Eminem

Eminem’s Shady Records: A Complete History Part 3

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Eminem’s Shady Records is one of the most iconic labels in the history of hip hop. Some of the biggest releases from the label include monumental singles and albums from 50 Cent and Slim Shady himself. The imprint, founded in 1999 and distributed by Interscope, Polydor (UK) and Universal Music Group (International) has gone through many transformations over the years. Its roster has drastically changed since its inception, but Eminem has repeatedly shown that he has a knack for recognizing talent. In fact, Shady just signed its most recent addition to the label with 25-year-old rapper Ez Mil. HotNewHipHop previously covered the complete history of Shady Records back in 2019. The acclaimed label has since updated itself, including the signing of Ez Mil. 

Part one of the label’s history covered the first iteration of Shady Records, spanning from 2000 to 2003. Part two detailed the rest of the Shady Records story from 2003 to the present 2019, including the Shady “2.0” era. From the early days of 50 Cent and D12 to the united movement of Slaughterhouse and Yelawolf, Eminem has helped talented rappers grow artistically and has supported their successes. While this current era of Shady Records may not reach the commercial peak that it achieved in the 2000s, the imprint’s roster has offered a lot of music recently. Today, we continue to look at the complete history of Eminem’s Shady Records, spanning from 2019 to the present.

A Post-2.0 Shady

The Shady 2.0 era came to an end when Slaughterhouse officially disbanded in 2018, following a series of solo ventures, disputes with the label, and shelving their Glass House album. Eminem had recently signed Westside Gunn, Conway the Machine, and Westside Boogie, who was going simply by Boogie at the time. The new roster stood behind Eminem during his BET freestyle where he spoke out against Donald Trump. While Gunn, Conway, and Boogie all signed with Shady Records in 2017, their output on the label was sparse until 2019. Westside Gunn and Conway had only released the standalone single, “Machine Gun Black” back in 2017 as Hall N Nash, with Eminem talking in the intro. However, they continued to unveil a number of releases outside of the label.

Read More: Westside Gunn’s Griselda & Eminem’s Shady Records: A Complete History

A Reinvigorated Eminem

Following the poor reception of Revival back in 2017, Eminem released his tenth studio album, Kamikaze in 2018. The album was released without any prior announcement. On Kamikaze, he snapped back at critics of Revival and those who spoke ill of him, including journalists and artists alike. Kamikaze notably included “Venom,” from the soundtrack of the superhero film. Additionally, Eminem sent shots back at Machine Gun Kelly, leading to an exchange of diss tracks between the two. He also confirmed the end of D12 on the song “Stepping Stone.” While not regarded among his all-time best works, Kamikaze was better received than Revival, marking a new era for Eminem and Shady Records. 

Read More: Was Slaughterhouse’s Shady Records Debut Misunderstood?

Changes To The Roster

Riding the momentum of Kamikaze, the brand new Shady Records roster started to roll out their first offerings. At the start of 2019, Westside Boogie released his debut studio album, Everythings For Sale via Shady Records and Interscope, featuring Eminem on the song “Rainy Days.” Not long after, Yelawolf released his fifth album, Trunk Muzik 3. His fourth release with Shady Records, Trunk Muzik 3 fulfilled his contractual obligations and he parted ways with the label. 

That same year, Griselda released their debut collaborative album and first major label offering, WWCD. Eminem featured on “Bang,” a track originally intended as a single for Conway’s debut album on Shady Records. While Benny the Butcher never signed with the label, his contributions to WWCD as a member of Griselda counted towards Westside Gunn and Conway’s contractual requirements. After the release of WWCD, Griselda’s time on the label was short-lived.

Read More: Eminem Reveals What He Looks For In A Shady Records Artist

A New Decade Of Shady

Shady Records started the new decade strong with Eminem releasing Music To Be Murdered By at the start of 2020. It was yet another album that had not been announced prior, taking listeners by surprise. His eleventh album featured the likes of Young M.A., Don Toliver, Anderson .Paak, and a posthumous Juice WRLD appearance. Singers like Ed Sheeran and Skylar Grey also contributed to the album. Furthermore, Music to be Murdered By notably featured rap legends like Royce Da 5’9”, Black Thought, Q-Tip, and even a mini Slaughterhouse reunion minus Joe Budden. The album was warmly received by fans and critics.

In December 2020, Eminem came back with a deluxe album. Music to be Murdered By – Side B featured sixteen additional songs. That same year, Westside Gunn delivered his solo offering for Shady Records and third album of 2020, titled Who Made The Sunshine. Much like WWCD, Who Made The Sunshine was primarily produced by Daringer and Beat Butcha, who forged their instrumentals without sampling. The album was Gunn’s only solo release for the label, departing Shady after its release.

Latest Releases

Shortly after Westside Gunn’s exit, Eminem signed Atlanta rapper Grip to Shady Records in 2021. Later that year, Grip released his Shady debut, I Died For This?!, featuring Eminem on the song “Walkthrough.” The following year saw the official departure of Griselda from Shady as Conway the Machine released his long-awaited album, God Don’t Make Mistakes. Also in 2022, Westside Boogie dropped More Black Superheroes, his second release on the label. 

Read More: Who Is Grip? Everything To Know About Eminem’s New Shady Records Signee

The Future of Shady Records

With its roster constantly changing within the past five years, it makes one wonder about what’s next for Shady Records. With Griselda off the label and Grip focusing on independent endeavors, Eminem has been steering his own ship with the help of Westside Boogie. However, the future of Shady Records has drawn excitement as Eminem recently signed Filipino-American rapper Ez Mil to the label. The Las Vegas-based artist has been active since 2020, releasing three albums including 2022’s DU4LI7Y on Virgin Music. While we wait for Ez Mil’s Shady debut, only time will tell what the future holds for Eminem’s historic record label.

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[WATCH] Ed Sheeran Surprises Detroit Fans With Eminem Performance

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Detroit fans were lucky enough to get two for the price of one when Ed Sheeran brought out Eminem for an epic appearance on stage.

The surprise took place when Sheeran was performing in Eminem’s hometown of Detroit on Saturday when he teased fans by telling them he’d be covering Em’s song ‘Lose Yourself’.

Claiming he and his band had only learned the track earlier that day, Sheeran said: “Let’s see how this goes.”

The pop star got into the iconic opening lines of the song, strumming along on his acoustic guitar, but just seconds later a hooded figure emerged from a trap door next to Sheeran and joined in with the song.

When they realized who it was, the crowd went into a frenzy.

Sharing a video of the epic moment on Instagram, Sheeran wrote: “Detroit. What a moment.”

The singer told the crowd that Eminem was initially going to perform just one track, but explained: “I said, ‘you can’t come on in Detroit and do just one song.’ Do you want another song?”

After making their way through ‘Lose Yourself’, the pair collaborated on ‘Stan’, with Sheeran filling in for Dido during the chorus.

When it came time for Em to leave, he told the crowd: “Detroit, I missed you. I appreciate you, Detroit. I love you!”

The pair have also collaborated on a number of tracks in the past, with Sheeran featuring on Eminem’s songs ‘River’ and ‘Those Kinda Nights’, while Eminem appeared alongside 50 Cent on Sheeran’s track ‘Remember The Name’.

Sheeran is currently touring the US on his Mathematics Tour, which is set to continue throughout the summer before coming to an end in Los Angeles in September.

The post [WATCH] Ed Sheeran Surprises Detroit Fans With Eminem Performance first appeared on The Source.

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Spotify’s Top 50 Most Streamed Rap Albums Of All-Time List Is Dominated By Drake, Eminem, And Kendrick Lamar

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Young Thug’s new album Business Is Business with Metro Boomin nearly dethroned Morgan Wallen’s reign of the No. 1 spot“on the music charts. While second place is still a considerable feat, no hip-hop albums have charted in the coveted spot so far this year. To demonstrate the genre’s impact in another way, Spotify shared its top 50 most streamed rap albums of all-time list.

Based on metrics, Drake, Eminem, and Kendrick Lamar have effortlessly dominated the platform. Atop the list is the late XXXTentacion’s 2018 album ?. Drake (Scorpion at No. 2 and Views at No. 3), the late Juice Wrld (Goodbye & Good Riddance), and Travis Scott (Astroworld) round out the top five slots.

Drake made the most appearances on the list with his albums Scorpion, Views, More Life (No. 9), Take Care (No. 19), Certified Lover Boy (No. 22), Nothing Was The Same (No. 26), If You’re Reading This It’s Too Late (No. 35), and Dark Lane Demo Tapes (No. 48), all finding a home in the top 50.

Eminem was the second most placed rapper on the list thanks to his albums The Eminem Show (No. 11), Recovery (No. 24), The Marshall Mathers LP – Tour Edition (No. 28), The Marshall Mathers LP2 (No. 29), Music To Be Murdered By Side B Deluxe Edition (No. 30), Kamikaze (No. 36.) landing on the list.

Kendrick Lamar and Kanye West tied for the third most-placed rappers, with three albums each making the list. Lamar’s DAMN. (No. 8), Good Kid, M.A.A.D. City (No. 17) and Black Panther: The Album (No. 23) were listed. While Ye’s The Life Of Pablo (No. 18), Graduation (No. 20), and My Beautiful Dark Twisted Fantasy (No. 34) were credited.

After hearing news of the list, Nicki Minaj seemingly called out the streamer’s flawed metrics. Only one of Minaj’s albums landed on the list, The Pinkprint (at No. 39). However, based on past data shared by the platform, the “Barbie World” rapper is one of the top 10 most streamed rappers.

“Oh, Barbz, send me that top ten list of the most streamed rappers on Spotify. Can’t find it.”

Straight & Supportive: Jay-Z, Lil Wayne, Lil Yachty & Other Male Rappers That Embrace LGBTQ+ Allyship & Advocacy

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Jay-Z x Lil Wayne x Lil Yachty

While female allyship and solidarity with the LGBTQ+ community have been prominent, there is a growing recognition of straight male rappers who have become allies and advocates. Over the years, several unexpected male artists have shown their support, embracing and championing the rights and visibility of LGBTQ+ individuals. From Jay-Z’s connection to A$AP Rocky’s endorsement […]

The post Straight & Supportive: Jay-Z, Lil Wayne, Lil Yachty & Other Male Rappers That Embrace LGBTQ+ Allyship & Advocacy appeared first on SOHH.com.

Juice WRLD And Cordae’s ‘Doomsday’ Video Puts Deepfake Technology To Mind-Bending Good Use

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Generally, I find all the deepfakes and AI use in music today — especially when it comes to deceased artists’ posthumous releases — ethically iffy, if not downright creepy. I’m willing to make an exception for Lyrical Lemonade’s off-the-wall “Doomsday” collab between Juice WRLD and Cordae, though. For one, Juice and Cordae were very tight in real life, and for another, both were extremely close with director Cole Bennett, who was instrumental to both of their careers.

But mostly, it’s because the project came out super tight, which is something you can’t always say for similar works. In this case, we get another opportunity to hear both young rappers at the respective heights of their game — something they got too few chances to give us while Juice was alive — as well as to hear Juice really rapping. Also, the deepfake effect in the video is used in a creative way, allowing Cordae to perform for the both of them as he morphs back and forth between his own face and Juice’s.

Eminem, whose song “Role Model” is sampled here, even makes an appearance at the beginning of the video and his association with Cordae and Juice is just enough to make you wonder whether it’s more digital trickery, or really the man himself showing love to the younger rappers (and Cole, who directed his “Godzilla” video).

Check out the “Doomsday” video above.

Cordae is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

Rappers Like Eminem: Logic, Hopsin, NF & More

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Before we dive into the world of rappers like Eminem, let’s take a moment to recognize the immense influence that hip hop music and culture have had on our society. Originating from the urban landscapes of New York City in the late 1970s, hip hop has evolved into a global phenomenon. Among the pioneers of this music genre, Eminem further stands out. He is a figure who transformed the landscape of rap with his raw, expressive lyrics and versatile styles.

Eminem: A Trailblazer In Rap Music

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CLEVELAND, OHIO – OCTOBER 30: Dr. Dre and Eminem pose backstage during the 36th Annual Rock & Roll Hall Of Fame Induction Ceremony at Rocket Mortgage Fieldhouse on October 30, 2021 in Cleveland, Ohio. (Photo by Kevin Mazur/Getty Images for The Rock and Roll Hall of Fame )

Marshall Mathers, known professionally as Eminem, broke into the mainstream rap scene in 1999 with his album The Slim Shady LP. His unique style and audacious lyrics quickly gained him a dedicated following. His storytelling prowess and his ability to convey complex emotions through his music set him apart from his contemporaries. The rap icon’s reputation as a trailblazer in the rap industry is also well-deserved. He was one of the few white rappers who gained mainstream success in a predominantly black genre.

Rappers Influenced By Eminem

Eminem’s success and style have influenced a new generation of rappers who follow in his footsteps. Artists like Logic, Hopsin, and NF have openly acknowledged their admiration for Eminem and his influence on their music. Logic, a Maryland-born rapper, gained recognition for his storytelling abilities, similar to Eminem’s. His music also explores themes of mental health and societal issues. It shows the influence of Eminem’s candid and controversial style.

Hopsin is known for his aggressive and energetic style. He often incorporates shock value into his lyrics, a tactic reminiscent of Eminem’s earlier work. His music further explores personal struggles and harsh critiques of the industry. These themes have been prevalent in Eminem’s work. Meanwhile, NF is an artist from Michigan, as well. He has also expressed his appreciation for Eminem. His music often reflects a deep emotional intensity, similar to Eminem’s raw and passionate delivery.

The Eminem Legacy Continues

Eminem’s influence extends beyond just individual artists. His impact can be seen in the broader rap industry as well. His fearless approach to tackling controversial topics and his bold, unapologetic style have paved the way for other artists to express themselves freely.

Despite the critics and controversies, Em has remained true to his art, delivering music that speaks to his experiences and perspectives. His willingness to be vulnerable and candid in his music has inspired a generation of rappers to do the same.

Conclusion: The Power of Authenticity

Rappers like Eminem continue to shape the rap and hip hop industry with their fearless authenticity and innovative musical styles. They carry on the legacy of a man who broke barriers and transformed the landscape of rap music. Em’s influence remains a testament to the power of authenticity in music, proving that it’s not just about the rhythm and the rhymes but also about the raw, unfiltered emotions that music can evoke. As we continue to see new artists emerge, the impact of rappers like Eminem will continue to be felt, ensuring that the essence of true hip-hop remains alive and well.

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Coi Leray Thinks Her Dad Benzino Would Stop Speaking To Her For ‘F*cking Years’ If She Ever Worked With Eminem

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Coi Leray might not completely get along with her dad Benzino, but there are some lines she’s wary of crossing — especially when it comes to his former (?) rival, Eminem. Although Coi had nothing but positive things to say about the Detroit rapper after Benzino’s Twitter rant tearing him down, she recently revealed that a collaboration with him — however unlikely — would be a bridge too far. During an appearance on Math Hoffa’s My Expert Opinion, the host asked whether Coi would collaborate with Em and she said she would definitely talk to Benzino first.

“I would sit down with my father, first of all, and bring it up to him,” she said. “I wouldn’t even ask. I’d be like, ‘Yo, listen. This is what happened. I’m not even expecting an answer. I just need to tell you right away.’ Me and my father could never be speaking for f*****g years. If that was to happen, I’d be like, ‘Hold on, let me just tell you this. Let me bring it to your attention.’ hopefully, he’ll be like, ‘Yo, you know what? Do it.’”

That latter outcome would probably also be unlikely, since Benzino has had it out for Eminem since 2003, when the then co-owner of The Source launched a campaign of diss records against Em. However, much of hip-hop sided with Eminem over his rival, and Benzino dropped the feud — at least publicly — until last May, when he went on a tirade against Eminem being inducted into the Rock And Roll Hall Of Fame, accusing the Hall of racism for skipping over other pioneering rap acts such as Eric B and Rakim, Lauryn Hill, and Nas.

You can watch Coi’s interview with Math Hoffa above.

Bebe Rexha: The Unconventional Pop Star’s Journey

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Singer and songwriter Bebe Rexha is currently making headlines after a fan threw a phone at her, hitting her in the face during a concert. Many artists and fans have spoken out in support of the singer who needed stitches after the incident. The artist, born Bleta Rexha, is a chart-topping artist, known for her witty pen and killer vocals. Her career kicked off in 2010, before a significant rise to fame three years later. She is currently signed to Warner Bros. Records and Warner Music Group. 

The Grammy-nominated singer rose to fame after receiving songwriting credits on Eminem and Rihanna’s hit single, “The Monster.” Since then, she has released three EPs and three studio albums. Her third album, Bebe, was released on April 28 to rave reviews. After the phone-throwing incident, Bebe Rexha has revealed that she’s just fine and is recovering well. Her career continues to enjoy success, as she’s promoting her album on tour. 

Early Beginnings

Bebe Rexha was born in Brooklyn to an Albanian family from North Macedonia. In high school, she joined the choir and focused more on her music. The singer didn’t take long to sign with a talent scout, which would eventually kickstart her ascent in the industry. By 2010, Rexha had begun to garner buzz in the underground music scene. 

By 2010, she collaborated with Pete Wentz, a member of the famous rock band Fall Out Boy. Following Fall Out Boy’s indefinite hiatus, she provided vocals for Wentz’s new experimental band, Black Cards. Two years after the formation of the new band, Rexha departed to pursue a solo career. 

Bebe Rexha’s Solo Career & Breakthrough 

Due to her significant buzz, Rexha secured a deal with Warner Bros. Records in 2013. Furthermore, her skills as a songwriter began to enjoy attention, and she wrote songs for Selena Gomez, Nikki Williams, and Rihanna. The single “The Monster” became a chart-topper in numerous countries, and Rexha’s background vocals can be heard on the track. 

However, Bebe Rexha eventually revealed that she had “no choice” but to give the song away. The chorus featured Rihanna’s vocals and was initially meant to be for Rexha herself. She had originally penned a song titled “Monster Under the Bed,” which featured the signature hook. Regardless of the potential it had, Rexha let the song go. 

During a Facebook Live chat, she said, “Think about it. I had just turned 20, and I didn’t know any different. I see now that the song opened so many doors for me. At that time, I had no choice but to give that song away. I had no money and no record deal.”

While “The Monster” propelled her career in a positive direction, Bebe Rexha still cemented her name as a pop star afterward. She has written songs for several artists, including Iggy Azalea, Nick Jonas, and Tinashe. Her singles catalog is also stacked with features from many notable Hip Hop stars. Some rappers she has worked alongside include Doja Cat, Nicki Minaj, G-Eazy, Snoop Dogg, and Lil Wayne. 

Personal Life

Bebe Rexha is a largely private celebrity but often lets her fans into her world now and then. She has cited Lauryn Hill as her major musical inspiration. Although primarily a pop artist, Rexha has also become known for her versatility. Her work spans various genres, from R&B, to country, rock, and dance. 

In April, the singer revealed that she has polycystic ovary syndrome, also known as PCOS. She is also a champion of body positivity and is known to call out designers who refuse to dress her because she is a size 8. She considers herself fluid sexually and revealed in 2019 that she has bipolar disorder. 

The unfortunate phone-throwing incident may have put Bebe Rexha’s name on many more lips, but the artist’s work always speaks for itself. The alleged assailant, Nicolas Malvagna, has now been charged with two counts of assault in the third degree, one count of harassment in the second degree, one count of aggravated harassment in the second degree, and one count of attempted assault in the third degree.

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Eminem Hated For Doing “Black Stuff” Better, Says Kid Capri

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Kid Capri is well-known for his outspoken nature. The New York-hailing DJ/rapper made an appearance recently on Audacy’s Hip-Hop Made with host Mike Street. During the interview, he discussed his favorite rappers and how people determine their top five MCs. Kid Capri also did not hold back when he expressed his thoughts on those who hold a disdain for Eminem. He suggested that they are envious because Eminem excels at “black stuff” better than they do.

During the conversation, Kid Capri shared his belief that people undermine Eminem’s skills because of his race. Furthermore, he asserts that Eminem is a superior rapper compared to those who throw shade at him. He argued that people often focus on an artist’s popularity rather than their genuine talent. “Everybody keep going at Eminem because he’s white. You’re mad because he’s doing black stuff better than you are,” Kid Capri said. “The boy is nice, you can’t take that from him.” You can listen to the entire interview below.

Eminem Acknowledges “Stealing” Black Music

It’s worth noting that this isn’t the first time Kid Capri defended Eminem. In a 2022 interview with HipHopDX, he did the same. He mentioned that Lil Pump’s diss towards Eminem inspired his latest album, The Love. Kid Capri expressed frustration with younger artists disrespecting older ones and emphasized the contributions made by veteran artists to the hip-hop industry. “That was just one of the things that did inspire,” he said in that interview. “I got tired of seeing the younger dudes thinking that the older people ain’t capable. Like we ain’t been here building this business from the ground up from day one.”

Eminem himself has acknowledged “stealing Black music” on his song “The King and I” from the Elvis soundtrack. On it, he draws a parallel between himself and Elvis Presley. In the lyrics, Eminem reflects on using black music as a tool to combat societal issues. He goes on to compare himself to Elvis. The lyrics highlight their similarities as white artists who achieved significant success and were acclaimed as “kings” in their respective eras. What do you think of Kid Capri’s defense of Eminem? Sound off in the comments below to let us know!

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Bad Meets Evil’s “Hell: The Sequel” Turns 12

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This year marks the 12th anniversary of Hell: The Sequel, the collaborative EP between Eminem and Royce Da 5’9” as Bad Meets Evil. The EP was released via Shady Records and Interscope on June 14, 2011. Features on the EP include Mike Epps, Bruno Mars, and Slaughterhouse, as well as production from Eminem, Havoc, Mr. Porter, DJ Khalil, and more. Hell: The Sequel was the first collaborative project between Eminem and Royce, but the two have worked closely together for their entire careers. The Bad Meets Evil duo dates back to 1998 when Eminem and Royce Da 5’9” initially connected for the “Nuttin To Do” single. They also teamed up in 1999 for the song “Bad Meets Evil” from Eminem’s The Slim Shady LP. On the song, Royce raps, “See you in Hell for the sequel.”

At the time of the release of Hell: The Sequel, Eminem was coming off a banner year. He released Recovery, which still remains one of his most commercially successful albums and includes multiple hit singles that have become an essential part of his catalog. Royce Da 5’9” previously released his Street Hop album and the first full-length Slaughterhouse record before they signed to Shady Records. We’re looking back at Bad Meets Evil’s Hell: The Sequel for its 12th anniversary.

Eminem & Royce Da 5’9″ Brought The Best Out Of Each Other

Eminem and Royce Da 5’9” first connected as Bad Meets Evil at the beginning of their careers, showing an undeniable chemistry between the two Detroit rap legends. The two fell out for many years due to a feud between Royce and Proof of D-12. Royce and Proof reconciled before Proof’s passing in 2006, leading to a reunion between Eminem and Royce. The song “Living Proof,” dedicated to Proof, is a back-to-basics collaboration between friends who are arguably two of the greatest rappers. 

The shock value and unpredictable rhyming on songs like “The Reunion” are prime examples of how Hell: The Sequel perfectly picked up where the two left off. The rappers brought the best out of each other on the EP. The project is full of dazzling flows as the two seamlessly trade bars with one another, displaying an effortless chemistry. The Havoc-produced “Welcome 2 Hell” sees the two trading verses back and forth, playing to each other’s strengths at a rapid pace. The intensity of the song is kept throughout the EP with aggressively witty tracks like “Fast Lane,” “Above The Law,” and “A Kiss.” Hell: The Sequel also has arguably the best production of any post-Recovery Eminem release.

A Concise Listen

The nine-track standard version of Hell: The Sequel clocks in at 37 minutes, and the additional bonus tracks make it 46 minutes. The 11 songs on the project left minimal room for error, making for an enjoyable listen with no filler. Many previous Eminem and Royce Da 5’9” albums tended to be lengthy, but Hell: The Sequel did not overstay its welcome. Both rappers’ fans were satisfied with the project, and its length added replay value. 

There was also plenty of variety, from intense bangers to humorous tracks like “I’m On Everything” and the sentimental lead single, “Lighters.” Diehard fans and critics alike have criticized Eminem for his long albums and pop songs, but Hell: The Sequel did not receive the polarizing reception that Eminem usually received for an album. The display of skills and chemistry between Eminem and Royce was almost definitely the reason for such positive reception. 

The Shady 2.0 Era

Aside from being the highly-anticipated collaborative EP from Eminem and Royce Da 5’9”, Hell: The Sequel also signified the Shady 2.0 era. Eminem had completely revamped Shady Records, signing Yelawolf and Slaughterhouse, the latter of which Royce was a member. Slaughterhouse had previously appeared on “Session One” from Recovery and backed Eminem in the “Forever” video. 

Eminem, Slaughterhouse, and Yelawolf were a united Shady Records in their historic BET Cypher and their song, “2.0 Boys.” The song “Loud Noises” from Hell: The Sequel was a frantic declaration of Slaughterhouse’s signing to Shady. Eminem, Royce, KXNG Crooked, Joe Budden, and Joell Ortiz spat head-spinning bars with clever punchlines and aggressive delivery. The song was a glimpse of what could have been one of the strongest hip hop labels. It was an incredibly promising track before the widespread disappointment of Slaughterhouse’s Shady debut and their breakup.

Despite the dissolution of Slaughterhouse in the following years, Hell: The Sequel was a moment for Eminem as a rapper and label executive and Royce as a solo artist and member of multiple groups. Since 2011, Eminem and Royce Da 5’9” have worked together as Bad Meets Evil on the 2014 Shady XV compilation and the 2015 Shady-produced Southpaw soundtrack. The two also appeared on each other’s songs, such as “Caterpillar” and “Not Alike.” Eminem’s most recent album, 2020’s Music to be Murdered By, featured three Royce Da 5’9” features, including a Joe Budden-less Slaughterhouse reunion. The quality of Hell: The Sequel has left fans longing for another Bad Meets Evil release. According to Royce, the possibility of more Bad Meets Evil is up in the air.

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