Kendrick Lamar’s Hometown Mural Has Been Vandalized Yet Again To The Dismay Of Its Artist

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Kendrick Lamar is beaming with hometown pride. In fact, the “Squabble Up” rapper dedicated his latest chart-topping album, GNX, to showcase his love for Compton, California and the surrounding areas.

Despite Kendrick’s dedication to his neighborhood, he isn’t immune to local hate. According to XXL, a mural in Kendrick Lamar’s honor has been defaced. This isn’t the first time the piece, located on Rosecrans Avenue behind Honduran restaurant Mi Sabor has been defiled. Back in September, the visual piece was vandalized with gang graffiti.

The latest markings have not been identified, but the artist responsible for it, Sloe Motions, expressed his displeasure with its defacement yet again. “I was one of the artist who painted the mural and the guy who blacked out the Kendrick face literally just made it worse,” he wrote in the comment section of XXL’s upload.

After the release of Kendrick Lamar’s song “Wacced Out Murals,” where he addressed the first incident, Motions detailed his frustration when his first piece was vandalized. “A couple months ago our Kendrick mural got hit. Of course, we were pissed and wanted to fix it, but it just kept getting worse,” he wrote. “Flash forward to today and Kendrick drops a song about the situation. It doesn’t necessarily make it ok, but it does feel good to have our hard work for the community immortalized in a song by one of the greatest to ever do it. Thank you, Kendrick Lamar for making this situation a little better today.”

Kendrick Lamar has not addressed the latest vandalization.

Drake’s Lawyers Double Down As They Call Out Spotify’s ‘Manipulative Practices’ Alleged In Legal Filing

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Drake and Kendrick Lamar’s rap beef was a monumental moment in hip-hop. But the “Family Matters” rapper’s upcoming legal battle with UMG and Spotify is gearing up to be an industry shifter.

On December 20, Spotify slammed Drake’s accusations of “artificially inflating” the popularity of Kendrick Lamar’s diss track “Not Like Us” with the use of bots and colluding with UMG in a payola scheme. Now, Drake’s legal team is firing back.

In a statement shared with USA Today, a representative of Willkie Farr & Gallagher LLP doubled down on the claims made in Drake’s legal filing.

“It is not surprising that Spotify is trying to distance themselves from UMG’s allegedly manipulative practices to artificially inflate streaming numbers on behalf of one of its other artists,” said the rep. “If Spotify and UMG have nothing to hide then they should be perfectly fine complying with this basic discovery request.”

Although Spotify has requested that the “false” and “speculative” inquiry be dismissed, it appears Drake’s legal team is ready to go the distance in an attempt to prove their allegations.

Just as Spotify denied Drake’s accusation, so has UMG. “The suggestion that UMG would do anything to undermine any of its artists is offensive and untrue,” said a representative for the label. “We employ the highest ethical practices in our marketing and promotional campaigns. No amount of contrived and absurd legal arguments in this pre-action submission can mask the fact that fans choose the music they want to hear.”

All eyes are on this ongoing legal matter.

Barack Obama Shared His Favorite Music Of 2024, Which Of Course Includes Kendrick Lamar

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As far as musical year wind downs go, Spotify has Wrapped and Apple Music has Replay. At Uproxx’s we have our Best Albums and Best Songs list. Still, annually the most discussed curated collection tends to come from former president Barack Obama. Yesterday (December 21), Obama shared his Favorite Music of 2024 playlist and in typical fashion users online are divided.

Last year’s list featured a plethora of rap and R&B goodies. This year’s collection spreads the love among country, reggaeton, pop, Afrobeats, and indie rock. Atop the list is Kendrick Lamar’s most recent No. 1 hitSquabble Up.” Bangers from Billie Eilish, Beyoncé, Fontaines D.C., Shaboozey, and Karol G also made the cut.

See the full list below.

Kendrick Lamar – “Squabble Up”
Billie Eilish – “Lunch”
Rema – “Yayo”
Tyla, Gunna & Skillibeng – “Jump”
Central Cee & Lil Baby – “Band4band”
Ezra Collective & Yazmin Lacey – “God Gave Me Feet for Dancing”
The Red Clay Strays – “Ramblin’”
Fontaines D.C. – “Favourite”
Asake & Travis Scott – “Active”
Shaboozey – “A Bar Song (Tipsy)”
Bonny Light Horseman – “Old Dutch”
Rae Khalil – “Is It Worth It”
Beyoncé – “Texas Hold ‘Em”
Jordan Adetunji – “Kehlani”
Artemas – “I Like the Way You Kiss Me”
Johnny Blue Skies – “Scooter Blues”
Hozier – “Too Sweet”
Leon Bridges – “Peaceful Place”
Tommy Richman – “Million Dollar Baby”
Waxahatchee & MJ Lenderman – “Right Back to It”
Myles Smith – “Stargazing”
Jack White – “That’s How I’m Feeling”
Moses Sumney – “Gold Coast”
Karol G – “Si Antes Te Hubiera Conocido”
FloyyMenor & Cris MJ – “Gata Only”

X (Twitter)

Barack Obama Reveals Which Kendrick Lamar Song Is His Favorite Of 2024

Barack Obama loves dropping year-end lists. He details which films, books, and songs impressed him most on an annual basis. Kendrick Lamar dominated the hip hop sphere in 2024, so he was bound to appear on the President’s year-end list in some shape or form. It was initially unclear which direction Barack Obama would take. He could have gone for the celebratory diss “Not Like Us,” or perhaps the meme-ified “tv off,” but the President decided to chart another path. He chose Kendrick Lamar’s L.A. anthem “Squabble Up” as one of his favorite songs of 2024.

“Squabble Up” delivered on months of anticipation after it was teased during the intro to the “Not Like Us” video. The Debbie Deb-sampling song peaked at number one on the Billboard Hot 100. It makes sense that Barack Obama would choose “Squabble Up” out of Lamar’s chart-topping singles in 2024. “Like That” and “Not Like Us” were far grittier and combative, which directly clash with Obama’s chill and affable persona. The President did weigh in on the Drake vs. Kendrick Lamar battle a few months ago.

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Barack Obama Has Been A K. Dot Fan For Years

He praised Lamar’s lyrical ability and his overall message. “I do think that Kendrick has a unique status right now,” he told DeepCut. “Not just because of this summer… He’s not just gifted, he’s serious about the message… he digs deep into himself. He digs deep.” He didn’t clarify who he believed won the feud, but he actually picked sides as far back as 2016. The President told YouTuber Swoozie that he likes both Drake and Lamar music, but would ultimately choose K. Dot to win in a direct competition. “Gotta go with Kendrick,” Obama asserted. “I’m just saying, I think Drake is an outstanding entertainer, but Kendrick, his lyrics, his last album was outstanding.”

The admiration seemingly goes both ways. Kendrick Lamar met Barack Obama in 2016, and was highly complimentive of the President. He told Billboard he was overwhelmed when Obama told him how much he enjoyed To Pimp a Butterfly. “When [the President] said to my face what his favorite record was,” he recalled. “I understood that, no matter how high-ranking you get in this world, you’re human.” Another feather in Kendrick Lamar’s cap. No, Drake did not appear on Barack Obama’s year-end list.

Read More: Hip-Hop Albums That Grew On Us The Most In 2024

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Kendrick Lamar Appears To Diss Drake On New SZA Song “30 For 30”

Kendrick Lamar and SZA have been a dynamic duo over the past few months. SZA had two standout appearances on Lamar’s album, GNX. They announced plans for a Grand National co-headlining tour in 2025. Now, Lamar has returned the favor and dropped a guest verse on SZA’s LANA (SOS Deluxe). It’s the lone feature on album, and sure enough, it has some subliminal disses packed into it. Lamar appears to go at someone SZA is friendly with, and all signs point to the target being Drake (again).

Kendrick Lamar’s verse appears on the song “30 for 30.” The rapper makes fun of someone SZA is close with, asserting they are more feminine than she is. “You f*ckin’ with n**gas that’s thinkin’ they cuter than you,” Lamar spits. “Say you on your cycle but he on his period too.” Drake was romantically involved with SZA at one point. The two also worked together on two huge singles in 2023, “Slime You Out” and “Rich Baby Daddy.” Drake went as far as to claim that SZA had Kendrick Lamar “wiped down” on his scathing Lamar diss “Push Ups.” Obviously, SZA has decided to back her former TDE brother in the battle.

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Kendrick Lamar And SZA Repurposed A Drake Song Title

There are other Kendrick Lamar bars littered throughout “30 for 30” that could be aimed at Drake. He claims his unnamed target is tender by rapping: “the tenderness of ’em, mistaking ’em for some waygu.” Then there’s the bar: “the tables been turnin’ so much, I was thinkin’ its foosball.” Another stray that is very easy to apply to Drake, given that many have claimed Lamar has usurped him in popularity. Then there’s the title of the song. “30 for 30” is, famously, the name of a Drake song from 2015. Granted, he added the word “freestyle” to his song, but this does not seem like a coincidence.

Kendrick Lamar’s added subliminals make sense, assuming they are aimed at Drake. The 6 God has launched a legal case against UMG and Spotify over the success of Lamar’s “Not Like Us.” Drake claims that the streaming numbers for Lamar’s biggest hit were “artificially inflated.” It doesn’t take a close look to infer who Lamar’s bars about being “cute” and tender could be aimed at.

Read More: Hip-Hop Albums That Grew On Us The Most In 2024

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Drake’s Legal Team Mocks Spotify For Denying “Inflated” Streaming Allegations

Drake believes he has a strong case against UMG and Spotify. The rapper has stated, categorically, that the label and streaming platform conspired to boost the streams of Kendrick Lamar’s “Not Like Us.” He has filed a motion to examine UMG and Spotify data to set the record straight. Spotify denied the 6 God and issued a statement dismissing his allegations. It didn’t take long for the rapper to issue a response of his own. Drake’s legal team made it clear that they are not going away until they get the information they want.

Let’s recap the Spotify denial. The streaming platform claimed that it has no “economic incentive” to boost the streams of “Not Like Us” over a Drake song. Furthermore, the company stated that they did not find any information to support the rapper’s claims regarding bots. Drake’s initial motion contained an allegation regarding an individual who used bots to boost “Not Like Us” streams by 30 million.” The platform also denied the allegation that UMG charged them 30% lower in terms of licensing rates to promote Kendrick Lamar’s diss.

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Drake Was Not Surprised By Spotify’s Denial

Drake’s legal team was nonplussed. They issued a statement within hours, and they claimed to have anticipated Spotify’s line of defense. “It is not surprising that Spotify is trying to distance themselves,” they wrote. “From UMG’s allegedly manipulative practices to artificially inflate streaming numbers on behalf of one of its other artists.” Drake’s representatives also restated their ultimate goal, which is to gain access to streaming data. As far as the rapper is concerned, UMG and Spotify should be willing to share as long as they are not guilty. “If Spotify and UMG have nothing to hide,” the statement concluded. “Then they should be perfectly fine complying with this basic discovery request.”

Drake has been widely ridiculed for his decision to take legal action. Many of his peers have mocked his decision to “lawyer up” instead of “squabble up,” to quote Charlamagne Tha God. Nevertheless, he will move forward with his allegations. Those eager for new Drake music instead of drama, however, will be thrilled to learn that he’s back in the studio. He posted a photo of 40 working on a new song the night before his Spotify response.

Read More: Hip-Hop Albums That Grew On Us The Most In 2024

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SZA’s New Album ‘SOS Deluxe: Lana’ Is Finally Available To Stream

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At midnight today (or 9 PM Thursday on the West Coast), SZA fans were disappointed when her long-awaited album, Lana, did not hit DSPs as expected. While she offered up the video for “Drive” as a consolation, she also declared the project wouldn’t be available ’til later in the day due to some last-second tweaks. TDE President Punch Henderson chimed in this morning to promise that it’d be up by noon Pacific. And hey, what do you know: They kept their promise. SOS Deluxe: Lana is finally available to stream on Apple, Spotify, Tidal, or whatever other streamer you choose.

The new version of the album features 15 new tracks, including “Drive” and one feature: SZA’s long-awaited reunion with former TDE Golden Boy, Kendrick Lamar, who has been in the midst of one helluva hot streak of his own in 2024. They were unofficially reunited earlier this month when they both took the stage at TDE’s annual holiday concert in Nickerson Gardens in Watts, where Top Dawg Tiffith, the label’s founder, grew up. They’ll also be on a joint tour together next year to promote their new albums. The fans who were disappointed last night are definitely feeling much differently now.

SOS Deluxe: Lana is out now via Top Dawg Entertainment/RCA Records. You can listen to it here.

SZA & Kendrick Lamar’s Charisma & Chemistry Is On Another Level On “30 For 30”

Just when we thought SZA dropping SOS Deluxe: LANA was going to be more than enough, she stuns fans with another Kendrick Lamar collab. Her former TDE labelmate is the only guest on the brand-new reissue, which contains 15 extra songs. They reconvene on “30 For 30,” the third record in, and its arguably their most charismatic effort together. SZA told British Vogue back in November that LANA was going to effectively be from a more upbeat headspace. You can tell that the mission was carried out on this track for sure. She sounds very expressive and adopts some Kendrick’s vocal acrobatics to some extent.

Even though this is more of relationship-related cut, his part on the chorus (see below), is sure to cause some debate online. We can already envision the theories on how this is a subtle response to Drake’s recent UMG lawsuit. This is just what Kendrick does though (especially now) whenever he hops on another artist’s record. He instantly has everyone gravitating toward what he’s got to say. But outside of that, the song is another phenomenal addition to their joint catalog. It’s their third of the year after SZA assisted him on GNX with “luther” and the closer, “gloria.” Check out “30 For 30” with the “[Via]” link below.

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“30 For 30” – SZA & Kendrick Lamar

Quotable Lyrics:

Some of y’all just go pop s***
Some of y’all just go talk (Talk)
But none of y’all ain’t really got s***
Some of y’all just look lost (Lost, yeah)
I get this type of feeling you ain’t accustomed to
I swear I’d be at peace if it weren’t for you (Yeah, yeah)

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Spotify Blasts Drake’s ‘Subversion of Normal Judicial Process,’ Says Lawsuit Would be Found Baseless

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Spotify is responding to Drake’s legal action, accusing the streaming giant and Universal Music Group of amplifying Kendrick Lamar’s streams for “Not Like Us.”

In a legal filing, Drake stated Spotify boosted the streams, to which they reply, calling the allegations “false” and calling the legal action a “subversion of the normal judicial process.”

Spotify says there is no evidence to support Drake’s allegations of using bots, and more, it denies that there is no deal to help the single. “The predicate of Petitioner’s entire request for discovery from Spotify is false,” Spotify’s legal team wrote, according to Billboard. “Spotify and UMG have never had any such arrangement.”

Additionally, Spotify was critical of Drake’s legal action, including creating a “pre-action” because the accusations were believed to be baseless and would have been quickly dismissed.

“What petitioner is seeking to do here … is to bypass the normal pleading requirements … and obtain by way of pre-action discovery that which it would only be entitled to seek were it to survive a motion to dismiss,” Spotify’s lawyers added. “This subversion of the normal judicial process should be rejected.”

Drake’s team did not reply to a request for comment.

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Spotify Slams Drake’s ‘False’ And Purely ‘Speculative’ Legal Filing That Accuses The Company Of A Kendrick Lamar Payola Scheme

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Drake’s legal filing against UMG and Spotify caused controversy among rap fans. However, the “No Face” rapper remains steadfast in his beliefs that his own record label and the streaming giant colluded to “artificially inflate” the popularity of Kendrick Lamar’s diss song “Not Like Us.”

Now, the music titans are fighting back. Today (December 20), Spotify reportedly responded to Drake’s pre-petition with a motion of its own in Manhattan court. According to Billboard, it claimed to have “found zero evidence to support the claims of a bot attack” to increase the streams of “Not Like Us.” The company also denied entering a backdoor deal with UMG to aid Kendrick in his war of words with Drake.

“The predicate of Petitioner’s entire request for discovery from Spotify is false,” read the motion. “Spotify and UMG have never had any such arrangement.”

Later in the document, Spotify slammed Drake for filing a pre-petition rather than a full-on case.

“What petitioner is seeking to do here is to bypass the normal pleading requirements,” the wrote. “And obtain by way of pre-action discovery that which it would only be entitled to seek were it to survive a motion to dismiss. This subversion of the normal judicial process should be rejected.”

It continued, “The petition asserts no specific facts of any kind in support of these alleged RICO and deceptive practices violations. Instead, it relies exclusively on speculation or the claims of anonymous individuals on the internet.”

The closed by rebutted the allegation of bot manipulation, writing, “When we identify attempted stream manipulation, we take action that may include removing streaming numbers, withholding royalties and charging penalty fees. Confirmed and suspected artificial streams are also removed from our chart calculations. This helps us to protect royalty payouts for honest, hardworking artists.”

UMG also addressed the matter in a statement of its own (viewable here).