With his last six album releases, J Cole has confidently held onto the Billboard 200 album chart’s No. 1 spot. When it came time to drop his Might Delete Later project earlier this month, however, he had some serious competition from Beyonce, whose dive into country is continuing to do numbers even after its first week out. Upon arriving on DSPs, COWBOY CARTER became the best-selling record of 2024 so far, moving upwards of 400K units.
Though it was initially expected to come in at No. 2, it looks like Queen B has nabbed the top spot on the chart again this week, bumping Cole’s work down to second. As HipHopDX notes, the surprise mixtape brought in 115K album equivalent units over the past few days, which is still impressive, even if it ends his over 10-year streak. 2011’s Cole World: The Sideline Story was the first of the MC’s LP’s to go No. 1, and 2021’s The Off-Season marks the last time he achieved the accolade. Besides his solo efforts, the Dreamville compilation tape, Revenge of the Dreamers III became a chart-topper in 2019, making it the label head’s seventh overall.
J Cole Was Heading for Billboard’s No. 1, but Bey Ultimately Beat Him
J. Cole’s ‘Might Delete Later’ aiming for #1 debut on Billboard 200 with nearly 140K units, Beyoncé’s ‘COWBOY CARTER’ aiming for #2 second week with over 130K units (via @HITSDD). pic.twitter.com/9mIzHBE6XE
The loss is likely tough for the father of two, but he and Bey have previously collaborated so we’re hoping there’s no bad blood. In 2011, Cole joined the Houston native to remix “Party,” which he revealed he was initially supposed to be on the original version of. “Just the fact to even be on the song with her and shoot the video with her and just be in her presence. She’s such a hard-working, incredible artist,” he said on the Rise & Grind Morning Show last year.
The men of hip-hop have been feuding non-stop in recent weeks, and though he’s usually a peaceful person, even J Cole found himself in the middle of Drake and Kendrick Lamar’s drama. However, after coming for K-Dot on “7 Minute Drill,” the North Carolina native ultimately left the diss track off his Might Delete Later project, though it still landed on the Billboard Hot 100. Read all about that at the link below, and check back later for more music/pop culture news updates.
J. Cole had everyone hip-hop fan’s phone blowing up when he dropped a new project out of nowhere. Might Delete Lateris now the German-born MC’s first solo tape since The Off-Season and is essentially full of B-sides and leftovers from the vlog series of the same name. Outside of it being a new release from J. Cole it had the community in a stranglehold because of the diss response to Kendrick Lamar called “7 Minute Drill.” While it was heavily discussed, the consensus seems to be that it felt to be a bit of a stretch and the disses were a little flimsy. Regardless, “7 Minute Drill” still did well for itself because it just peaked pretty high on the Billboard Hot 100.
According to Uproxx, Billboard announced the updated top 10 songs on the Hot 100 chart and the track is poised for a number six debut. This is extremely impressive considering our previous points, but also because Cole just removed the song off streaming a few days ago. Fans have been roasting the peaceful rapper for being just that. But if he did not feel comfortable in releasing it to begin with, you have to commend him for sticking to what he believes in and not buying into what the fans wanted.
In terms of other noteworthy tracks on this updated list, “Like That,” the song which started all of this trading of shots, has now gone number one for three consecutive weeks. “Type S***” by Metro Boomin, Future, Travis Scott, and Playboi Carti is also holding its own in the ninth slot. Furthermore, Beyonce and Jack Harlow are still going strong with their overnight hits “TEXAS HOLD ‘EM” and “Lovin On Me,” respectively. The only question going forward is, how does Cole feel about deleting the song now?
What are your thoughts on J. Cole debuting at number six with “7 Minute Drill” on the Billboard Hot 100 chart? Is this the best song still off of Might Delete Later, why or why not? Or do these stats not help how inauthentic it was for Cole to make this song? Did he make the right decision deleting the song off the project? We would like to hear what you have to say, so be sure to leave your takes in the comments section. Additionally, always keep it locked in with HNHH for all of the latest news surrounding J. Cole and “7 Minute Drill.” Finally, stay with us for everything else going on around the music world.
In the midst of what some have been referring to as hip-hop’s civil war, J Cole’s shifty eyes peek between both sides anxiously at the mere thought of betraying either friend, Drake and Kendrick Lamar. Together they formed the Big 3, a trifecta of MCs who carried their mentors’ legacies and affirmed lyricism’s position in the mainstream during the 2010s. What J Cole – and the public – may have celebrated as three generational talents who’ve pushed the boundaries of hip-hop to its commercial peak as a unified front, his other two counterparts have made it abundantly clear that they’re playing for keeps. And as a result, the generational consensus for the better part of the 2010s was that J Cole was trailing behind as the third wheel with a catalog of snoozers and faux-philosophical revelations, and arguably, one of the most insufferable fanbases online. But, if it weren’t for his fans parading around the “platinum with no features” feat, he wouldn’t have actually tried to prove anyone wrong.
His surprise drop, the tight 12-track mixtape, Might Delete Later is yet another affirmation of J Cole’s candidacy for the coveted GOAT title. At its core,the mixtape is a lyrical exercise emphasizing hip-hop’s competitive nature and extending his ambitious run into the 2020s. However, the release of Might Delete Later arrived on the heels of Future and Metro Boomin’s Kendrick Lamar-powered “Like That” and days before his annual Dreamville Festival. Along with the snippets that arrived before its release, the bar for Cole was raised much higher due to external circumstances that could’ve easily gone unacknowledged.
Might Delete Later highlights the hunger in Cole’s belly, one that became evident in projects like K.O.D. where he pushed back at the narratives being spun by young Soundcloud prodigies like Lil Pump and Smokepurpp. However, in the following years, Cole has been on a mission to bridge generational gaps, play peacemaker between his other two cohorts, and prove that his relevance isn’t limited to his fanbase. He’s been able to move at his own pace and afforded the luxury of reaching new heights on his schedule. Much of these periods of silence have been dedicated to sharpening his craft, and figuring out how to transcend the lyrical box he’s been placed in without losing sight of his talent, albeit with stints of pro ball here and there. It became clear on his 2018 feature run that to be the best, he would have to align himself with other artists – specifically those that he isn’t necessarily friends with – who could push him outside of his comfort zone.
It’s been especially refreshing to hear J Cole embrace his Southern roots more openly, too, whether through collaborations alongside Dreamville cohorts or otherwise. “Pricey,” the opening track, sets the tone with a calming and cool effect that sounds like it should soundtrack an old-school Cadillac with gold plates riding through a deeply leafy and muddy forest, accented by Ari Lennox’s decadent vocals and Young Dro’s hypnotizing bridge over glossy bluesy guitar strings. However, the inclusion of Gucci Mane, who previously collaborated with Cole on “There I Go,” helps bookend the album, alongside Trae Tha Truth’s appearance on “Trae Tha Truth In Ibiza.” Their spoken word passages that conclude the songs they respectively appear on allow Cole to push an uplifting message without sounding preachy.
But as much as J Cole’s humble lifestyle is a central force of this project, whether he’s bragging about pulling “your b*tch with no line-up and Crocs,” scoffing at the notion of extravagant bottle service, or simply, recollecting harsh memories growing up in Cumberland, Might Delete Later isn’t a body of work that aims to do much else besides wreak lyrical tyranny on the rest of hip-hop and make it clear where he stands among the crowd. It’s best summarized on “Crocodile Tearz,” a fiery banger that’s filled a cut-throat performance from Cole over an eerie Memphis-leaning beat that has traces reminiscent of Drake and 21 Savage’s “Knife Talk” except even bigger. It’s here where he puts his peers on notice, rapping, “Should do the Freshman cover twice, I’m never outclassed/ It’s not another n***a breathin’ that could outlast/ The Fall Off is like Hov droppin’ Reasonable Doubt last.”
Unfortunately, this level of vigor and tenacity in the spirited competition of hip-hop remains unmatched throughout the rest of the project, even on “7-Minute Drill.” Though a response to Kendrick’s internet-shattering verse on Future and Metro Boomin’s We Don’t Trust You, it may have been better considered a “warning shot” rather than an outright diss. Quite honestly, “7-Minute Drill” showcased a lack of self-awareness, especially when trying to come at another artist’s discography with non-descript bars that could be toward anyone. But what’s worse is that even the idea of poking fun at Kendrick Lamar’s 5’5” stature weighed heavily on his conscious. For the first 48 hours, he was nearly declared the winner of the first round yet the discourse on his response ultimately became overwhelming. Then came his infamous Dreamville Festival apology, where he gracefully bowed out from the feud, admitting that he fell victim to peer pressure.
Nonetheless, this project attempts to reinvigorate the spirit of battle rap within J Cole, who has openly stated that artists like Canibus and Eminem inspired him. While records like “3001,” “Huntin’ Wabbits,” and the Alchemist-produced, “Stickz & Stonez” further fortify Cole’s M.O. across this album of being an elite MC, his efforts to chase clever and witty bars put a spotlight on his questionable rhymes – both on this album and historically. “Pi,” the Daylyt and Ab-Soul-assisted song, feels like an ode to “WROH” from Ab-Soul’s These Days where the TDE MC and the battle rap veteran trade bars a capella. For Cole, attempting to land a transphobic punchline was just a tone-deaf decision. Even if he wants to argue that it’s for the sake of creative freedom – and, let’s say that was the case: why exercise that liberty for a throwaway bar that’s hardly effective outside of being offensive? Haven’t we learned anything from the “Jodeci Freestyle?”
Regardless of some of the missteps, Might Delete Later remains a step up in J Cole’s catalog, especially having not released a mixtape since Friday Night Lights. He finds places to push his pen further and other moments where he can simply enjoy the fruits of his labor. “H.Y.B” and “Stealth Mode” are prime examples of Cole’s ability to find inspiration from the new generation, even outside of the U.S. Bas, who appears on both tracks, pulls J Cole into a hedonistic lifestyle on both tracks that extends the themes of songs like “Passport Bros.” Central Cee’s inclusion on “H.Y.B” is another heavyweight co-sign for the Brit. However, much like “Pi” and “Crocodile Tearz,” the tinges of external influences, namely 2023’s “Sprinter,” seep through the summer-friendly production.
As a precursor to The Fall Off, J Cole’s fourth mixtape stands as a strong body of work but one that will likely be remembered in the shadows of the controversy that surrounds it. For an artist who declared, “I hit ’em up, bitch, I’m 2Pac twin,” he ultimately succumbed to the pressure that comes with the #1 spot. Unlike his hoop dreams, his efforts to enter the battle rap octagon have been thwarted completely, though whether this permanently erases his place among the Big 3 will be determined with time. Nonetheless, Might Delete Later continues an epic run for J Cole, only if he dismantled his momentum with an apology.
This past Friday, J. Cole unleashed a brand new mixtape, Might Delete Later with no prior announcement. The surprise release came off the heels of a series of cryptic snippets of the album, which all appear on the 12-song tracklist. And while some of his lyrics, particularly the transphobic line on “Pi,” have rightfully caused a stir, Might Delete Later still managed to live up to the anticipation built off of the teasers. Throughout its 43-minute runtime, Cole showcases his top-tier lyrical ability, rapping over production from The Alchemist, Conductor Williams, T-Minus, and more. Bas, Cam’ron, Central Cee, Ari Lennox, and others contributed guest vocals to the album as well.
J. Cole just wrapped up a co-headlining tour with Drake and debuted Might Delete Later at his Dreamville Festival, which took place over the weekend. During his performance, he rescinded the shots he sent at Kendrick Lamar on the album’s closing track, “7 Minute Drill.” While fans clamor over his comments, one can appreciate the lyrics that he delivered on Might Delete Later. The new project serves as an appetizer for his supposed next album, The Fall Off. Today, we are highlighting the seven best lyrics on J. Cole’s Might Delete Later.
The nonchalant manner in which J. Cole raps on “Huntin’ Wabbitz” does not diminish the quality of the lyrics. He finishes his first verse on a high note, rapping, “I’m clappin’ at n****s like they owe me money / Pop-pop-pop-pop-pop-pop, click/ Shit, now the clip lookin’ like Chick-fil-A on a Sunday.” After firing off rounds of lyrical ammunition toward his opponents, his metaphorical clip appears to be empty. Cole raps that he has fired so much and taken down all of his competitors, likening his empty clip of bars to a Chick-fil-A on a Sunday. Chick-fil-A is known for being closed on Sundays, which paints an image of Cole standing victorious by his lonesome.
6. J. Cole’s Verse On “Pi”
Following a show-stopping performance from Ab-Soul and Daylyt, J. Cole showed that he refuses to be outshined on “Pi,” though his attempt undoubtedly contained some questionable bars as a result. With lyrics referencing pop culture and sports, Cole raps, “Now please, hold yo’ L like you guardin’ Philly’s young center / Quick to leave a chick curved / It’s only one of me, but bet it’s like six hers.”
After nodding to Cam Reddish earlier in his verse, Cole nods to another basketball player in Joel Embiid. He bends “yo’ L” to sound like “Joel” before clarifying that he is in fact using the Philadelphia 76ers player’s name. J. Cole applies his name to himself as someone who is tough to beat. Much like “Joel” and “yo’ L,” he also plays on words with “six hers” and the “6ers” basketball team. Out of the many lyrics that reference sports on Might Delete Later, his 76ers scheme is a standout.
On “3001,” J. Cole recalls a lyric from “No Role Modelz” where he famously rapped about being too young for Nia Long. The actress once told Larry King that “He’s really not too young, he just doesn’t know it.” Referencing his hit song and Long’s reply, Cole raps, “I saw Nia Long quote/ I would’ve poked, back when my heart cold / Give her three or four strokes / Then I’m onto the next, shit like a par four.” He cleverly acknowledges Nia Long’s response with a golf-themed scheme. The “strokes” that one takes when swinging a golf club become a euphemism for sex. Additionally, Cole brags about moving “onto the next” as one would after scoring a par four in golf, which requires four strokes or less. These lyrics on “3001” are one of many examples of J. Cole’s witty schemes on Might Delete Later.
4. The Second Verse on “Crocodile Tearz”
“Crocodile Tearz” is an instant highlight on Might Delete Later, containing multiple standout lyrics. In his second verse, J. Cole argues his position as the GOAT, notching the top spot in “The Big Three.” After flexing a G4 jet as a minimum requirement for travel, he raps, “They sound faded, they downgraded, they Pluto. I’m bigger than Mars, this n***a a star, I’m Bruno.” An excellent play on words, J. Cole compares the fall off of rappers to Pluto becoming a dwarf planet. The line also works as a double entendre in reference to Future’s nickname and first album title. A dig at Future is likely considering it was his song that prompted Kendrick Lamar’s disses against J. Cole and Drake. Cole continues his planet motif by rapping about being bigger than Mars with superstar status like Bruno Mars.
J. Cole’s spits mean one-liners on the second verse of “Crocodile Tearz.” His first verse, however, weaves in references to film and music as metaphors. He raps, “I’m Joaquin Phoenix, walk the line, I’m about cash / Benjamin Button gettin’ younger as the hours pass.” Cole compares himself to Joaquin Phoenix, who plays Johnny Cash in Walk The Line, as he and the film are about “cash.” Additionally, he likens himself to The Curious Case Of Benjamin Button, a movie where the lead character ages backward. In this line, he says that he is getting better with age, unlike most rappers.
Continuing the theme of reaching a late prime, J. Cole declares, “The Fall Off is like Hov droppin’ Reasonable Doubt last.” Comparing his upcoming album to JAY-Z’s classic debut, Cole hints that his supposed final album will be a game changer that feels like a beginning rather than a farewell.
2. Ab-Soul and Daylyt Trade Bars On “Pi”
The clear lyrical highlight on Might Delete Later is “Pi.” The soulful hip hop track begins with Ab-Soul and Daylyt trading intricate bars. The two wordsmiths’ verse is riddled with double entendres and extended metaphors. Towards the end of their nearly 3-minute long performance, Ab-Soul and Daylyt center a scheme around the assassination of Malcolm X. “See what they told Malcolm X to do with his hands? That shit was out of pocket” alludes to X’s murderers yelling “get your hands outta my pocket” before killing him.
“Picked up shotguns that came in handy, wasn’t no plan B,” Daylyt continues with a comparison of shotguns and Plan B as backup plans in an emergency. It is a humorous sexual analogy about the “kid gone” as a result of “plan b.” Daylyt concludes the scheme, rapping, “Knew them shots would muzzle him,” which ties in the Malcolm X lyric with a play on words between “muzzle him” and “muslim.” Together, Ab-Soul and Daylyt finish their epic exchange by likening themselves to godlike figures Nephilim and Gilgamesh. It perfectly concludes a powerful verse that sets the bar high for J. Cole.
1. “Stickz N Stonez”
Many of J. Cole’s best lyrics on Might Delete Later are simple yet effective. On the Alchemist-produced “Stickz N Stonez,” he cleverly flexes his wealth and sexual encounters. “Skeetin’ on thousand-count sheets, I’m hittin’ freaks in tandems/ Bust ’em down, then throw ’em in the cab like they from East Atlanta,” he boastfully raps as he sends women in a taxi back to Dekalb County in Atlanta. Also in the rhyme scheme is a bar about those envious of his status. Cole raps, “Weaklings wanna walk inside my sneakers, watchin’ from the bleachers/ Only time they’ll see the roles reversed is if they lease a Phantom.”
The double entendre refers to leasing a Rolls Royce Phantom becoming the only way that people can swap roles with J. Cole. He organizes these lyrically dense bars in a digestible fashion that stays consistent with the rest of the verse. While certain lyrics on Might Delete Later impress with dense metaphors, the bars on “Stickz N Stonez” steal the show with their simplicity.
J Cole is becoming the butt of a lot of jokes online right now after having serious regrets about dissing Kendrick Lamar on “7 Minute Drill.” Fans are becoming comedians saying he is having “post-n*t clarity.” Others are declaring the K-Dot is up 2-0 and bringing back certain bars from “The Heart Part 4.” “Oh, I was just playin’, K-Dot / C’mon, you know a n**** rock witchu, bro” / Shut the f*** up, you sound like the last n**** I know.” However, a majority of people are still enjoying what J Cole brought to the table, especially “3001.”
In our eyes and the community’s, this track features one of the best beats and hungriest flow from Cole. There are plenty of quotables across its two-and-a-half-minute runtime. “I started chiefin’ less and less, it had my cerebral vexed / Too many blessings to be depressed / Went from too stressed to being blessed / Now, my new recipe’s just keep that f*** s*** from my desk / I don’t want s*** but my breath, I don’t want s*** but my fam’.” All of these rhymes and relatable messages are performed over a sinister beat from Mike WiLL Made-It, T-Minus, and Pluss.
Cole is also looking into the future on this cut, hence the title “3001.” He views his music as timeless and even though he will not actually be around for that, long he believes it will stand the test of time. This is not anything new topically, but the way he raps on this one gives off the vibe that the rent is due. You can see why a lot of people this a top-tier track from the album by clicking the link above.
What are your thoughts on this brand-new song, “3001,” by J Cole? Is this the best track on his brand-new album Might Delete Later, why or why not? What is your favorite element of the track and why? Is this Cole’s best rapping performance on the album? Where do you rank this project in his discography? We would like to hear what you have to say, so be sure to leave your takes in the comments section. Additionally, always keep it locked in with HNHH for all of the latest news surrounding J Cole. Finally, stay with us for the most informative song posts throughout the week.
Quotable Lyrics:
I’m finna burn these n****s, dawg Bring me that urn, these n**** char Cole, I’ma send ’em to crossroads with the lost souls I saw Nia Long quote I would’ve poked, back when my heart cold Give her three or four strokes
J Cole admitted he regrets dissing Kendrick Lamar while performing at Dreamville Festival at Dorothea Dix Park on Sunday night. Taking a pause during his headlining set, Cole began by explaining how proud he is of the work he put into his new mixtape, Might Delete Later, but revealed the closing song, “7 Minute Drill,” isn’t sitting right with him.
“I’m so proud of that project except for one part,” Cole said. “There’s one part of that sh*t that makes me feel like, ‘Man, that’s the lamest sh*t I ever did in my f*cking life.’ And, I know this is not what a lot of people wanna hear. I can hear my n****s up there right now like, ‘Nah, don’t do that.’ But, I gotta keep it 100 with y’all. I damn near had a relapse.” From there, he admitted that he’s “blessed” to know both Drake and Lamar.
RALEIGH, NORTH CAROLINA – APRIL 02: J. Cole performs during the 2023 Dreamville Music festival at Dorothea Dix Park on April 02, 2023 in Raleigh, North Carolina. (Photo by Tim Mosenfelder/Getty Images)
“I felt conflicted ’cause I’m like, bruh I know I don’t really feel a way,” Cole continued. “But the world wanna see blood… so I say all of that to say, in my spirit of trying to get this music out, I moved in a way that spiritually feels bad on me. I tried to jab my n***a back and I tried to keep it friendly. But at the end of the day, when I listen to it and when it comes out and I see the talk, that sh*t don’t sit right with my spirit. That sh*t disrupts my f*cking peace. So I want I want to say tonight, in the midst of me doing that, and in that sh*t, trynna find a lil angle and downplay this n***a’s f*cking catalog and his greatness… I wanna say right here tonight, how many people think Kendrick Lamar is one of the greatest muthaf*ckas to ever touch a microphone? Dreamville, y’all love Kendrick Lamar correct? As do I.” Check out the full speech below.
J Cole Reflects On “7 Minute Drill”
J. Cole apologizes to Kendrick Lamar for dissing him on ‘7 Minute Drill’ at Dreamville Fest…
“How many of y’all think Kendrick Lamar is one of the greatest ever to pick up a mic”
“I haven’t been sleeping right the last few days… Ib, we taking that diss off streaming… pic.twitter.com/gafW1g6Hw9
The back and forth began when Cole labeled himself, Drake, and Lamar as hip-hop’s “big 3.” Lamar fired back on Metro Boomin and Future’s “Like That” by suggesting he’s in a league of his own. Drake has yet to respond to the drama. Be on the lookout for further updates on J Cole on HotNewHipHop.
Dionne Warwick says she won’t be taking sides in the feud between J. Cole and Kendrick Lamar. When a fan asked whether she would be willing to help the two settle their differences, she wrote back: “No. I will continue to mind my business.” The fan had labeled their behavior “chaotic” and asked for the legendary singer’s help.
Warwick fans were happy with her decision. “Not 30 minutes ago, I was telling my family how amazing Auntie Dionne (my namesake) is on Twitter. Rarely am I proved right so quickly,” one fan responded. Another wrote: “Wise decision. Dionne that’s how you have thrived in this business for so long!”
NEW YORK, NY – APRIL 19: Dionne Warwick performs onstage during the “Clive Davis: The Soundtrack of Our Lives” Premiere Concert during the 2017 Tribeca Film Festival at Radio City Music Hall on April 19, 2017 in New York City. (Photo by Theo Wargo/Getty Images for Tribeca Film Festival)
The beef between Lamar and Cole kicked off when the latter named Lamar among himself and Drake as hip-hop’s “big 3” on the song, “First Person Shooter.” Lamar later rapped on Metro Boomin and Future’s “Like That”: “Yeah get up with me, f*ck sneak dissing / ‘First Person Shooter,’ I hope they came with three switches. Motherf*ck the big three, n***a, it’s just big me.” Cole then fired back on his new mixtape, Might Delete Later, with the closing track, “7 Minute Drill.” He rapped: “Your first sh*t was classic, your last sh*t was tragic/ Your second sh*t put n****s to sleep, but they gassed it/ Your third sh*t was massive and that was your prime/ I was trailin’ right behind and I just now hit mine.”
Dionne Warwick Responds To Kendrick Lamar & J. Cole Feud
Drake has yet to join in on the beef. Check out Warwick’s comment on the situation above. Be on the lookout for further updates on the feud between Kendrick Lamar and J. Cole on HotNewHipHop.
J. Cole’s new mixtape, Might Delete Later, is expected to debut on the charts as the biggest release of the week, with HitsDailyDouble reporting it will move between 140k and 160k copies in its first week of availability. The project features collaborations with Young Dro, Gucci Mane, Ari Lennox, Cam’ron, Central Cee, Bas, Daylyt, and Ab-Soul. It also concludes with a noteworthy diss track aimed at Kendrick Lamar.
Lamar previously dissed both J. Cole and Drake on Metro Boomin and Future’s album, We Don’t Trust You, for his verse on the song, “Like That.” Lamar took issue with being lumped in with Drake and J. Cole as hip-hop’s “Big 3” on the song, “First Person Shooter.” “Yeah get up with me, f*ck sneak dissing / ‘First Person Shooter,’ I hope they came with three switches,” he rapped. “Motherf*ck the big three, n***a, it’s just big me.”
LONDON, ENGLAND – JULY 02: (EDITORIAL USE ONLY) J Cole performs on day 2 of Wireless Festival 2022 at Crystal Palace Park on July 02, 2022 in London, England. (Photo by Burak Cingi/Redferns)
On the closer to Might Delete Later, titled, “7 Minute Drill,” Cole raps, “Your first sh*t was classic, your last sh*t was tragic/ Your second sh*t put n****s to sleep, but they gassed it/ Your third sh*t was massive and that was your prime/ I was trailin’ right behind and I just now hit mine.” He also threatens to go even harder if Lamar doesn’t back down.
J Cole Headed For #1 Debut
J. Cole’s ‘Might Delete Later’ aiming for #1 debut on next week’s Billboard 200 with 140-160K units first week (via @HITSDD). pic.twitter.com/rX9YaMGzaZ
Despite Cole’s response, Drake has still remained silent on the musical front. He’s seemingly referenced the beef in various Instagram captions, but that’s it for now. He wrapped up his It’s All A Blur – Big As The What? Tour, earlier this week, so perhaps an official response will arrive shortly. Be on the lookout for further updates on J. Cole on HotNewHipHop.
Russ joked that he’s too old to be picking sides in J. Cole and Kendrick Lamar’s ongoing feud when a fan asked for his opinion on Twitter, on Friday. The 31-year-old simply responded to the prompt with his age. The remark comes after Cole finally responded to Lamar with his surprise mixtape, Might Delete Later.
Not getting involved went over well with Russ’ fans on the site. “Most valid sh*t I’ve ever heard,” one user replied. Another asked: “Why do so many grown men give a damn about other grown men’s personal business? The funny part is this is most likely a PR stunt and it’s working.”
SAO PAULO, BRAZIL – DECEMBER 1: Rapper Russ performs live on stage at Audio Club on December 1, 2022 in Sao Paulo, Brazil.(Photo by Mauricio Santana/Getty Images)
Cole’s new mixtape has been trending on social media for its closing track, “7 Minute Drill,” on which he addresses Kendrick Lamar, who dissed him on the song, “Like That.” Throughout the lyrics, Cole routinely praises Lamar before bringing criticism. “Your first sh*t was classic, your last sh*t was tragic/ Your second sh*t put n****s to sleep, but they gassed it/ Your third sh*t was massive and that was your prime/ I was trailin’ right behind and I just now hit mine,” he raps. At another point, he compares himself to Wesley Snipes’ character Nino in New Jack City, implying he doesn’t want to go against Lamar, but will do so regardless. Check out Russ’ brief response to the situation below.
The beef started when Lamar took issue with Cole naming the two of them, along with Drake, the “Big 3” of hip-hop. Appearing on Metro Boomin and Future’s new album, We Don’t Trust You, Lamar rapped that he’s in a league of his own. Be on the lookout for further updates on Russ on HotNewHipHop.
Central Cee shared a back-and-forth he had with J. Cole over text while thanking him on social media for the opportunity to appear on his new surprise project, Might Delete Later. In the messages, Cole sends him the beat for “H.Y.B.” and Cee agrees to feature on it. “@realcoleworld thank you [goat emoji],” Cee wrote.
The mixtape has been trending on social media for its closing track, “7 Minute Drill,” on which Cole addresses Kendrick Lamar’s recent diss on the song, “Like That.” Throughout the lyrics, Cole routinely praises Lamar before bringing criticism. “Your first sh*t was classic, your last sh*t was tragic/ Your second sh*t put n****s to sleep, but they gassed it/ Your third sh*t was massive and that was your prime/ I was trailin’ right behind and I just now hit mine,” he raps. At another point, he compares himself to Wesley Snipes’ character Nino in New Jack City.
MANCHESTER, ENGLAND – JUNE 11: (EDITORIAL USE ONLY) Central Cee performs on day 1 of Parklife Festival at Heaton Park on June 11, 2022, in Manchester, England. (Photo by Burak Cingi/Redferns)
The feud began when Cole compared himself to Lamar on his Drake collaboration, “First Person Shooter.” He rapped: “Love when they argue the hardest MC / Is it K. Dot? Is it Aubrey? Or me? / We the big three, like we started a league.” Lamar fired back on Metro Boomin and Future’s new collaborative album, We Don’t Trust You. “Yeah get up with me, f*ck sneak dissing / ‘First Person Shooter,’ I hope they came with three switches,” he rapped. “Motherf*ck the big three, n***a, it’s just big me.” While he’s referenced the beef in several Instagram captions, Drake has yet to respond to the diss with music of his own.
