Lil Durk And Future Admit To Their Spiteful Ways On ‘Petty Too’

Nearly a year after he teamed up with Lil Baby for Voice Of The Heroes and 15 months after he dropped his last solo project, Lil Durk is back in action with his new album 7220. The project is a follow-up to 2020’s The Voice which peaked at No. 2 on the albums chart, making it his highest-charting release along with 2020’s Just Cause Y’all Waited 2. 7220 delivers 17 songs, including the previously released “AHHH HA,” “Pissed Me Off,” and “Broadway Girls.” It also comes with features from Gunna, Future, Summer Walker, and Morgan Wallen.

Now that the album is here, one of the early highlights from it is “Petty Too” with Future. The track flaunts the rappers’ spiteful ways as they admit to being petty at various times in their lives, even with the women that they interact with. Prior to releasing 7220, Durk shared a video for “Golden Child” where he delivers a raw look into his life as he raps into the camera as his crew smokes and shoots dice in the background. The collab also arrives after Future deemed Valentine’s Day the “Worst Day” with a somber single last month.

You can listen to “Petty Too” in the video above.

7220 is out 3/11 via Alamo Records/Sony Music Entertainment. You can pre-save it here.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Takeoff And Rick The Kid Flex Their ‘Crypto’ On Their Ambitious Collab

Back in 2018, less than a year after they released their third album Culture II, Migos decided that they were going to break off for a brief moment and release solo albums. Quavo dropped Quavo Huncho, Offset delivered Father Of 4, and Takeoff released The Last Rocket. In the grand scheme of things, the projects weren’t as beloved as the Migos projects as they helped to highlight while the group works so well together. Now, almost four years later, there’s no sign that the trio is preparing to release solo projects again, but some, including Takeoff, have released songs as individual artists.

For the first time since he dropped The Last Rocket, Takeoff is back in action as a lone act. With his latest release, he calls on Rich The Kid to join him for “Crypto.” The track is of course focused on cryptocurrency as the rappers flex their wallets and how much they’ve attained. It also arrives with a laid-back video that follows Takeoff and Rich as they walk through city streets and kick it on a plane as they brag about their finances.

The new track comes after Takeoff lent his voice to Roddy Ricch’s sophomore album Live Life Fast where he appeared on “Paid My Dues.” As for Rich The Kid, he recently teamed up with Lil Wayne for their joint project, Trust Fund Babies.

You can listen to “Crypto” in the video above.

Latto Showboats And Pops A ‘Wheelie’ With 21 Savage In Their Boastful Video

It’s been a little over 18 months since Latto dropped her major-label debut album Queen Of Da Souf. The project arrived after she earned a spot on the 2020 XXL Freshman Class list. Altogether, Queen Of Da Souf helped push the Atlanta rapper into the spotlight and she’s absolutely made the most of it. Her 2021 single “Big Energy” has grown to be her most successful track so far. Now, Latto is looking to match the song’s success with her latest single, “Wheelie.” The track arrives with a guest verse from fellow Atlanta native 21 Savage and a thrilling new video.

The new visual is filled with motorbikes and luxury vehicles doing donuts which is fitting action for the new song. Elsewhere, Latto shows off her dance moves and later stands tall and confident with 21 Savage as they flex some muscle through boastful raps. The new track is not the duo’s first record together as Latto previously recruited 21 Savage for “Pull Up” from her Queen Of Da Souf album.

The new record comes after Latto delivered song strong guest verses over the last year. They include a remix of “Sorry Not Sorry,” her most recent effort with Atlanta rapper Omeretta The Great, as well as records with Toosii, Don Toliver, and Lil Durk. 21 Savage, on the other hand, has recently laid verses with JID, King Von, Rick Ross, and more.

Scroll up to check out the video for “Wheelie.”

Megan The Stallion And Dua Lipa Offer An Enticing Taste Of The ‘Sweetest Pie’ In Their Seductive Video

Megan Thee Stallion and Dua Lipa have grown to be two of music’s most exciting musicians. Both have top-5 albums, those being Good News and Future Nostalgia respectively. They also have top-2 records on the singles chart with Megan’s being “Savage” and Dua Lipa’s being “Don’t Start Now” and “Levitating.” Add in Grammy wins and it’s clear that the two artists are well on their way to stardom, if they’re not already. With that being said, it’s only right that they join forces for their new song “Sweetest Pie,” a record that comes with an enticing video.

The new visual begins with two men walking in a forest when they’re greeted by Megan and Dua Lipa. At first, they’re intrigued by the artists, but soon enough they realize that Megan and Dua’s sweetest pies are too much for them to handle and they quickly run away. The men return with an army of guys to try and take down Megan and Dua, but they fail in their attempt as the ladies overcome their attack to reign supreme.

The song arrives as a high moment for both artists. Megan was recently forced to sue her label, 1501 Certified Entertainment, after they refused to count her last project, Something For Thee Hotties, as a project to fulfill her contract with them. As for Dua Lipa, she received two lawsuits that accused her of stealing from other songs to create her hit record “Levitating.”

You can watch the video for “Sweetest Pie” above.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Kanye West Was Subpoenaed To Testify In His Former Employee’s Upcoming Fraud Trial

Kanye West has been a busy man as of late. Between promoting and finishing his eleventh album Donda 2 and keeping us updated on his life through numerous Instagram posts, Kanye is the epitome of active nowadays. While his future moves remain to be seen, one of them will certainly result in him going to court. According to the Chicago Tribune, Kanye was subpoenaed to testify in the upcoming trial of his ex-employee Arjun Dhillon who is currently facing federal fraud charges. Prosecutors accuse Dhillion of “falsely representing his association with Kanye West to secure a $250,000 payment” from a Florida philanthropist more than two years ago.

Before the subpoena was issued, Kanye was identified as “Musician A” in court documents. Despite this, prosecutors agreed to reveal his name as potential jurors will have to share any pre-disclosed notions that they have against Kanye. Additionally, the court’s security will need to know when Kanye will appear in court as his arrival will probably attract a large crowd.

Court documents say that Dhillion was “briefly affiliated” with Kanye, but that he was fired sometime in October 2018, about a year before the alleged incident took place. In addition to his attempt to scam the philanthropist, which was thwarted thanks to the victim’s ability to stop the transfer after altering their bank, Dhillion is also accused of creating fake email accounts to convince the victim that he was still in close contact with Kanye.

Jury selection for the trial begins on April 9 and the prosecution and defense have until March 24 to submit their full witness lists for the trial.

Drake Reportedly Lands A Restraining Order Against A Woman Who Threatened Him Via Email

Earlier this month, Drake sought a restraining order against a woman who, for lack of a better phrase, just won’t leave him alone. Back in 2017, 29-year-old Mesha Collins was arrested for trespassing after she broke into the rapper’s home where she allegedly stole bottles of water, Pepsi, and Sprite. She was also found wearing one of Drake’s hoodies. Despite being convicted of the charges, Collins would reportedly continue to make visits to Drake’s house following the 2017 arrest. More recently, she allegedly sent threatening emails to Drake with one telling him to “put a bullet through your head now b*tch.” All of this prompted him to request the restraining order.

Thankfully for Drake, that order was granted to him. According to HipHopDX (who cites RadarOnline), a judge approved the order and it extends to Drake’s son Adonis and his parents Sandy and Dennis Graham. The exact terms of the restraining order are unknown at the moment, but it’s not the first one that’s been placed on Collins. Following her 2017 arrest, Collins was ordered to stay 100 yards away from Drake, his home, his family, and his workplace.

The approved restraining order comes after Collins attempted to sue Drake for $4 billion claiming that he defamed her about the trespassing incident through his songs and posts on Instagram. However, her lawsuit was thrown out after Drake proved that he did not know it was Collins that broke into his home until he received the $4 billion lawsuit.

Cardi B Withdraws From ‘Assisted Living’ Just Days Before The Film Was Set To Begin Shooting

It looks like Cardi B is ready to take a break after “overextending” herself while expanding her brand. Unfortunately, that apparently means stepping away from her starring role in the Paramount comedy Assisted Living — just days before the movie was set to begin filming in New York. The movie would have been Cardi’s first-ever lead role after making her debut in Hustlers and featuring in Fast 9 in 2019 and 2021, respectively.

Deadline reports Assisted Living, which would have starred Cardi in old lady prosthetics as a low-level criminal hiding out at her grandmother’s retirement home after being wrongly accused, was set to start shooting next week. As such, the set has been shut down and the crew was told the film was temporarily canceled. However, Deadline says that, rather than pursuing legal action against Cardi for dropping out so late in the process, the studio, Paramount Players, hopes to try again later this year.

Meanwhile, Cardi’s “overextended” rationale makes a lot of sense as the “Up” rapper is just coming off winning her defamation lawsuit against Tasha K, is consulting with Playboy on the newly-launched Centerfold platform, shooting her Facebook Watch show, Cardi Tries, and is still recording her highly-anticipated second album, all while caring for a six-month old infant. If anyone deserves a break…

Hopefully, things can come together for a second pass and Cardi can show off those comedic chops in earnest whenever Assisted Living returns to Paramount Players’ docket. As for now, let’s also hope Cardi can get her work-life balance together, because the person comes first.

Nicki Minaj Says Lil Kim Deserves Recognition For Her Influence, Despite Their Past Friction

Earlier this week, Nicki Minaj sat down for a nearly two-hour-long interview with Joe Budden on Instagram Live. During the interview, she talked about her fourth album, Queen, which she admitted wasn’t “presented correctly,” a label and management company she’s working on founding, and her overall influence on hip-hop.

When Minaj first stepped onto the scene, she donned a pink wig, which made up her signature look, and is now part of many female rappers’ repertoires.

“I would never see any female rapper wearing pink hair, pink hair became a part of that starter kit,” Minaj said in the interview. “Every female rapper will put on a pink wig at some point.”

Still, despite the influence of Minaj’s aesthetic, the “Do We Have A Problem?” rapper admitted she’s frustrated at the fact that she’s never been on the cover of Vogue. She also noted that the influence of white artists is regarded differently than that of Black artists.

“When Billie Eilish comes out and sets a trend with her green hair, she’s immediately put on American Vogue,” Minaj said, before later recalling pleasant encounters with Vogue editor Anna Wintour.

Minaj later said, “The same way I feel like I should have been on the cover of American Vogue, so should have Lil Kim, if we being all the way a thousand.” She continued, saying, “When myself or Lil Kim goes on the internet, every day we see our influence. I’m not gonna say it’s about me only and not give that woman her just due about what she did.”

Early Minaj songs, including “Roman’s Revenge” and “Stupid Hoe” are thought to be about Kim. While Minaj has never confirmed the subject of these songs, Kim has slammed Minaj several times, including in a Hot 97 interview with Ebro and Peter Rosenberg, where she called Minaj “a snake,” but said she’d be willing to collaborate with her.

Check out the full interview above.

Key Glock Walks A Goat In His ‘Painkillers’ Video To Announce The Deluxe Edition Of ‘Yellow Tape 2’

Does anyone else feel like rappers are taking this GOAT thing a little too far? Not only have a bunch of rappers gone around calling themselves the GOAT (an acronym meaning “Greatest Of All Time” as first coined by LL Cool J on his 2000 eighth studio album, The G.O.A.T.), but they’ve actually taken to throwing images of actual goats all over their videos and album covers.

Lil Durk added a couple of extra heads to the goat in his, Lil Baby, and Polo G’s “3 Headed Goat” video in 2020, which made it look like something out of Greek mythology. That same year, Rylo Rodriguez turned himself into a photoshopped faun on his Goat In Human Form cover, drawing amused reactions from rap fans on Twitter. And last year, Young Dolph and Key Glock called themselves “A Goat & A Dolphin” for single from their joint album, Dum & Dummer.

Now, Key Glock is keeping that theme going with his new video for “Painkillers,” in which he walks a goat on a leash through a snowy mountaintop scene, which also continues a motif from his and Dolph’s Dum & Dummer sequel last year. He also cruises through the snow in his custom yellow Rolls Royce Phantom, which picks up a thread from his Yellow Tape cover — which is apropos, considering “Painkillers” is one of 10 new tracks that will appear on the deluxe edition of Yellow Tape 2, also announced today. The deluxe reissue will land at DSPs on March 25 via Paper Route Empire, Glock’s first solo release since the death of Young Dolph in a shooting late last year. You can pre-save the album here and check out the video above.

The ‘Metal Lords’ Trailer Gives A Shred-Worthy Look At The Netflix Film From D.B. Weiss And Tom Morello

While preparing to make Game of Thrones, a project he never expected to get off the ground, D.B. Weiss wrote a script called Metal Lords that hit the backburner as Thrones became a mammoth juggernaut for HBO. However, once the dragon series concluded its eight season run, Weiss quickly returned to his film about a high school metal band and retooled the script that hadn’t been touched since 2006.

Along the way, he became friends with Rage Against the Machine guitarist Tom Morello. Morello came aboard the Netflix film as an executive producer, but the musician quickly took on the role of a hard rocking advisor as he pushed the actors to fully embrace the metal genre.

“It doesn’t matter the accuracy of your cymbal hits. You just have to go fucking berserk the entire time,” Morello told Billboard. “That’s metal! Don’t worry about the rest. Kick my ass with your facial expressions, which should be, at a minimum, Neanderthal-like and at a maximum, like you’re just in some sort of roiling pain and never stop doing that.”

Here’s the official synopsis for Metal Lords:

Two kids want to start a heavy metal band in a high school where exactly two kids care about heavy metal. Hunter (Adrian Greensmith) is a diehard metal fan —is there any other kind?— who knows his history and can shred. His dream in life is to win at the upcoming Battle of the Bands. He enlists his best friend Kevin (Jaeden Martell) to man the drums. But with schoolmates more interested in Bieber than Black Sabbath, finding a bassist is a struggle.

Metal Lords starts shredding April 8 on Netflix.

(Via Billboard)