Drake Allegedly Left Dreamville Festival Before J Cole Went On Stage, Mandii B Claims

Get your tinfoil hats on, folks: we have another possible development in the Drake and Kendrick Lamar beef, which once upon a time also included J. Cole. Moreover, these new claims come from guest Mandii B on the Need To Know podcast, who alleged that Drake was actually in attendance at this year’s Dreamville fest. If you recall, this was the moment in which Cole apologized to K.Dot for his response track, “7 Minute Drill,” affirming that beef wasn’t in his spirit and he would remove the track from streaming services out of love for the Compton rapper.

Well, according to Mandii, Drake was actually backstage at the Dreamville Festival in North Carolina, and was presumably slated to appear alongside J. Cole. She even insinuated that they meant to perform “First Person Shooter” together, but that when Drizzy found out that the “No Role Modelz” MC was going to back out, he left 30 minutes before his colleague hit the stage. Of course, it’s important to note that this is an unverified allegation, one that fans and social media users disputed in the comments section of the post below. Still, considering how the public has reevaluated Jermaine’s decision, this is an interesting possibility to think about.

Read More: Boosie Badazz Thinks Someone Could Have Gotten Hurt Amid Drake & Kendrick Lamar Beef

Drake Attended Dreamville Festival But Left Before J. Cole Performed: Hear The Alleged Story

For one, fans could assume, if this story is true, that Drake meant to explicitly team up with J. Cole against Kendrick Lamar through this statement performance. While we’ll probably never know for sure what the dynamic was here, it at least suggests that Cole let Aubrey know of his plan beforehand. Now that the beef between the “Poetic Justice” duo has seemingly settled for now, many are taking a retrospective look at the bread crumbs behind us. Even if this story isn’t true, it’s fair to say that there is a lot of tension between all parties now as a result, even if some is stronger than others.

We already saw what it looks like when other rappers like Lil Yachty appeared in the mix involuntarily, or when folks like Rick Ross doubled down and chased equal engagement. None of it’s been very pretty. As such, we’ll probably see a lot more theories come up as to what really happened between Drake, Kendrick Lamar, and J. Cole. The most likely outcome is that this is the latest myth in hip-hop history, and one we’ll be scratching our heads with for years to come.

Read More: T.I. Claims Drake Vs Kendrick Lamar Ruined Things For Other Rappers

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Amaarae Elevates ‘Fountain Baby’ Onstage, Where It’s Sure To Rock Your World

Amaarae Interview image, waterfall background
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Amaarae’s second album Fountain Baby has taken on a life of its own. Nearly a year after its release, the 14-track project is still heavily in rotation by fans near and far. Additionally, it’s helped to take Amaarae to all corners of the world, most recently for a performance at Dreamville Festival earlier this month.

With every spin of Fountain Baby, there’s something new to love which explains the recent surge in popularity of “Angels In Tibet.” The track was recently crowned as the fourth single from the album, joining favorites “Reckless & Sweet,” “Co-Star,” and “Wasted Eyes.” It also received a mass remix treatment thanks to a new EP that delivered new takes of the song from the likes of Juls, Kaytranada, and Aliyah’s Interlude.

The magic of Fountain Baby also comes alive onstage where Amaarae has the opportunity to present the album in a new way. The in-person experience grants the singer a control panel with all the necessary levers, nooks, and crannies needed to reimagine her album is a multitude of ways. Creating Fountain Baby is one thing and crafting a live experience behind it is another tall task, but it’s one that Amaarae was excited to accomplish from the very beginning.

Following her performance at Dreamville Festival, we caught up with Amaarae for a conversation about live performances of Fountain Baby records and what her dream concert experience for the album would look like.

When making a project like Fountain Baby, how much thought goes into what performing these songs might sound like while also maintain the cohesiveness of the project?

I thought about it a lot. When I made this project, I really went into it thinking about the performance aspect and how to really translate the songs beautifully to live. My first album, when we would do it live, it just felt very soft, it wouldn’t knock on the stage. So every time I was with the guys, I’d be like, “Yo, the drums gotta knock,” cause when we take this to the stage, people need to be slapped in the face with it. That that was a big thing, making sure those drums are heavy and you feel them, and [that] those synths are really in your face and pulsate through your body. That was a big thing for me, thinking about how it would translate live.

What’s a song from the project that made you say, “Oh, I cannot wait to perform this!” once it was done?

Probably “Co-Star” or “Princess Going Digital.”

What are some things you try to emphasize in order to really bring this album to life when you perform it?

I think lights are really important. Every time I write a song or make an album, I think about color. That’s one of the first things that I think about. So, making sure that the lights feel as intentional and as powerful as the music, and it feels almost like a beating heart and a pulse that works through the music is really important for me. I [also] think about certain live elements that I like to bring to stage like drums — mixing live drums and programmed drums to make sure that they really knock — and synths. As I get bigger and bigger and as production gets bigger and bigger, I want to have huge synths where you can really feel the power of music. Also, recently: movement. I didn’t used to be much of a dancer, I’m not a crazy dancer, I’m not a crazy dancer at all, but I kind of seen the value in finding your own swag, what works for you movement-wise, and really using that to tell the story of the music as well. I’ve enjoyed finding my own swag as a dancer, I think I have my own brand now.

Describe what would be the perfect Fountain Baby concert experience. Who would be the artists opening for and performing with you? Where would you have it? What other elements would you have? There are no limitations here.

Think about the biggest waterfall on Earth, and if I can build a stage in the waterfall where it’s seamless with the waterfall? That would be fire. I like my openers so far. I think I would stick with the openers that I have now. Talia Goddess is crazy, Amindi is crazy as well. I would have a fire DJ open for me because I think the a really great DJ can just set the tone and really prepare the audience for what’s about to come next. So I would have a really amazing DJ open up for me and yeah, I would love to do it in a waterfall, that would be spiritual to imagine.

What’s the message, feeling, or emotion that you hope people leave with after seeing you perform?

I think belief in self and the confidence to make choices that benefit them the most. I’m not a perfect person. and as I’ve been performing the album, I’ve really been listening to the lyrics and I’m like man, I was really going through something there and I was really in a shift and experiencing so much. Now, I’m realizing how much that album wasn’t even about love or lust, but it was about discovery of my own self through the good, the bad, [and] the evil, and here I am still standing. So here y’all should be still standing and we should all go forth and motherf*cking prosper.

Angels In Tibet (Remix Pack) is out now via Golden Angel LLC/Interscope Records. Find out more information here.

Dreamville Festival 2024: J. Cole’s Cultural Phenomenon Lights Up Raleigh’s Dorothea Dix Park with Two Days

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Raleigh’s Dreamville Festival, conceptualized by North Carolina and Dreamville’s own, J. Cole, returned to the scenic Dorothea Dix Park this past weekend, unfolding two days of live music that was both a celebration of music and a testament to the cultural impact of hip-hop. With the festival drawing in massive crowds from across the state and country, its contribution to North Carolina’s economy was palpable, echoing the effect of over 1,300 full-time jobs with its $145 million impact thanks to the sold out festival. 

Saturday set the stage with an eclectic mix of artists, starting with the dynamic rising star Sexyy Red, whose afternoon performance was a vibrant kickoff to the festival. The energy continued to build with names like R&B veteran, Jeremih, and the always energetic and entertaining, Lil Yachty, who set the tone with their melodic hooks and charismatic performances. Schoolboy Q and J.I.D then took the reins later in the evening, delivering hard-hitting verses that resonated with the hip-hop purists in the crowd. 

The evening reached a high with 50 Cent, who, stepping in for Chris Brown, proved why he remains a titan in the industry. His set was a relentless journey through his catalog of hits, captivating the audience with his gritty narratives, infectious beats and a surprise appears by North Carolina’s own, DaBaby. Having just wrapped up his farewell tour months ago, his substitute performance was a treat, especially since it could be one of his final performances. 

Changing the mood, R&B superstar SZA followed, crafting a different kind of magic with her ethereal vocals and introspective lyrics. Her performance was a soothing counterbalance to the high-energy acts of the night, leaving the audience spellbound and putting the cherry on top of an already epic Day 1 of the festival. 

Sunday’s performances were equally compelling, with each artist bringing their unique flair to the festival. Rae Sremmurd, Jeezy, and Key Glock energized the crowd with their high energy sets, setting the stage for one of the most anticipated performances of the night by Nicki Minaj. Albeit an hour late, the queen of rap made up for the lengthy delay by dominating the stage with her unparalleled flow, charisma, and a repertoire of tracks that had the crowd hanging on every word. Her performance was not just a display of her musical prowess but a reminder of her indelible influence on the genre. 

As expected, the climax of the festival was J. Cole’s headlining set on Sunday night, an event that was much more than a musical performance; it was a cultural moment that Cole delivers annually for the festival crowd. Fresh off the release of his latest surprise album “Might Delete 

Later,” which had already become a streaming sensation, Cole’s set was charged with anticipation, kicking things off with the live debut of “Crocodile Tearz” in front of a backdrop setting of Fayetteville, Cole’s hometown which sits just an hour south of the Dreamville festival grounds. His performance included some selects from the new album, but of course was full of his classics like “No Role Modelz”, “Power Trip”, “Middle Child” and many more. Cole’s set as a whole, was not just a collection of performances but statements, underscoring his place in the ongoing narrative of hip-hop and its evolving landscape.

But what would a headlining Dreamville performance be without some surprise guests? Cole had collaborators from all over the globe join him for his performance, including Jeremih, Lil Yatchy, Central Cee, Benny The Butcher, Lil Durk and more. The guests not only performed their tracks with Cole, but also some of their biggest hits as an added bonus for the crowd. 

One highlight came as Cole addressed the crowd about the release of his newest project, specifically in its track “7 Minute Drill”. With everyone wondering what shots J. Cole would return to Kendrick Lamar, Cole instead apologized to K. Dot. “I’m so proud of (“Might Delete Later”), except for one part,” said J. Cole. “It’s one part of that shit that makes me feel like, man that’s the lamest shit I did in my fuckin’ life, right?” Cole went on to express his love for Lamar and called his jab on “7 Minute Drill” corny. While the internet was loving the rap beef between the two hip-hop heavyweights, it’s good to see there is no love lost from Cole to Kendrick, making his headlining performance one that Dreamville fans won’t forget. 

Dreamville Festival’s success was not solely due to the impressive lineup but also the seamless experience it offered. With two stages and a schedule designed to minimize conflicts, attendees were able to fully immerse themselves in the music. The festival also catered to the palate with a wide selection of foods and engaged the visual senses with installations from local artists, enriching the overall experience and a staple for a music festival to survive year after year in such an oversaturated space. 

This year’s festival was a convergence of past, present, and future, a place where legends stood shoulder to shoulder with emerging stars, and where music was the universal language. As the festival grounds return to calm, the echoes of Dreamville resonate, leaving an imprint on fans who are already counting down the days until the festival returns for another early kickoff to the summer. 

Check out our favorite images from Dreamville 2024 below.

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J. Cole’s Dreamville Fest Setlist: The Full List Of Songs Complete With Guests

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J. Cole performed at North Carolina’s Dreamville Festival yesterday (April 7) and had a ton of surprises in store. Throughout his set, he brought out several special guests, like Jeremih, 6LACK, Lil Yachty, Central Cee, and more. He also addressed the fact that he dissed Kendrick Lamar on “7 Minute Drill” recently, apologizing and taking the blame.

In total, J. Cole performed a stacked 26 songs between his biggest solo hits and covering tracks from other artists, making it well worth it for fans who were there to watch him.

Check out his complete setlist below, according to Setlist.FM.

J. Cole’s Dreamville Fest 2024 Setlist

1. “Crocodile Tearz” (Live debut)
2. “Middle Child”
3. “Wet Dreamz”
4. “A Tale Of 2 Citiez”
5. “G.O.M.D.”
6. “Power Trip”
7. “Planez” (Jeremih cover) (with Jeremih)
8. “Oui” (Jeremih cover) (with Jeremih)
9. “Pretty Little Fears” (6LACK cover) (with 6LACK) (Cole live debut)
10. “Nonchalant” (6LACK cover) (with 6LACK)
11. “PRBLMS” (6LACK cover) (with 6LACK)
12. “Johnny P’s Caddy” (Benny the Butcher cover) (with Benny the Butcher)
13. “Rubber Bands & Weight” (Benny the Butcher cover) (with Benny the Butcher)
14. “The Secret Recipe” (Lil Yachty & J. Cole cover) (with Lil Yachty)
15. “Strike (Holster)” (Lil Yachty cover) (with Lil Yachty)
16. “Under The Sun” (with Lute, Bas, Cozz, EARTHGANG, & Omen)
17. “Down Bad” (with Bas, Cozz, EARTHGANG, & Omen)
18. “H.Y.B.” (with Bas) (Live debut; also with Central Cee)
19. “Sprinter” (Dave & Central Cee cover) (with Central Cee)
20. “Doja” (Central Cee cover) (with Central Cee)
21. “The London” (Young Thug cover)
22. “A Lot” (21 Savage cover)
23. “All My Life” (Lil Durk cover) (with Lil Durk)
24. “Back In Blood” (Pooh Shiesty cover) (with Lil Durk)
25. “Love Yourz”
26. “No Role Modelz”

DJ Akademiks Rips J Cole To Shreds For Kendrick Lamar’s Apology

DJ Akademiks is someone who has always had very strong opinions when it comes to the hip-hop world. Overall, he is someone who has actually angered people with his takes. For instance, he has been in feuds with the whole rap world, including Vic Mensa, Meek Mill, Nicki Minaj, and even Yung Miami. That said, it is very clear that Akademiks doesn’t mind being offensive when he has to be. Recently, Akademiks went off on none other than J Cole, following his apology to Kendrick Lamar, at Dreamville Festival.

“J Cole apologized to Kendrick Lamar.. WTF going on in rap.. n***a violated u.. u retaliated and u apologized. Kendrick might be right.. aint no big 3.. its just BIG HIM. WTF,” Akademiks wrote. “If Drake apologize to Kendrick Lamar.. i’m Done with Rap. Imma cover and only listen to Country Music. First Person Shooter dont even hit the same after that dam apology…” Needless to say, Akademiks was beside himself when he heard the apology. It was the worst thing that Cole probably could have done.

Read More: Saucy Santana Continues To Taunt DJ Akademiks

DJ Akademiks Speaks Out

Subsequently, Akademiks continued to go off on Cole. He noted that the rapper was “never meant to be Number one.” He even said that Cole can no longer be part of the big three anymore. Instead, it should belong to Future. “This N***a J Cole just gave Kendrick Lamar a bye round in the Battle.. Kendrick Don’t even gotta drop another song.. Literally the N***a u dissed… Tried to Diss u back and APOLOGIZED for even tryna disrespect u. WTF going on. We’ve never seen this in the history of rap,” Akademiks explained.

More Thoughts

Let us know what you think of the rant from DJ Akademiks, in the comments section down below. Do you believe this is actually that bad of a look for J Cole? Do you believe that he will be able to come back from all of this? Additionally, stay tuned to HNHH for the latest news and updates from around the music world. We will continue to keep you informed on all of your favorite artists and their upcoming projects.

Read More: DJ Akademiks’ 7 Biggest Beefs

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JID Previews New Song At Dreamville Festival, Predicts Grammy Recognition

JID previewed an upcoming collaboration with Anycia during his performance at Dreamville Music Festival at Dorothea Dix Park on Saturday. Afterward, he predicted on social media that the track is going to make waves at next year’s Grammy Awards. On the song, he raps: “You ain’t no killas / Y’all just a bunch of cover girls / All that complimenting n****s sh*t / Leaving a comment, you leave it to me I’d send you to another world with dis sh*t / Magic wand, b*tch the work in my wrist / Magic Johnson, man I’m sick with assist / Bron Bron when I jump in the 6.”

Anycia shared the clip on Twitter and thanked JID with the caption: “This not my announcement but here go another cool thing i did. Thank u brother man.” He wrote back: “See u at the Grammys Nene lol.” The interaction had fans hyped for an official release. “I just love seeing how my favs are getting recognition now,” one user replied. Another wrote: “THIS IS THE BEST COLLAB EVER WTF.”

Read More: MGK & Trippie Redd Sneak In A Subtle JID Feature On “Who Do I Call”

JID Performs During Dreamville Music Festival

RALEIGH, NORTH CAROLINA – APRIL 06: JID performs during the 2024 Dreamville Music Festival at Dorothea Dix Park on April 06, 2024, in Raleigh, North Carolina. (Photo by Astrida Valigorsky/WireImage)

The performance at Dreamville Festival comes as JID continues to prepare his long-awaited album, Forever & A Day. He announced the effort on Instagram Live, last August, and the project is expected to release sometime this year. It’ll be his first studio album since 2022’s The Forever Story. Check out a clip of JID performing the upcoming song on Twitter below.

JID Previews New Song

Next month, JID will be embarking on The American Dream Tour with 21 Savage, 21 Lil Harold, and Nardo Wick. The group will be performing in 30 cities across the United States. Be on the lookout for further updates on JID on HotNewHipHop.

Read More: Lyrical Lemonade Unveils “All Is Yellow” Tracklist With Features From JID, Jack Harlow, Dave, Kid Cudi, And More

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JID Teased His Upcoming Collaboration With Anycia During The Rapper’s Set At 2024 Dreamville Festival

JID 2024 Dreamville Music Festival
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Dreamville Festival’s return to the south engaged one performer to show his stomping grounds some love. Yesterday (April 6), during his set at the 2024 installment, JID took a moment to tease an upcoming collaboration.

The unnamed track debuted as part of his performance and is set to feature fellow Atlanta native Anycia. With the crowd’s full attention, JID gave them a taste of the coming bars. “You ain’t no killas / Y’all just a bunch of cover girls / All that complimenting n****s sh*t / Leaving a comment, you leave it to me I’d send you to another world with dis sh*t / Magic wand, b*tch the work in my wrist / Magic Johnson, man I’m sick with assist / Bron Bron when I jump in the 6,” he rapped.

Once users online gained wind of the forthcoming record, they began to tag Anycia to verify the news. So, Anycia did just that. On her personal X(formerly Twitter) page, she confirmed she is indeed featured on the unreleased song. “This is not my announcement, but here goes another cool thing I did,” she wrote. “Thank you, brother man.”

JID returned the love, writing: “See you at the Grammys, Nene, LOL.”

It is unclear when the track will hit streaming platforms or if it will be featured on JID’s long-awaited collaborative album, Forever & A Day, with Metro Boomin. So, you will have to wait until more details are shared.

J Cole’s “7 Minute Drill” Title Explained By Producer T-Minus

T-Minus, who worked with J. Cole on his new song, “7 Minute Drill,” reflected on the making of the track at a Dreamville Festival panel with Complex‘s Jordan Rose on Friday. In doing so, he explained the title and how it stems from a writing drill Cole likes to use. The track is the closing song to his new mixtape, Might Delete Later.

“Cole likes to do these writing drills,” he began. “He calls them ‘seven-minute writing drills.’ He’ll write a joint for like seven minutes and see how far he can get, but he also does it with production. So over the last few years, when we cook up, he’ll be like, ‘Yo, make a beat in seven minutes. Go.’ Sometimes I’ll be like, ‘You do a verse in seven minutes.’ So after I did my seven-minute beat, I was like, ‘It’s your turn.’ He’s like, ‘Yo, give me a word.’ So I looked at my FL Studio system and I saw the word ‘light,’ so I was like, ‘light.’ He took it from there and started with ‘light.’”

Read More: J Cole Drops Surprise Album “Might Delete Later” And Disses Kendrick Lamar In The Process

J. Cole Performs At Dreamville Festival

RALEIGH, NORTH CAROLINA – APRIL 02: J. Cole performs during the 2023 Dreamville Music festival at Dorothea Dix Park on April 02, 2023 in Raleigh, North Carolina. (Photo by Tim Mosenfelder/Getty Images)

Despite the title, it actually took Cole slightly longer than seven minutes, as T-Minus added: “I left the room, gave him seven minutes and came back. He’s like, ‘Yo, just give me another seven minutes. I think I’ve got something going.’ And, you know, the rest is history.” The track is making waves on social media for the lyrics, with which Cole disses Kendrick Lamar. The two have been feuding since Lamar took aim at Cole and Drake on Metro Boomin and Future’s hit song, “Like That.”

T-Minus Discusses Making “7 Minute Drill”

Check out T-Minus’ comments on the making of “7 Minute Drill” above. Be on the lookout for further updates on J. Cole and his feud with Kendrick Lamar on HotNewHipHop.

Read More: J Cole Disses Kendrick Lamar: Breaking Down The Bars On “7 Minute Drill”

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Here Are The Dreamville Festival Set Times For 2024

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It’s finally (almost) here: J. Cole’s Dreamville Festival is returning to Raleigh, North Carolina for its 2024 edition this weekend, on April 6 and 7. In case you missed it, there was a last-minute lineup change, with 50 Cent in and Chris Brown out. As for when 50 and the rest of the artists on the lineup are performing, take a look below.

Here Are The Dreamville Festival Set Times For 2024

Dreamville is a relatively small festival, with just two stages and two days, so running through the set times is fortunately simple.

Playing the Rise Stage on Saturday, April 6 are Luh Tyler at 1:20 (all times p.m.), Amaarae at 2:05, Earthgang at 3:30, Jeremih at 5, Schoolboy Q at 6:30, and 50 Cent at 8:15. Over on the Shine Stage, there’s Domani at 1, Lute at 1:40, Teezo Touchdown at 2:45, Sexyy Red at 4:15, Lil Yachty at 5:45, JID at 7:15, and SZA at 9:30.

For the second day (Sunday, April 7) at the Rise Stage, performing are TiaCorine at 1:20, Coss at 2:05, Key Glock at 3:15, Monica at 4:45, Jeezy at 6:15, and Nicki Minaj at 8. On the Shine Stage, there’s Chase Shakur at 1, Omen at 1:40, Hunxho at 2:35, Bas at 4, Rae Sremmurd at 5:30, Rema at 7, and J. Cole at 9:30.

If you’d prefer that info as a graphic, check it out below. There’s also a listing on the Dreamville website.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Here’s Where To Park At Dreamville Festival 2024

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If you got your 2024 Dreamville Festival tickets, congratulations! Now, you have a new journey ahead of you: Figuring out how you’re going to get to the fest. If driving is looking like your best option, here’s what to know about parking.

Here’s Where To Park At Dreamville Festival 2024

There’s an official guide to Dreamville parking on the festival’s website, as well as as some informative graphics you can check out below.

Parking can be purchased at NC State University’s Centennial Campus, right across the street from Dorothea Dix Park, or here. This guarantees a parking spot in one of the designated Dreamville Festival parking lots, which are on NC State University’s Centennial Campus. The lots will open at will open at 10 a.m. on Saturday, April 6 and Sunday, April 7.

Aside from parking, there’s also an official festival shuttle that will run between Moore Square and the West Entrance of the festival venue at Centennial Park. The shuttle can be used for those who purchase a shuttle pass, and the shuttles will run continuous service from 10 a.m. until 1 a.m. Shuttle passes can be bought here.

Another option is utilizing the pick-up and drop-off spots, whether that’s via a friend driving you or using a rideshare service like Uber and Lyft (or a taxi). Drop-off zones are located near Dorothea Dix Park.

Check out this page for more information about all the aforementioned options.