From BBC to LV: A History of Pharrell’s Fashion Projects

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    BBC ICECREAM

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    Louis Vuitton (2000s)

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    Bape

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    G-Star

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    Tiffany and Co.

  • Louis Vuitton (2023)

Pharrell Williams Reportedly Set to Become Next Head of Menswear at Louis Vuitton

Pharrell Williams Non Profit Free Private Schooling

Pharrell Williams is set to become the next menswear designer for Louis Vuitton. According to The Wall Street Journal, Pharrell will take the role previously held by Virgil Abloh, who died in 2021.

If the position is filled by Williams, he would be the second Black American to be appointed to the head design position of the famed luxury brand.

MORE: Pharrell Williams Meets with President of France to Advocate for Internet Safety

The appointment of Pharrell looks to continue to build upon post-pandemic momentum, which has led Louis Vuitton to be the largest market-evaluated brand in Europe, launching Bernard Arnault, LVMH chairman, and CEO, over Elon Musk as the world’s richest person.

MORE: Pharrell Williams Announces the Return of ‘Something in the Water’ Festival to Virginia Beach in 2023

At publishing, representatives for Pharrell did not offer a comment to the WSJ.

Throughout his career, Pharrell has become one of the biggest Hip-Hop producers of all time, individually and as half of The Neptunes. In the fashion wing of his career, Pharrell partnered with Japanese fashion icon Nigo to create Billionaire Boys Club and the Ice Cream sneaker brand.

This story will be updated as more details arrive.

The post Pharrell Williams Reportedly Set to Become Next Head of Menswear at Louis Vuitton appeared first on The Source.

Louis Vuitton Wants Pharrell To Be The New Menswear Designer, Taking Over Virgil Abloh’s Vacant Role

Ever since the passing of Virgil Abloh, the head menswear designer role he held at Louis Vuitton has been vacant. That may be changing soon, as the French luxury house is reportedly in talks with music superproducer Pharrell Williams to fill the position, according to the Wall Street Journal.

Virgil, who founded the streetwear brand Off-White in 2013 and worked heavily with Kanye West in the early ’10s, was the first African-American to be artistic director at a French luxury brand after joining Louis Vuitton in 2018. He was also a relatively successful DJ and cover art designer, marking the overlap in music and fashion.

Pharrell would offer a natural extension of that overlap; while he got his start in music as one-half of the superstar production duo The Neptunes, he went on to have a tremendous influence in the world of fashion thanks to his collaborations with brands like Adidas and Bape and his work with his own brands BBC and Ice Cream.

LVMH Moët Hennessy Louis Vuitton, the company that runs Louis Vuitton (along with a bunch of other luxury brands, as you can probably tell by its title), is likely looking to take advantage of that cultural cachet, continuing what Abloh started in embracing streetwear and the two musicians’ more avant-garde approach to fashion.

Pharrell Williams Set To Become Louis Vuitton’s Head Designer

Pharrell Williams is someone who is incredibly respected when it comes to the various domains he operates in. Although he mostly became known for his music production, there is no doubt that he is also known for his fashion. Whether it be BAPE or Adidas, Pharrell has brought his design philosophies wherever he goes. Overall, fans love him for this, and in many ways, he is an icon in all respects. He can pretty well do it all, and that is the mark of a great artist.

When it comes to the fashion world, Williams has shown a keenness to give that world his all. However, it has been very difficult for black creators to break through in the fashion industry. This is something that Kanye West has lamented in the past, and for the most part, it has rung true. Although, just a few years ago, Virgil Abloh was able to break through as the first black head designer for Louis Vuitton. Unfortunately, Abloh passed away back in 2021 after a battle with cancer.

Pharrell Williams To Replace Virgil

Pharrell Williams speaks onstage during the TV One Urban One Honors at The Eastern on December 02, 2022 in Atlanta, Georgia. (Photo by Paras Griffin/Getty Images for Urban One Honors)

Now, however, it is being reported by the Wall Street Journal that Pharrell is set to become Virgil’s replacement. This would be a monumental hire for the brand as it would make Pharrell their head of menswear. It remains to be seen how Pharrell Williams would perform in that role. Although he does have a great track record. His tastes when it comes to clothes are unique, and we’re sure he will bring that philosophy to LV.

At the time of writing this, Pharrell has not been confirmed as the head of menswear. However, the talks are ongoing. Overall, this would be huge for the brand, and we’re sure Pharrell is eager to carry forth the legacy of his good friend Virgil. Let us know what you think of this impending decision, in the comments below. Additionally, stay tuned to HNHH for more news and updates from around the streetwear world.

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Vic Mensa Rocks “STRAWBERRY LOUIS VUITTON” With Thundercat & Maeta On New Song

Vic Mensa just dropped “STRAWBERRY LOUIS VUITTON,” a wondrous new single featuring Thundercat and Maeta. While the last we heard from the Chicago artist was his Black Star Line Festival in Ghana with Chance the Rapper, he’s still grinding that music. Moreover, this new track sees Vic in a new sonic direction, integrating lush instrumentation and beautiful harmonies.

LONDON, ENGLAND – JANUARY 25: Vic Mensa attends ‘A Night Of R&B’ presented by Roc Nation Label at the BVLGARI Hotel London on January 25, 2023 in London, England. (Photo by David M. Benett/Alan Chapman/Dave Benett/Getty Images)

Furthermore, this new song will likely land on Mensa’s upcoming album, which he said is already done. Still, fans knew the 29-year-old to be a versatile artist from the jump. Moreover, he’s dabbled with hip-hop, electronic music, punk, and a few other similar genres. As such, “STRAWBERRY LOUIS VUITTON” might not even be the main sonic pallet on his next project.

However, with a lot of guitar promo on his social media right now, it’s not a bad guess, either. Overall, this song features a bright and layered soundscape for the artists to explore, with deep bass, steady percussion, and vocal harmonies galore. Also, contributing guests Thundercat and Maeta provide some amazing vocal contrasts to Vic’s emphatic rap flows and smooth vocal lines.

All artists soar over this production, and it makes for a soothing and remarkably chilled-out song. Given this trippy direction for the “Liquor Locker” artist, his most recent community effort makes sense. Moreover, he donated about $10,000 in gas (no, not that gas) and pre-rolled joints (yes, that gas) to Chicago residents.

Still, what did you think of this new Vic Mensa song, “STRAWBERRY LOUIS VUITTON” featuring Thundercat and Maeta? Whatever the case, let us know in the comments and check out some standout lyrics from the single down below. Also, if you haven’t heard it yet, you can find the track on your preferred streaming service. As always, stay tuned to HNHH for the best new music every day.

Quotable Lyrics

Voulez-vous coucher, you sweet like shea butter too avec moi?
Sweet like, I love more the Crème Brûléе, you sweet like Häagen-Dazs
Sweet like Baby Bash and Frankiе J, suga, that’s way too fly
Judgin’ by the way your mama look, I bet you stay this fine, the way your DNA designed

The Louis Vuitton x Yayoi Kusama Collab is Almost Here

YAYOI KUSAMA 2022 COPYRIGHT OF YAYOI KUSAMA PHOTO BY YUSUKE MIYAZAKI copy 1

Louis Vuitton is  rolling out ready-to-wear, leather goods, accessories and perfumes in collaboration with 93 year-old fine artist, Yayoi Kusama. The collaboration will be accompanied by carefully curated campaigns and a host of high-profile activations.

Since the initial announcement of this collaboration, there has been quick progress in getting consumers excited. Last May, Nicolas Ghesquière, the brand’s artistic director of women’s collections, accessorized some of his cruise 2023 outfits with polka-dot handbags. A Tokyo takeover followed at the Tokyo Tower, Zojoji Temple and Tokyo station where a combination of physical installations and augmented reality activations got buzz going. Further excitement of this drop was reflected by an Instagram post of the anamorphic billboard Vuitton installed in Tokyo’s swarming Shinjuku district that scored more than 10 million views. It shows Kusama peering out from a decorated Vuitton trunk with animated fruit friends.

Louis Vuitton x Yayoi Kusama Keepall 45 in Monogram canvas with Painted Dots print 1

Delphine Arnault, Vuitton’s executive vice president said, “One of the aspects of her [Kusama] work is happiness, and we thought it would be really refreshing after the pandemic to have the worlds of Vuitton and the world of Kusama meet again.” 

One thing is crystal clear after the success of this partnership in 2012 between the luxury giant and artist. They share an obsession with perfection in concept, execution and craft. The new collection encompasses Kusama’s “infinity dots” and metal dots, first introduced in 1966, alongside floral and pumpkin motifs. It took the Vuitton team countless trials to achieve the desired effect of seamless floating dots that resemble wet paint. 

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Steven Meisel’s images of Gisele Bündchen, Liya Kebede, Devon Aoki, Christy Turlington, Anok Yai and other famous models are set to release on Dec. 26 in Japanese fashion magazines. The pre-launch of products will drop on January 1 in Japan and China. All offerings should be available worldwide in all 460 LV stores on January 6. 

The post The Louis Vuitton x Yayoi Kusama Collab is Almost Here appeared first on The Source.

Beyond Human. Kanye West Is the Most Influential Brand in the Universe

Computer-Generated Imagery by Chris Milk
Computer-Generated Imagery by Chris Milk

You’re driving us through L.A. with no driver or bodyguard— 
Yeah. I’m rich and I’m famous, but I try not to be extra with it.

[Laughs.] Has the recession affected you?
Yeah, I try to avoid it overly affecting me. But some shit has happened, like Best Buy was supposed to [shoot and produce] the tour DVD and they pulled out of it. I definitely got hit with that, because not shooting it was not an option, so I had to pay for it.

Did you consider how a recession might affect the reception of the “Martin Louis King” video you made in Paris?
People tune into me for escapism. When you went to the Glow in the Dark Tour, you were literally transported to another planet. I know there’s anti-rich sentiment right now, with corporate people not using their jets and Obama saying heads of banks can’t make more than $500,000, but I really feel like that tape embodied me and what Louis Vuitton is about. I’d like to think I give optimism to people when I stunt. When I have a pink watch on or tight jeans on, people talk shit about me, but it wore all gray and black, who would be the one to wear all the bright colors? How depressing would it be if I was always depressed, or, should I say, the press? I’m here to entertain people and to be the one that does the crazy, bold stuff so they can live through me and get their mind off the recession and the war and whatever else is going on in the world.

Was there a goal for that video?
I didn’t have a particular goal while I was doing it. But after the fact, I was like, this video is the greatest example of my true personality. This is the five-year-old before he was jaded. Before everyone told him what and what not to do and how to stay cool and what you had to do to be a rapper and what you had to not do. This energy was very pure and very exciting. I wasn’t downing people, either. I wasn’t telling people to step your shit up. I was just saying, “Are you serious?” Like, I just did a shoe for Louis Vuitton that was actually in the show, and I got the entire hood watching me and waiting for them to come out. Oh, SWAGGER IS ON A HUNDRED GAZILLION!!! And I was so exploding inside that it would have been a shame for me not to just scream out loud in a hallway. But I didn’t have a hallway. I had a video camera and Vimeo.

You know that video and those pictures made the internet go apeshit, right?
It blew their fucking mind, didn’t it? I’m going to honestly say I don’t know exactly what it was. Was it—

Taz’s tights.
That’s what I was about to say! Was it Taz’s outfits? What does Taz wearing tights have to do with me? How does Taz—mind you, a dude who is straight—wearing tights make me gay this week? How am I gay this week?

You know, since then, people who know that I know you have asked two recurring questions: Is he on drugs? Is he gay?
[Laughs.] What do you tell them?

That I’ve never seen you do drugs, but I’ve definitely seen you go in, as far as chicks—
[Laughs very hard.] But, you know, that doesn’t prove anything [to them], right? Someone could just be like, “He’s just running in girls when he’s really thinking about fucking guys.” That’s, like, the devil’s advocate thing that they probably say. But drugs? How perfect is that? People think I’m on drugs! I didn’t even have to do drugs for people to think that I was on them. And what’s funny is that I feel like my outfits were very masculine and very hip-hop.

Why do you think there’s such a fixation on your sexuality?
I really think it’s because society tries to dictate the way a guy is supposed to dress and the way a guy is supposed to act, and I refuse to conform. A lot of these dudes would never be accused of being gay just because they all look exactly alike. If people could just realize the amount of mundaneness and followers that lack creativity… I think people’s mentality is like, only gay people are that creative. And it’s true there are a lot of gay people who are incredible creative minds, but there are straight people who are incredible creative minds—and there’s gay people who can’t dress or create at all, too. Closed-minded gay people probably say they dress “straight.”

Computer-Generated Imagery by Chris Milk

What does the brand Kanye West mean?
Pop but Luxury. Edgy but Comfortable. I’m about clashing worlds that you think don’t belong together. This is our world, and everything belongs together. That’s the ill thing about our president. Our president is Black, but our president is white, too. And the original struggle of America is racism, and to have someone in office that represents both of those sides is what I think the world is about. Segregation and snobbery and elitism should be the wack words. That should be what people use to diss people. 

Your fashion endeavors have been much more exclusive and expensive than your music. Does your brand translate equally to both mediums? Do they have the same audience?
It’s a similar goal. But I feel like when I do my own line, it’s not going to be anywhere near as mass as I am to start off with, because it’s impossible to start off there and be credible. I have to start small not only to gain respect, but to have time to learn and get better. I have to do some things that affect the world or affect culture, like I did with music. In fashion, trends are set on a high level, so I need to do stuff that hits the runway; like with the Louis shoe and its reverse tongue, that could set a trend that you’ll see on other shoes. 

The Yeezys and the LV shoes represent two very different sides of your aesthetic.
I’m going to keep coming up with ideas, but I do want to state in black and white that somebody needs to give me a fucking chance. Don’t just one-off me! If Nike gave me the opportunity to be in there creating—not that they don’t already have genius designers like Hiroshi—I’m not saying that I think I’m the best designer in the world, but what I’m saying is that I think I can become that. I want to be able to be mentioned in the same breath as the greats. I just want to be competitive. Doing a licensing deal or something like that, that’s not real. What if Nike would’ve really given me a deal and allowed me to do lifestyle? 

To do an entire sportswear line?
Yeah. You don’t think I would’ve killed that? 

Sure. Could be ill.
Right. And I just feel like I’m screaming and jumping up and down; I feel like when I was trying to get a record deal and nobody would sign me. And yeah, I could put out an album independently, but without that Def Jam machine, I wouldn’t be able to get to a point where I could do the Glow in the Dark Tour. 

Would you say your brand is about taking the niche and making it mainstream?
It all comes down to taste. It’s just saying, “I like this,” and I’d like to show other people that this is dope. It frustrates me that people say I don’t do my own blog, because I would never allow things to go up and say that this represents me.

Tell me about your process of discovery. You’re constantly absorbing new information, so who are you learning from? 
I just keep a team of really, really dope people. Don C [from Kanye’s management] has to get the most credit because I respect his taste equally if not more than mine. I am me, but I am also a product of Don. So, basically, I am his artist even though he works for me. I’m a vessel of people’s ideas.

So you’re purposeful in the people you surround yourself with?
How ill is Taz?

Taz is crazy.
Taz Arnold, Willo Perron, Don C, Sakiya—it’s just about people that bring another level of creativity to what I bring.

Computer-Generated Imagery by Chris Milk

For someone who’s known as an egomaniac, you seem to like to collaborate a lot—
Yeah. The fact that I love to collaborate with people, I think, is a very non-arrogant thing. I absorb information, and I want people to know where the information is coming from so those people can be in a position for people to listen to them and capitalize off of the genius that they bring to the table—because I surround myself with geniuses.

Do you think you’ve gotten to a place where there’s no self-consciousness or insecurity?
Yeah. There’s no insecurity in the work I do, the outfits I put together, the beats I make, the raps I say.

What was the turning point?
I guess my mom passing and getting out of certain situations and just being myself. Just getting the opportunity to be me and not be concerned about what people are going to say about things—to be my own worst critic. Like, I look at my Grammy speech from last year and I cringe. Me and Common always had an inside joke about releasing albums in different years, and it came off completely wrong. Nobody got it and it made me look like a complete asshole, and it just confirmed that Kanye’s arrogant and not appreciative. You should always be gracious in a situation like that because that’s their show. You know, who the fuck am I to feel like I have rights to any extra time when it’s their show? I came in as a bit of a hothead and now I’m completely respectful; I really have the opportunity to live my dreams out and have my Grammy moments and build a great relationship with these people. And I learned from that; I publicly apologized for it, and I apologized to Common for the way it sounded.

Speaking of public outbursts, why is it that you’ll flip on a journalist, like the dude from EW who shitted on the tour, but not another rapper that disses you?
Because I feel like I’m playing on the same intellectual level of a journalist and not of a rapper. 

How so?
[Laughs.] I feel like if a rapper disses me, they’re just trying to get a rise out of me and get me to play in their field to find some way that they can beat me. I feel like there’s a lot of rappers that can beat me in ignorance. So why would I play a sport that I’m not particularly trying to get better at or beaten in? There’s a lot of rappers that can beat me in ignorance, but there’s only a few that can play with true intellect. [Long pause.] How fucking perfect is that fucking answer?!

Given all the information you get from those around you, what is the most important thing you learned last year?
It’s funny you ask that as a segue to this question because, if anything, it’s to have more belief in myself, in what I think. When I look at a photograph, I know if it’s the shit. I know if my outfit ain’t right, if my video ain’t right, if a song ain’t. Sometimes people will say, “Oh, it looks nice,” and I won’t think it looks nice. I know what level I want to be on. 

So what would you say was the most important thing you learned about yourself in the last 12 months?
That I can be a very level-headed person. I would never spaz on MTV the way I did before. I feel like there are people who have given a lot to me and I wasn’t appreciative of them. MTV had a major part making me, so how the hell could I ever come out my mouth and diss them and just be like the crybaby-ass bitch over one performance? How the hell is a 29-year-old grown-ass man acting like a little bitch and getting all emotional? How spoiled can I get?

“How the hell is a 29-year-old grown-ass man acting like a little b*tch and getting all emotional? How spoiled can I get?”

Do you live in a state of anxiety over how you are being presented to the public?
In no way. It’s just that if I’m working with a writer that I feel don’t got my best interest in mind, I keep on telling them, “Put this in there” or “Don’t try to make me look like a monster.” But I’m not afraid. All I can do is be the best me and learn from the mistakes that I’ve made. There are mistakes that I’ve made that I deserve for people to look at me like a complete asshole; I have been a complete asshole. All I can do is just be a better person for myself—not to prove it to anyone, but just to be a better person, period. I beat myself up, and I make mistakes, and I get past it, and I get excited about the future. 

So when you go to bed at night, there’s nothing—
Frustrating me?

Yeah.
The only thing is that I can’t talk to my mom anymore. Mistakes that I’ve made—things I didn’t do, things that I didn’t say, things I didn’t do to change that situation. That’s the only thing that hurts. In all the time that you’ve been around me, did I seem like I was really stressing shit? 

Nope.
I think you can tell in the amount of time that you were with me whether it really affected me—like, remember when that dude approached me and shit?

Oh yeah, homeboy on the street in Hollywood who asked you to be his Valentine… [Laughs.]
My response was like, “OK, this confirms that people are saying that about me.”

True. You didn’t sweat it at all. Yeah, I wouldn’t characterize you as stressed out or depressed.
I was a bit depressed when I made “Pinocchio Story” and made the album and shit. But you just gotta scream it out.

With your mom gone, who do you trust the most?
Don C, to be honest. Then my cousin and my dad.

You’ve said 808s is your most personal record. Listening to it, there are recurring themes of trust, cheating, and paranoia. Why is that?
Because of mistakes that I’ve made from the beginning by not establishing a proper foundation of trust, just being a young dude who’s not trustworthy. Whoever you’re with is a reflection of you. It’s hard to be fully forgiven. People forgive, but they don’t forget.

What did you learn about yourself in your last relationship?
That I have to believe in myself. Then I had to learn that a woman is a reflection of you, so if you make mistakes, you will pay for them for the rest of the relationship. 

Are you looking for a relationship in the future?
I think everybody wants to be in a relationship. I’m more of a boyfriend type. If I was ever in a situation with a bunch of girls, it’s just by default. 

So you feel like monogamy is a realistic goal, even given the nature of your celebrity?
Who’s to say having a relationship declares monogamy?

Good point. [Laughs.]