Rapper Lil Mama has once again sparked controversy with her sharp criticism of Nicki Minaj and the current state of female rap. Her comments have ignited a heated debate about the oversexualization of female artists in the genre and Minaj’s influence on this trend.
Criticism of Oversexualization
The debate intensified when New Orleans rapper Dee-1 shared a montage on social media, juxtaposing performances by Sexyy Red, GloRilla, Latto, Ice Spice, and Megan Thee Stallion at the BET Awards with his song “Purify My Eyes.” Dee-1’s lyrics lament the oversexualization of female rappers, criticizing the portrayal of women in the music industry.
“I turned on the awards show and the things I’ve seen on the screen/ Will make me cause a scene ’cause it’s so obscene/ We call women queens but we celebrate the prostitution of their bodies,” Dee-1 rapped, reflecting a sentiment that Lil Mama echoed in her own criticism.
Lil Mama’s Rant
On July 1, Lil Mama took to social media to join the conversation, unleashing a scathing critique of Nicki Minaj and her influence on female rap. She labeled Minaj a “musical prostitute” and accused her of setting a negative example for younger female rappers.
“What major musical prostitutes do you remember from the last 15 years?” Lil Mama wrote. “Who do you think they watched corporate give a platform and flowers for sitting out. Be forreal.” She suggested that the current wave of female rappers, influenced by Minaj, were not being true to themselves and were instead pandering to corporate interests.
Lil Mama’s comments were part of a larger critique of the industry, where she accused executives, fans, and artists of lacking the courage to do better. “We can do better as a ‘culture’ @bet + @betawards I mean this sincerely,” she wrote. “Deep down, most executives, fans, and artists know we can do better. We just gotta have the courage to do it.”
The response to Lil Mama’s comments was swift and divided. Many fans came to Nicki Minaj’s defense, arguing that Lil Mama’s criticism was unfounded and that she was simply seeking attention. Some suggested that Lil Mama was bitter because she was not invited to perform at the BET Awards.
“Are you saying that I would have been performing be selling p**sy too or just performing,” Lil Mama retorted, defending her stance and drawing a clear line between herself and Minaj. Despite the backlash, she attempted to soften her message, stating, “It’s all love. God is the greatest and these women are gonna wake up and realize that they are worth more than any price tag.”
A Longstanding Feud
This is not the first time Lil Mama has publicly criticized Nicki Minaj. In 2011, she accused Minaj of copying her style, telling MTV, “My cut is blunt and futuristic and Nicki Minaj started wearing that bob on her head after she came to my show.” Over the past decade, Lil Mama’s perspective has shifted from viewing herself as an inspiration to positioning herself as a critic of Minaj’s influence.
Lil Mama’s latest comments have reignited discussions about the portrayal of women in rap and the impact of influential artists like Nicki Minaj. As the debate continues, it highlights the ongoing tensions within the music industry regarding authenticity, representation, and the commercialization of female artists.
Lil Mama, born Niatia Jessica Kirkland, appeared in the mid-2000s as a dynamic force in hip-hop and pop. Known for her energetic performances and distinctive style, she quickly made a name for herself with a string of hits that showcased her versatility and charisma. Beyond her musical talents, Lil Mama has also been recognized for her contributions as a dancer, actress, and television personality, further cementing her status as a multi-talented artist.
This exploration of Lil Mama’s five essential songs delves into the tracks that have defined her career. These selections highlight her ability to craft catchy, impactful music that resonates with a wide audience. From her breakout single to high-profile collaborations, each song offers a glimpse into Lil Mama’s artistic journey and her influence on the music industry. Let’s look closer at the tracks that have helped shape her legacy.
1. “Lip Gloss” (2007)
Released in 2007, “Lip Gloss” is Lil Mama’s breakout single that catapulted her into the mainstream. The song, featured on her debut album VYP (Voice of the Young People), is known for its infectious hook and playful lyrics celebrating the titular makeup item. Produced by James Groff and Asif Ali G., the track’s minimalist beat and catchy rhythm made it an instant hit, resonating with young audiences.
“Lip Gloss” showcased Lil Mama’s unique style and charisma and became a cultural phenomenon. The song’s popularity was bolstered by its vibrant music video, which featured Lil Mama’s energetic dance moves and high school setting. “Lip Gloss” peaked at No. 10 on the Billboard Hot 100, establishing Lil Mama as a rising star.
“Shawty Get Loose” is a high-energy collaboration with Chris Brown and T-Pain. It is another standout track from Lil Mama’s debut album VYP (Voice of the Young People). Released in 2008, the song combines hip-hop and R&B elements, featuring an uptempo beat produced by T-Pain. The dynamic synergy between the three artists and the song’s catchy chorus and engaging verses made it a commercial success.
The accompanying music video, directed by R. Malcolm Jones, features futuristic visuals and impressive choreography. It also highlighted the talents of all three performers. “Shawty Get Loose” received positive reviews from critics and peaked at No. 10 on the Billboard Hot 100, further cementing Lil Mama’s place. The track’s success demonstrated her ability to collaborate with prominent artists and produce hit songs that resonate with a broad audience.
3. “G-Slide (Tour Bus)” (2007)
“G-Slide (Tour Bus)” Is another notable track from Lil Mama’s debut album VYP (Voice of the Young People). Released in 2007, the song features an upbeat tempo and catchy lyrics that encourage listeners to get up and move. The track’s production, characterized by its energetic beats and playful melodies, aligns perfectly with Lil Mama’s lively performance style.
The song became popular for its infectious rhythm and accompanying dance moves, which were prominently featured in the music video. Directed by R. Malcolm Jones, the video depicts Lil Mama leading a group of dancers on a tour bus, emphasizing the song’s theme of travel and fun. “G-Slide (Tour Bus)” resonated with younger audiences and dance enthusiasts. It further established Lil Mama as an artist who can create engaging and memorable music.
4. “What It Is (Strike a Pose)” (Featuring T-Pain) (2008)
“What It Is (Strike a Pose)” is another standout track from VYP (Voice of the Young People), featuring the influential artist and producer T-Pain. Released in 2008, this song highlights Lil Mama’s ability to blend catchy hooks with strong lyrical content. The collaboration with T-Pain adds depth to the track, with his signature autotuned vocals complementing Lil Mama’s delivery.
The production of “What It Is (Strike a Pose)” features hip-hop and R&B, characterized by its polished, engaging melody. The song’s lyrics emphasize self-expression and confidence, encouraging listeners to embrace individuality. The track performed well on the charts and received positive feedback from fans and critics alike, showcasing Lil Mama’s knack for creating empowering and entertaining music.
5. “Hustler Girl” (2008)
“Hustler Girl,” from Lil Mama’s debut album, stands out for its motivational message and relatable themes. Released in 2008, the song delves into the struggles and aspirations of young women striving to achieve their dreams. The production blends smooth melodies and rhythmic beats, creating an uplifting backdrop for Lil Mama’s inspiring lyrics.
The song highlights Lil Mama’s storytelling ability, as she vividly portrays the determination and resilience of a “hustler girl” navigating life’s challenges. “Hustler Girl” resonates with listeners who appreciate its empowering message and authentic portrayal of perseverance. The track’s positive reception and its role in promoting self-belief and ambition make it a significant part of Lil Mama’s discography, further showcasing her impact as an artist who uses her platform to uplift and inspire.
Lil Mama is no stranger to controversy. The rapper infamously crashed a performance by Jay-Z and Alicia Keys, and her career never recovered. This did not stop her, however, from giving her thoughts on Nicki Minaj. The Young Money superstar won Best Female Hip-Hop Artist at the BET Awards, and instead of congratulating her, Lil Mama decided to tear down her entire career. Lil Mama not only criticized Minaj for her sexualized persona, but claimed that she’s had a negative impact on the genre.
The rant came about via social media on July 1. Lil Mama decided to get into it with Minaj’s infamous fan base, and she did not hold back. She labeled Minaj a “musical prostitute” and proceeded to get meaner from there. “What major musical prostitutes from the last do you remember from the last 15 years,” she wrote. “Who do you think they watched corporate give a platform and flowers for sitting out. Be forreal.” Lil Mama then pointed to Minaj’s influence on the current wave of female rappers. Not in a positive light, either. “They are laughing at us, and the award was a ‘thanks to you, now we have 7, 8, 9 of ’em.’”
Several users came to Nicki Minaj’s defense. Some claimed that Lil Mama would have been on the BET stage if she were invited. She responded to this by drawing a line in the sand between her and Minaj. “Are you saying that I would have been performing be selling p**sy too or just performing,” she asked. The “Lil Gloss” rapper then tried to tweak her message to assume a more positive perspective. “It’s all love,” she wrote. “God is the greatest and these women are gonna wake up and realize that they are worth more than any price tag.”
This is not the first time Lil Mama has had critiques for Nicki Minaj. Ironically, the first time she did was to accuse Minaj of copying her style. “My cut is blunt and futuristic and Nicki Minaj started wearing that bob on her head after she came to my show,” the rapper told MTV in 2011. “At the end of the day I know what I do. And I know what I possess and I know who I am. I’m a trendsetter.” Things have obviously changed over the last decade, and now Lil Mama sees herself as an antidote to, rather than an inspiration for, the biggest female rapper of all time.
Rappers are known for their bold and unapologetic personas, but even the toughest MCs have found themselves in situations where a public apology was necessary. From J. Cole to Soulja Boy, Cam’ron, and others, rappers’ apologies have taken various forms throughout the years. Rappers seeking forgiveness and admitting their mistakes, no matter why they did it, stand out in a culture that often glorifies swagger and defiance. At times, rappers apologize and put their tough exteriors aside, reminding us that vulnerability can coexist with bravado in hip-hop.
J.Cole
J. Cole raised eyebrows by publicly addressing his diss aimed at Kendrick Lamar on the song “7 Minute Drill.” Though not explicitly saying “I’m sorry,” many fans view Cole’s speech at the 2024 Dreamville Festival as an apology to Lamar. During the festival, Cole expressed remorse for using his new album to retaliate against Lamar’s shots at the “Big 3” on “Like That” by Future and Metro Boomin.
After praising Lamar as “one of the greatest,” Cole called his own diss track the “lamest” and “goofiest” thing he’s ever done. He begged fans for forgiveness, admitting the past few days felt “terrible,” and invited Lamar to “take your best shot” in response, vowing to “take that s**t on the chin.” Cole’s unexpected humility led to the song’s removal from streaming services, highlighting the humbling power of rap apologies.
ATLANTA, GEORGIA – SEPTEMBER 10: Rapper Soulja Boy is seen backstage during his SouljaWorld tour at Buckhead Theatre on September 10, 2023 in Atlanta, Georgia. (Photo by Paras Griffin/Getty Images)
Soulja Boy found himself in hot water and forced to apologize after releasing the song “Let’s Be Real” in 2011 with lyrics that were deemed anti-patriotic towards the U.S. Army. The controversial lines “F–k the FBI and the army troops/B—h, fighting for what? Be your own man” sparked backlash, leading to reports that military stores would not carry his new record.
Soulja Boy expressed remorse in a blog post on Global Grind, stating, “When I expressed my frustration with the U.S. Army, not only did my words come out wrong, I was wrong to even speak them.” He explained he was venting frustrations about the economy and constant wars of the post-9/11 era, questioning, “What if we had never gone to war?” Despite being no stranger to controversy, the rapper’s lyrics prompted an apology to the troops some felt he had disrespected.
Cam’ron
In April 2007, Cam’ron sparked outrage during a 60 Minutes interview with Anderson Cooper when he stated he wouldn’t snitch even if a serial killer lived next door, affirming the “Stop Snitchin’” mentality. Four days later, the rapper issued an apology, saying, “I in no way was intending to be malicious or harmful. I apologize deeply for this error in judgment.” Despite not excusing his remarks, Cam’ron explained that he was venting frustrations about criminal injustice in inner cities while acknowledging that his remarks might offend victims and those who risk their lives to protect them.
The Jewish people I know are very wise with there money so that’s why I said we been gettin Jewish money I never thought anyone would take offense I’m sorry if I offended everybody never my intention I love all people
An apology from the rapper 21 Savage arrived during the 2018 holidays for controversial song lyrics that struck some as lacking goodwill and understanding. The rapper faced backlash for “ASMR” from his album, i am > i was. The lyrics, “We been gettin’ that Jewish money, everything is Kosher,” led the rapper to issue an apology for what many considered bigoted and offensive toward the Jewish community. 21 Savage took to Twitter on Christmas Eve to express remorse for offending the Jewish community with lyrics that also drew criticism when quoted by NBA star Lebron James. Savage stated that this particular bar was intended as a compliment about financial wisdom, not an offense.
In 2018, Lil Pump adopted a similar approach when addressing backlash to his song “Butterfly Doors,” in which he made derogatory remarks about the Asian community while mimicking stereotypical eye gestures. Facing mounting pressure from critics like Crazy Rich Asians star Awkwafina, the rapper posted an Instagram apology on Christmas day, stating he meant no harm and has Asian friends, pleading, “It’s all love.”
In 2020, Doja Cat addressed past insensitive remarks on social media regarding rumors that she had used racist language in various white supremacist chat rooms. She stated, “I want to address what’s been happening on Twitter.” She acknowledged using public chat rooms since childhood but clarified, “I personally have never been involved in any racist conversations. I’m sorry to anyone I offended.”
Referring to surfaced clips of her in “racist misogynistic” chat rooms that led to #DojaIsOverParty trending, the rapper affirmed “I’m a Black woman. Half of my family is Black from South Africa and I’m very proud of where I come from.” She added, “I love you all and I’m sorry for upsetting or hurting any of you. That’s not my character and I’m determined to show that to everybody moving forward.”
Lil Mama
At the 2009 MTV Video Music Awards, an unexpected and bizarre incident overshadowed the highly-anticipated performance of Jay-Z and Alicia Keys’ hit song “Empire State Of Mind.” As the iconic duo delivered the show-closing rendition, celebrating their New York roots, an uninvited guest joined them on stage. Lil Mama, a then-rising rapper known for her single “Lip Gloss,” unexpectedly crashed the performance, running up alongside the two superstars.
Jay-Z had swiftly signaled for Lil Mama to exit the stage. However, the young artist remained defiant. She struck a B-girl stance as the headliners concluded their powerful tribute to the Big Apple. The following day, Lil Mama attempted to explain her actions. She offered an apology in a statement to MTV. “I did not mean any disrespect towards Jay-Z or Alicia Keys. I admire them and look up to them as role models,” she expressed. “‘Empire State of Mind’ had my emotions running high. In that moment, I came up onstage to celebrate my two icons singing about NY.”
Lil Nas X addressed backlash over his religion-themed single “J Christ” in a video. He apologized for a TikTok where he consumed communion elements dressed as Jesus. This drew criticism from artists like Lecrae for perceived mockery of Christianity. Though saying “I’m not an evil demon trying to destroy someone’s values,” Nas admitted “I messed up severely,” and the controversy took a “psychological toll.”
He apologized for going “excessive” with the promotional visuals but he defended portraying Jesus, noting others have done the same. The eye-catching “J Christ” video depicts Biblical scenes. It hints at a continued exploration of LGBTQ and religious themes on Nas X’s upcoming album. This follows his debut Montero album, which sparked both praise and backlash.
Ye (Kanye West)
The outspoken and controversial rapper Ye has frequently found himself in situations where he’s had to apologize for his brash statements. Given his tendency for bold and provocative remarks, it’s almost inevitable that he would offend or upset various individuals and groups along the way. In the aftermath of the devastating Hurricane Katrina disaster in 2005, Ye made headlines when he bluntly declared on live television that “George Bush doesn’t care about Black people.”
This comment sparked significant backlash and controversy. In 2010, during an interview on the Today show, Kanye expressed regret for his charged remark, stating, “I would tell George Bush, in my moment of intense frustration, I did not have valid grounds to label him a racist. In highly emotional situations like that, we as human beings sometimes fail to choose our words wisely.”
During another incident, an inebriated Ye interrupted Taylor Swift’s acceptance speech for Best Female Video at the MTV Video Music Awards. “Yo, Taylor, I’m really happy for you and I’mma let you finish,” he remarked, “but Beyoncé had one of the greatest videos ever. Of all time!” Shortly after being escorted out, the rapper offered an all-caps apology to his blog.
“I’m sooooo sorry to Taylor Swift, her fans, and her mother,” Ye penned in his apology. “I spoke to her mom right after, and she said the same thing mine would’ve said. She is extremely talented!” Later, in 2016, Ye released “Famous,” rapping, “I feel like me and Taylor might still have sex/ Why? I made that chick famous.” This ignited further drama between the two and Ye’s then-wife Kim Kardashian over whether Swift approved the line, rendering that initial apology from the rapper a distant memory.
The Game
In the wake of a tumultuous and public falling out that involved traded insults and diss tracks, Game’s association with G-Unit, Shady Records, Aftermath Entertainment, and Interscope Records appeared irreparably damaged. However, in June 2009, he reached out and extended an apology to his former mentor, 50 Cent. During an interview with MTV, Game stated, “For 50, I’m just gonna apologize to him, just as a man. It has nothing to do with music, or beef, or nothing like that. It ain’t about being the bigger man. He can take it and say, Game is apologizing, Game’s a sucka, he’s apologizing. I’m apologizing for me to him, to [Dr.] Dre, to Jimmy Iovine, to Eminem, to all the fans.”
Kid Cudi
In a heated incident during a December 2009 performance at Vancouver’s Commodore Ballroom, rapper Kid Cudi reacted impulsively after an object thrown from the audience struck him. Amidst the chaos, Cudi leaped off the stage and lashed out. He punched an unsuspecting concertgoer, Michael Sharpe, in the face, despite Sharpe’s lack of involvement in the initial provocation.
Months later, in February 2010, Sharpe spoke to TMZ, revealing that Kid Cudi had reached out to extend an apology and offer a conciliatory gesture – an all-expenses-paid weekend trip to New York City. The olive branch didn’t end there. In June of that year, during Kid Cudi’s set at the Sasquatch Music Festival in Washington state, he brought Sharpe on stage and acknowledged the unfortunate Vancouver incident to the crowd. Cudi stated, “Remember that kid I punched in Vancouver? This is him. I’ve brought him here to hang out. It’s all good now; he’s forgiven me.”
Radiating contagious energy, Lil Mama emerged from the concrete jungle of Brooklyn, spinning lyrics and rhymes that resonated with the pulse of a generation. Born as Niatia Jessica Kirkland, she adopted the stage name “Lil Mama” to reflect her maturity beyond her years. This characteristic played a crucial role in her rise to stardom and her accruing net worth, a staggering $6 million in 2024, according to CelebrityNetWorth.
Cadence Of Success: Lil Mama’s Resounding Career Achievements
(EXCLUSIVE, Premium Rates Apply) NEW YORK – NOVEMBER 09: Angie Martinez and Lil Mama attend Akademiks presents Lil Mama & Hot 97’s Angie Martinez special appearance at Macys on November 9, 2007 in New York City. (Photo by Shareif Ziyadat/FilmMagic)
Lil Mama’s claim to fame came swiftly with her breakout hit “Lip Gloss,” a catchy tune that still echoes in the halls of late-2000s hip-hop. Her debut album, VYP (Voice of the Young People), followed suit and cemented her status as a force to be reckoned with in the music industry. Yet, her prowess isn’t confined to the recording studio. Lil Mama showcased her versatility on the small screen, first as a judge on MTV’s America’s Best Dance Crew and later portraying Lisa “Left Eye” Lopes in the VH1 biopic CrazySexyCool: The TLC Story. These roles amplified her popularity and revealed new dimensions of her talents.
Off The Stage: An Insight Into Lil Mama’s Personal Journey
NEW YORK, NEW YORK – AUGUST 19: Lil Mama and Arnstar attend as WEtv celebrates the premieres of Growing Up Hip Hop New York and Untold Stories of Hip Hop on August 19, 2019 in New York City. (Photo by Dia Dipasupil/Getty Images for WEtv)
Behind the public persona of Lil Mama, Niatia Kirkland has navigated life’s highs and lows with grace and strength. She faced her mother’s untimely demise at a young age. It was an experience that shaped her outlook and fortified her determination to succeed. In her personal life, she values privacy and prefers to keep away from the limelight. She instead focuses on her craft and career. Through every trial and tribulation, Lil Mama exhibits resilience, embodying the spirit of her home borough, Brooklyn.
Philanthropy & Passion Projects: Lil Mama’s Extra-Musical Interests
NEWARK, NEW JERSEY – AUGUST 25: Singer Niatia ‘Lil Mama’ Kirkland speaks onstage during Black Girls Rock! at NJ Performing Arts Center on August 25, 2019 in Newark, New Jersey. (Photo by Aaron J. Thornton/WireImage)
Beyond music and television, Lil Mama has diversified her pursuits. She has ventured into motivational speaking, sharing her experiences and lessons with the younger generation. This inspires them to chase their dreams and overcome obstacles. Philanthropy also occupies a prominent place in her life. Lil Mama actively supports causes close to her heart, including breast cancer awareness, a tribute to her late mother. Through her actions, she demonstrates that success is not merely amassing wealth but using that wealth to create a positive impact.
Curtain Call: Lil Mama’s Enduring Legacy
NEW YORK, NY – AUGUST 15: Niatia “Lil Mama” Kirkland, Tasha Smith and Tami Roman attend “When Love Kills: The Falicia Blakely Story” New York Premiere at AMC Empire 25 theater on August 15, 2017 in New York City. (Photo by Shareif Ziyadat/FilmMagic)
Lil Mama has left an indelible mark on the music industry with her vibrant rhymes and dynamic personality. From a young girl in Brooklyn to an acclaimed artist with a net worth of $6 million, her journey has been inspiring. She’s more than a hip-hop artist. As a television personality, she’s charmed audiences with her charisma.
As a philanthropist, she’s made a difference in the lives of many. Lil Mama embodies the power of dreaming big, working hard, and never losing sight of one’s roots. In her life’s symphony, Lil Mama is both the composer and the performer, crafting a melody of success and resilience that resonates far beyond music. Her story is a compelling reminder that with passion and perseverance, one can truly dance to the beat of their own drum.
Sukihana and Lil Mama had a brief social media spat over the former’s lewd appearance in an NLE Choppa music video. The two went back and forth for a little bit, mostly prompted by the “Love & Hip Hop: Miami” star hearing that Mama was talking smack about her online. However, during her recent appearance on TheBreakfast Club, the 31-year-old actually gave the New York rapper her flowers, seemingly backtracking on their previous hostility. In a social media clip making the rounds online, she said that people don’t credit her enough these days and only look at the ill-received aspects of her career.
“Lil Mama’s actually a good person,” Sukihana began. “She’s not a bad person at all. And it’s so sad that the world been against her since the Jay-Z and Alicia Keys thing. Like, she just having fun. Honestly, I don’t feel no type of way. Come on, it’s Lil Mama. She been in the game for a minute. Like, “Lip Gloss” was poppin’. We can’t discredit her. She’s a legend. Like, people don’t know that Lil Mama is a legend. Even though they like to discredit her, she has been in this game for a minute and I feel like she’s very talented.”
Sukihana Has Kind Words For Lil Mama After Their Brief Beef
What’s more is that this was far from the only notable moment to take away from Sukihana’s appearance on the radio show. While she squashed her beef with Lil Mama, she hilariously started new beef with Charlamagne Tha God. As she spoke proudly of her upcoming song’s hit potential, the media personality pushed back and said that it won’t necessarily see the success she wants just because DJ Clue told her it would pop off. Clearly, she didn’t like that, and proceeded to dog on Charlamagne as the other hosts (and Charlamagne himself) laughed and joked along.
“What, s**t, you’s a motherf***in’ liar,” she clapped back. “Under that two piece that you got on, you got a thong up your a** and your booty hole shaved. So I’ma let you be great, but we gon’ get back to this motherf***in’ hit. It’s shaved, it’s shaved. You like that a** licked. And there’s nothing wrong with that. You gon’ motherf***in’ respect a queen when you see one. I don’t give a f**k if DJ Clue lie. B**h, God tell the truth, and ‘Casamigo’ is a hit!” Interestingly enough, Lil Mama has her own bone to pick with Charlamagne. For more updates on her and Sukihana, stay posted on HNHH.
Sukihana has recently garnered attention in the press for a number of reasons. Recently, it was because she had a dispute with fellow rapper Lil Mama on social media. The disagreement stemmed from NLE Choppa’s latest music video, in which Sukihana made an appearance. Lil Mama accused Sukihana of setting back the progress of black women because of her role in the video. The whole argument started when Choppa shared a photo from the video shoot for his “Slut Me Out” remix, featuring Sukihana and Sexyy Red on all fours. In the photo, Choppa leads them by their hair like they are dogs. Lil Mama reportedly left a comment under Choppa’s post, which she later deleted, causing Sukihana to voice her opinions on Twitter.
Today, Sukihana is in the press again for an entirely different reason. After the death of Jerry Springer, which was announced this morning, a clip of the rapper has gone viral. The video features Suki performing on Springer’s show back in 2017. The episode, titled “Sex For Rent,” features the rapper’s once-viral hit “5 Foot Freestyle.” She performs the song on an elevated catwalk before joining a couple on stage. The video came as a shock to many fans who never knew the rapper appeared on the show. However, it is far less shocking than an interview Sukihana recently did. In it, she revealed some extremely personal details about her bedroom preferences.
In a new clip of an interview on The Jason Lee Show, Sukihana leaves host Jason Lee absolutely speechless. Referencing Yung Miami’s previous comments about liking golden showers, the rapper said, “I feel like Yung Miami. I love when a n*gga p*ss on me.” There was a very pronounced silence after she said this, but Sukihana made it clear that she thinks many women are just afraid to speak out about what they like. “That was real b*tch. Y’all h*s scared to talk about what the f*ck you like because you so worried about what these b*tches gone think.” Jason Lee simply stares with his mouth open in shock as the rapper speaks about her kinky streak. Unfortunately for him, Sukihana was nowhere near finished.
“Baby, if you p*ss on me, make sure you get my hair done after,” the rapper continued. Then, she looked directly into the camera to speak her piece. “P*ss on me. P*ss in my mouth. Let me p*ss on his mouth. Fart in your face. I wanna sh*t on top of your hair and rub it in.” Some commenters on the post pointed out how Sukihana seemed to be channeling Regina Hall’s Scary Movie character Brenda Meeks. In the film series, the character famously says a similar line. Whether or not the rapper meant it as a callback is unknown. One thing is for certain, she isn’t holding anything back. Between this and the resurfaced Jerry Springer clip, Suki is certainly racking up some odd press this week. What do you think of Sukihana’s appearance on Jerry Springer? Sound off in the comments.
Sukihana has been in the headlines recently for a host of weird reasons. Most recently, she and Lil Mama got into it on social media. The two had an argument about NLE Choppa’s new music video, in which Sukihana made an appearance. Lil Mama accused the rapper of setting black women back “centuries” because of her role in the video. The whole disagreement began when Choppa shared a photo from his “Slut Me Out” remix video shoot. It showed Sukihana and Sexyy Red on all fours like dogs with Choppa leading them by the hair. Lil Mama reportedly wrote a comment under Choppa’s post, which she later deleted, prompting Sukihana to express her thoughts on Twitter.
“They said the girl ‘lil mama’ that sing that lip gloss song was in the comments speaking on me. If I was y’all I would tell her leave me tf alone,” Sukihana tweeted after the incident. Lil Mama was quick to respond and let Suki know exactly why she made the comment in the first place. “I know we don’t know each other personally… You could of been any Blacc woman in that video I posted a comment under. The way I feel still stands,” Lil Mama said in her reply. “I feel like women these days will know BETTER and still play a role in setting us bacc centuries. The only reason I deleted my comment was because I didn’t want to offend you and anyone else partaking in this disturbing clip.” Well, Lil Mama better buckle up because Sukihana just made some even more “disturbing” comments in a new interview on The Jason Lee Show.
In a new clip from Sukihana’s interview, host Jason Lee was left absolutely speechless. Referencing Yung Miami’s previous comments about liking golden showers, the rapper said, “I feel like Yung Miami. I love when a n*gga p*ss on me.” There was a very pronounced silence after she said this, but Sukihana made it clear that she thinks many women are just afraid to speak out about what they like. “That was real b*tch. Y’all h*s scared to talk about what the f*ck you like because you so worried about what these b*tches gone think.” Jason Lee simply stares with his mouth open in shock as the rapper speaks about her kinky streak. Unfortunately for him, Sukihana was nowhere near finished.
“Baby, if you p*ss on me, make sure you get my hair done after,” the rapper continued. Then, she looked directly into the camera to speak her piece. “P*ss on me. P*ss in my mouth. Let me p*ss on his mouth. Fart in your face. I wanna sh*t on top of your hair and rub it in.” Some commenters on the post pointed out how Sukihana seemed to be channeling Regina Hall’s Scary Movie character Brenda Meeks. In the film series, the character famously says a similar line. Whether or not the rapper meant it as a callback is unknown. One thing is for certain, she isn’t holding anything back. What do you think of Sukihana’s preferences? Sound off in the comments.
New York rapper Lil Mama and reality TV personality Sukihana have had a recent back-and-forth on social media. Sukihana recently appeared in NLE Choppa’s new video for his song, “Slut Me Out (Remix).” In one scene, the Love & Hip-Hop star can be seen on all fours while NLE Choppa pulls her hair. Rapper Sexy Redd was on all fours as well, next to Sukihana.
Lil Mama took to Twitter to discuss the scene, but she deleted the post shortly after. But it was too late as Sukihana saw the comment and decided to respond.
“They said the girl ‘lil mama’ that sing that lip gloss song was in the comments speaking on me. If I was y’all I would tell her leave me tf alone”
“Hey, I know we don’t know each other personally. I’m seeing you wrote a post addressing me and I never addressed you personally. You could have been any Blacc woman in that video I posted a comment under. The way I feel still stands.”
– Lil Mama
The “Lip Gloss” rapper also added that she didn’t want to offend Sukihana or anyone else, which is why she deleted her original reaction. Lil Mama also mentioned the image that Sukihana is giving off affects her daughters and other young girls.
Sukihana used Lil Mama’s memorable on-stage moment with Jay-Z and Alicia Keys to clap back.
“They said Lil mama think she better then people just because she got to perform on stage with Jayz and Alicia keys”
– Sukihana
Many people were on Lil Mama’s side as they took to the comments to express similar views. NLE Choppa also stepped in and vowed it was all just entertainment.
A beef is brewing between Lil Mama and hip-hop’s most vocal advocate for sexual liberation, Sukihana. On Monday night, NLE Choppa began hyping up the remix to his single, “Slut Me Out.” The record, which follows the Lil Wayne-assisted “AINT GONNA ANSWER,” is due out this Friday with a verse from Sukihana. However, the rapper’s teaser for the music video led to a back-and-forth between Lil Mama and the Love & Hip-Hop: Miami star.
One scene, in particular, sparked the uproar. NLE Choppa holds onto Sukihana’s hair while she walks on all fours. The dog walking scene has spread across social media, eventually catching the attention of Lil Mama, who didn’t approve of the visual. “They said that girl ‘Lil Mama’ that sing that lip gloss song was in the comments speaking on me. If I was y’all I would tell her to leave me tf alone,” Sukihana said in response.
Lil Mama issued a lengthy response after Sukihana mentioned her comment. “Im seeing you wrote a post addressing me and I never addressed you personally.. You could have been any Blacc woman in that video I posted a comment under. The way I feel still stands,” she wrote. “I feel like women these days will know BETTER and still play a role in setting us bacc centuries…. I don’t know about You, but I don’t want our daughters to remember us like this. Or feel this what they ‘Need To Do To Survive’ and if that’s the exhaust anybody come up with in 2023, that’s CAP.”
Somehow, NLE Choppa didn’t end up catching a stray during the back-and-forth. While Lil Mama attempted to provide a thoughtful response to the backlash she faced, it appears that she still can’t live down the infamous VMA moment with Jay-Z and Alicia Keys. In response, Sukihana wrote, “They said Lil mama think she better then people just because she got to perform on stage with Jayz and Alicia Keys.” No word from Lil Mama but at least she’s earned Jay and Alicia’s forgiveness since then. Check out their responses to each other.
Thoughts?? 