingly in the midnight hour, there’s a spooky season alliance that often goes unnoticed: Hip Hop and horror. As seasons shift and the leaves turn amber, fright fans prepare for an onslaught of familiar film favorites. To usher in October in all of its glory, we’ve created a specially curated list that promises 30 nights of chilling thrills—or, at the very least, laughter from the ridiculousness of campy, cheesy movies with rappers at the helm.
Here, we’re not gathering the best Halloween horror blockbusters ever to grace the silver screen. Sure, some of these movies have gone down in Hollywood history for their captivating storylines and mindblowing twists. However, you’ll also find those B-list films—you know, the cult classics with cringe-worthy moments that make them favorites. We’ve attempted to include as many movies starring or affiliated with rappers, while others were added because, hey, who can pass up the original Candyman?
From the satirical scares of Scary Movie to the haunting Thir13een Ghosts to the lesser-known yet equally unnerving Island of the Dead and Dracula 3000, this list will take you on a wild ride. We may find rappers trading in their mics for the cinematic stage. Let us know which culture favorites you hold near and dear every Halloween—or which you avoid at all costs.
October 2 — Get Out
In Jordan Peele’s groundbreaking directorial debut Get Out, audiences are on a suspense-laden journey into the heart of America’s racial tensions. When a young Black photographer visits his white girlfriend’s family estate, he’s met with unnervingly polite conversations that hint at an underlying prejudice. The family’s overcompensation soon gives way to outright horror. Chris uncovers their dark, twisted secret: Black people are being hypnotically controlled and used as vessels for the consciousness of aging white people in a bid for immortality. This isn’t just a horror movie. It’s a poignant commentary on racial dynamics, cultural appropriation, and the Black experience in America. It creates a modern horror masterpiece that resonates deeply in today’s socio-political climate.
October 3 — Scary Movie
Scary Movie, directed by Keenen Ivory Wayans, revels in its unapologetic absurdity. A jab at the slew of teen horror flicks that dominated the late ’90s, this film follows a group of clueless teenagers. After accidentally killing a man, they find themselves stalked by a vengeful killer named Ghostface. As bodies pile up and the mystery unravels, the film skewers classic horror tropes infused with humor. Known for its slapstick comedy, audacious parodies of iconic horror scenes, and often eyebrow-raising gags, Scary Movie is less about delivering scares and more about laugh-out-loud moments.
October 4 — Ghosts Of Mars
In Ghosts of Mars, the red planet isn’t just home to dust and desolation but also vengeful spirits looking to reclaim their territory. Set in the not-so-distant future of 2176, Earth has nearly colonized Mars. When Lieutenant Melanie Ballard (Natasha Henstridge) and her police team are dispatched to retrieve a dangerous criminal, Desolation Williams (Ice Cube), from a remote mining outpost, they expect some resistance. They don’t anticipate an ancient Martian civilization’s spirits taking over the miners’ bodies, turning them into murderous crusaders.
Dracula 3000, a far cry from the brooding tales of Transylvania, attempts to resurrect the iconic Count Dracula in space. Set a millennium after Bram Stoker’s original, this sci-fi horror finds a salvage crew on the spaceship. The crew stumbles upon Dracula’s coffin while attempting to claim the ship. As the vampire lord awakens, he brings a familiar bloodlust, leaving the team to wrestle with an age-old evil in a futuristic setting. This film, ambitious in its intentions, combines the classic vampire mythos with space-age terror.
October 6 — Island Of The Dead
Island of the Dead thrusts viewers into the grim surroundings of Hart Island, New York City’s mass burial site for unclaimed bodies, an eerie locale that stirs up images of forgotten souls and unending grief. The film orbits around Rupert King, a millionaire who journeys to the island following the death of his estranged son. There, King battles grotesque creatures alongside a determined police officer and a reporter. Amid the horror, Mos Def gets himself mixed up in the panic.
October 7 — Hood Of Horror
Hood of Horror takes audiences on a macabre ride through urban folklore. As an anthology film, it divides its narrative into three segments. From graffiti artists with a deadly touch to a brutal initiation gone awry, the stories are as much about human nature as they are about supernatural consequences. This one also stars a few favorites, including Method Man and Snoop Dogg, two emcees who often surface in thrillers. Danny Trejo also appears alongside fellow Hollywood greats, Billy Dee Williams and Ernie Hudson.
October 8 — Master
In Master, Regina Hall commands the screen as Gail Bishop, the first Black master at the prestigious Ancaster University in New England. Gail navigates the waters of academia, while freshman Jasmine Moore contends with unsettling nightmares and racial microaggressions that escalate to outright horror. As Jasmine’s experiences grow, Gail grapples with the school’s historical legacies and contemporary prejudices. This tale unravels a weave of systemic racism, making it a horror film for an introspective viewer.
October 9 — Halloween: H20
Twenty years after the horrifying events that defined Laurie Strode’s youth, Halloween: H20 returns us to the nightmarish world where Michael Myers remains an ever-looming threat. Amid the shadow of this relentless killer, Laurie (Jamie Lee Curtis) is now a headmistress under an assumed name, living a life painted with paranoia. The film introduces a new roster of potential victims, including the campus security guard Ronald “Ronny” Jones (LL Cool J).
October 10 — The Bone Collector
Denzel Washington brilliantly encapsulates the essence of Lincoln Rhyme, a top forensic criminologist whose career halts after a catastrophic injury leaves him paralyzed. With the spirited patrol officer Amelia Donaghy (Angelina Jolie) as his feet on the ground, the two unravel a web spun by a twisted serial killer. This one also hosts a look by Queen Latifah, who crosses Hip Hop and Hollywood lines regularly.
October 11 — Candyman
Set against the gritty backdrop of Chicago’s Cabrini-Green housing projects, Candyman dives deep into urban legends and the power of collective belief. Helen Lyle, a graduate student, becomes entangled in local folklore about a supernatural killer. Further, this spirit is summoned by saying his name five times in front of a mirror. As Helen’s academic curiosity turns into a dark obsession, a series of gruesome murders unfold. The enigmatic figure, known as Candyman, haunts the narrative, blurring the lines between myth and reality. The film masterfully intertwines social commentary on race and class with psychological horror.
October 12 — Bones
Bones is as a cryptic love letter to classic Blaxploitation and horror cinema. Snoop Dogg takes center stage as Jimmy Bones, a neighborhood protector and hustler who meets a violent end due to betrayal. Decades later, when a group of youngsters awakens his spirit, they’re thrown into a nightmarish realm where the past refuses to stay buried. It may not be a Halloween staple, but for fans of Snoop, Bones is a must.
October 13 — Nightmare On Elm Street
Nightmare on Elm Street, a cinematic masterpiece, drags viewers into a twilight zone of sleep and terror. Here, dreams aren’t just dreams, they’re a battleground. With his grotesque appearance and razor-adorned glove, Freddy Krueger becomes the stuff of nightmares, literally, as he hunts teens within their dreams. Die in the dream, and you die in reality. This harrowing concept didn’t merely frighten movie-goers. It seeped into the fabric of popular culture, including Hip Hop. Iconic duo DJ Jazzy Jeff and The Fresh Prince (Will Smith) immortalized Krueger’s horror with “A Nightmare on My Street” from their 1988 album He’s the DJ, I’m the Rapper. This track depicts Freddy’s terror, mirroring the film’s dread while celebrating its influence.
When it comes to horror, few franchises are as iconic as Halloween. We’ve already included H20; yet, Halloween Resurrection added a twist to its longstanding terror, partly due to the presence of rapper Busta Rhymes. The movie’s plot centers on an ambitious internet reality show set in Michael Myers’ childhood home, masterminded by Busta’s character, Freddie Harris. The catch? The infamous masked killer isn’t just a myth but very much alive and lurking in the shadows. As the show’s participants, including Freddie, explore the house, they find themselves in a deadly game of cat and mouse with Myers.
October 15 — Child’s Play 5: Seed Of Chucky
The notorious doll family expands in Child’s Play 5, better known as Seed of Chucky. When Glen, the offspring of Chucky and Tiffany, discovers his sinister lineage, he resurrects his parents. As the terror unfolds, Glen grapples with his own identity—caught between a life without violence and the murderous instincts of his heritage. Pop culture nods further enrich the narrative, including a memorable cameo by rapper Redman.
October 16 — Tales From The Crypt: Demon Knight
Tales From The Crypt: Demon Knight is a thrilling intersection of horror and character-driven narratives. Brayker is the guardian of a powerful artifact. As he’s pursued by a relentless demon called the Collector, Brayker finds shelter in an old church converted into a boarding house. As darkness envelopes the night, its inhabitants, including a determined Jada Pinkett Smith, face a relentless onslaught of demonic entities.
October 17 — Texas Chainsaw 3D
In Texas Chainsaw 3D, the terrifying buzz of Leatherface’s chainsaw revs up once again. When Heather discovers that she has inherited a mansion in Texas, she’s unaware of its gruesome history. Venturing to claim her inheritance, Heather and her friends are about to come face-to-face with a nightmare. Amid the expected screams, the film stars Trey Songz, who plays Ryan, Heather’s boyfriend.
October 18 — The X-Files: I Want To Believe
Within The X-Files universe, I Want to Believe stands as a particularly strange chapter. Diverging from alien conspiracies, this film dives into a mysterious case of disappearances and psychic visions, pulling former FBI agents Fox Mulder and Dana Scully out of hiding. While the supernatural remains a focal point, the human dynamics drive the plot. Moreover, one can’t overlook Xzibit’s portrayal of Special Agent Mosley Drummy.
In sunny Southern California, the Haywood siblings strive to sustain their horse-handling business following a family tragedy. When one strikes a deal with a fading child actor, their mundane struggles are eclipsed by a bewildering extraterrestrial encounter. Drawn to the mystery, Otis assembles a team with tech-savvy Angel Torres and renowned cinematographer Antlers Holst. As they delve deeper, they’re met with a cosmic revelation that’s as captivating as it is terrifying.
October 20 — Anaconda
Deep within the treacherous bends of the Amazon rainforest, Anaconda reveals a tale of a documentary crew navigating multiple threats. These include the mystery of an ancient civilization and an enormous anaconda. The suspense-filled venture sees Jennifer Lopez leading the group, with Ice Cube impressively stepping into the shoes of Danny Rich.
October 21 — Leprechaun In The Hood
Leprechaun in the Hood offers audiences a fresh twist on the typical folklore in the peculiar intersection of horror and humor. A gold-obsessed leprechaun (Warwick Davis) is accidentally freed by an aspiring Hip Hop trio with dreams of making it big. As the group stumbles upon the leprechaun’s treasure, they soon discover it possesses magical capabilities, granting them the success they’ve yearned for. Yet, as Ice-T’s character knows all too well, such gains come with terrifying costs.
October 22 — Vampire In Brooklyn
Helmed by legendary horror director Wes Craven, the hilarious Vampire in Brooklyn stars Eddie Murphy. Maximillian, the last of the Caribbean vampires, comes to Brooklyn searching for a half-vampire woman to secure his legacy. As he prowls the streets, Maximillian’s charm masks a deadly agenda. However, Brooklyn isn’t easily swayed. As the stakes (pun intended) get higher, the lines blur between seduction and survival.
Scary Movie 3, released in 2003, pushes the boundaries of its predecessors even further, poking fun at several early 2000s films. This time, the spoof targets movies like The Ring, Signs, and 8 Mile, and even sprinkles in some playful jabs at pop culture. At its core, the plot follows journalist Cindy Campbell (Anna Faris) as she uncovers ominous threats from a cursed videotape. This one even hosts a cameo from none other than Fat Joe, making for another enjoyable chapter in the Scary Movie saga.
October 24 — Venom
Set in a small town, a series of unfortunate events occur after Ray, a tow truck driver, is accidentally killed, leading to a nest of evil snakes possessing his corpse. As the now-possessed Ray embarks on a murderous spree, a group of teenagers find themselves fighting for their lives. With Method Man making a memorable appearance as Deputy Turner, the film adds a touch of Hip Hop to its horror. Further, this one also stars frightening looks from Meagan Good and Jonathan Jackson.
October 25 — Blade
Emerging during a cinematic era where superhero tales were just about finding their groove, Blade gave us a dose of the supernatural. In arguably one of his most iconic roles, Wesley Snipes embodies the Daywalker, navigating a nocturnal world filled with vampires. However, this isn’t your average vampire tale. It’s a stylish journey of vengeance, rhythm, and survival. As Deacon Frost (Stephen Dorff) plots his diabolical plan, Blade ascends to protect those who shun him.
Saw: Spiral plunges us back into the harrowing world of Jigsaw, with Detective Ezekiel “Zeke” Banks (Chris Rock) at the epicenter of a chilling murder investigation. With memories of the city’s twisted past resurfacing, Zeke, influenced by his father (Samuel L. Jackson), partners with rookie detective William Schenk to navigate a treacherous game laced with police politics, corruption, and betrayal. Further, 21 Savage lends his talents to the soundtrack by crafting the film’s theme.
October 27 — Thir13een Ghosts
This film unfurls a tale as visually stunning as it is spine-tingling. Eccentric millionaire Cyrus Kriticos leaves his supposedly haunted mansion to his nephew, Arthur. When Arthur and his two children, along with their nanny played by Rah Digga, move in, they soon discover the truth. The house is not just haunted but specifically designed to contain 12 evil spirits. As the mechanized mansion shifts and traps them inside, they must find a way to navigate the treacherous maze before the spirits are released.
October 28 — Ma
In Ma, the talented Octavia Spencer takes a dark turn, playing Sue Ann—a loner in a sleepy Ohio town. When a group of teenagers asks her to buy alcohol, Sue Ann offers them something even better: a safe place to party in her basement. Her hospitality becomes an obsession as she becomes increasingly attached to the group. As the teens continue to hang out in her basement, Sue Ann’s traumatic high school past reveals the motivation behind her increasingly unsettling actions.
October 29 — Us
In Us, another on this list from the innovative mind of Jordan Peele, audiences are thrust into a chilling tale of unadulterated horror. The story revolves around the Wilson family—Adelaide, Gabe, and their two children—as they embark on a seemingly innocent summer getaway. However, the vacation takes a nightmarish twist when they’re confronted by a group of doppelgängers—twisted reflections of themselves hell-bent on their destruction. Through Adelaide’s memories, we unearth a traumatic incident at the same beach years ago that intertwines her fate with her sinister double. As the narrative unfolds, Peele brilliantly uses the medium of horror to dissect themes of identity, privilege, and the often hidden aspects of the American dream.
October 30 — I Am Legend
In 2007, director Francis Lawrence gave the world a chilling visualization of a post-apocalyptic New York City with I Am Legend. Leading man Will Smith, no stranger to blockbuster roles, transformed into Dr. Robert Neville, a military virologist navigating a seemingly desolate city. There, silence was only broken by the snarls of infected humans turned nightmarish creatures. Neville’s race against time, driven by the memories of his lost family, unraveled on screen as he sought a cure for the virus that decimated humanity. Smith’s portrayal of Neville stands out among the Oscar-winning actor’s impressive features.
October 31 — Tales From The Hood
In the haunting realm of horror anthologies, Tales from the Hood reigns supreme. This movie is a chilling intersection of urban legends and societal critique. Viewers are first ushered into a foreboding funeral home. They’re greeted by the sinister Mr. Simms (portrayed by the iconic Clarence Williams III), who unfurls a series of tales seeped in racial injustice, revenge, and eerie supernatural happenings. From activist dolls exacting vengeance to blood-stained murals with a haunting backstory, the film’s narratives resonate with real-life horrors many face in marginalized communities. Beyond the frights, its enduring legacy lies in its unapologetic spotlight on systemic issues. A cult classic, through and through.
On this date in 1999, Wu-Tang Clan member Method Man and Def Quad standout Redman collaborated on their first full-length studio album entitled Blackout! on the Def Jam Recording imprint.
Serving as a prequel to their 2001 blockbuster silver screen debut in How High, Red and Meth’s debut album, which was originally to be titled Amerikaz Most Blunted, debuted on No. 2 of US Billboard 200 and sold over a quarter-million copies in its first week.
The 19-track album failed to disappoint, churning out singles like “4 Sessions” featuring Queens legends LL Cool J and Ja Rule, the RZA-produced “Cereal Killer” and “Run 4 Cover” which featured Meth Wu cronies Street Life and Ghostface Killah.
Salute to Red and Meth for their timeless collaborations, especially this one that set the pace for their inevitable popularity that you see today!
