RX Water a leading alkaline company based in Palm Springs, Ca is bringing #DrinkMefRX into chain store worldwide with this new partnership.
The Mef RX Alkaline Bottles will be limited edition with special designs using the Iconic Mef Logo. Creative Directors Gustavo Guerra (ProducerplugUni.com) and Street Life (Wu Tang Clan affiliate) are changing the trajectory on water bottle designs and feel the need to bring a fresh look that fits the Method Man aesthetic.
Opinions from rap legends have been shared more than ever, and most have been a bit controversial. Method Man is one of the latest to share his thoughts on one of rap’s most talked about subjects, ghostwriting. Method Man’s flow and rhymes have been respected for decades and have been credited with being original. While […]
Wu Tang Clan member and actor Method man opened up on Math Hoffa’s podcast My Expert Opinion about his appearance on “The What” from Notorious B.I.G.’s debut album Ready To Die.
Meth explains that when he entered the studio to record the song in 1994, “By the time I got [to the studio], Biggie’s verse was written and he told me that he wanted to end it with, ‘You can’t mess with M-E’ and I was supposed to go, ‘T-H-O-D.’ But I overlapped him because it didn’t fall on beat doing it that way. That’s where the ‘T-H-O-D Man, here I am/I’ll be damned if this ain’t some sh*t.’”
Meth added, “I wrote that shit quick as f**k. Who was I biting there? Whose flow was I [biting]? Nas. That’s biting Nas’ flow. ‘I’ll be damned if this ain’t some sh*t/Come to spread the butter lyrics over hominy grits… Coming where you rest at, surrender/Step inside the ring, you’s the number one contender/Looking cold-booty like your p***y in December.’”
Method Man, who recently won an NAACP Image Award for his role on Power Book II: Ghost, stopped by for an interview on the My Expert Opinion podcast with Math Hoffa. During his time there, Method spoke about his past struggles with “low self-esteem” and how it affected his relationships with artists in the music industry. “I didn’t like myself, so I didn’t like anybody f*cking else,” he said. “So that meant anything that would have come in my circumference at that point in time was gonna get it. My family went through a lot with my ass during that era, man.”
He continued, “And I can admit that I did take a lot of my f*cking misery out on them, and they did not deserve it. And I took some of my misery out on people at Def Jam that did not f*cking deserve it.” Meth went on share a story about how he once disrespected Destiny’s Child back in 2001 at Janet Jackson’s MTV Icon special. “We were at Janet Jackson’s Icon and I remember I had just come off stage and where we were sitting, there were nothing but VIPs. We had *NSYNC up here, Destiny’s Child right there, Tommy Lee was over here, [Pamela Anderson],” he said.
Meth went on, “And I see the girls, so I kinda moseyed out of my seat to go over and say what’s up to them. Now, this is still me in my low self-esteem era. But I’m thinking like, comfort zone here, I’m gonna say what’s up to the girls. I love them, I’m just gonna say hi. I go over to say hi to them and when I said hi, they didn’t even turn around and acknowledge me.” He then shared how he reacted after this moment.
“Now, my ass, in my head, with my low self-esteem is like, ‘They just sh*tted on me.’ When in fact, they didn’t even hear me. It was so loud in that motherf*cker. That’s the excuse that I’m giving right now—they didn’t even f*cking hear me. Afterward, Rockwilder, he was gonna do the ‘Bootylicious’ song for them. He comes over, he’s talking to them, he’s like, ‘Oh, you know Red and Meth?’ And they put their hands out to shake, and I kept my hand here and was like, ‘Go ’head with that Hollywood sh*t.’”
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Method acknowledged that “neither Kelly, Beyoncé, or Michelle ever did any-f*cking-thing to me,” and then delivered a long-overdue apology for the incident. “I apologize to Beyoncé, I apologize to Kelly Rowland, and Michelle — y’all did not deserve that, at all.”
You can watch Meth detail the whole incident in the video above.
Actress Sanaa Lathan revealed the first trailer for her directorial debut Paramount’s adaptation “On The Come Up,” an adaptation of Angie Thomas’s New York Times bestselling novel of the same name, on Sunday (June 26) during the 2022 BET Awards. Coming soon to Paramount Plus, the network describes the coming-of-age film as “a love letter to hip hop.” The 30-second teaser follows the journey of film protagonist Bri — played by Jamila C Gray — as she pursues her aspirations in battle rap. Watch the teaser trailer below.
The film will see the 16-year-old phenom explore the world of battle rap and eclipse her in controversy as she chases her destiny of living up to her famous father. The film’s full synopsis from Paramount+ reads:
“Bri (Jamila C. Gray), a young Black girl, attempts to take the battle rap scene by storm in order to do right by the legacy of her father—a rapper whose career was cut short by gang violence—and to help her family climb out of poverty. But when her first hit song goes viral for all the wrong reasons, she finds herself torn between the authenticity that got her this far and the false gangsta role that the industry wants to impose upon her. Based on the New York Times #1 best-selling YA novel by Angie Thomas (who also penned ‘The Hate U Give’), ‘On The Come Up’ is punctuated by the comedic talents of Mike Epps, hip hop heroes like Method Man and Lil Yachty, and the lyrical prowess of Rapsody.”
Joining Lathan’s directorial debut is a stacked cast of buzzing actors and rap stars, including Da’Vine Joy Randolph, Lil Yachty, Method Man, Mike Epps, GaTa (a.k.a. Davionte Ganter), Miles Gutierrez-Riley, Titus Makin Jr., and Michael Anthony Cooper Jr. Set to stream exclusively on Paramount+, the film’s release date is yet-to-be-announced.
In other news, Sanaa Lathan is set to star alongside returning cast members Taye Diggs, Morris Chestnutt, Terrence Howard and Regina Hall in the Peacock-ordered limited-series The Best Man: The Final Chapters, written and directed by Malcolm D. Lee.
On this day in 1993, the legendary Wu-Tang Clan began their reign as one of the most powerful and influential rap groups in history by releasing their debut single, “Protect Ya Neck.” With this track, Wu-Tang took the rap game by storm with a style unheard and an attitude unseen. “Protect Ya Neck” set a tone in Hip Hop that shifted the genre toward a more hardcore, rugged sound.
Originally recorded in a different order with a completely different beat, group member RZA took the liberty to reconstruct the song in post-production to the goliath that we all know and love. According to him, all he needed was the vocals of the group. The original beat used was just a placeholder used to get the verses. RZA’s unique style also incorporated the kung-fu film dialogue and fought scenes throughout the track. This unique style of production became a trend for Wu-Tang Clan.
To clarify any confusion about who is who on the song, the order of verses is as follows: Inspectah Deck, Raekwon, Method Man, U-God, Ol’ Dirty Bastard, Ghostface Killah, RZA, & GZA. The single was first released independently through Wu-Tang Records and had “After the Laughter Comes Tears” as the B-side. Loud Records later re-released it with “Method Man” as the B-side. It sold 10,000 copies.
