Kendrick Lamar’s ‘Euphoria’ And All The Disses Toward Drake: A Breakdown & Explanation

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Seventeen days after Drake dropped “Push Ups,” his response to Kendrick Lamar’s “Like That,” Kendrick returned fire with disses of his own on his new record “Euphoria.” Kendrick’s response to Drake comes four days sooner than Drake’s own did, and the Compton rapper wasted no bars in the six-minute record. While Drake’s record took aim at Kendrick Lamar as well as took aim at names like Rick Ross, Future, Metro Boomin, Ja Morant, The Weeknd, Kendrick’s diss focuses solely on Drake. All in all, “Euphoria” is an excellently constructed response filled with double entendres that fire back at Drake in more ways than one.

Let’s break down all the disses and peel back the many layers that exist on the song:

“Euphoria” — the song title

The surface-level explanation for the song here is the feeling that Kendrick Lamar has as he puts out his response to Drake. As the artwork for the song reveals, “euphoria” is a “feeling of well-being or elation,” but it goes much deeper than that. Drake is an executive producer on Euphoria, a show centered on the experiences of high school students. Drake has been questioned by fans about his interactions with underage and young women all throughout his career. The most notable one came after Millie Bobby Brown, who was 13 at the time, gushed about her friendship with the rapper in an interview. “We just texted the other day and he was like ‘I miss you so much,’ and I was like ‘I miss you more!’” she said. Kendrick plays into these rumors and allegations with the song title.

“Everything they say about me is true…”

This line is said in reverse at the beginning of “Euphoria.” The audio is from the 1978 film The Wiz in a line said by Richard Pryor. The full line from the movie is “Everything they say about me is true, I’m a phony…” It’s the beginning of several lines in the song that question Drake’s character and authenticity.

“You not a rap artist, you a scam artist with the hopes of bеing accepted / Tommy Hilfiger stood out, but FUBU nеver had been your collection”

Kendrick continues to question Drake’s authenticity and even goes as far as to question Drake’s Blackness. Tommy Hilfilger was a prominent fashion brand in the hip-hop community during the 1990s, but by the following decade, Hilfiger was accused of being racist as he allegedly disapproved of hip-hop’s embrace of his brand. As a result, hip-hop artists dropped their support for Hilfiger in favor of supporting brands like FUBU. Kendrick casts doubt on Drake’s Blackness by alleging that Drake owned Tommy Hilfiger clothes as he believed it was needed to seem apart of the Black hip-hop community. However, as Kendrick alludes, if Drake was truly apart of the community, he also would’ve had FUBU in his closet, among other Black brands.

“How I make music that electrify ’em, you make music that pacify ’em / I can double down on that line, but spare you this time, that’s random acts of kindness”

Another reference to Drake’s interactions with underage and young women. Kendrick says his music gives people live, while Drake’s own calms people down and puts them to sleep, something a pacifier can help a child do. On the surface, this line is Kendrick’s way saying that Drake’s music is for kids, though he ackownledges a double entendre exists in the line. Despite that, Kendrick won’t go further on the topic, a moment of kindness that won’t be seen again for the rest of the diss track.

“The very first time I shot me a drac’, the homie had told me that “Aim it this way” / I didn’t point down enough, today I show you I learn from those mistakes”

Kendrick recalls the first time he shot a Draco pistol and admits that while he did not do it corrently back then, he eventually learned from those mistakes. Calling the Draco a “Drac,’” creates another double entendre, as it sounds like Kendrick is saying “Drake.” Kendrick is saying that his past jabs at Drake, weren’t good enough, but with “Euphoria,” he proved that he’s figured it all out.

Somebody had told that me you got a ring, on God, I’m ready to double the wage / I rather do that, than let a Canadian n**** make Pac turn in his grave”

Last summer, a report revealed that Drake purchased Tupac Shakur’s famed ring for the price of $1 million, three times more than the pre-sale estimate of between $200,000-$300,000. With this line, Kendrick says he ready to pay double for the ring as Drake possessing it is enough to make Tupac turn in his grave.

“Yeah, Cole and Aubrey know I’m a selfish n**** / The crown is heavy, huh / I pray they my real friends, if not, I’m YNW Melly”

Kendrick doesn’t want to share rap’s crown, and being that Drake and J. Cole have been atop the rap game beside him for years, Kendrick says his hip-hop counterparts are aware of his selfishness. In the end, Kendrick hopes Drake and Cole are his real friends, because if they aren’t, he’ll have to do away with them both as YNW Melly allegedly did to his two friends.

“I don’t like you poppin’ sh*t at Pharrell, for him, I inherit the beef / Yeah, f*ck all that pushin’ P, let me see you push a T / You better off spinnin’ again on him, you think about pushin’ me? / He’s Terrence Thornton, I’m Terence Crawford, yeah, I’m whoopin’ feet”

Kendrick wasn’t a fan of Drake dissing Pharrell on “Meltdown,” so he’s stepping in to respond for Pharrell. Kendrick doesn’t want Drake to diss Pharrell, he’d rather see him deliver his long-awaited response to Pusha T. Furthermore, Kendrick thinks it would be better for Drake to diss Pusha instead of him. Pusha T is Terrence Thornton (his birth name), but Kendrick is like undefeated boxing champion Terence Crawford, whose record is 40-0 (could be a sly reference to Drake’s longtime producer OVO 40). Kendrick will be “whoppin’ feet,” LA slang for beating up someone out of their shoes, in his battle with Drake.

“I know some sh*t about n**** that make Gunna Wunna look like a saint”

Kendrick essentially says if you think Gunna is a snitch in the YSL RICO case, wait till I tell you what I know about Drake and others.

I hate the way that you walk, the way that you talk / I hate the way that you dress / I hate the way you sneak diss, if I catch flight, it’s gon’ be direct / We hate the b*tches you fuck, ’cause they confuse themselves with real women / And notice, I said “We”, it’s not just me, I’m what the culture feelin’”

Kendrick hates everything about Drake: the way he walks, talks, dresses, and sneak disses other artists. Kendrick also hates the woman Drake’s has sexual interactions with because they are not “real women.” This could be another jab at Drake’s alleged affinity for underage/young women as a “real woman” could be defined as a woman over 21 years of age. Kendrick then says that it’s not only him who believes it, but the rest of hip-hop or music culture.

You gon’ make a n**** bring back Puff, let me see if Chubbs really crash somethin’

Kendrick recalls the 2014 club incident where Diddy allegedly punched Drake during a fight in LIV Miami. Kendrick considers bringing Diddy into the battle to really strike fear into Drake. This would mean that Chubbs, Drake’s bodyguard, would have to step in and defend Drake. The Chubbs mention is also a response to him calling Kendrick a “little boy.” In a post to his Instagram Story in response to a rumored Drake diss from Kendrick at that time, Chubbs wrote, “Tell That Little Boy Drop!!! But He Won’t.” Well. He did.

Yeah, my first one like my last one, it’s a classic, you don’t have one / Let your core audience stomach that / Didn’t tell ’em where you get your abs from”

Kendrick brags about having classic albums, something he says Drake does not have. He goes on to say that Drake’s fans need to stomach, or accept, the fact Drake doesn’t have a classic album. As if that wasn’t enough, Kendrick then mocks Drake for allegedly getting liposuction surgery in order to have a six-pack core, a fact he seemingly tries to keep hidden.

“Headshot for the year, you better walk around like Daft Punk”

An amazing double entendre!! Kendrick says his bars on “Euphoria” are the equivalent of Drake receiving a gunshot to the head. The head injuries will force Drake to hide his wounds and “walk around like Daft Punk,” the French electronic music duo known for wearing robot-lie helmets. Kendrick is also saying the “headshot” diss make Drake a “daft punk” dur to his brain injuries. Daft by definition is “silly; foolish” while punk means “a worthless person.” Thanks to “Euphoria,” Drake is now a silly, foolish, and worthless person according to Kendrick.

Surprised you wanted that feature request / You know that we got some sh*t to address

Kendrick suggests that Drake reached out to him for a guest verse (allegedly for “First Person Shooter“) despite their ongoing beef, a request that shocked Kendrick.

I’m knowin’ they call you The Boy, but where is a man? ‘Cause I ain’t see him yet

Kendrick is back to questioning Drake’s character, using the Toronto rapper’s nickname as “The Boy” to point to Drake’s inability to be a man.

“When I see you stand by Sexyy Red, I believe you see two bad bitches / I believe you don’t like women, that’s real competition, you might pop ass with ’em”

In recent months, Drake has been spotted with Sexyy Red on multiple occasions. Kendrick believes Drake wants to be like Sexyy Red and other female rappers. A line later, Kendrick goes on to say that Drake doesn’t like women and sees them as competition, enough to shake ass as some do in their videos, performances, and social media posts.

“Let’s speak on percentage, show me your splits / I make sure I double back with you / You was signed to a n**** that’s signed to a n**** that said he was signed to that n**** / Try cease and desist on the ‘Like That’ record / Hoe, what? You ain’t like that record?”

Kendrick responds to Drake’s claim that Kendrick was being extorted in his previous record deal with TDE and reminds Drake that once signed to Young Money under Cash Money Records which is under Universal Music Group. The “that n****” may be Birdman who was sued by Lil Wayne and accused of withholding profits and refusing to release his Tha Carter V album. Next, Kendrick accusses Drake of sending a cease and desist letter for Future & Metro Boomin’s “Like That,” which Kendrick appears on and used to diss Drake in his verse. This isn’t the first time Drake was accused of sending a cease and desist letter to another rapper.

“‘Back To Back’, I like that record / I’ma get back to that for the record / Why would I call around tryna get dirt on n****s? / Y’all think all of my life is rap?
That’s hoe sh*t, I got a son to raise, but I can see you know nothin’ ’bout that / Wakin’ them up, know nothin’ ’bout that / And tell ’em to pray, know nothin’ ’bout that / And givin’ ’em tools to walk through life like day by day, know nothin’ ’bout that / Teachin’ the morals, and take all the discipline, listen man, you don’t know nothin’ ’bout that / Speakin’ the truth and consider what God’s considerin’, you don’t know nothin’ ’bout that”

Kendrick shows love to Drake’s “Back To Back” record, which the Toronto rapper released in 2016 in response to Meek Mill’s ghostwriter claims against him, but explaining why he would never go on a search for dirt on Drake. Kendrick says fatherhood — something he believes Drake is failing at in multiple ways — occpuies too much of his time, making it impossible for him to find the dirt that would be useful for a diss. “Euphoria” proves that Kendrick didn’t need that dirt.

“Ain’t twenty-v-one, it’s one-v-twenty if I gotta smack n****s that write with you”

Since Meek Mill’s ghostwriting accusations against Drake in 2016, the Torono rapper has been unable to shake off claims that he does not write all of his music. So in response to Drake’s “What the f*ck is this, a twenty-v-one, n****?” line on “Push-Ups,” Kendrick corrects Drake and says it will actually be him against Drake and his ghostwriters if things get more violent.

“Am I battlin’ ghost or AI? N**** feelin’ like Joel Osteen / Funny, he was in a film called ‘AI’ /And my sixth sense tellin’ me to off him”

Kendrick responds to Drake’s “Taylor Made Freestyle” which featured AI verses by Snoop Dogg and Tupac from Drake, by asking if he’s battling AI or a ghost, instead of a real-life rapper. He then likens himself to Joel Osteen, though he actually meant Haley Joel Osment, the child actor who starred in the films The Sixth Sense and AI: Artificial Intelligence. Our own Aaron Williams dove into the connection to Haley Joel Osment in his ranking of the disses on “Euphoria.”

“Yeah, OVO n****s is d*ck riders / Tell ’em run to America to imitate heritage, they can’t imitate this violence”

Kendrick disses Drake’s OVO crew and suggest that they all left Canadian and came to the US to appropriate the culture in the states. Probablem is, as Kendrick says, they’re unable imitate everything including Kendrick’s level of aggression and violence on “Euphoria.”

“Don’t speak on the family, crodie / It can get deep in the family, crodie / Talk about me and my family, crodie? / Someone go bleed in your family, crodie”

Kendrick warns Drake about dissing his loved ones as things will get violent if the Toronto native decides to ignore his warning. Kendrick also mocks Drake by using a Toronto accent and the word “crodie,” a crip variation of “brodie” that Toronto rapper and member of the crip Wassa gang, in these bars.

“Whoever that’s f*ckin’ with him, f*ck you n****s, and f*ck the industry too”

Drake’s friends and the overall industry won’t stop Kendrick from going to war, and he’s ready to battle anyone who wants to stand beside Drake.

What Does The Beginning Of Kendrick Lamar’s ‘Euphoria’ Say In Reverse And Where Is It From?

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Kendrick Lamar’s feud with Drake heated up today as the Compton rapper dropped “Euphoria,” a fiery diss track loaded with spicy takedowns of the Canadian hitmaker. The song has become an instant fan favorite, as Twitter users spent the afternoon dissecting its best bars and laughing at Kendrick’s accidental(?) confusion between two similarly-named celebrities. Even the State of New York joined the discourse, using the song to troll rival NBA star Joel Embiid ahead of a possible closeout game in the playoffs.

One part of the song sparking curiosity is its intro, which is a reversed vocal sample. According to the Dissect Podcast account, the sample comes from The Wiz, the 1978 musical film adaptation of the stage reimagining of The Wizard Of Oz. Toward the end of the film, after the Wiz (Richard Pryor) is exposed as a washed-up politician from Atlantic City, he exclaims, “Everything they say about me is true! I’m a phony!”

Obviously, Kendrick’s use of the sample is meant to imply that Drake is the hip-hop equivalent of the Wiz: a fraud who has gotten by on mystique and a false persona for years. This, of course, would make Kendrick… Dorothy? Toto? In any event, he sees himself as the chaos agent revealing the truth behind Drake’s facade.

Kendrick Lamar’s Drake Diss ‘Euphoria’ Is The New Best Way To Tell Someone You Hate Them, According To New York’s Post About Joel Embiid

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With the New York Knicks looking to close out the first round of the NBA playoffs against the Philadelphia 76ers tonight, Sixers all-star Joel Embiid has been declared the “Most Hated Man in NY,” as declared by no less an authority than The New York Post’s front page. This hatred was confirmed by New York’s State Twitter page (I will NEVER call it “X”), which not only reposted the cover from a Knickerbockers fan page, but added some spice of its own courtesy of Kendrick Lamar’s new Drake diss, “Euphoria.”

The new song has no shortage of salt for the Compton rapper’s Canadian foe, but at one point, he dispenses with the fancy wordplay and heady metaphors to distill his argument down to its bare bones: “Now let me say I’m the biggest hater / I hate the way that you walk, the way that you talk / I hate the way that you dress / I hate the way that you sneak diss, if I catch flight, it’s gon’ be direct,” he snarls in the snippet posted by @NYGov. If the Sixers win, Embiid might need the National Guard to provide security (maybe they can take a break from beating up 20-year-olds at Columbia for exercising their First Amendment rights). Which just goes to show how serious it is — do you know how bad it has to be for the GOVERNMENT of the state of New York to quote a Los Angeles-bred rapper’s diss track?

Sports rivalries aside, it looks like Kendrick Lamar has given the world the best new way to tell somebody you dislike them: just send them a “Euphoria” snippet, and they’ll get the message, guaranteed.

Kendrick Lamar Fans Theorize This “Euphoria” Lyric References Drake’s Alleged Sexual Assault Payout

Earlier today, Kendrick Lamar dropped an absolute bomb when he shared “euphoria.” The 6 minute song was a response track to Drake’s disses “Push Ups” and “Taylor Made Freestyle.” Kendrick was nothing if not thorough in his response, taking aim at just about any facet of Drake’s life and career you can imagine. It’s given fans a lot to pour over throughout the day and the revelations are coming in waves. Eagle-eyed fans on Twitter spotted a lyric a few hours after the song dropped that they’ve got a bold theory to try and explain.

The lyric initially doesn’t make a whole ton of sense within the context of the song. “Have you ever paid five-hundred thousand to like an open case,” it reads. But fans think they figured out what Kendrick was referring to. A tweet with nearly 60k linked the song to an old story about Drake from back in 2019. As the story goes, Drake was accused of sexually assaulting a woman while on his Boy Meets World tour in 2017. He eventually admitted to having consensual sex with the woman while denying all the allegations of anything nonconsensual having occurred. The two parties eventually settled the suit out of court for an alleged $350k. Whether that’s specifically what Kendrick was referencing or not isn’t clear yet. Check out the tweet making the connection below.

Read More:

Kendrick Lamar Fans Think They Found The Meaning Of A “Euphoria” Lyric

Before fans even got to the alleged sexual assault lyric, they digested some of the other names that come up in the diss track. Kendrick poked fun at Drake’s association with Sexyy Red, compared the snitching he could do to Gunna’s testimony, and even brought up Pusha T, who Drake famously beefed with back in 2018 after the release of his album Daytona.

Do you agree with the Kendrick fans theorizing that the open case bar is about Drake settling a sexual assault allegation? What’s your favorite lyrics from his new Drake diss track “euphoria?” Let us know in the comment section below.

Read More: Which Rappers Have Apologized To Kendrick Lamar?

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The post Kendrick Lamar Fans Theorize This “Euphoria” Lyric References Drake’s Alleged Sexual Assault Payout appeared first on HotNewHipHop.

Was Kendrick Lamar Supposed To Be On Drake And J. Cole’s ‘First Person Shooter?’

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The people have been waiting. A couple weeks ago, Drake decided to diss Kendrick Lamar with “First Person Shooter,” and onlookers have been anticipating how Lamar would fire back. Finally, Lamar did today (April 30) with “Euphoria,” in which he goes all out on Drake for six minutes.

There’s so much about this song to dissect, but there’s one lyric fans have been looking at that prompts the following question:

Was Kendrick Lamar Supposed To Be On Drake And J. Cole’s “First Person Shooter?”

“Euphoria” certainly has some believing that’s the case. On the track, Lamar raps:

“I hate the way that you walk, the way that you talk
I hate the way that you dress
Surprised you wanted that feature request
You know that we got some sh*t to address.”

This comes after earlier this month, Joe Budden indicated that he heard Lamar was originally supposed to be on the song.

Meanwhile, the song is full of other barbs, including, “You not a rap artist, you a scam artist with the hopes of bеing accepted / Tommy Hilfiger stood out, but FUBU nеver had been your collection,” and, “My first one like my last one: it’s a classic, you don’t have one / Let your core audience stomach that; didn’t tell ’em where you get your abs from.” Uproxx’s Aaron Williams breaks down some of the best ones here.

Kendrick Lamar’s Drake Diss Mixed Up Televangelist Joel Osteen With The Actor From ‘Sixth Sense’ And Now Everybody Is Making ‘Abbott Elementary’ Jokes

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Kendrick Lamar’s new song “Euphoria” has rap fans on social media buzzing, but not just for its inventive Drake disses. While the song’s references to Drake’s foibles and flaws have fans dissecting their favorite lines, one in particular has them scratching their heads instead.

Although pop culture references have never been Kendrick’s strong suit, he name-checks the child actor from the films The Sixth Sense and AI: Artificial Intelligence to undercut Drake’s use of AI to utilize deceased rapper Tupac’s voice in his “Taylor Made Freestyle.” At least, he thinks he does — because the name Kendrick actually checked is Joel Osteen, the controversial televangelist whose Texas megachurch drew negative headlines for how it handled its Hurricane Harvey response in 2017. The name he apparently meant to say is Haley Joel Osment, who achieved cultural ubiquity for his reading of the iconic line “I see dead people” in the 1999 thriller The Sixth Sense.

As fans remark on the hilarious mix-up, one joke that keeps recurring is the similarity to Abbott Elementary character Barbara Howard. One of the show’s teachers played by Sheryl Lee Ralph, Mrs. Howard is the center of a running gag in which she regularly confuses white celebrities’ names, but everyone else can usually figure out who she really means. Examples include Brian Austin Green (Bryan Tyree Henry), Carrie Underwood (Keri Washington), and Tommy Lee Jones (James Earl Jones). Check out some more responses below:

The 10 Best Lines From Kendrick Lamar’s Drake Diss ‘Euphoria’

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Today, Kendrick Lamar escalated his rap war with Drake in a huge way, launching an intercontinental ballistic missile with “Euphoria,” his response to Drake’s paired sallies, “Push-Ups” and “Taylor Made Freestyle.” After Kendrick initially threw down the gauntlet with his verse on Future and Metro Boomin’s We Don’t Trust You track “Like That,” fans were disappointed that it took him so long to clap back at Drake, especially after Drake made the critical error of employing AI reproductions of West Coast icons Snoop Dogg and Tupac Shakur on his latter response to “Like That.”

But any lingering disappointment was blown away — along with all expectations of plausible deniability — when Kendrick dropped “Euphoria,” the most scathing anti-Drake track from one of the Canadian competitor’s foes since “The Story Of Adidon.” In fact, that dust-up is one of the many points of contention Kendrick addresses in “Euphoria,” sneering, “F*ck all that pushin’ P, let me see you push-a-T / You better off spinnin’ again on him, you think about pushin’ me / He’s Terrance Thornton, I’m Terrance Crawford, I’m whoopin’ feet.” And that’s just one of the many, many haymakers Kendrick unloads on his opponent. Here are the 10 best lines from Kendrick’s latest Drake diss and what we think they mean.

“Cole and Aubrey know I’m a selfish n***; the crown is heavy / I pray they my real friends, if not, I’m YNW Melly”

Gifford, Florida rapper YNW Melly is currently on trial for allegedly plotting the murder of two members of his rap crew, YNW Sakchaser and YNW Juvy, and staging the scene to look like the result of a drive-by by rivals. K. Dot likens himself to Melly and Drake and J. Cole to Melly’s victims, pointing out how they couldn’t have been friends if Melly actually did set them up. In the same way, Kendrick doesn’t see Drake or Cole as friends in the rap business, only rivals.

“I hate the way that you walk, the way that you talk, I hate the way that you dress / I hate the way you sneak diss, if I catch flight, it’s gon’ be direct”

Self-explanatory, but it’s rare you see rappers state their emotions so plainly in rap battles. Kendrick doesn’t dress it up in any fancy metaphors, he just tells it like it is (although, on a personal note, I feel like if he REALLY didn’t like him this much, just fight it out. Let’s get all the way negative, as Vince Staples would say).

“My first one like my last one: it’s a classic, you don’t have one / Let your core audience stomach that; didn’t tell ’em where you get your abs from”

In “Push-Ups,” Drake taunts Kendrick over the lukewarm reception of his 2022 album Mr. Morale & The Big Steppers. “Your last one bricked, you really not on sh*t,” he mocked. “They make excuses for you ’cause they hate to see me lit.” Here, Kendrick stands up for his misunderstood album, and in a bit of a non-sequitur, redirects attention to the longstanding rumor that Drake got liposuction in order to cut a more impressive figure.

“Surprised you wanted that feature request / You know that we got some shit to address”

Not much of a diss, but more of a surprising reveal, this line dishes some behind-the-scenes dirt: That despite the tension between the two rappers, Drake still wants to work with Kendrick, who would rather air out dirty laundry than collaborate with Drake again. According to some internet rumors, the song K. Dot turned down? “First Person Shooter,” on which Drake allegedly began the latest round of “sneak-dissing.”

“When I see you stand by Sexyy Red, I believe you see two bad bitches / I believe you don’t like women, that’s real competition, you might pop ass with ’em”

On a personal level, I have to say, I’m disappointed. Rap’s love for casual misogyny rears its ugly head yet again. Kendrick isn’t quite as evolved as he made out on his last album, and yet, there’s something to the idea that Drake engages in just as much misogyny as any rapper, he just dresses it up in “nice guy” rhetoric.

“Let’s speak on percentage, show me your splits, I make sure I double back with you / You was signed to a n**** that’s signed to a n**** that said he was signed to that n****”

Here’s some inside baseball, but also a deft reminder that those who live in glass houses shouldn’t throw stones. When Drake baited Kendrick over his recording contract on “Push-Ups” (“The way you doin’ splits, bitch, your pants might rip”), he conveniently overlooked how bad his own first deal was. Now that Drake’s licensing his publishing to Republic, he’s in a better position, but it wasn’t too long ago he was in the same corner as a lot of rappers (and doing very little to improve conditions overall in the music biz).

“Why would I call around tryna get dirt on n****s? Y’all think all of my life is rap? / That’s ho sh*t, I got a son to raise, but I can see you know nothin’ ’bout that”

Another callback to “The Story Of Adidon,” Kendrick reminds listeners and Drake that rap gossip doesn’t dominate his waking hours — and that Drake had to be “bullied into being a father” (not to be a wet blanket, but I also hate this narrative for a lot of reasons, not the least of which is that all this started on a record from Future, of all people).

“Am I battlin’ ghosts or AI? N**** feelin’ like Joel Osteen / Funny, he was in a film called AI and my sixth sense tellin’ me to off him”

Off the wordplay alone, this might be the best bar in the whole damn song, although Kendrick accidentally (?) pulls a Mrs. Howard from Abbott Elementary (and like Sheryl Lee Ralph’s iconic character, we all know what he means). For all you kids whose birth year starts with a “2,” Haley Joel Osment (the person he meant to reference, not mega-church televangelist Joel Osteen) was a child actor best known for two roles: The Sixth Sense and AI: Artificial Intelligence. In the first, he played a traumatized child who could “see dead people” and in the latter, he portrayed an abandoned android hoping to become a real boy a la Pinocchio.

Kendrick name-checks Osment to take another dig at Drake for using an AI Tupac voice on “Taylor Made,” and the perceived disrespect of using a deceased rap legend to make his point for him using technology — i.e. “ghost or AI.” Dot’s play on “sixth sense” ties the metaphor together but also underscores his natural instinct for battle.

“Whoever that’s f*ckin’ with him, f*ck you n****s, and f*ck the industry too / If you takin’ it there, I’m takin’ it further; psst, that’s somethin’ that you don’t wanna do”

Kendrick ends with a familiar refrain, calling back to his longstanding distaste for industry politics and cold regard for fame. However, he also ends on a warning to Drake — his reprisal could well be even more vicious and revelatory if Drake decides to continue the game.

Kendrick Lamar Claims Drake Sent A Cease & Desist Over “Like That” In New “Euphoria” Diss Track

It’s been more than a month since Future & Metro Boomin’s “Like That” sparked the biggest rap beef of 2024. Kendrick Lamar’s verse took shots at both J. Cole and Drake and it’s been an avalanche of developments ever since. That started when Cole hit back with a diss track of his own slipped into the tracklist of a mixtape called Might Delete Later. The project lived up to its name when Cole apologized for the diss and removed it from streaming services just a few days later. That was followed by Drake’s own response “Push Ups” which just hit the top 20 of the Hot 100 earlier today.

Now Kendrick Lamar has given everyone a big reason to keep talking about the beef. That came when he dropped his new song “euphoria” earlier today. It came as a midweek surprise to fans that had begun to think he may not be responding at all. The song is over 6 minutes long and fans immediately began dissecting what it had to offer. That included roping Sexyy Red into the equation and calling out Drake’s parenting directly. But another detail grabbing people’s attention has to do with the original song that started the entire affair, “Like That.” Check out what Kendrick had to say about it below.

Read More: Which Rappers Have Apologized To Kendrick Lamar?

Kendrick Claims Drake Tried To Stop “Like That” On “Euphoria”

In the new track, Kendrick delivers a lyric about Drake filing a cease & desist order over “Like That.” Fans have interpreted that he’s talking about the “Like That” remix made by Kanye West. The remix leaked onto the internet earlier this month and featured West becoming the most recent rapper to take shots at the “Rich Baby Daddy” hitmaker. If Kendrick is to be believed, it seems like Drake may have tried to shut this remix down as soon as possible.

What do you think of Kendrick Lamar claiming Drake sent a cease & desist order over “Like That” and Kanye West’s remix of it? Do you think “euphoria” firmly won the beef for Kendrick Lamar? Let us know in the comment section below.

Read More: Kendrick Lamar Scores This Milestone For Feature On “Like That”

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The post Kendrick Lamar Claims Drake Sent A Cease & Desist Over “Like That” In New “Euphoria” Diss Track appeared first on HotNewHipHop.

Kendrick Lamar Fires Back at Drake with New Diss “Euphoria”

Kendrick Lamar Headlines Lollapalooza's 2023 Lineup

We back in the beef streets. Kendrick Lamar has disturbed everybody’s Tuesday working morning to fire of “Euphoria.”

The track opens with Lamar rapping over the Teddy Pendergrass classic “You’re My Latest, My Greatest Inspriation,” calling out “the famous actor we once knew” as spiraling. He also stated Drake was a “pathetic master manipulator” created a fake story about Lamar’s family in “Push Ups.” Another early job is “you make music that pacify them, I can double down on that line but spare you this time, that’s random act of kindness,” hinting at rumors of Drake’s involvement with underage girls.

The track then hits a new level, calling out Drake for dodging Pusha T, calling into question his contracts, bieng a poor father and more. All the while, leaving the belief he has more on the way. One of which, “

You can hear it below.

The post Kendrick Lamar Fires Back at Drake with New Diss “Euphoria” first appeared on The Source.

The post Kendrick Lamar Fires Back at Drake with New Diss “Euphoria” appeared first on The Source.